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  Partner: UNT College of Visual Arts + Design
 Decade: 1960-1969
Willowwood House
Image of house under construction in 1964. digital.library.unt.edu/ark:/67531/metadc129928/
Willowwood House
Image of Ray Gough house under original construction in 1964. digital.library.unt.edu/ark:/67531/metadc129970/
Willowwood House
Image of the interior of the house through to the exterior. Indoor and outdoor seating is seen. digital.library.unt.edu/ark:/67531/metadc129954/
Willowwood House
Image of the kitchen with the doors closed hiding the cabinetry, stove and refrigerator. Several artworks are seen on the wall in the background. digital.library.unt.edu/ark:/67531/metadc129956/
Willowwood House
Image of Gough living room and kitchen. Artwork on the walls is also shown. digital.library.unt.edu/ark:/67531/metadc129964/
Willowwood House
Image of interior of house with kitchen doors in closed position. 1984. digital.library.unt.edu/ark:/67531/metadc129960/
Willowwood House
Image of living room in 1969. In the foreground, a chess game is set. On the floor is an animal rug and a large painting hangs on the wall. digital.library.unt.edu/ark:/67531/metadc129962/
Willowwood House
Image of the loggia before enclosure. digital.library.unt.edu/ark:/67531/metadc129968/
Willowwood House
Image of interior of the house shows its modern furnishings, large painting on the wall and an animal skin rug on the floor. digital.library.unt.edu/ark:/67531/metadc129952/
Willowwood House
Image of the courtyard and the many plantings about 1965. digital.library.unt.edu/ark:/67531/metadc129942/
Willowwood House
Image of courtyard from high angle. digital.library.unt.edu/ark:/67531/metadc129940/
Willowwood House
Image of the loggia as seen in 1980. digital.library.unt.edu/ark:/67531/metadc129966/
Willowwood House
Image of interior of house in 1978. In this view are large built-in cabinets that hold glassware. Large windows flank the cabinetry. digital.library.unt.edu/ark:/67531/metadc129958/
Willowwood House
Image of exterior patio area as seen in 1967. digital.library.unt.edu/ark:/67531/metadc129946/
Willowwood House
Image of main entry to the house in 1969. digital.library.unt.edu/ark:/67531/metadc129950/
Willowwood House
Image of main entry to the house. digital.library.unt.edu/ark:/67531/metadc129948/
Willowwood House
Image of loggia area with abundant foliage and plants as it was in 1978. digital.library.unt.edu/ark:/67531/metadc129944/
Portable radio
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The white radio is sleek in design. digital.library.unt.edu/ark:/67531/metadc41576/
[Tapestry in the Chagall Hall Knesset Assembly Hall, Jerusalem]
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The colorful tapestry depicts Jerusalem as the focus of the Jewish experience and its history. The tapestry depicted in this view is the left most section of the triptych. digital.library.unt.edu/ark:/67531/metadc52086/
Pillbox Hat
Pillbox hat of black stiffened net and black cloth overlay. The cylindrical crown tapers to the flattened top, and is made of black cloth with applied patches of black grosgrain ribbon. The whole is overlaid with a stiff black cage netting veil, with a black grosgrain ribbon bow at back of crown. The crown is lined on inside with red lace, and edged with an inner hatband of black grosgrain ribbon. Attached to inner band are two small plastic combs to secure hat to wearer's head. Designer's label inside crown: "Designed by Michael Roy New York"; Retailer's label inside crown above designer's: "Neiman-Marcus / Salon" digital.library.unt.edu/ark:/67531/metadc39248/
Toque
Toque of black velvet. The circular, domed crown is of black velvet. The black velvet brim at sides and front folds up around crown, and is gathered ruched/shirred to form horizontal "tucks" around the crown. At front of hat the brim extends somewhat higher than back. At sides and front of hat are black netting veil. Hat is lined in black fabric. Hat has an inner black grosgrain ribbon hatband. There are no designer's, maker's, or retailer's labels in the hat. digital.library.unt.edu/ark:/67531/metadc39206/
Cloche
Cloche hat of medium brown coiled and plaited fibers. The high crown is crafted of spiraling band of plaited and coiled brown yarn(?)and incorporates looped sections, with iridescent flat ribbon wrapped around elements of the band. There is a horizontal "tuck" at back of hat, and a slight "visor" effect at front. The hat is unlined. Retailer's label sewn inside crown: "Made in France for / Neiman-Marcus". While in the style of a 1920's/1930's cloche, the materials, label, and construction date this piece to the 1960's. digital.library.unt.edu/ark:/67531/metadc39235/
Picture Hat
Large picture hat of navy blue straw. The high, domed crown is encircled at the base by a wide band of navy blue grosgrain ribbon, and has an oversized dark blue silk flower with artificial stems and leaves set at front. The wide brim is plain, turned back on itself at the edge to form a wide band of double-thickness. When worn, the brim hangs down forming conical shape, but when laid down, brim flattens. Hat is unlined, with an inner hatband of dark blue grosgrain ribbon around inside lower edge of crown. Designer's label sewn to inner band: "Adolfo / New York". digital.library.unt.edu/ark:/67531/metadc39236/
Woodlawn Gardens
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The exterior view of the apartment building shows the Modernist simplicity of design of the red brick building with small vertical and horizontal windows. digital.library.unt.edu/ark:/67531/metadc41749/
Inner Core 2
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This painting is a series of narrow, closely spaced, horizontal and vertical stripes. digital.library.unt.edu/ark:/67531/metadc8969/
Delusions of Grandeur
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The side view of the triple segmented bronze sculpture is shown. digital.library.unt.edu/ark:/67531/metadc40967/
Delusions of Grandeur
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The bronze sculpture depicts three sections of a human figure stacked upon each other and shrinking in relative scale. digital.library.unt.edu/ark:/67531/metadc40966/
Construction in Space in the Third and Fourth Dimensions
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The sculpture consists of abstract shapes, covered with converging lines, folding and flowing through space. digital.library.unt.edu/ark:/67531/metadc40918/
Construction in Space in the Third and Fourth Dimensions
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The large outdoor sculpture consists of abstract shapes covered in converging lines. digital.library.unt.edu/ark:/67531/metadc40919/
The Song of the Vowels
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No Description digital.library.unt.edu/ark:/67531/metadc8274/
Trees on a Mountain Slope
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No Description digital.library.unt.edu/ark:/67531/metadc8237/
Cobalt Night,
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No Description digital.library.unt.edu/ark:/67531/metadc8636/
Beta Lambda
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The abstract painting is composed of wavy, diagonal lines in hues of green, red, blue, yellow, orange, gold, black, brown and purple painted on canvas. digital.library.unt.edu/ark:/67531/metadc8676/
Derby
Derby of hot pink leaves. Hat in the style of a derby, completely covered in various shades of hot pink leaf-shapes cut out of velvet, satin, and other fabrics. Cylindrical crown, up-turned brim. The hat is lined in hot pink fabric and has a pink grosgrain ribbon inner hatband. Sewn into the inner hatband is a homemade(?) hand embroidered label: "Jo Bailey Hats" digital.library.unt.edu/ark:/67531/metadc30291/
Hat
"Lampshade" style hat of black straw or raffia. The basically conical hat is woven of a black straw material, with flattened top. On the front of the hat, off-set to the left, is affixed a wide black velvet ribbon from the top edge of the crown down to almost the brim. Sewn to the ribbon at top is a circular stamped metal brooch set with 17 large circular rhinestones in three concentric circles. The hat is lined in black net, with inner black grosgrain hatband. Sewn to the inner ribbon band is manufacturer's label: "Edette / Exclusive / New York - Paris" digital.library.unt.edu/ark:/67531/metadc30155/
Pillbox Hat
Brown velvet pillbox cocktail hat. The low, circular crown of the hat is slightly domed. At front of hat is pinned a large 3-dimensional pear-shaped openwork jeweled ornament of gold wire set with various colors and shapes of stones. Inside of hat lined in black cloth. Around inside lower edge of crown is brown grosgrain ribbon band. Sewn to inner band is a plastic comb to help secure hat to wearer's head. Maker's label sewn to inner ribbon band: "Eisa". The jeweled ornament is attributed to Robert Goossens of Paris, who is known to have supplied Balenciaga. Donor notes of this hat: "...to wear with short black cocktail dresses." digital.library.unt.edu/ark:/67531/metadc30150/
Dress
Dress of navy blue wool knit. The mid-length dress has a contrasting red wool knit mandarin collar and long sleeves with red wool knit cuffs. There are two large patch pockets at front, and a center front closure with twelve circular mother-of-pearl buttons mounted with gold-colored metal rims and shanks. The buttonholes are bound with the contrasting red wool knit. The dress has an attached wide red wool knit belt/sash which ties at waist in front. The dress is fully lined in dark navy blue silk. Designer's label inside lining of skirt at side seam: "Norman Norell / New York" digital.library.unt.edu/ark:/67531/metadc30240/
Patchwork Dress
Dress made of multiple fabrics including velvet, cotton, and silk in red, green, brown, blue, and orange multi-colored floral and Indian prints, in a patchwork of vertical strips with metallic thread trim. Applied throughout are decorative metallic ovals. The dress is full length, with a flared skirt, long bell sleeves, and a low square neckline. Unlined. Zipper at center back extending from neckline to just below waist, with a single hook-and-loop at neckline. Label sewn to inside back to left of zipper: "Sant'Angelo". Worn by singer Lena Horne (1917-2010). digital.library.unt.edu/ark:/67531/metadc30289/
Ensemble - Bodystocking, Mini-Skirt and Belt
Ensemble consisting of three pieces. Full-length bodystocking is of heavy ivory wool knit, in a ribbed pattern running vertically throughout body and legs, and horizontally around arms. The garment has a turtle-neck and wide flaring cuffs at legs. Center back zipper opening from top of turtle-neck to mid-back. The black double knit wool micro-mini-skirt has four over-sized belt loops with pointed ends, and center back zipper closure. The ensemble includes a wide black patent-leather belt which secures with concealed snaps. Bodystocking has two labels. Designer's label inside at back near zipper: "Pierre Cardin / Paris New York"; Material/size label on opposite side: "100% / Wool / L" The skirt has no labels. The belt is stamped on reverse: "12 1851" From the Fall 1969/1970 season. Records indicate that the ensemble was originally offered in the Maisonette Room of Neiman-Marcus. digital.library.unt.edu/ark:/67531/metadc30084/
Raincoat
( At left) Raincoat of black vinyl. The modified A-line coat is of short length, extending to just at or below the knee, and has long sleeves. Center-front opening is secured with 3 silver/chrome clip closures, one at the rounded neckline and two at waist. There is one patch pocket at the right hip. The coat is fully lined in synthetic with vertical stripes of pink, green, blue, violet, and red on a black ground. Manufacturer's label inside at center back just below neckline: "La Flaque / de Paris". At right inside side-seam is a Union Label. digital.library.unt.edu/ark:/67531/metadc30086/
Dress
Dress. Floor-length dress of ivory knit, overlaid with a gold netting. Sleeveless and with a boat-neckline, the sheath-style dress has ornate heavy gold cording around neckline, armholes, along side-seams, and hem. The skirt has small side slits, and a center lapped zipper closure located along center-back of garment with hook-and-eye closure at top of zipper. Lined with a light polyester. digital.library.unt.edu/ark:/67531/metadc30309/
Dress
Maxi paper bridesmaid dress of Reemay spun polyester "paper". The long dress is printed with a pattern of impressionistic flowers in greens, pink, blues and purples on a yellow ground. It has a high, rounded neckline with no collar, and opens with a zipper at center back from collar to just above waist. The long, fitted sleeves have a thin band at cuff which extends to be tied into a bow. Empire waistline, from which extend box pleats. The dress appears to have a full, floor-length skirt, but the skirt is actually divided, forming pant legs. No designer labels in garment, but original tag is preserved with it: Obverse: "'Wear-a-while'* / Fashions / with / Reemay [trademark symbol] / Du Pont's Fabulous / New 100% Spun Bonded Polyester / DuPont Reemay brings an entirely new quality to 'conven- / ience fashions'. It has an unusual surface appearance, it / is strong and it is colorfast. Garments of Reemay may be / washed a few times and need no ironing if you use / normal wash-and-wear procedures / DHJ Industries Inc. / [trademark symbol] Registered Du Pont Trademark / * Trademark of / DHJ Industries, Inc." Reverse: "Du Pont / Reemay [trademark symbol] / 100% Spunbonded polyester / flame-retandant finish / comfortable -- because it 'breathes' / retains its body and shape -- long wearing / dries quickly -- stays smooth - needs no ironing / it's strong - won't fray, unravel, split, tear / swirl pattern construction gives it a unique / appearance / to shorten: just cut with scissors ... garment won't unravel! / Reemay [trademark symbol] / is processed, furnished and dis- / tributed by DHJ Industries Inc. / 16 E. 34th St., N.Y., N.Y." The Texas Fashion Collection holds two identical examples of this dress, from the same donor. digital.library.unt.edu/ark:/67531/metadc30330/
Pillbox Hat
Hat of black silk tulle and satin in the form of a low pillbox of black silk tulle, tapering slightly to the shallow-domed crown. On the right side is a cascade of dyed green ostrich feathers. No designer's label. digital.library.unt.edu/ark:/67531/metadc30179/
Jumpsuit
Jumpsuit of pink, yellow, green and blue horizontal striped paper. The full-length rayon fiber remay paper pantsuit has olive green, pink, blue and tan stripes. Bodice is sleeveless, empire style, with with high rounded neckline and narrow spread collar, with stripes going horizontally. There is a center back zipper closure from the neck to hip-level. Pants are full-length, wide legged palazzo pants with vertical stripes. The pant legs are slit from the hem to mid-calf, and are unhemmed. The piece is lined in a white rayon fiber paper cloth. Retailer's label at inside left beneath the collar: "Change-In-Time / Boutique / Dallas, Texas". digital.library.unt.edu/ark:/67531/metadc30035/
Ensemble - Coat and Dress
Ensemble consisting of a coat and dress. The mid-length coat is of knit with a printed pattern of blue geometric shapes on a bright red ground, and has long sleeves and moderate collar with rounded points. Center-front opening with 4 square dark blue plastic buttons. Across back of coat is an attached belt of the same fabric, with buttons at each side, but does not extend around to the front. Fully lined in dark blue fabric. The mid-length dress is of the same fabric, and has short sleeves, a rounded neckline, and flares slightly to hem. The dress has a center-back zipper closure and is lined in the same fabric as the coat. Coat has a single retailer's label: "Lou Lattimore / Dallas" inside back at collar. Dress has slightly smaller version of same label, sewn inside at left of zipper near neckline. digital.library.unt.edu/ark:/67531/metadc30209/
Jacket
Waist-length black simulated alligator jacket. The cropped shell is constructed of panels of leather blind-stamped to simulate alligator. Panels are edged with silver-colored circular metal grommeted eyelets, and are joined with knitted black cording. The high, rounded spread collar is of ribbed black knit. Zipper closure from throat to hem at center front. The jacket is unlined, and has two interior, black canvas, envelope pockets with snap closures. Label is located inside at center back, below the collar. "Paco Rabanne / Paris Made in France". Jacket was donated as part of an ensemble which also included black wool and cashmere knit sweater by Dior, and black hip-hugger trousers by Remy. The Valerian Stux-Rybar collection of materials was donated by Jean-Francois Daigre to the Metropolitan Museum of Art in memory of Daigre's companion V.Stux-Rybar. Part of collection was subsequently transferred from the Metropolitan Museum of Art to the Texas Fashion Collection. digital.library.unt.edu/ark:/67531/metadc30238/
Ensemble - Dress and Bolero Jacket
Ensemble. The dress is of ivory wool, full-length, and sleeveless with a scoop-neck. Slightly A-line, with a slit at left side from hem up 18". Neckline is lower in back than front, and there is a center back zipper closure with hook-and-eye at top. The dress is fully lined in cream fabric. Designer's label in dress at side seam: "Norman Norell / New York". The accompanying bolero jacket is of red-orange with long sleeves. The cuffs, mandarin collar, hem, and center-front opening are edged with a wide band of off-white fur (fox or mink?). The jacket is decorated with closely-sewn rhinestones. The jacket is fully lined in cream fabric, and has a single hook-and-eye closure near throat. The jacket has no labels. digital.library.unt.edu/ark:/67531/metadc30222/
Boots
Pair of black suede boots. Over-calf-height square-toed boots lace up front, with 3 rows of eyelets at bottom and 15 hooks above. Block heel is covered in black suede. Lined in off-white kid leather and with a rubber and leather sole. Impressed in rubber sole: "Made in France". Stamped on lining inside: "Charles Jourdan / Paris" and "8 1/2 2A 468069 LE" digital.library.unt.edu/ark:/67531/metadc30221/
Dinner Gown
Dinner gown of red velvet. The full-length dress is of deep red velvet, embroidered in black to form an all-over pattern of "fish scales". Neckline is rounded, higher in front than back, and has full-length sleeves with a modified leg-of-mutton effect at the shoulders and zipper closures at wrists. The bodice is seamed, and has a natural waistline. The neckline, waistline, and upper part of sleeves/shoulders are edged in black cording/braid. Skirt is slightly gathered into the waistline braid. Center back zipper closure with hook-and-eye closure at neck. Small panel lining front of bodice at bust, the rest of the gown unlined. No label sewn in garment, but retains original paper tag: obverse: "Vera Maxwell / Original"; reverse: "Vera Maxwell / Original / Fibre Content / 100% Wool / Style 121 / Size [blank] / Mat. [blank] / Account No. [blank]". This gown is one of the "Dance Hall Girl" dresses from Ms. Maxwell's Southwest American Collection. digital.library.unt.edu/ark:/67531/metadc30090/
Ensemble - Blouse and Pants
Lounge ensemble in pink silks. The pantsuit consists of a blouse and pants. The blouse is of pink silk, constructed as two layers. The inner lining layer is of plain pink gauze. The outer layer is of pink silk heavily decorated with patterns created by shibori technique dying. The blouse has long sleeves and a center-front zipper closure that runs almost the entire length of the garment and has a single hook-and-eye at throat. The collar, cuffs, hem, and flap over the zipper are a small ruffle of the same materials. The shibori patterns use green, yellow, blue, and the original white of the fabric to create bands of tiny "puckers", large circular forms, and abstract shapes. The pants are of pink silk taffeta, about ankle length, with elastic cuffs. Plain waistband, with zipper closure at center front and single hook-and-eye at waistband. Described in early records as harem pants, but lacking the fullness associated with that style. Both garments have the same series of labels. Designer's label: "Martine Grandval / Made in France Paris"; material label "100% Silk"; and retailer's label: "ViV / Neiman-Marcus / Made in France". The shibori fabric may be of Indian, Pakistani, or Asian origin, based on the particular way that the shibori tye-dying technique has been used on the garment. digital.library.unt.edu/ark:/67531/metadc30096/
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