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  Partner: UNT College of Visual Arts + Design
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The Color of Money
In this horizontally oriented painting, two men, in the foreground, are recognizable depictions of Paul Newman and Tom Cruise from the movie titled The Color of Money. In the background, a car and a woman are seen on the right side of the picture. The older man has his arm around the shoulder of the younger man and is holding a roll of money in front of the face of the younger man. The background is a light bright green color. The young man wears a pink and purple plaid shirt and blue jacket. The older man wears a green coat and has gray hair. digital.library.unt.edu/ark:/67531/metadc274993/
The Big Heat
The black and white painting depicts a version of a famous scene in the movie The Big Heat from 1953 directed by Fritz Lang and starring Glenn Ford. The brushstrokes are loose. One man holds a gun on a second wounded man. The man in the right foreground reaches out to the man in the center who leans against the wall. digital.library.unt.edu/ark:/67531/metadc274992/
Santa Fe
In this black and white painting are depicted three men. The two main figures wear cowboy hats and the figure on the right side of the painting also sports a sheriff's badge in the shape of a star. The brushstrokes are loose and expressive. The men appear to be having a dialogue. digital.library.unt.edu/ark:/67531/metadc274991/
Orson
The painting, mostly monochromatic, depicts a portrait of Orson Welles in the top two-thirds of the canvas. Along the bottom edge, also in monochromatic tones, are men depicted in combat with automatic weapons. At the right edge, the face of a superhero is depicted in pink, blue, red and yellow. Running vertically in the left hand portion of the canvas is a depiction of lined notebook paper with a small pencil sketch of a landing craft or space ship. digital.library.unt.edu/ark:/67531/metadc274984/
Tares and Wheat
The vertically oriented painting depicts pieces of several contemporary images, a small portion of Life magazine logo, woman's face, cigarette package, tire, rocket, photograph, woman in a swimsuit and a car. The way in which the images are painted they appear to be torn from a magazine and are arranged in a collage fashion. digital.library.unt.edu/ark:/67531/metadc274985/
Cain and Abel
This large colorful painting depicts the brothers, Cain and Abel, from the Book of Genesis in the Bible. The story of these brothers is also found in the Quran. The painting consists of many bright colors in flat fields with black lines and outlines. The shepherd brother is in the background herding sheep and in the foreground is the second brother holding a large club and peering over his left shoulder. digital.library.unt.edu/ark:/67531/metadc274995/
Painted Magazine Triptych
The triptych depicts events and people from the early to mid 1970s such as a battlefield in the Vietnam War, Black Panthers and Patty Hearst being escorted to trial by a federal marshall. digital.library.unt.edu/ark:/67531/metadc274987/
Painted Sports Magazine
This painting depicts a 1976 Sports Illustrated magazine cover featuring Steve Spurrier, a San Francisco 49ers football player. The painting depicts the cover as though the corner has been torn away and some extraneous expressionistic paint marks overlay the realistic portrayal of the football player. digital.library.unt.edu/ark:/67531/metadc274986/
Painted Magazine Triptych
This is the center panel from a triptych. digital.library.unt.edu/ark:/67531/metadc274988/
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc274994/
Elvis / Blue Boy Still Life
This large, mostly black and white painting, depicts a scene of a bar fight from one of Elvis Presley's movies and a reproduction of the famous painting, Blue Boy, by Thomas Gainsborough is superimposed. In front of the painting is a wooden table holding an apple, a pear and a pitcher, not unlike a Paul Cezanne still life. digital.library.unt.edu/ark:/67531/metadc274990/
Paul Newman is Hombre
The nearly square painting is composed of several standing figures, some of whom hold weapons. The colors of the painting are primarily reds, blues and yellows. Two figures on the right side of the canvas appear to be holding microphone and a guitar. Green and red silhouettes of horses are in the background. The picture plane is filled with figures with almost no negative space. digital.library.unt.edu/ark:/67531/metadc274982/
With Globe
This acrylic painting consists of a highly patterned background across which is scattered small geometric shapes and silhouettes. digital.library.unt.edu/ark:/67531/metadc27211/
St. Matthew
This acrylic painting on paper consists of small geometric shapes spread across the surface of ninety-degree turned and columnar patterns. St. Matthew is depicted at the lower right edge in an outline. An upside down silhouette shape of a dog is included in the upper left portion of the painting. digital.library.unt.edu/ark:/67531/metadc27210/
CE 04-6
This predominately blue oil painting contains many parallel wavy vertical black lines, a few red and yellow vertical lines as well with horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27189/
Number 149
This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
CD 04-5
This predominately yellow oil painting also has many vertical wavy black lines and linear horizontal texture. digital.library.unt.edu/ark:/67531/metadc27188/
Numbers 136, 142, 126, and 127
Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
Number 133
This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
AQ 01-5
This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
AZ 01-14
This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line. digital.library.unt.edu/ark:/67531/metadc27167/
AL 00-3
This abstract painting is mostly black with some white vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27160/
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
AV 01-10
This oil painting is predominately pink with vertical scrapes of black and white. digital.library.unt.edu/ark:/67531/metadc27164/
Number 68
This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
AX 01-12
This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27166/
AU 01-9
This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
Numbers 143, 144 and 145
Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/
CA 04-2
This mostly white painting includes vertical wavy parallel black and gray lines and lined horizontal texture. digital.library.unt.edu/ark:/67531/metadc27187/
Number 142
Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows the curvilinear stairs and ceiling with dramatic lighting and some vending areas. digital.library.unt.edu/ark:/67531/metadc31255/
Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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The south side of the Frederic Hamilton building sits in front of the high-rise Republic Building. digital.library.unt.edu/ark:/67531/metadc31252/
Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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The northern prow of Libeskind's building points toward Gio Ponti's north building. digital.library.unt.edu/ark:/67531/metadc31251/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows the curvilinear stairs and ceiling with dramatic lighting. digital.library.unt.edu/ark:/67531/metadc31254/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows ceiling, counters, and flight arrival and departure boards. digital.library.unt.edu/ark:/67531/metadc31259/
JFK TWA Terminal
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This sweeping interior view of the JFK TWA Terminal shows counters and curvilinear windows. digital.library.unt.edu/ark:/67531/metadc31256/
Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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The prow of the building juts eastward. digital.library.unt.edu/ark:/67531/metadc31253/
Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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The northeastern prisms soar high above the entrance. digital.library.unt.edu/ark:/67531/metadc31250/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows close detail of the ceiling construction. digital.library.unt.edu/ark:/67531/metadc31258/
JFK TWA Terminal
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This interior view of the JFK TWA Terminal shows the curvilinear windows and counters. digital.library.unt.edu/ark:/67531/metadc31257/
Loom
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View of a loom invented by Joseph Jacquard. digital.library.unt.edu/ark:/67531/metadc31282/
Singer
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Vertically oriented oil painting depicts a singer playing a stringed instrument. The setting appears to be a small enclosed space. digital.library.unt.edu/ark:/67531/metadc31281/
Anatomical Drawing of the Human Head
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Gouache drawing on paper depicts the anatomy of a human head. digital.library.unt.edu/ark:/67531/metadc31289/
Anatomical Drawing of the Bones of the Foot
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Drawing with gouache paint on paper depicts bones of the human foot. digital.library.unt.edu/ark:/67531/metadc31287/
First Loom for Weaving Stockings
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Main view of the first loom used for weaving stockings. digital.library.unt.edu/ark:/67531/metadc31280/
The Fisherman
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This oil painting, almost square, depicts a boy sitting on a rock catching a fish in a small net. In the background are stylized houses, trees, and hills. The colors are saturated greens, pinks, and blues. digital.library.unt.edu/ark:/67531/metadc31288/
Ms 327 folio 28r, Surveying and Demarcation of Land
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Surveyors are depicted demarcating land. digital.library.unt.edu/ark:/67531/metadc31284/
Stata Center
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The view is of the stainless covered lab in the upper court. digital.library.unt.edu/ark:/67531/metadc31175/
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