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  Partner: UNT College of Visual Arts + Design
 Decade: 1970-1979
Portable Printing Calculator
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The calculating machine is yellow, sleek and modern. The numbers are printed in white. digital.library.unt.edu/ark:/67531/metadc41446/
TV Garden
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The installation artwork consists of several video monitors placed amongst many potted house plants. digital.library.unt.edu/ark:/67531/metadc41879/
A, C, and D from the series Group/And
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Several pieces of paper, chip board with dark shades of graphite comprise this multi-piece artwork. digital.library.unt.edu/ark:/67531/metadc8915/
Three Iris on Pink
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No Description digital.library.unt.edu/ark:/67531/metadc8299/
Woman
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No Description digital.library.unt.edu/ark:/67531/metadc8248/
Mars At Angles
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Splatters and stains on fabric was then gathered and hung from suspended cable and also attached to the wall at two additional places. digital.library.unt.edu/ark:/67531/metadc36480/
Louisiana Serenade
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A woman seated on a bench appears to listen to two musicians. The work is colorful and loose. digital.library.unt.edu/ark:/67531/metadc36455/
Come Sunday
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The lithograph has the style of a collage. A woman in the foreground holds a small doll or figurine and in the distance another woman and smaller figure walk away. digital.library.unt.edu/ark:/67531/metadc36454/
The Preacher
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Black and white lithograph is abstract. digital.library.unt.edu/ark:/67531/metadc36471/
Judy and Harvey: Exchange
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In a parking lot, a man and woman converse. Next to them is parked a pink Volkwagen car and behind the couple is a white Volkswagen car. The background is the side of a corrugated blue building with two small windows. In the foreground, sharp shadows of the man and woman overlap onto the stone sidewalk. digital.library.unt.edu/ark:/67531/metadc36476/
Platform Sandals
Pair of platform sandals. Shoes have gold kid leather upper, the vamp knotted. Black patent leather covered soles and heels. 4 1/4" high block-style set-back heel. Written on inside of back strap on each shoe: "5 1/2 B 342440". Stamped on each shoe: "Charles Jourdan / Paris" digital.library.unt.edu/ark:/67531/metadc30172/
Dress
Evening dress of pale yellow silk chiffon with bead detailing. V-neckline in front creating the halter, with pieces draped from halter down and out to sides. The entire bodice is finely pleated and gathered, and has beaded panels which creates an empire waist. The beaded panels vary from narrow at center front to wide at sides, and meet at center back. The beading is white and silver beaded horizontal stripes on a mauve background. The skirt is formed by the chiffon being gathered into the beaded panels in many layers and falling to the floor. Dress has a matching lining and has a zipper down center back with hook-and-eye closures at top of zipper and at halter. Label in gown: "Victoria Royal Ltd. / Made In / British Crown Colony / of / Hong Kong". digital.library.unt.edu/ark:/67531/metadc30333/
Ensemble - Coat and Dress
Ensemble of printed silk. The full-length dress is of silk with a printed design of abstract flower forms in red, blue, purple, white, yellow and green on a black ground. It has a rounded neckline and long sleeves which have fabric covered snaps at the wrists. The bodice is seamed and fitted, and the skirt is slightly A-line, flaring to hem. Center back closure, top third is hook-and-eyes, the lower two-thirds is a zipper. The dress is fully lined in black silk. Designer's label sewn inside bodice near waist: "Givenchy". Underneath label is a second label with handwritten notation "48245". The matching coat is of the same print on a heavier weight silk. It is full-length, with a standing collar which has internal wiring for support. The sleeves are full-length, and it has a center front opening which secures with a single fabric-covered snap just below collar. The coat is unlined. Designer's label sewn inside coat at right near waist: "Givenchy". Underneath label is a second label with handwritten notation "48246" This ensemble was made for the donor to wear to the wedding of Maria del Carmen Martinez-Bordiu y Franco, (1951- ) granddaughter of General Franco, to Don Alfonso, Duke of Anjou and Cádiz (1936 - 1989), son of Infante Jaime of Spain, Duke of Segovia and grandson of King Alfonso XIII of Spain. The wedding took place in the chapel of El Pardo Palace, Madrid, on 8th March 1972. The donor noted: "It was designed by Monsieur Givenchy especially for me. Balenciaga was alive, though he had closed his house, and Givenchy consulted with him on this outfit. You can see Balenciaga's line to it. ... Givenchy had the two distinct fabrics printed in the same design -- one for dress and one for coat. He said it must look like the light shining through the stained glass windows of the Chapel." The ensemble has a matching pair of shoes by Roger Viver made of fabric in the same print. digital.library.unt.edu/ark:/67531/metadc30152/
Coat
Sleeveless coat of navy on white zebra printed wool. The street-length coat is of slight A-line, widening to hem. It has wide straps, no collar, and center front opening with 5 circular dark blue plastic buttons. At each hip is a patch pocket with simulated flap, the fabric of the pockets chosen to match the placement on the print. The coat is fully lined in navy fabric. Inside neckline at back is designer's label "Givenchy", folded so that "Made In / France" is not visible. This coat is part of an ensemble that includes a blue wool jersey knit top and slacks. Donor noted that it was "Made for Monte Carlo for day wear". There is also a hat that was worn with the ensemble (1978.013.062) digital.library.unt.edu/ark:/67531/metadc30151/
Dress
Dress of bright green chiffon printed with multi-color shapes and with all-over scattered sequins and beading. The full-length A-line sheath has a round neckline with beaded band trim at neckline. The long sleeves have five non-functioning beaded buttons at wrist, and five hidden snap closures from wrist. The dress has an attached underdress of matte silk printed with same design as the overdress. The garment is fully lined with cream silk which has woven into it a repeated pattern of Hanae Mori's name. The underdress has a zipper closure at center back from neckline to above waist. The overdress has a series of hidden snaps to conceal the zipper, and a line of eight beaded buttons matching those on the sleeves, also non-functional. A single hook-and-loop closure at neck secures the top of the garment. The printed design includes circles, flowers, and fluid lines and triangles in shades of pink, yellow, blue, orange, and violet. The sequins are clear, and are secured with tiny colored beads, the colors of which match the color of the dress they are sewn over. Sewn inside dress at back at left of zipper is designer label: "[Japanese characters] / Hanae Mori" digital.library.unt.edu/ark:/67531/metadc30156/
Ensemble - Dress and Coat
Dress and coat of peacock feathers. The short, sleeveless dress is entirely covered with peacock breast feathers, accented with a 1" band of blue cording and chenille trim at neckline and with blue cord spaghetti straps. It is fully lined with navy polyester. The long, sleeveless coat is covered with peacock herl / flue feathers. It has a round neckline, and no closure. These pieces are part of a larger ensemble, consisting of a total of 9 pieces decorated with peacock and/or golden pheasant feathers. Worn to the Emmy Awards ceremony in Los Angeles, California, April 1976. digital.library.unt.edu/ark:/67531/metadc30293/
Dress
Dinner dress of printed silk organza. The dress is composed of two parts. The caftan-like outer layer of the dress consists of a square silk organza cocoon printed in psychedelic motifs in purples, blues, pinks and chartreuse. It has a high rounded neckline with center back opening secured with six loops and covered buttons. There are applied flat cuffs at the wrist openings and waist-level slits at center front to accommodate the sash. There is a center front slit from hem to knee-level. The inner dress is a matching, full-length, sleeveless sheath in printed silk of the same design. It has a high rounded neckline with center back zipper closure from neck to hip with a single hook-and-eye closure at the neckline. The outer caftan and inner sheath are joined at the neckline. There is a printed silk organza sash of the same fabric that meets at center front and secures with two hook-and-eye closures and has self ties to disguise closure. The sash is swing tacked at the back. There is a center front slit from the hem to knee-level. Lime green silk panels are inset at sideseams, running from the underarm to the hem, and may be later additions to the garment. The dress is fully lined in green silk crepe. Designer's label located inside left center back, beside the zipper: Pierre Cardin / Paris New York". Retailer's label located inside right center back, beside the zipper: "Maisonette / Neiman-Marcus" digital.library.unt.edu/ark:/67531/metadc30265/
Ensemble - Jacket, Skirt and Blouse
Suit in hot pink nubbly wool knit. The ensemble consists of three pieces: a jacket, matching skirt, and black silk shell. The jacket is hip-length, with a shawl collar which has an attached black silk tie. The center front closure has 6 circular brass buttons with central embossed lion's heads and black outer edges. There are four faux flap pockets at front, two on each side of opening, each with button matching those of the closure. The long sleeves have simulated closure, with a line of three buttons matching others on each sleeve. The pocket flaps, cuffs, collar, center front, and hem are all edged in black. Designer's label sewn inside jacket at collar: "Adolfo / New York", with retailer's label sewn in just below: "Neiman-Marcus". The matching skirt is below-knee length, of the same pink wool knit, with pleating beginning 7" below waistband and extending to hem. Skirt has designer's label sewn inside at waistband as jacket. The accompanying black silk blouse is sleeveless, with rounded neckline. Single black silk -covered button closure at back of neck. Shell has designer's label sewn inside at left of closure as jacket. digital.library.unt.edu/ark:/67531/metadc30285/
Ensemble - Vest and Pants
Ensemble consisting of a vest and pants. The vest is of wool,with a scoop-neck and with 5 hook-and-eye closures down center front. It is covered in sewn-on black sequins, and has a 1" border of orange, white and gold beads with gold trim at neckline, front opening, hem, and armholes. On the front and back of the vest are 3" diamond shapes formed of the same beads. The white and orange beads are plastic. The vest is fully lined in black fabric. Labels in vest: "Valentina LTD / RN 34435 / Made in Hong Kong"; "100% Wool / Made in Hong Kong"; and "Medium". The pants are formed as a divided skirt of black wool in a satin weave simulating crepe-back satin. They are floor length, with full-length accordion pleats. There is a wide 3" waistband that is completely beaded to match the vest. The pants have a center back zipper closure with hook-and-eye at waistband, and are unlined. Inside the pants is a single tag at waistband: "Lot Number 11/12". digital.library.unt.edu/ark:/67531/metadc30302/
Dress
Dress of multi-colored velvets. The floor-length dress has an empire waist and bell-shaped long sleeves. The upper, bodice, section is made of a sheer, multi-colored fabric woven with bands of gold thread. Over the bodice is applied sections of burnout velvet in various colors, forming bands running up the bodice, over the shoulders, and down the back, another band forming a 1" high collar, and as 2" bands around each wrist. The sections are bordered in gold cording. The lower, skirt, section is of green velvet printed in browns, greens, and gold in an abstract geometric/organic design. Fully lined in green silk(?). Center back zipper from neckline to just above waist. Three hook-and-loop closures on collar. Designer label sewn alongside zipper at shoulder-blade height at right: "Ronald Amey / New York". Evidence of removed label at inside, center front of dress below neckline. digital.library.unt.edu/ark:/67531/metadc30306/
Dress
Dress of bright multi-color patterned chiffon. The full-length dress has a straight, loose shape, with a round neckline and long handkerchief-style sleeves which extend past hem. Zipper at center back, extending from neckline to just below waist, with a single hook-and-eye closure at neckline. The printed pattern of the material includes concentric shapes with geometric and floral influences. Designer label sewn inside back to left of zipper: "Pierre Cardin / Paris New York" digital.library.unt.edu/ark:/67531/metadc30208/
Dress
Dress of printed cotton. The floor-length dress is of cotton with a printed geometric design of a lattice of black rectangles on white background. It is sleeveless, with black spaghetti straps. There is a wide black "belt" of "quilted" cotton just below the bust, with a bow in front. The dress has a center back zipper closure with two hook-and-eye closures at top. It is fully lined in thin white fabric. The designer's label is sewn inside bodice: "Clifton / Wilhite / Dallas"; a second label is sewn just below designer's label: "Lot 6464 Size 14" digital.library.unt.edu/ark:/67531/metadc30236/
Dress
Dress. Full-length sleeveless evening dress of printed silk. The bodice has a rounded neckline, bust darts, and widens slightly at hips. The silk print on the bodice is of horizontal stripes of black, yellow, green, and red. The skirt starts at a dropped waist, and is a slight "A" line in form. The printed on the skirt is of an Op Art pattern of pink, red, black, green, and purple squares and circles within squares, and with two large black squares, one on front and one on back. Black band at hem. The dress has a center back zipper closure and is lined in black silk. It has an accompanying black silk belt, 2" wide, with two domed buttons covered in black silk as closures. The dress has two labels sewn inside at back collar, to right of zipper. Maker's label: "Axel / of Denmark / 42" and second tag "Pure silk / by D'Este" [care instructions pictographs] and on reverse [care instructions pictographs] "Made in / Italy". digital.library.unt.edu/ark:/67531/metadc30233/
Untitled
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No Description digital.library.unt.edu/ark:/67531/metadc8316/
Untitled
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No Description digital.library.unt.edu/ark:/67531/metadc8315/
Pumps
Pair of deep wine red leather pumps. Shoes have a V-throat on vamp and are edged with thin bands of taupe leather around vamp and along outside panel ending in a triangular shape. 3 1/2" Continental set-back heel almost a stiletto, but wider and more oval in cross-section. Stamped in each shoe: "Charles Jourdan / Paris" and "Orient". Stamped inside each heel: "39 B / 63586 E". Stamped on sole: "Leather / Leder / Cuir / Made in / France" digital.library.unt.edu/ark:/67531/metadc30220/
Dress
Dress of polychrome cotton print. The floor-length dress is of cotton fabric with a raised "zig-zag" texture, in the style of cotton piqué weaving. It is printed with a series of horizontal bands in geometric designs in blues, reds, greens, tan/brown, orange, and purple. The sleeveless dress has a shallow boat neckline in front and deep squared-off neckline at back. The fitted bodice section ends at the natural waist, into which the long skirt is slightly gathered. The front of the skirt has two patch pockets of the same material, with the print matched to disguise the pockets. One of the lower bands of the skirt is embellished with applied non-functional circular gold-colored "buttons". The hem of the dress has a 7 cm. wide band horizontal band of red wool trim, from which hangs red wool fringe. The center back zipper closure has a single hook-and-eye at top. The dress is lined in red fabric. The dress has two labels sewn inside. At left side at seam is designer's label "Lanvin / Paris New York"; at right side near zipper is size label "6". digital.library.unt.edu/ark:/67531/metadc30013/
Coat
Coat of brown and white felted wool. The garment is knee-length or longer, with long sleeves and a center front opening with 5 large circular plastic buttons. The main body of the coat is of pale brown and white check design, with cuffs, collar, and lower band of coat (about hips to hem) of solid light brown. The coat is lined in pale brown fabric, and has an accompanying light brown and white check belt. Designer's label at inside at center back of neckline: "Norell". A second sew-in handwritten label just above reads "Deborah 929" A hand-written note with the garment states that it is from "the last collection" The coat is part of an ensemble which includes an off-white wool jersey blouse, a brown wool skirt, and a brown leather belt. digital.library.unt.edu/ark:/67531/metadc30100/
[Shigaraki]
Photograph of a street in Shigaraki, Japan. The street is visible in the center foreground leading into the background. The street is lined with low buildings with tile roofs. The countryside is visible in the background. digital.library.unt.edu/ark:/67531/metadc10665/
[House under construction]
Photograph of a house under construction in Shigaraki, Japan. A portion of the house frame is visible in the foreground. There is a pile of wooden beams on the floor of the house. Other buildings are visible through the house frame and to the left of the image in the background. digital.library.unt.edu/ark:/67531/metadc10661/
[Dirt road]
Photograph of a dirt road in Shigaraki, Japan. The dirt road is visible in the center foreground leading into the background. The road is lined with buildings and a grassy embankment. A smokestack and more buildings are visible up the hill in the background. digital.library.unt.edu/ark:/67531/metadc10667/
[Finishing touches]
Photograph of a pottery workshop in Shigaraki, Japan. In the foreground, a craftsman puts the finishing touches on a large vessel. The workshop is visible behind the man. digital.library.unt.edu/ark:/67531/metadc10668/
The Street (Composition for Richard Wright)
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No Description digital.library.unt.edu/ark:/67531/metadc8356/
Remembrance of Marcel
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No Description digital.library.unt.edu/ark:/67531/metadc8310/
Orange Bound
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Narrower bands of color lie inside wider bands that create a vertical rectangular pattern. The colors, from the outside edge, are muted orange, light blue, pink, light orange, emanating from the center create depth. digital.library.unt.edu/ark:/67531/metadc8362/
Viewpoint II
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No Description digital.library.unt.edu/ark:/67531/metadc8361/
[Ryoanji Temple]
Photograph of the Ryoanji Temple in Kyoto, Japan. The interior of the temple is visible in the foreground. The interior is comprised of a large room divided by painted screens. There are mats on the floor and a wooden ceiling. digital.library.unt.edu/ark:/67531/metadc10749/
[Ryoanji Temple Exterior]
Photograph of the Ryoanji Temple in Kyoto, Japan. The exterior of the temple is visible in the foreground. A wooden porch and trees are visible in front of the temple. digital.library.unt.edu/ark:/67531/metadc10746/
[Fence]
Photograph of a fence at the Ryoanji Temple in Kyoto, Japan. In the foreground, a concrete fence sits perpendicular to a bamboo and straw fence. The fences border a gravel road. Trees are visible in the background behind the fences. digital.library.unt.edu/ark:/67531/metadc10743/
[Clay sculpture]
Photograph of a the yard at the Kiyomizu Pottery Community in Kyoto, Japan. A clay sculpture is visible in the foreground in front of piles of wood. A chain link fence is visible in the background. Numerous people wait behind the fence. digital.library.unt.edu/ark:/67531/metadc10815/
[Mitakeya Hotel]
Photograph of the Mitakeya Hotel in Kanazawa, Japan. A hallway ending in an open doorway is visible in the foreground. A large window is visible through the doorway. A garden is visible through the window. digital.library.unt.edu/ark:/67531/metadc10817/
[Community building]
Photograph of the Kiyomizu Pottery Community building in Kyoto, Japan. The side of the building is visible in the foreground. Tree branches and a bush intersect the foreground. A concrete lantern and a white scroll are visible outside of the building. digital.library.unt.edu/ark:/67531/metadc10816/
[King's College Chapel Interior]
Photograph of the interior of the King's College Chapel in Cambridge, England. On the right side, large stained-glass windows arch upwards toward the carved stone ceiling. To the left of the windows, the dark silhouette of the organ is visible. digital.library.unt.edu/ark:/67531/metadc10342/
[Round Church]
Photograph of a round church in Cambridge, England. Multiple people walk on a sidewalk in front of the church. The church sits behind a small gate with other church buildings visible in the background. digital.library.unt.edu/ark:/67531/metadc10341/
[Farm House]
Photograph of a farm house in Ireland. The house is visible in the right foreground next to an empty field. More fields and trees are visible in the background beyond the house. digital.library.unt.edu/ark:/67531/metadc10485/
[Stream]
Photograph of a stream in Ireland. In the foreground, the stream is visible with grass and trees on both banks. A large hill is visible in the right background. digital.library.unt.edu/ark:/67531/metadc10482/
[Stone Wall]
Photograph of a stone wall in Ireland. In the foreground, the wall is visible with a man on the top edge. The distant landscape is visible in the background. digital.library.unt.edu/ark:/67531/metadc10481/
[Cemetery]
Photograph of a cemetery in Ireland. In the foreground, grave markers are visible. The cemetery is positioned next to a church which is partially visible on the left side. People walk amongst the graves in the background. digital.library.unt.edu/ark:/67531/metadc10487/
[Ireland]
Photograph of a street in Ireland. In the foreground, a body of water enclosed by a stone wall is visible. A street lined with cars and buildings is visible behind the stone wall. digital.library.unt.edu/ark:/67531/metadc10488/
[Shoreline]
Photograph of a shoreline in Ireland. A green hill is visible in the foreground. Water fills the left side of the frame and the shore and green hillsides fill the right. Hills and clouds are visible in the background. digital.library.unt.edu/ark:/67531/metadc10483/
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