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  Partner: UNT College of Visual Arts + Design
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Rockefeller Center, RCA Building, Wall Relief detail
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The low relief decoration depicts four men of different nationalities. The colors are green, gold and a deep rose pink. digital.library.unt.edu/ark:/67531/metadc40664/
Rockefeller Center, RCA Building, Wall Relief detail
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The detail of the decorative panel depicts a lion and an African man in profile. The designs are angular and boldly colored with pink, blue and gold with pierced stone gives the appearance of a black background. digital.library.unt.edu/ark:/67531/metadc40666/
Rockefeller Center, RCA Building, Wall Relief detail
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The low relief depicts the silhouette of a ship on stylized waves with stars in the sky. The colors are black, yellow and green. digital.library.unt.edu/ark:/67531/metadc40663/
Rockefeller Center, RCA Building, Wall Relief detail
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The close view of the decorative panel shows a stylized eagle and a native wearing headdress. The colors are bold and the lines are angular. digital.library.unt.edu/ark:/67531/metadc40665/
Rockefeller Center, RCA Building, Wall Relief detail
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The view is of a decorative panel installed above one of the entries. The style is Art Deco and the colors are pink, yellow and blue. The carved stone is in low relief and the figures depict industriousness. digital.library.unt.edu/ark:/67531/metadc40662/
Rockefeller Center, RCA Building, Wall Relief detail
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The view is of a decorative set of panels installed above an entryway. The view here is a close detail of the relief carving and the colors. digital.library.unt.edu/ark:/67531/metadc40661/
Rockefeller Center, RCA Building, Wall Reliefs
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This detail view of the decorative relief panels depicts strength, industry and internationalism. They are Art Deco in style and boldly polychromatic in golds, pinks, black, white and blue. digital.library.unt.edu/ark:/67531/metadc40660/
Rockefeller Center, RCA Building, Wall Reliefs
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The set of decorative relief designs on the exterior facade of the office building symbolize internationalism, industry and progress. digital.library.unt.edu/ark:/67531/metadc40659/
Rotary Motion
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This abstract painting has a blue background with abstract shapes in yellow, red, light blue, green, pink, and brown. digital.library.unt.edu/ark:/67531/metadc8788/
Skirt Suit
Summer suit of textured silk crepe in coral and black Holstein cow print with black flies. A) Jacket has two front ties; one at neck and one at natural waist. Two hook-and-eye closures along center front behind waist tie; flip peplum and 3/4 sleeves. Unlined. Built-in shoulder pads. Label: "Adrian / Original". B) Skirt is below knee-length; gored and flared. Waistband with hook-and-eye closure. Unlined. No Labels. digital.library.unt.edu/ark:/67531/metadc283680/
Spring
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The sculpture depicts a seated male winged figure and in front of him are two small figures with outstretched arms who appear to emerge from a split skull. digital.library.unt.edu/ark:/67531/metadc51097/
Toque Hat
Toque hat of black velvet. Four bands of tricolor red-orange silk velvet at base of hat in back circle to left side and end at a point on the crown. Small elastic chin strap. Designer's label: "Madame Marie-Alphonsine Modes / 73. Champs Elysees / Paris" Label attached to top of designer's label: "Made in France" Size label to left of designer's label: "22" digital.library.unt.edu/ark:/67531/metadc114851/
Woman and Dog in Front of the Moon
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No Description digital.library.unt.edu/ark:/67531/metadc8337/
The Blind Swimmer
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No Description digital.library.unt.edu/ark:/67531/metadc8621/
Bullfight
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The painting depicts an abstracted and geometric bullfight scene centered in the composition. digital.library.unt.edu/ark:/67531/metadc7971/
Circus Horse
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A white horse's head is in the foreground of the picture. More horses in stalls can be seen in the background. The brushwork is loose. digital.library.unt.edu/ark:/67531/metadc52078/
Death Seizing a Woman
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No Description digital.library.unt.edu/ark:/67531/metadc8314/
Flute Player
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Painting of a male figure playing a flute who is dressed in peach, pale-green and purple traditional middle-eastern garb against a brown, gold and blue background. digital.library.unt.edu/ark:/67531/metadc8783/
Greenwich Village Cafeteria
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No Description digital.library.unt.edu/ark:/67531/metadc8911/
Hat
Turban-style hat created of henna colored wound silk rope stitched to form the hat. Net backing/lining. At front of hat is a oval spiral of same material, from which extends a spray of cinnamon colored feathers. Label sewn inside: "John Frederics Inc / New York" digital.library.unt.edu/ark:/67531/metadc114810/
Hat
Casual hat in baseball cap style of blue wool felt. Matching grosgrain bow and ribbon on bill as trim. Crown formed from four panels. Retailer's label stamped on inside headband: "Neiman Marcus Co. / Dallas" digital.library.unt.edu/ark:/67531/metadc114980/
Hat
Hat of chocolate colored mink fur. Somewhat in a pillbox shape, but much larger, the slightly domed crown fully covers the head. Brown corduroy lining trimmed with grosgrain ribbon. Labels: Designer's label: "Mr. D" United Hatters, Cap and Millinery Workers International Union label. digital.library.unt.edu/ark:/67531/metadc305415/
Homestead
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A trio of hogs at a trough with a farmer looking on is in the foreground of the painting while in the background is a farm house and a windmill. digital.library.unt.edu/ark:/67531/metadc8178/
KSC Greenhouse
The painting depicts the interior of a greenhouse. The perspective in raking along a bench set with potted plants. digital.library.unt.edu/ark:/67531/metadc102353/
Portrait of Vladimir Ilyich Lenin (1870-1924)
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The frontal portrait of a seated man with a hand raised to his chin with his right arm resting on a table is the subject of this painting. Maps can be seen on the wall behind and books rest on the table. digital.library.unt.edu/ark:/67531/metadc36439/
Ten Plastic Concepts on a Love Scene
The painting consists of shapes floating together and overlapping in places. Two large yellow shapes in the upper portion of the canvas appear as sun type images. A brown shape resembles two seated figures and floats in the upper portion of the painting. A brown meandering shape moves across the lower section of the painting. Surrounding the brown meandering shape is blue which might represent water. digital.library.unt.edu/ark:/67531/metadc102343/
The Aunts
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No Description digital.library.unt.edu/ark:/67531/metadc8689/
Banana Flower
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Grey scale study of a banana flower. digital.library.unt.edu/ark:/67531/metadc8346/
British Coat of Arms at Rockefeller Center, New York
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The view is of the British Coat of Arms hung above an entryway at Rockefeller Center in New York City. digital.library.unt.edu/ark:/67531/metadc40671/
Chartres Cathedral
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No Description digital.library.unt.edu/ark:/67531/metadc8208/
La condition humaine
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No Description digital.library.unt.edu/ark:/67531/metadc8107/
Golden Gate Bridge
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The view is from the bridge and cars as well as pedestrians are shown. One of the vertical towers is clearly shown as are the many suspension cables running the length of the bridge. digital.library.unt.edu/ark:/67531/metadc40768/
Golden Gate Bridge
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The view is perpendicular to the length of the bridge and is but a detail of the cables and one of the towers. Beyond the bridge, in the background, the city of San Francisco is seen. digital.library.unt.edu/ark:/67531/metadc40769/
Golden Gate Bridge
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The view is of the length of the bridge. digital.library.unt.edu/ark:/67531/metadc40766/
Golden Gate Bridge
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The view is of the length of the bridge. Details of one end are clearly visible. digital.library.unt.edu/ark:/67531/metadc40767/
Golden Gate Bridge
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The view is of one of the lights running along the roadway of the suspension bridge. digital.library.unt.edu/ark:/67531/metadc40772/
Golden Gate Bridge
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The view is of the pedestrian walkway and two of the lights running alongside the railing. digital.library.unt.edu/ark:/67531/metadc40771/
Golden Gate Bridge
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The view is of one of the lamps that lights the pedestrian walkway along the length of the bridge. digital.library.unt.edu/ark:/67531/metadc40770/
Hat
Hat of wheat colored straw with small brim turned up in back. Crown creased across top. Grosgrain pear green colored ribbon trims crown and forms bow in back. Lacquered canary used at trim. Elastic band for securing hat to wearer's head. Unlined. digital.library.unt.edu/ark:/67531/metadc114886/
Hat
Day hat with navy wool felt crown and pleated creme wool brim. Underside of brim trimmed in navy covered wire with wired bow at front on upturned brim. Hatpin with black felt covered head. Retailer's label on inside hatband: "Made to Order Hat / Bergdorf / Goodman / Fifth Ave. at 58th St." digital.library.unt.edu/ark:/67531/metadc114918/
Hat
Hat of royal blue velour. The crown is somewhat domed, of pieced velour, with a band of rolled dark blue satin around the base. The wide brim of matching velour is shaped to dip down and turn up slightly around the crown. The hat is unlined, with a band of dark blue grosgrain ribbon sewn in between the inner edge of the crown and the brim. Designer's label sewn inside: "Rose Descat / Paris", with a second label sewn to lower edge of designer's: "Made In France". digital.library.unt.edu/ark:/67531/metadc39140/
Hirondelle / Amour
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No Description digital.library.unt.edu/ark:/67531/metadc8866/
Proletarian Victim
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No Description digital.library.unt.edu/ark:/67531/metadc8072/
Rockefeller Center
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The carved design above an entryway depicts the winged god Mercury and is painted gold. digital.library.unt.edu/ark:/67531/metadc40672/
Rockefeller Center, RCA Building, Wall Relief, Progress
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A horse, Pegasus, an eagle and a woman are depicted in this wall decoration above one of the doors. digital.library.unt.edu/ark:/67531/metadc40656/
Rockefeller Center, RCA Building, Wall Relief, Wisdom
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The architectural relief depicts a man holding a set of calipers above the text, Wisdom and Knowledge Shall be the Stability of the Times. The Art Deco style is reflected in the angular body of the man as well as his long and geometric beard, the crown on his head and the cloud shapes behind the man. digital.library.unt.edu/ark:/67531/metadc51689/
Self-Portrait Drawing
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No Description digital.library.unt.edu/ark:/67531/metadc8035/
The Street
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No Description digital.library.unt.edu/ark:/67531/metadc8294/
Bartolomeo Vanzetti and Nicola Sacco
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Painting of black, peach, white and red color schema. Two male figures both dressed in black suits sit side by side handcuffed to one another. digital.library.unt.edu/ark:/67531/metadc8773/
Bauhaus Stairway
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Bauhaus Stairway depicts the Bauhaus, a school founded in 1919 by architect Walter Gropius, famous for its visionary integration of technology, art, and design. Although Schlemmer made this painting three years after he left his teaching position at the Bauhaus, the works gridded structure, streamlined modular bodies and predominant palette of primary colors capture the schools vibrant design spirit. The carefully choreographed arrangement of the figures and the man en pointe at the top of the stairs reflects Schlemmers role as the creator of many important dance and theatrical productions at the Bauhaus. Schlemmer painted this work as Hitler assumed power, shortly before the Nazis closed the Bauhaus for good. He was among many artists persecuted by the Nazis, whose work they deemed "degenerate" and often destroyed. digital.library.unt.edu/ark:/67531/metadc8925/