UNT College of Visual Arts and Design - 17,240 Matching Results

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Tio
Art work in Cardboard and wood by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.
Untitled
Art work in Steel, wood, and cardboard by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.
I've Yearned for You for So Very Long
Art work, ceramics, sculpture by artist Jacob Tylor Gibson, as part of an exhibition entitled "From Every Depth of Good and Ill" in the Cora Stafford Gallery, University of North Texas, from April 26 to April 29, 2023.
I've Yearned for You for So Very Long (Detail)
Art work, ceramics, stoneware by artist Jacob Tylor Gibson, as part of an exhibition entitled "From Every Depth of Good and Ill" in the Cora Stafford Gallery, University of North Texas, from April 26 to April 29, 2023.
I've Yearned for You for So Very Long (Detail)
Art work, ceramics, sculpture by artist Jacob Tylor Gibson, as part of an exhibition entitled "From Every Depth of Good and Ill" in the Cora Stafford Gallery, University of North Texas, from April 26 to April 29, 2023.
I've Yearned for you for so Very Long (Gallery View)
Art work, ceramics, sculpture by artist Jacob Tylor Gibson, as part of an exhibition entitled "From Every Depth of Good and Ill" in the Cora Stafford Gallery, University of North Texas, from April 26 to April 29, 2023.
Wall of Memories
Works of art on Birch plywood, Wood print, 3d printed Wood PLA, electroplated copper, Wood stain, and Wood Dye by artist Atinuke Adeleke as part of a 2023 MFA exhibition entitled "Asepo" in the North Cora Stafford Gallery. 1201 W Mulberry St, Denton, TX from April 19 to April 22, 2023. Asepo is a simulated domestic space that speaks to being a product of the hybridization of cultures, the sense of displacement and the need for belonging that comes with being a hybrid of sorts.
When the Rest of Heaven was Blue (Piece A)
Art work in printmaking, sculpture, and installation by artist Jacob Tylor Gibson, as part of an exhibition entitled "From Every Depth of Good and Ill" in the Cora Stafford Gallery, University of North Texas, from April 26 to April 29, 2023.
When the Rest of Heaven was Blue (Piece B)
Art work in printmaking, sculpture, and installation by artist Jacob Tylor Gibson, as part of an exhibition entitled "From Every Depth of Good and Ill" in the Cora Stafford Gallery, University of North Texas, from April 26 to April 29, 2023.
When the Rest of Heaven was Blue (Piece D)
Art work in printmaking, sculpture, and installation by artist Jacob Tylor Gibson, as part of an exhibition entitled "From Every Depth of Good and Ill" in the Cora Stafford Gallery, University of North Texas, from April 26 to April 29, 2023.
Wood statement Necklaces
Works of art on Maple wood, Copper wire, Copper Sheet, 3D printed wood PLA, Electroplated Copper, Tiger eye cabochon, and Wood dye by artist Atinuke Adeleke as part of a 2023 MFA exhibition entitled "Asepo" in the North Cora Stafford Gallery. 1201 W Mulberry St, Denton, TX from April 19 to April 22, 2023. Asepo is a simulated domestic space that speaks to being a product of the hybridization of cultures, the sense of displacement and the need for belonging that comes with being a hybrid of sorts.
Woven Cups
Art work ( Shelf created using CNC Router) in ceramic and cone 10 porcelain by artist Segrest, Courtney, as part of 2023 MFA exhibition entitled: "Inside, Outside, Under" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, Texas, from April 26 - April 29, 2023.
Woven Mugs
Art work (shelf created using CNC Router) in ceramic and cone 10 porcelain by artist Segrest, Courtney, as part of 2023 MFA exhibition entitled: "Inside, Outside, Under" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, Texas, from April 26 - April 29, 2023.
Punch Bowl Set
Works of art on Porcelain by artist Brianna Shimer (Pieces within Exhibition) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
GEOS Visualization And Lagrangian dynamics Immersive eXtended Reality Tool (VALIXR) for Scientific Discovery
Data management plan for the grant, "GEOS Visualization And Lagrangian dynamics Immersive eXtended Reality Tool (VALIXR) for Scientific Discovery."
…And Still I Wander South
In my work, I explore the ancient occult concept of the egregore or collective thought-form and its continued relevance in contemporary life. One might not think of the systems that we operate in today as ritual in nature, especially those that utilize new technology. We may imagine cyberspace as the ultimate rational and objective realm where all things can be categorized, quantified, and monetized. However, it is a place saturated with ceremonial situations upon close inspection. I seek out these ceremonies of niche digital communities and reconstruct them in new forms operating adjacent to their original stream.
Bellows of the Beast
My artwork uses the traditions of printmaking, photography, and fiber arts to dissect the myths, history, and current moment of American culture. My methodology includes photographing sites where governmental and capital power is most present. Photography is my tool for documenting the present, while quilting and printmaking are my way of reflecting on and digesting ideological concepts that are present in our culture. The quilt is a symbol of comfort in our personal ideologies. My work aims to destigmatize direct action and encourages the viewer to reevaluate how meaningful change can be made today.
Confluence
My artwork dialogues with three topics: climate change’s economic and societal impact, plant genetic engineering advances, and art’s influence on scientific creativity and innovation. These intersect in my focus on the mystery and promise of plant genetic research and the creative innovation needed to advance this research. I manipulate, massage, and mix contemporary mediums and traditional sculpture, fiber and painting mediums. My sculptures often have translucent elements that interact vividly with visible and UV light spectrums. Undulation and emergence figure prominently in my artwork as metaphors of the active living organism coming forth from the genetically altered primordial soup.
Constructed Self
Constructed Self is an exhibition of life-size forms that blur the line between photography and sculpture while being both stable and on the verge of collapse. These damaged concrete columns, slabs, and hand-formed bricks used to create walls are inspired by architecture's support structures to convey my internal psychic framework. Photographs are transferred on the surface of these forms that depict environments where I have processed and experienced my struggles with mental health. This work explores how to communicate and convey the interior and exterior of my emotional self in visible terms while bringing me healing emotionally through the process of making these sculptures.
A Dog Named Robot
I make work that engages the porous and sensate body. The larger question for me is the interdependency of how we exist within our environment and how our environment exists in us. Caves, deep time, and the feminine landscape factor into my work, as well as thinking beyond a humancentered narrative to address concerns about the earth. My process involves using raw pigment, wax, rain, dirt, and the language of abstraction to point to a raw, interior space. My source material is equal parts imagination and field research, most recently into cave systems.
Healing & Reassembling
Working to unravel my sense of the world and challenge the narratives and beliefs I hold as truths; I have created a reimagined and surreal bathroom that offers a private and vulnerable space filled with hidden horrors. The animated, imperfect, decayed, and cracked bathroom forms bridge the gap between the impermanent fragility of memory and the ongoing beliefs of a personal narrative. I worked to overcome the assumption that, to heal, something must be completely resolved within itself. Instead, I offer that healing is an undescribed area, that is unmeasurable, and it is forever evolving and never finished.
Into a Spacious Place
My artwork is a record of mundane yet impactful experiences of everyday life. The subject of memory and my interest in pictorial space create a visual narrative of the physical and metaphorical ways I navigate the world. I envision space as sometimes a place of comfort, or at times a souvenir of a distant event. Through my paintings, I process and rediscover the past through the intimacy and tactility of mark-making. Each work presents a bittersweet narrative where I examine the complex circumstances that have brought me to a specific moment in time.
Keep it Between You and Me and the Neighbors
I use the domestic as a locale to consider the function of a queer body within the “American Dream.” I frequently remove the objects from their intended uses through various methods of alterations. Breaking things down to queer identity, objects, space, and community, I consider each object as a stand-in for individuals liberated from the pressure of preconceptions and mastery. Each lends itself towards the community identity, serving individually as separate functions within the experience, but also collectively serving as an invitation for on-lookers to join this community that we would define together.
Keep Me Beautiful, Keep Me Bright, Keep Me Joyous
In my work, I create collections of small objects from a variety of materials and curate them into a larger composition in space. These objects are made from clay, wood, paint, sand, beads, cardboard, paper, yarn, tape, and other materials. I arrange these objects into a composition that is informed by painting, which manifests as the wall and floor serving as substrate, along with vinyl shapes delineating areas of the painting as a whole. In these arrangements I aim to break away from taught boundaries in regards to physical space and expectations of familiar materials.
Maternalia
I combine maternal feminist experiences with hand-built ceramic vessels to create functional ritual objects. Pregnancy, childbirth, and motherhood transformed me. I am not just “mother" but also “artist” and “woman:” this multiplicity is intersubjectivity. I reconciled my conflicting priorities through my art with authentic testimony, memorialization, and activism. Rich red earthenware is clothed with rhythmic, radial pinch marks and stylized floral illustrations. Pottery has a strong association with the body, combining naturally with corporeal forms. My installation and performance pieces use the pot's function as a conceptual vehicle. Perhaps a little solemn reflection kneeling before Vessel of the Female Spirit or listening by Fountain will make my viewers better stewards of their selves, the mothers in their lives, and this precious planet.
Mostly Covered
My work consists of clothing jewelry hybrids that combine the sentimentality and materiality of jewelry with the coverage and protection of clothing.
The Third-Party Pop-Up Shop
Surveillance capitalism is pervasive within our everyday lives: turning every movement, emotion, or thought into a commodity to be turned into an ad for us. As our meta-data is bought and sold to third-parties, we are coerced into buying products from targeted ads. This system of behavioral manipulation combines human psychology and emotion analytics to make us nodes within an accurate capitalist network. My work scrutinizes current economic structures through videos, installations, AR and digitally printed garments. In my practice, I satirize data collection, extraction, and commodification through an accumulation of my own user information from large tech companies– including Meta, Google, and Apple. This data is used to digitally produce patterns and create a collection of garments. Through this production of clothing, my work visually represents the symbiotic relationship between consumer capitalism and surveillance capitalism.
To(Gather)/Together
I have a desire to make functional objects and seek self-fulfillment through strong craftsmanship. I craft ceramic objects intuitively with an emphasis on the materiality of vessels. I strive to blend expressions of the natural world and the domestic space into functional ceramic wares. My work is a collaboration of material exploration and glaze research. In my practice, I am searching for a balance of human design, nature, and beauty of material. Clay is a seductively tactile medium. I am constantly challenging myself to highlight this characteristic within the finished pieces. Each ceramic piece is full of intentionality and become a record of time. The medium displays a record of moments of impressions and interaction between maker and material. Through the lense of functional ceramics, I create work that is an intersection of maker, object and user within a domestic space.
Without/Within
My work explores the interpersonal and intrapersonal relationships we have with our physical, mental, and emotional bodies. Using techniques ranging from traditional carpentry to digital fabrication, the works are created to represent individual traumatic experiences as well as the universality of loss. My pieces are meant to elicit an empathic response from the audience. There are common traumas and pains that bring humans together as a form of bonding.
Gullah Geechee Visuality as Protest Art, Contemplative Practice, and Anti-Racist Pedagogy
This article centers two fabric assemblage pieces the author created in response to the Black Lives Matter protests of the summer 2020.
CFM 142.24 -1
Work of art using wood decorated with metal rods by artist Philip F. Samson as part of a 2022 MFA exhibition, entitled "Confluence" in the Environmental Education, Science and Technology Building Atrium on the main campus of the University of North Texas from April 4 to April 14, 2022.
Floral embroidered dress
Evening dress of fine white netting with all-over three-dimensional machine embroidered floral and butterfly motifs in variety of colors (orange, white, pink, blue, yellow), most motifs measuring 2-3 inches in diameter, narrow straps, plunging v-neckline, natural waistline, a-line, full length, center back exposed zipper, fully lined in white with wide band of crinoline, boning in bodice. Label: Alice and Olivia by Stacy Bendet Made in India 6 (retail label still attached)
Detail Shot of To(gather)/Together
Works of art on Porcelain Ceramic Objects (Gallery Installation) by artist Brianna Shimer as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
Gallery Installation
Works of art on Various Media by artist Brianna Shimer (Gallery Installation) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
Interaction Detail
Works of art on Various Mediums by artist Brianna Shimer (Gallery Installation) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
Interaction on the Table
Works of art on Porcelain objects by artist Brianna Shimer (Activation of Object and User) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
Interaction on the Wall
Works of art on Porcelain Plates by artist Brianna Shimer (Gallery Installation) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
Interaction with Ceramic Object on Wall
Works of art on Porcelain Plates by artist Brianna Shimer (Gallery Installation) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
To(gather)/Together
Works of art on Mixed Media by artist Brianna Shimer as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
Blue Mug
Works of art on Porcelain by artist Brianna Shimer (Pieces within Exhibition) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
Interaction with Cups
Works of art on Mixed Media by artist Brianna Shimer (Gallery Installation) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
Sage Bloom Mug
Works of art on Porcelain by artist Brianna Shimer (Piece within the Exhibition) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
Skirt Cups
Works of art on Porcelain by artist Brianna Shimer (Pieces in Exhibition) as part of a 2022 MFA exhibition, entitled "To(Gather)/Together" in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from March 9 to 12, 2022.
2am
Art work in tissue paper, cardboard, and paper, by artist Saxon Martinez, as part of an exhibition entitled "Candalaria Paredes and Delores Martinez" in the Cora Stafford Gallery, University of North Texas, from April 4 to April 8, 2023.
AI Generated Sonic OCs
Works of art on Digital Prints by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.
AI Generated Sonic OCs
Works of art on Digital Prints by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.
AI Generated Sonic OCs
Works of art on Digital Prints by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.
AI Generated Sonic OCs
Works of art on Digital Prints by artist Nathan Harper as part of a 2022 MFA exhibition, entitled "…And Still I Wander South" in the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 27 to 29, 2022.
All of You, Body and Soul, Flesh and Bone
Art work in printmaking and sculpture by artist Jacob Tylor Gibson, as part of an exhibition entitled "From Every Depth of Good and Ill" in the Cora Stafford Gallery, University of North Texas, from April 26 to April 29, 2023.
All of You, Body and Soul, Flesh and Bone (Detail, Piece A)
Art work in printmaking and sculpture by artist Jacob Tylor Gibson, as part of an exhibition entitled "From Every Depth of Good and Ill" in the Cora Stafford Gallery, University of North Texas, from April 26 to April 29, 2023.
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