UNT College of Visual Arts and Design - 3,333 Matching Results
Search Results
- Visibility & Control in the Vendee
- This article uses fieldwork and the concept of relative aging to argue that the system of canals within the Vendee region of western France were begun in the tenth and eleventh centuries in conjunction with the Maillezais Abbey relocation and rebuilding.
- Strategic Domain: Reconquest Romanesque Along the Duero in Soria, Spain
- This article uses a mapping project to examine the relationship between a small set of chapels in close proximity to defensive fortresses along the upper Duero in the region of Soria.
- Relevant Interdisciplinarity: Taking the Art History Classroom to the Field
- This article situates Medieval Studies in the ever-evolving education environment that has linked the public rhetoric of the academy to business models.
- The Lady of the Marshes: Place, Identity, and Coudrette’s Mélusine in Late-Medieval Poitou
- This article discusses the use of the poetic romance, Mélusine or Le Roman de Parthenay, as a tale of identity, place, and the foundational role of women in the creation of dynastic, land-based legacies, supported through visual imagery analysis and theoretical models from cultural geography.
- Geography, Archaeology, Art History: A Case Study for a Multidisciplinary Approach to Mapping Architectural Heritage
- This article examines how technology may be incorporated into an art historical research program, through a cross-disciplinary project combining the visual methodologies of the art historian with the technical tack of the geographer.
- Ensemble
- A) Dress of deep blue and orange silk with multi-colored embroidered flowers and squares. Full-length deep blue silk dress with rounded neckline which is edged in gold and with band of square embroidered blocks of color, red, green, blue, white, extending down front in "keyhole". Square "bib" on front and back of orange silk, with border of embroidered flowers of red, blue, and white, and leaves of yellow, with gold embroidered vines and outlining. 3/4 or longer sleeves, with orange panels on upper arms to elbows, with embroidery matching bib. Cuffs with embroidered squares matching neckline. Dress has added gores at sides of orange silk which create a slight A-line. Lower part of dress embroidered with: tall vertical obelisk forms in gold with squares of red, blue, white, green, and "foliate forms" embroidery; Tall bands of large embroidered flower heads and leaves matching bib, but enlarged; Flowers and vines in red, white, yellow, green, blue, etc. Back of dress with same decoration as front, bib is shorter. Vertical closure at neckline, with single hook-and-loop at neckline. Unlined. Sewn-in shoulder pads covered with matching orange silk. b ) Headpiece c ) Necklace - bronze alloy with carnelian stones - Tubular with pendants d ) Necklace - bronze alloy with carnelian stones - Rectangular plaque with pendants
- Festival ensemble
- Miao People, Thailand/Laos, Festival Outfit A) Jacket. Jacket of black cotton, waist length, with standing collar. Front opening with no closure, worn with sides overlapping and forming "V" neckline. Standing collar faced with machine-embroidered ribbon of black ground with purple-ish flower blossoms with yellow centers, blue vines, and green leaves. This band continues along edge of opening to about 9 1/4" above hem. From that point to hem on each side of opening a different band is used, of purple and green foliate forms on black, with outer border of diagonal blue stripes and silver ovals on black ground with silver edges. A second machine-woven band of ribbon is applied as an outer border along the collar/upper opening band, with green, pink, and white stripes and bands of green and white trees(?) and a band of alternating green/yellow/white butterflies and same color flowers(?), all on a reddish ground. Long black sleeves have central wide band of orange satin with machine-embroidered multicolored sea dragons. Black fabric added after panels to form lower sections of sleeves. Garment is lined in black fabric, the collar and front opening backed with pink/purple fabric. Garment has a size tag sewn inside at back collar: "XXL". Not an American size. B) Skirt. Wrap style skirt with tiny pleats. Skirt formed of horizontal bands of fabrics sewn together, some embellished. From top: Plain black cotton(?) waistband ca. 3 1/4" wide with long black ties; White cotton(?) band ca. 1 1/2" wide, which begins pleating that continues down length of skirt; Pale blue/gray section ca. 14" long which has printed bands of dark blue linear designs: zig-zags, scrolls, lines, etc., the lines having had thin strips of fabric appliqued over them, in green, orange, and purple over the bulk of the skirt; Red cotton(?) band 1 1/2" wide …
- Voertman Awards / Call for Entries
- This poster was created by an art student for the 1983 Voertman Award Competition and Exhibition. Depicted near the bottom of the poster is a palette and paintbrush displayed as though a fine dish of food. The stylized design is in blue and pink.
- Voertman Awards
- This poster was created by an art student for the annual Voertman Award Competition and Exhibition held in 1982. The juror is listed as Ric Collier, the Director of the Corpus Christi Art Museum.
- Voertman's Student Competion (sic) Competition / The Race is On!
- This poster was created by an art student for the annual 1984 Voertman Award Competition and Exhibition. The imagery depicted at the top of the poster is a large pencil turned into a race car. The colors are red, yellow and black.
- Voertman Awards / Voertman Awards / Voertman Awards
- This poster was created by an art student for the annual Voertman Award Competition and Exhibition.
- [12 panel handmade paper and silk artwork]
- The artwork consists of twelve panels in varying hues of pinks, blues, browns with some angular textured lines resembling furrows and some blue lines resembling water run through and across the panels.
- [4-panel piece, handmade paper on silk]
- The artwork consists of four panels each turned on point. A grid ladder pattern turned in various directions appears in each panel. The colors are warm reddish browns and light blues. Other rectangular and triangular outlined shapes appear scattered across the panels.
- This Spring's Harvest / The Voertman Awards / North Texas State University 1979
- This poster created by an art student for the annual Voertman Award Competition and Exhibition depicts a tractor harvesting the year's crop. The colors are red, yellow, gray and black. The juror is listed on the poster as Ron Gleason, Director of the Tyler Museum of Art.
- Our Best Shots
- This poster was created by an art student for the annual Voertman Award Competition and Exhibition. The juror for the competition was Linda Cathcart. Depicted are soldiers and their weapons are a pencil, paintbrush and a crayon.
- AS 01-7
- No Description Available.
- AT 01-8, AV 01-10, AU 01-9, BI 02-8, BJ 02-9, BS 03-7
- No Description Available.
- AL 00-3
- This abstract painting is mostly black with some white vertical scrapes.
- AZ 01-14
- This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line.
- Fan
- Folding-style fan with molded plastic sticks and guards and printed paper leaf. "U" shaped bail ring at bottom. Leaf is printed on one side: "Neiman Marcus - Fashion Exposition / Sept 1950 / Dallas _ Texas".
- Internet Use in Latin America
- This paper explores the development of Internet use in Latin America by exploring the macro- and micro-social expectations and actualities of Internet use.
- Ensemble
- Ensemble of navy wool lined in navy blue silk satin.
- Evening dress
- Evening dress of silk chiffon layered skirt with a strapless bodice of floral embroidered olive green tulle; fitted bodice of fine olive tulle is embroidered of flowers and vines of green and violet beads and threads; long skirt consists of layered triangular sections of pink, olive, and pale orange silk chiffon with uneven hemline; waistline is dipped at center-front and center-back; center-back zip closure. Designer's label: "Vicky Tiel / Couture" Retailer's label: "Bergdorf Goodman" Two maker's labels
- Dress
- Coat dress of black wool with double satin stripe gabardine.
- Ensemble
- a) Shirt jacket of navy cotton in an open-weave mesh knit. Shirt collar. Center front button closure with 5 circular, navy plastic buttons with vertical, tailored buttonholes. Two flap pockets at bust with lapels and single, matching button closure. Long sleeves. Front vest is lined in dark blue cotton. Interior back waistline has a cord to cinch from within. Designer's label at center back neckline: "A-K-R-I-S-" Sizes on reverse of designer's label: "US 8 F 40 D 38" Content/care label at inside left seam. b) Pencil skirt of navy wool knit with 1 ¼” waistband and 2 darts at front left and right. Two darts at back. Center back zip closure. Fully lined in blue satin. 21” length.
- Dress
- Dress of brown jersey wool with round neckline and long raglan sleeves.
- Jacket
- Jacket of black wavy, puckered, ribbed satin with notched collar and large, single button closure; long sleeves with single button closure at wrists; 2 faux slit pockets at hips; decorative attached belt at back of self-fabric; fully lined in black satin trimmed in black faille; fabric content: polyester, nylon, spandex, rayon.
- Pants Suit
- Pantsuit of dark green wool.
- [Vienna]
- Photograph of a streetscape in Vienna, Austria. In the foreground, numerous shop signs and blue cafe umbrellas are visible; orange umbrellas are visible in the middle ground; more buildings and a sculpture in scaffolding are visible in the background.
- [Interview with Elda Harrington]
- This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
- [Interview with Adelma Benavente Garcia]
- This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
- [Interview with Paula Sibilia]
- This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
- Students Collaborate to Develop Educational Green-Clothing Label
- This book chapter describes a project to develop an informative green label that outlines the impact of a product on the environment, to help inform the consumer considering buying the product.
- Ball gown
- Ballgown of beaded light blue silk satin. A) Dress: sleeveless, princess-line, flared, full-length evening gown with moderate square neckline. Overlay bodice detail of matching aqua satin. The overbodice has a slightly empire line with side panels extending over the hips. The overbodice is intricately pieced and embellished with cutwork details and beading. The cutwork treatment extends across the wide shoulder straps, down the bodice front and back and then completely covers the side panels. The beading incorporates clear rhinestones with square pillow-shaped studs in varying shades of aqua and turquoise. The beading was based on the tile work incorporated in the Southland Center, Dallas, Texas. The full, flared skirt is tacked into four wide inverted knife pleats down the front and it is asymmetrically pleated across the back. Center back zipper closure to hipline with a single hook&loop at midback neckline. Placket closure secured with one snap and one hook&eye. The skirt is lined with heavy white pellon and has a horsehair reinforced hem. Label located over inside front bustline. B) Petticoat: full-length, gored, ten panel petticoat of iridescent turquoise/aqua silk satin. Narrow waistband with center back placket opening secured with two hook&eyes. Horsehair reinforced hem.
- Dress
- Evening dress of turquoise blue chiffon beaded completely in vertical rows of matching blue bugle beads.
- Cocktail dress
- Dress ensemble consisting of red and black plaid with white stripe. A) Dress of matching plaid chiffon. Street length; short raglan sleeves with underarm gussets. Peter Pan collar. Skirt is formed of three layers of gored chiffon with outer layer of plaid and two under layers of red chiffon. Center back zipper from skirt through interior bodice; chiffon over blouse has closure of eight circular black buttons with tailored buttonholes and is supplemented with hook & loop at neckline and snap and hook & eye at waistline. Red grosgrain ribbon petersham with hook & eye. Inner bodice is covered in red chiffon, boned and lined in red synthetic; skirt is lined in red silk crepe. Interior sleeve hems and neckline are lined in female snap ends, possibly indicating missing pieces to ensemble. Designer's label at left side seam of bodice: "Galanos" Retailer's label at center back seam of skirt: "Neiman-Marcus" B) Cape of matching wool plaid. Elbow length with wide cape collar. Closure of two black plastic buttons on collar joined by contour-shaped placket with bound buttonholes; snap and hook & eye on neckline of cape supplement the button closure. Faux flap pockets with matching black button and bound buttonhole. Designer's label at right side seam: "Galanos" Retailer's label at center back neckline: "Neiman-Marcus" C) Contour belt of black leather with rectangular self-covered buckle. Stamped on back: "Galanos / Originals / Beverly Hills"
- Dress
- Dress of black silk matelassé. A) Fitted bodice of black silk matelassé with vestee of cream silk with lace appliqué trimmed in black and ivory braid in an Art Nouveau motif. High standing collar of lace appliqué matching vestee. Black velvet revers and trim at collar. Long sleeves with rolled back cuffs. Hook & eye closure at left of vestee. Vestee is lined in white polished cotton. Bodice is boned and lined in black polished cotton with center front hook & eye closure; 24" waist. B) Bustle-back skirt with slight train. Center back hook & eye closure. Unlined.
- Dress
- Dress of navy wool jersey knit. Sleeveless; knee length. Princess line. Brown and navy set in waist/belt with oval shaped placket trimmed with 2 gold and mauve buttons at center front. Center back closure of four matching buttons to waist and zipper below waist. Lined in navy. Designer' label: "Burke-Amey / New York"
- Evening dress
- Evening dress of black polyester knit. Full length with long split at center front seam; narrow silhouette. Halter style bodice of floral black lace embellished with black sequins and beads over white satin. Black knit gathers around waist with off-white satin bow at center front. Center back zipper closure with hook & eyes. Bodice lined in white acetate and skirt has slip of black acetate. Designer's label at back left shoulder: "Victor Costa" Union label beneath designer label. Care label at right side seam.
- Dress
- Evening dress of fuchsia silk satin with bow embellishments on short, off-shoulder sleeves. Sleeves are bell-shaped and have cartridge pleats at upper portion. Strapless bodice is fitted; princess seams. Skirt is gathered at drop waist at hips and around back; falls just below knees. Center-back zipper closure with hook and eye. Fully lined in fuchsia synthetic with attached net underskirt. Designer's label at center back neckline: "Victor Costa" Union label at bottom of designer's label: "Crafted with Pride / in U.S.A." Fabric/care/size label at inside left seam.
- Dress
- Gown of violet purple jersey.
- Cocktail dress
- Evening dress of yellow and turquoise floral printed lace with iridescent yellow sequins and yellow and turquoise seed beads. Strapless, sheath-style. Knee length. Left side zipper closure. Lined in bright yellow synthetic; boned bodice. Designer's label at center back: "Victor Costa" Style number "9183" tag under designer label.
- Day Dress
- Day dress and underskirt of olive green shantung silk . a) Shirt waist style dress of olive green shantung silk. Knee-length. Round neckline; princess seams; gathered natural waist. Buttons down center front of bodice with a snap at the neckline; covered buttons with bound buttonholes. Left side seam zipper closure from underarm to upper thigh; underarm gussets. Two slit double welt pockets on left and right; 3/4 length sleeves. Attached self tie belt at center back waist. Unlined; 26" waist. Designer's label at inside right: "EISA" b) Unattached straight underskirt. Upper panel of white silk; lower panel of olive green shantung silk. Left side zipper with a hook and eye; folded hem. Unlined.
- Afternoon Dress
- Afternoon ensemble of heavy black silk faille and lace. A) Bodice. Fitted; 3/4 length sleeves are split to show ice blue faille insets covered in black lace and are piped and scalloped with black embroidery and braid medallions. The lace on the sleeve insets extends from the elbow to the wrist with gathers in the lace at the back of the wrist. High standing collars with the front of the collar covered in matching blue faille covered in black lace; collar has hook & eye closure. Center front opening of 16 self-covered buttons and barred buttonholes. Center front opening is scalloped and piped to match sleeves and is trimmed with matching embroidered medallions. Boned with white moire silk grosgrain petersham which secures with two hook & eyes. Center back of petersham has three irregular pentagonal shaped tabs of black faille with barred buttonholes for securing bodice to skirt. B) Skirt. Full skirt is asymmetrical with blue faille panels inserted at front right side of skirt and two narrow inserts on left side. Left side inserts are partly covered by black faille pleating which forms folds at the left side waist. Front inserted panel is covered in black lace in floral motifs with diagonal striping. Hemline of front inserted panel is scalloped and piped in black faille with matching black embroidered medallions. Right side of skirt has an inserted panel of matching black faille that is piped and scalloped to match the bodice and is trimmed with matching embroidered medallions. Underskirt of black faille has a box pleated ruffle of self around the hemline. Center back hook & eye closure with three mother-of-pearl button on black grosgrain waistband for securing skirt to bodice. All blue insert faille panels have faded to white.
- Skirt suit
- Skirt suit of floral brocade fabric. Fabric has light tan ground with trellis window pane design of brocaded green vines with pink flowers. Within the squares of the trellis are brocaded sprays of flowers.
- Dress
- Day dress ensemble: A) Bodice of ivory crinkled cotton gauze with a tiny floral print in vertical stripes and waves. High standing band collar with lace yoke and matching cotton ruffle around shoulders; trimmed with two rows of thin dark brown ribbon. Long sleeves are gathered in armhole and are completely covered in pin tucks which open and flare out at wrists; wrists trimmed in two narrow rows of dark brown velvet ribbon. Button closure at left side shoulder and under armseye; string tie of self at waist. Unlined. B) Skirt of matching fabric in full, A-line silhouette. Slightly trained with two rows of self ruffle at hem. Center back opening. Unlined.
- Dress
- A) Fitted bodice of black silk covered in black silk netting. Intricate black jet beading and black sequin design around high standing collar and yoke. Long sleeves with matching net ruffle cuffs trimmed with three rows of black silk ribbon; black Alençon lace trim at wrist above ruffled cuff. Bodice front is loosely fitted and trimmed with three vertical rows of black silk ribbon at each side; back of bodice is trimmed with two vertical rows of black silk ribbon at each side. Center back hook & eye closure. Outer bodice is boned and has brown polished cotton lining; inner bodice of brown polished cotton. B) Skirt of black silk netting. Full length. Dress is trimmed two vertical rows of gathered black silk ribbon from waist to ruffle and has five Alençon black lace appliques on front. Twelve-inch ruffle at hemline is trimmed with four rows of black silk ribbon and has rows of gathered matching ribbon at top of ruffle and along bottom of hem. Center back opening with hook & eye on waistband.
- Mother Hubbard Dress
- Dress in Mother Hubbard style of cotton muslin in printed paisley pattern in shades of pink.
- Coat
- Coat of cream colored broadtail. Hip- to 7/8-length. Long sleeves with wide cuffs trimmed in brown mink. Detachable collar of brown mink with 4 bands of brown mink, two per side, which snap at collar (3 snaps) and hang down at front. Center front closure, which fastens with double-strand ribbon belt from interior at right to loop on left edge of coat. Fully lined in cream silk, with applied silk monogram quilted to lining: "RYL". Retailer's label at inside back collar: "Bergdorf / Goodman / Fifth Avenue / at 58th Street"
- Dress
- Cocktail dress of black crepe: Sleeveless with 1" straps; princess seams in front and back; natural waist; sheath; skirt is trimmed with 3 rows of 6" black fox fur; bodice is lined with black crepe, skirt is lined in black polyester; low back; bust seems to be lined with what feels like styrofoam in bra "cups" so the dress can be worn braless for its low back; CB zipper closure with a hook and eye. 30 waist. Designer's label at back to right of zipper: "Estevez"