- Identi-Tea
- The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint. digital.library.unt.edu/ark:/67531/metadc129778/
- Identi-Tea
- The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. digital.library.unt.edu/ark:/67531/metadc129777/
- Pumps
- Pair of woman's pumps of iridescent gold leather. Designed with rounded, open toes, inner sides cut-away. The leather has lightly scored parallel lines over the surface, creating a striped effect. Elongated wedge-style heel 4" high. Designer's label stamped in silver on insole: "Fanziska Hübener" Stamped into sole: "Hübener, Fanziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 38"; "EUR / 40" and "USA / 9" digital.library.unt.edu/ark:/67531/metadc87111/
- Pumps
- Pair of velour, canvas, and leather pumps. Designed with pointed toes, the pumps have uppers of bright green, red, and navy velour, and black canvas in lengthwise stripes. Along bottom edge of upper is a pebbled leather band which is textured to resemble alligator and which is accented with brown stitching. Stiletto heel 3" in height covered with same textured leather. Suspended from top edge of heel is a gold charmed shaped as an "R". Maker's mark stamped in gold inside shoe: "[R logo] Roberta di Camerina" Stamped on sole: "Vero / Cuoio" and "37". Applied sticker on sole with pictograms indicating which parts are leather. digital.library.unt.edu/ark:/67531/metadc87117/
- Pumps
- Pair of woman's pumps of bright tan / golden / honey colored leather. Designed with pointed toes, the shoes have horizontal black stitching following the shape of the shoes over all of the surfaces, creating a striped effect. 4 1/2" spike heel covered with the same leather. Designer's label of tooled copper leather inset in insole: "Rupert Sanderson / London" Impressed in sole: "38"; "Rupert Sanderson"; "Vero Cuoio" and "Made in Italy" digital.library.unt.edu/ark:/67531/metadc87104/
- Sandals
- Pair of woman's sandals of pink and silver metallic leather, white leather, and black patent leather. Insole/sole of silver leather with pink leather inner section. Across instep is narrow band of pink, white, and black leather segments set with a single square black faceted gem mounted in silver colored metal. A second matching strap extends from insole, curves across instep, threads through a similar band, then continues around back of heel and back down to reattach to insole on same side it began. This band also set with two square faceted black gems. 3" high spike heel is thick, covered with black patent leather on sides and back and brown leather as sole on front. Designer/Maker's label stamped on insole at heel: "RODO / Since / 1956" within wreath. Impressed in sole: "RODO / [outline of hide] Vero / Cuoio / Made in Italy / 36" With applied sticker on sole showing pictograms indicating what materials make up the parts of the shoe. digital.library.unt.edu/ark:/67531/metadc87112/
- Sandals
- Pair of sandals made of deep pink leather. Two thick straps extend from sides and meet to form vamp/throat with surmounting bow. A thinner, single strap extends up and across near base of toes. Spike heel is 3" high, and covered with same pink leather. Inset black label on sole with maker's mark embroidered in silver: "Mario Valentino / Made in Italy" Molded into sole: "Mario / Valentino" Stamped into sole: Outline of a hide containing words: "Vero Cuoio / Cuir / Veritable / Leather / Leder Echt"; "Made in Italy"; "39" digital.library.unt.edu/ark:/67531/metadc87114/
- Sandals
- Pair of sandals made of metallic cobalt blue leather. Two thick straps extend from sides and meet to form vamp/throat with surmounting bow. A single strap extends up from sole at heel and is topped by strap to encircle ankle. Strap secures with single silver tear-shaped buckle. Spike heel is 4" high, and covered with same blue leather. Inset black label on sole with maker's mark embroidered in silver: "Mario Valentino / Made in Italy" Molded into sole: "Mario / Valentino" Stamped into sole: Outline of a hide containing words: "Vero Cuoio / Cuir / Veritable / Leather / Leder Echt"; "Made in Italy"; "39" digital.library.unt.edu/ark:/67531/metadc87116/
- Sandals
- Pair of women's sandals of silver metallic leather. Designed as "gladiator style" sandals, with six narrow silver leather criss-crossed or interwoven straps at front over vamp, and six more similar straps extending around ankle and originating from vertical band at heel. 5" zipper along heel band. Designer's label on both sides of sole: "Barbara Bui" Impressed on underside of sole: "Made in Spain" and "40". Attached sticker under sole showing pictograms indicating which parts of shoe are leather. digital.library.unt.edu/ark:/67531/metadc87113/
- Sandals
- Pair of woman's sandals of black suede. Designed with pointed toe, the slip-on sandals have two wavy-edged black suede bands crossing at instep, and a second pair of similar straps extending from heel and mid-foot to cross at slightly below ankle. At each crossing is mounted a faceted clear crystal set in a silver filigree rosette of four petals. 3 1/2" spike heel is covered in black satin. Tan leather sole. Maker's logo/label stamped in gold on cream leather inset in insole: "[logo of T bracketed by facing L's within oval] / Couture / Les Tropeziennes" Stamped in gold on sole: "Made in Italy / Vero Cuoio"; logo repeated; "Les Tropeziennes" and "35". digital.library.unt.edu/ark:/67531/metadc87107/
- Sandals
- Pair of woman's high-heeled sandals of multi-colored metallic leathers. Designed with rounded, open toes, the shoes have a vamp of an open-work figure 8 created by dark and light blue and violet braided leather bands. Bands of same leather extend from sides of vamp along sides of sandal to heel. Openwork heel formed of same braided leathers in inverted teardrop or petal shapes radiating from heel, and with upper band arching over the heel. Insole of metallic blue leather with inlaid teardrop shape of violet leather. 4" high heel rounded at sides and back tapers to ground and is covered with iridescent blue/great material. Designer's label stamped in silver on insole: "Fanziska Hübener" Stamped into sole: "Hübener, Fanziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 35"; "EUR / 37" and "USA / 6" Size sticker on sole: "36" digital.library.unt.edu/ark:/67531/metadc87106/
- Shoes
- Pair of women's shoes of black patent leather. Designed with square toes, the vamp has an applied large square of black patent leather crossed vertically by a narrow band of red leather set off-center to right side of wearer. "Kitten" heel 1 1/2" high formed as a silver rectangle with horizontal black band and vertical red band. Designer's label inset int sole: "Davis by Ruthie Davis" Designer's monogram impressed in sole, two facing "D"s Impressed in sole: Outline of hide inscribed "Vero Cuoio"; "Designed in / New York / Made in Italy / 6" digital.library.unt.edu/ark:/67531/metadc87105/
- Shoes
- Pair of woman's shoes of gold leather and colored snakeskin. Designed as platform heels with slightly pointed open toes, they have a wide band of gold leather extending across the vamp. Extending along the side of the shoe from the vamp, behind heel, and to other vamp is band of snakeskin dyed vari-colored, from dark burgundy to gold. Another band of gold leather attaches to snakeskin at ankle on each side and wraps around wearer's leg. Back of band is elasticized. 4 1/2" stiletto heel covered in gold leather. Designer's label stamped in black on insole: "[monogram] / Gil Carvalho / London" digital.library.unt.edu/ark:/67531/metadc87108/
- [Interview with Paula Sibilia]
- This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9521/
- [Interview with Elda Harrington]
- This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9522/
- [Interview with Adelma Benavente Garcia]
- This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9523/
- CU 08-2
- This square painting has a predominately light peach background and includes many gray curved lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27209/
- BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The view is of the cantilevered balcony and its richly carved wood. The balcony is on the administration and education building adjacent to the temple. digital.library.unt.edu/ark:/67531/metadc41955/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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A large staircase lined up a reflecting pool lead into the main entrance of the temple. The spires and domes are visible in this view as well. digital.library.unt.edu/ark:/67531/metadc41952/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The view is of the highly decorated spires and gold finials. digital.library.unt.edu/ark:/67531/metadc41951/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The temple exterior facade is seen at an angle and from a short distance. A small portion of the adjacent administration and museum building can be seen to the left of the temple. digital.library.unt.edu/ark:/67531/metadc41957/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The view of the facade shows the intricately carved surfaces. The view is from the west. A large staircase leads to the entrance and the entire temple is a bright white color. digital.library.unt.edu/ark:/67531/metadc41950/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The detail view of the temple shows the large staircase and intricately carved arcade at the top of the stairs. However, also shown is signage showing the temple is currently not open. digital.library.unt.edu/ark:/67531/metadc41958/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The overview shown here is of the south transept and the sidewalk leading to its entrance. Richly carved decoration and figures are also visible. digital.library.unt.edu/ark:/67531/metadc41965/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The main central spire is shown. The many smaller spires attached to the greater spire is visible in this view. digital.library.unt.edu/ark:/67531/metadc41962/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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A close view of the spires shows the richly carved decoration. digital.library.unt.edu/ark:/67531/metadc41961/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The view is of the cupolas and ornately decorated and carved spires. digital.library.unt.edu/ark:/67531/metadc41960/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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Carved decoration of sacred figures in the arched entrance are shown in this close detail view of the exterior of the temple. digital.library.unt.edu/ark:/67531/metadc41964/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The carved figures and arches on the north transept are shown in this close detail. digital.library.unt.edu/ark:/67531/metadc41963/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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This view shows the administration and educational building adjacent to the temple. digital.library.unt.edu/ark:/67531/metadc41954/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The northwest elevation of the temple is seen and a flag flies from each spire. digital.library.unt.edu/ark:/67531/metadc41959/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The view shows the main facade of the temple with its richly decorated spires and domes, large staircase and arcade portico. Perpendicular to the facade is a long and narrow reflecting pool. digital.library.unt.edu/ark:/67531/metadc41956/ - BAPS Shri Swaminarayan Mandir and Canadian Museum of Cultural Heritage of Indo-Canadians
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The stairs lead to a columned portico and entrance. The main entrance is highly decorative in rich surface detail and arches between the columns. digital.library.unt.edu/ark:/67531/metadc41953/ - Central Park Nocturne
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This oil painting depicts Central Park at night. Street lamps illuminate the snow-covered pathway. digital.library.unt.edu/ark:/67531/metadc31239/ - La Dama Iberica
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The tripartite sculpture consists of geometric shapes covered in dark blue pieces of mosaic. digital.library.unt.edu/ark:/67531/metadc41982/ - La Dama Iberica
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The side view of the sculpture consists of a disc shape covered in dark blue pieces of mosaic. The sculpture sits at a street intersection. digital.library.unt.edu/ark:/67531/metadc41983/ - Number 165
- This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27206/
- Number 168
- This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
- Number 169
- This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
- The Alchemist's Wedding Band
- The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead. digital.library.unt.edu/ark:/67531/metadc129771/
- America's Cup Pavilion, Sails and Winds
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A close view of the facade bearing the name of the building, underneath side of a deck and a stairway are shown. digital.library.unt.edu/ark:/67531/metadc41990/ - America's Cup Pavilion, Sails and Winds
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The view of the facade is from an angle and shows the lower level details and the cantilevering. digital.library.unt.edu/ark:/67531/metadc41985/ - America's Cup Pavilion, Sails and Winds
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The view shows a stair ramp and the underneath side of a cantilevered level. digital.library.unt.edu/ark:/67531/metadc41987/ - America's Cup Pavilion, Sails and Winds
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The view is of the symbol on a service cover promoting the 32nd America's Cup. digital.library.unt.edu/ark:/67531/metadc41988/ - America's Cup Pavilion, Sails and Winds
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The view shows the dramatic facade. It appears to be stacked layers. digital.library.unt.edu/ark:/67531/metadc41984/ - America's Cup Pavilion, Sails and Winds
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The view of the building along the water's front and promenade and cantilevered decks are shown in this view. digital.library.unt.edu/ark:/67531/metadc41989/ - America's Cup Pavilion, Sails and Winds
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The view is of the cantilevered levels as seen from beneath and the glass first level. digital.library.unt.edu/ark:/67531/metadc41986/ - CO 06-1
- This painting consists of a white background with many curved multi-colored lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27199/
- CP 06-2
- This oil painting has a predominately white background and many circular multi-colored lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27200/
- Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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The south side of the Frederic Hamilton building sits in front of the high-rise Republic Building. digital.library.unt.edu/ark:/67531/metadc31252/