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  Partner: UNT College of Visual Arts + Design
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Arena of Nîmes
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An engaged column is visible in this detail view of the exterior of the amphitheater. Some deterioration is obvious. digital.library.unt.edu/ark:/67531/metadc40940/
Arena of Nîmes
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The exterior of the arena consists of two arched tiers. The stone is a light color and the theater is open-air. digital.library.unt.edu/ark:/67531/metadc40936/
Aspendos Aqueduct with Pressure Tower
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Close detail of the surface of the brick is shown at a raking angle. digital.library.unt.edu/ark:/67531/metadc51782/
Aspendos Aqueduct with Pressure Tower
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The full height of the aqueduct is visible with its abutting arches. digital.library.unt.edu/ark:/67531/metadc51783/
Aspendos Aqueduct with Pressure Tower
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The tower constructed of stone is visible and bears the weight of the arched aqueduct structure. digital.library.unt.edu/ark:/67531/metadc51781/
Aspendos Aqueduct with Pressure Tower
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The upper portion of the aqueduct and the abutting arches are visible. digital.library.unt.edu/ark:/67531/metadc51784/
Aspendos Aqueduct with Pressure Tower
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The water flow regulator consists of a stone with a hole in the center. It is part of the pressure tower. digital.library.unt.edu/ark:/67531/metadc51785/
Christ Blessing
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It is a round disc with painting of christ. Upper half of the body is visible with one hand holding a book and the other hand in gestural position. There is a circular disc behing the figure with painted motifs in green, blue and white colors. There is visible clothing worn by christ and textures are visible on the dark blue cloth worn over inside layer of clothing. Book has geen, yellow, red and white color motifs. Other than this there are two small circular discs on the plate with written text in latin. They are blue, white and red in color. Other than that metal is visible with plain golden surface. digital.library.unt.edu/ark:/67531/metadc52126/
Dish with the bust of a man inside
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This is a round silver metalwork dish. There is face of a man displayed in the center of the dish. Torso of the man is also visible. This sculpture like figure is surrounded by a ring that gives the bust of the man a confined vicinity. Other than the textures on the male figure the entire dish as been given a clean , smooth and glazed finish. digital.library.unt.edu/ark:/67531/metadc41280/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock has outlined anthropomorphs. digital.library.unt.edu/ark:/67531/metadc31191/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock has large outlined petroglyphs. digital.library.unt.edu/ark:/67531/metadc31190/
Petroglyphs, Kane Creek Road, near Moab, Utah
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The petroglyphs in this living rock include some lozenge shapes with x-pattern, small stick figure, mountain sheep, and another small animal, possibly a dog. digital.library.unt.edu/ark:/67531/metadc31187/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This group of petroglyphs includes snakes, hoof prints, sheep, deer, and possibly a rainbow. digital.library.unt.edu/ark:/67531/metadc31188/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock includes petroglyphs in the shapes of animals and people and a vandalized anthropomorphic shape with feathers. digital.library.unt.edu/ark:/67531/metadc31189/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This living rock contains a petroglyph of a snake. digital.library.unt.edu/ark:/67531/metadc31186/
Petroglyphs, Kane Creek Road, near Moab, Utah
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This portion of the living rock contains anthropomorphic shapes and animals. digital.library.unt.edu/ark:/67531/metadc31184/
Petroglyphs, Kane Creek Road, near Moab, Utah
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Shallow incised petroglyphs are visible in this living rock. This view is referred to as the Birth Rock. digital.library.unt.edu/ark:/67531/metadc31185/
Roman Aqueduct, Reign of Trajan
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General view from E of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43078/
Roman Aqueduct, Reign of Trajan
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Raking view of lower portion of the Roman Aqueduct, Reign of Trajan; approaching the city from the E. Tallest arches are 29 meters high. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43087/
Roman Aqueduct, Reign of Trajan
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Detail view from the S with Cathedral seen through arch of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43085/
Roman Aqueduct, Reign of Trajan
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Raking view from the S of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43083/
Roman Aqueduct, Reign of Trajan
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Raking view from the S of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43081/
Roman Aqueduct, Reign of Trajan
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Detail view from E of the Roman Aqueduct, Reign of Trajan. Tallest arches are 29 meters. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43079/
Roman Amphitheater
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Raking view of arches of the Roman Amphitheater, from SE. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42227/
Roman Amphitheater
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General view, S side of the Roman Amphitheater. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42225/
Roman Amphitheater
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Two bays of arches of the Roman Amphitheater, from S. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42228/
Roman Amphitheater
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General view, E side of Roman Amphitheater. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42226/
Roman Amphitheater
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Exterior view of the Roman Amphitheater from SSW. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42229/
Roman Amphitheater
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Exterior from SE of the Roman Amphitheater. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42230/
Roman Amphitheater
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Exterior view of the Roman Amphitheater from SW. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42231/
Roman Amphitheater
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Close detail of the Roman Amphitheater: arch order. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42233/
Roman Amphitheater
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View of outer passageway and structural piers of Roman Amphitheater. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42234/
Roman Amphitheater
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Interior, general view from W of the Roman Amphitheater. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42235/
Roman Amphitheater
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Detail of arches from SE of the Roman Amphitheater. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42232/
Roman Amphitheater
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Interior detail of Roman Amphitheater, from W. Designed by T. Crispius Reburrus, and from the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc42236/
The Colosseum
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From the Roman Imperial Period. Wide-angle view of interior. digital.library.unt.edu/ark:/67531/metadc43057/
The Colosseum
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No Description digital.library.unt.edu/ark:/67531/metadc43061/
Peristyle Garden, House of the Vettii, Pompeii
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Peristyle Garden, House of the Vettii, Pompeii. From the Roman Republican Period. digital.library.unt.edu/ark:/67531/metadc43139/
Standing Bodhisattva Maitraya, the Benevolent from the Shahbaz-Garhi Monastery, Mardān, Northwest Frontier, Pakistan
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The male standing figure is adorned with a draped robe, headdress, bracelets and one hand reaches outward. The statue is carved from stone and is highly detailed. He stands on a small pedestal adorned with figures. The sculpture is not polychromatic. digital.library.unt.edu/ark:/67531/metadc43596/
Standing Bodhisattva Maitraya, the Benevolent from the Shahbaz-Garhi Monastery, Mardān, Northwest Frontier, Pakistan
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The bust of the sculpture shows a man with a mustache and an elaborate headdress. His chest is adorned with necklaces and he wears a draped robe. digital.library.unt.edu/ark:/67531/metadc43597/
Temple of Castor and Pollux
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General view from House of the Vestals of the Temple of Castor and Pollux. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43105/
Temple of Castor and Pollux
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Detail of Corinthian columns of the Temple of Castor and Pollux. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43106/
Temple of Castor and Pollux
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Overall view from NE of the Temple of Castor and Pollux. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43104/
Temple of Castor and Pollux
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Overall view of three columns of the Temple of Castor and Pollux. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43159/
Forum of Augustus with Temple of Mars Ultor
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No Description digital.library.unt.edu/ark:/67531/metadc43108/
Drum
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The clay rotund effigy drum is decorated with whale and snake motifs in browns and blacks. digital.library.unt.edu/ark:/67531/metadc47568/
Füllhorn Cameo of Claudius
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The profiles of four Roman men are carved in low relief. The men wear laurel wreaths and two men face the other two men. digital.library.unt.edu/ark:/67531/metadc43586/
Roman Baths
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Closer view of arch and walls of the frigidarium of the Roman Baths. Enlarged by Hadrian. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43131/
Roman Baths
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General view from Frigidarium through arches to the Palestra of the Roman Baths. Enlarged by Hadrian. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43130/
Abraham Sacrificing Isaac
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The horizontally oriented painting depicts a man in a red robe with a knife threatening a seated figure while a winged angelic figure reaches for the man with the knife. digital.library.unt.edu/ark:/67531/metadc48737/