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  Partner: UNT College of Visual Arts + Design
 Decade: 1940-1949
 Collection: ARTsource
A brief note about your search: All of the results matching your search query require you to be a member of the UNT Community (you must be on campus or login with university credentials for access).
Woman in an Armchair
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No Description digital.library.unt.edu/ark:/67531/metadc8269/
Cottonwood III
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No Description digital.library.unt.edu/ark:/67531/metadc8298/
Painting
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No Description digital.library.unt.edu/ark:/67531/metadc8290/
Joë Bosquet in Bed
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No Description digital.library.unt.edu/ark:/67531/metadc8949/
Number 44: Living conditions in the North were better.
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No Description digital.library.unt.edu/ark:/67531/metadc8959/
Nelikon
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No Description digital.library.unt.edu/ark:/67531/metadc8917/
Number 28: The labor agent who had been sent south by northern industry was a very familiar person in the Negro counties.
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No Description digital.library.unt.edu/ark:/67531/metadc8963/
Number 56: Among the last groups to leave the South ws the Negro professional who was forced to follow his clientele to make a living.
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No Description digital.library.unt.edu/ark:/67531/metadc8956/
Number 32: The railroad stations in the South were crowded with people leaving for the North.
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No Description digital.library.unt.edu/ark:/67531/metadc8961/
Dive Bomber and Tank
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No Description digital.library.unt.edu/ark:/67531/metadc8984/
Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.
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No Description digital.library.unt.edu/ark:/67531/metadc8973/
Number 50: Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers.
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No Description digital.library.unt.edu/ark:/67531/metadc8958/
Number 30: In every home people who had not gone North met and tried to decide if they should go North or not.
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No Description digital.library.unt.edu/ark:/67531/metadc8962/
Number 60: The trains were packed continually with migrants.
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No Description digital.library.unt.edu/ark:/67531/metadc8972/
Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...
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No Description digital.library.unt.edu/ark:/67531/metadc8964/
Number 04: The Negro was the largest source of labor to be found after all others had been exhausted.
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No Description digital.library.unt.edu/ark:/67531/metadc8974/
First Theme,
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No Description digital.library.unt.edu/ark:/67531/metadc8921/
Untitled
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No Description digital.library.unt.edu/ark:/67531/metadc8987/
Number 54: One of the main forms of social and recreational activities in which migrants indulged occured in the church.
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No Description digital.library.unt.edu/ark:/67531/metadc8957/
Number 36: In Chicago and other cities they labored in the steel mills
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No Description digital.library.unt.edu/ark:/67531/metadc8960/
Zacariah
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No Description digital.library.unt.edu/ark:/67531/metadc8297/
Tate Modern Gallery
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The power station, now a contemporary art gallery, view is of the west side with its main entrance and ramp. digital.library.unt.edu/ark:/67531/metadc41144/
The Attack into the Unknown: German Troops Advancing on Stalingrad, from Signal Magazine
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Single page from Signal magazine shows a Nazi flag, soldiers and a tank. Text at the bottom of the image has the title "El asalto en lo desconocido" and the text: "El corresponsal de guerra de "Signal" PK. Artur Grimm describe en las páginas siguientes la cooperación alemana entre Infantería, Ingenieros y Caros de Combate." digital.library.unt.edu/ark:/67531/metadc41241/
Coffee Maker
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The view of the glass coffee maker is from an angle showing the lid. The two screws holding the wooden handle are also visible in this view. digital.library.unt.edu/ark:/67531/metadc41580/
Acid Pitcher
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The pitcher has a wide spout, a large curved handle and is glazed white. digital.library.unt.edu/ark:/67531/metadc41559/
Circus, from ''Jazz''
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No Description digital.library.unt.edu/ark:/67531/metadc8186/
The High Sign
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A linear figure raises her hands. A blue circle in the upper right corner is silhouetted against the white background. The flat figure stands on red ground and an extra large hand is in the upper left portion of the painting. digital.library.unt.edu/ark:/67531/metadc8173/
Hanging Mobile: Snow Flurry I
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No Description digital.library.unt.edu/ark:/67531/metadc8188/
Movement: Sky and Grey Sea
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No Description digital.library.unt.edu/ark:/67531/metadc8164/
Tempo in Red Major
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No Description digital.library.unt.edu/ark:/67531/metadc8106/
The Balcony
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Painting of a man and a woman seated on a balcony overlooking the sea. digital.library.unt.edu/ark:/67531/metadc8152/
Landscape with Wild Horses
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A landscape painting with trees, a river, and wild horses. digital.library.unt.edu/ark:/67531/metadc8137/
Demonstration
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No Description digital.library.unt.edu/ark:/67531/metadc8105/
Two Sisters
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No Description digital.library.unt.edu/ark:/67531/metadc8792/
Girl with Leaves
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No Description digital.library.unt.edu/ark:/67531/metadc8740/
Number 40
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No Description digital.library.unt.edu/ark:/67531/metadc8726/
Phantasy II
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Painting of yellow, red, blue and dark green with thin black illustrations of triangles, squares and circle. digital.library.unt.edu/ark:/67531/metadc8708/
Poem-Object
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No Description digital.library.unt.edu/ark:/67531/metadc8748/
Head of the Monserrat II
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No Description digital.library.unt.edu/ark:/67531/metadc8791/
Little Spanish Prison
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This oil painting has twelve vertical stripes in alternating hues of yellow and grey with one red horizontal stripe crossing three horizontal stripes on the upper left area of the painting. digital.library.unt.edu/ark:/67531/metadc8767/
Sand Mines of Tetelpa
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No Description digital.library.unt.edu/ark:/67531/metadc8761/
Painting
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Painting of black irregular layered strokes on off-white background. digital.library.unt.edu/ark:/67531/metadc8745/
Tree
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This painting portrays a tree with a fence in the foreground in hues of brown and green. digital.library.unt.edu/ark:/67531/metadc8757/
White Anxiety
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No Description digital.library.unt.edu/ark:/67531/metadc8702/
Portrait of a Woman
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No Description digital.library.unt.edu/ark:/67531/metadc8794/
Number 12: The railroad stations were at times so overpacked with people leaving that special guards had to be called to keep order.
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No Description digital.library.unt.edu/ark:/67531/metadc8894/
The New Rich
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Painting of red, yellow, blue, green, white and gray featuring ten figures performing various tasks such as cooking. digital.library.unt.edu/ark:/67531/metadc8897/
Number 18: The migration gained in momentum.
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No Description digital.library.unt.edu/ark:/67531/metadc8886/
Number 10: They were very poor.
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No Description digital.library.unt.edu/ark:/67531/metadc8891/
Self-Portrait with Cropped Hair
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No Description digital.library.unt.edu/ark:/67531/metadc8898/
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