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- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129878/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129883/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129882/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129881/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129879/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129880/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129876/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129877/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129875/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129870/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129873/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129871/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129869/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129868/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129874/
- Graduate Students' Sculpture Exhibition
- Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129872/
- [Recording of Lecture by Dr. David Darts]
- Recording of a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" at UNT on the Square in Denton, Texas as the 4th annual D. Jack Davis Endowed Lecture in Arts Education. digital.library.unt.edu/ark:/67531/metadc130050/
- [Poster for a Lecture by Dr. David Darts]
- Poster for a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" which was the 4th annual D. Jack Davis Endowed Lecture in Arts Education. The poster includes a photograph of Darts with children at a playground as well as details about the lecture, held at UNT on the Square on Wednesday March 9, 2011, and logos for UNT and the College of Visual Arts + Design. digital.library.unt.edu/ark:/67531/metadc130048/
- [Poster for The Politics of Taste Symposium]
- Poster advertising a symposium titled "The Politics of Taste in Eighteenth and Nineteenth-Century Latin America" held at Meadows Museum, Southern Methodist University in Dallas Texas, September 17, 2010. The poster includes an illustration of a colonial-era gentleman and a map of Central and South America. Text on the right side of the poster describes the topic of the symposium, lists the speakers, and gives details about the time and location. digital.library.unt.edu/ark:/67531/metadc130049/
- Shoes
- Pair of women's shoes of black patent leather. Designed with square toes, the vamp has an applied large square of black patent leather crossed vertically by a narrow band of red leather set off-center to right side of wearer. "Kitten" heel 1 1/2" high formed as a silver rectangle with horizontal black band and vertical red band. Designer's label inset int sole: "Davis by Ruthie Davis" Designer's monogram impressed in sole, two facing "D"s Impressed in sole: Outline of hide inscribed "Vero Cuoio"; "Designed in / New York / Made in Italy / 6" digital.library.unt.edu/ark:/67531/metadc87105/
- [Interview with Paula Sibilia]
- This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9521/
- [Interview with Elda Harrington]
- This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9522/
- [Interview with Adelma Benavente Garcia]
- This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9523/
- Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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Access: Use of this item is restricted to the UNT Community.
The south side of the Frederic Hamilton building sits in front of the high-rise Republic Building. digital.library.unt.edu/ark:/67531/metadc31252/ - Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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Access: Use of this item is restricted to the UNT Community.
The northern prow of Libeskind's building points toward Gio Ponti's north building. digital.library.unt.edu/ark:/67531/metadc31251/ - Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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Access: Use of this item is restricted to the UNT Community.
The northeastern prisms soar high above the entrance. digital.library.unt.edu/ark:/67531/metadc31250/ - Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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Access: Use of this item is restricted to the UNT Community.
The prow of the building juts eastward. digital.library.unt.edu/ark:/67531/metadc31253/ - Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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Access: Use of this item is restricted to the UNT Community.
The Frederic Hamilton building is a 2006 extension of the Denver Art Museum located within the Civic Center Cultural Complex. digital.library.unt.edu/ark:/67531/metadc31248/ - Frederic Hamilton Building, Denver Art Museum, Civic Center Cultural Complex
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Access: Use of this item is restricted to the UNT Community.
The entrance and spider sculpture are on the eastern side of the building. digital.library.unt.edu/ark:/67531/metadc31249/ - Stata Center
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Access: Use of this item is restricted to the UNT Community.
The view is of the stainless covered lab in the upper court. digital.library.unt.edu/ark:/67531/metadc31175/ - Stata Center
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Access: Use of this item is restricted to the UNT Community.
No Description digital.library.unt.edu/ark:/67531/metadc31172/ - Stata Center
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Access: Use of this item is restricted to the UNT Community.
Two different surface treatments are shown in this exterior view of the facade on the Vassar Street main entry. digital.library.unt.edu/ark:/67531/metadc31171/ - Stata Center
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Access: Use of this item is restricted to the UNT Community.
The facade of the building is shown in its setting on the campus and the view is looking southwest. digital.library.unt.edu/ark:/67531/metadc31170/ - Stata Center
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Access: Use of this item is restricted to the UNT Community.
The upper southeast elevation facade, north end, of the building is shown. digital.library.unt.edu/ark:/67531/metadc31174/ - Stata Center
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Access: Use of this item is restricted to the UNT Community.
The interior of hallways, seating and ceiling detail are shown in this view. digital.library.unt.edu/ark:/67531/metadc31176/ - Stata Center
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Access: Use of this item is restricted to the UNT Community.
This exterior view includes the amphitheater. digital.library.unt.edu/ark:/67531/metadc31173/ - Dress
- Tunic-style evening dress of royal blue hammered silk. Full-length, narrowing to hem and with a slit up the side. Dress has a round neckline with hook-and-eye closure at back and has wide, straight, bracelet-length sleeves. Hand-written notation on the designer label: "8634 #2" digital.library.unt.edu/ark:/67531/metadc30337/
- Hat
- Hat with "Pineapple" crown. The domed crown of green felted rabbit fur is worked by gathering, "pinching" and seaming to create a surface resembling a pineapple. Around the hat "orbit" two bands of taupe felted rabbit fur edged in green grosgrain ribbon. They are connected on opposite sides of the hat and extend out into the space around the crown. Crossing the ribbons at one attachment point is a green felted rabbit fur "sheath" from which extend three long pheasant feathers. Inner hatband of green grosgrain ribbon, and with taupe felt lining the inside of the crown. Sewn to the inner hatband is designer's label: "Ian / D" digital.library.unt.edu/ark:/67531/metadc30308/
- Hat
- Hat of brown and coral pink felted rabbit fur. The high cylindrical crown has alternating horizontal stripes of brown and coral pink rabbit fur, with thin bands of gold lamé cording between the bands. The low, sloping, narrow brim is of brown fur with a visible lining of pink fur. Tied around the base of the crown is a double-strand of the gold lamé cording, knotted at side with hanging ends. The hat has an inner white grosgrain ribbon hatband, and is lined in grey felt. Sewn to the inner ribbon band is designer's label: "Ian / D" digital.library.unt.edu/ark:/67531/metadc30310/
- Pantsuit
- Evening pantsuit of ivory, blue, and black striped silk consisting of three pieces: a) Mid-length jacket of vertically striped silk with very wide, straight sleeves. Center front opening with no closure. Attached shoulder pads. (b) Pants of matching silk. Full-length, with center back snaps and hook-and-eye closure. Designed to fit loosely, with drawstring waist. (c) Short sleeved tank-style top of matching silk. Sleeveless, with round neckline. The hem, armholes, and neckline are trimmed in black. Each piece has designer's label "Oscar de la Renta". digital.library.unt.edu/ark:/67531/metadc30336/
- Experience Music Project (EMP)
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Access: Use of this item is restricted to the UNT Community.
The view is of the red and silver portions of the facade. digital.library.unt.edu/ark:/67531/metadc40652/ - Coat
- Coat of printed satin. The floor-length coat has a rounded neckline and a center-front opening that extends the entire length of the garment and is secured with a single cloth-covered circular button at the throat. It has long sleeves and is fully lined in a salmon damask silk woven with a floral-foliate design. The entire garment is photo-printed with scenes of room interiors in various styles. Designer's label sewn inside at back collar: "Todd Oldham". From Oldham's Spring 1997 collection. digital.library.unt.edu/ark:/67531/metadc30294/
- Coat
- Coat of black wool. The hip-length coat is constructed of black felted wool with yellow, red, green, brown, blue, and orange bands of grosgrain ribbon woven in and out of the wool, forming a grid or trellis pattern over the entire garment. The coat has a notched collar and long sleeves, and has a center-front closure with three circular silver colored metal buttons. It is fully lined with black silk. Designer's label sewn inside at back collar: "Todd Oldham". From Oldham's Fall 1996 collection. digital.library.unt.edu/ark:/67531/metadc30296/
- Dress
- Dress of photo-printed knit. The sheath-style dress is of a polyester/lycra blend sueded knit. Full-length, the dress has a "crew neck" rounded neckline with slight standing collar and short cap sleeves. The dress widens at the hips and tapers to the hem, and has a back vent slit at center back from hem up 47.5cm. The entire garment is photo-printed with images of "travel scenes" of the west - roads, lakes, cacti, cows on farms, rock formations, etc. Designer's label inside at back collar: "Todd / Oldham" Three tags inside near hem: Size: "M" Care: "Dry Clean / Only / Made / In U.S.A." Content: "85% Polyester / 15% Lycra". From Oldham's Spring 1996 collection. digital.library.unt.edu/ark:/67531/metadc30299/
- Skirt
- Skirt of open weave silk ribbons. The floor-length skirt is created of loosely woven silk ribbons of yellow, red, blue, green, pink, orange, brown, white, and black, forming a lattice or trellis. It gathers into the orange waistband, which has a single hook-and-eye closure, and is unlined. No labels in garment. Designed Fall 1996. Gift of the Todd Oldham Archives. Bodice in image is a modern wrap placed on form for display purposes. digital.library.unt.edu/ark:/67531/metadc30295/
- Thank You Tree, Edgemar
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Access: Use of this item is restricted to the UNT Community.
This decorative tree is assembled from metal shopping carts and large Christmas tree ornaments. It is about forty feet tall and is an annual tradition which began in 1996. The piece is presented in the Edgemar Complex, Santa Monica, California, courtyard during the Christmas season. digital.library.unt.edu/ark:/67531/metadc31273/ - Dress
- Dress of striped cotton broadcloth. The "house dress" style garment is street-length, in various patterns of woven striped cotton broadcloth. It has a center front opening that extends the length of the dress and secures with 7 gold-colored metal buttons set with colored rhinestones and on hidden hook-and-eye closure at waist. The wide collar is primarily in yellow with very narrow stripes of orange and blue. The bodice is of vertical stripes of reds, purples, pinks, etc. The skirt, which gathers into the natural waist, is in vertical stripes of blues with thin maroon and green accent stripes. The short sleeves are in stripes of blues, red, yellow and white, and have french cuffs secured with metal rhinestone-set cuff-links. The dress is unlined. The accompanying belt/sash is of the same fabric as the sleeves, and is finished at the ends as cuffs with sewn-on cuff-links matching the sleeves. Designer's label sewn inside at back collar: "Todd / Oldham". Four labels sewn inside skirt at side seam: Content: "100% / Cotton" Care: "Dry Clean / Only" Size: "S" Origin: "Made / In U.S.A." From Oldham's Spring 1994 collection. digital.library.unt.edu/ark:/67531/metadc30298/
- Wedding Dress
- Wedding ensemble. The dress is of creme satin styled as a sleeveless A-line dress, with wide shoulder straps. The neckline of the bodice is embellished with rows of satin cording forming a cross-over design. The skirt has a high waistline, and is formed of a lattice of groups of four vertical and four horizontal rows of satin cording, with a backing of creme gauze. Label sewn into inside back of dress: "Victor Costa / Bridal" With veil of silk tulle with satin binding, not shown in photograph. digital.library.unt.edu/ark:/67531/metadc30279/
- Wedding Ensemble
- Wedding ensemble of ivory silk embroidered with green and yellow crewel flowers. The bodice of the dress is sleeveless, with scoop neck and fitted seaming. The skirt is floor-length at front, with train at back. The surface of the skirt is decorated with crewel embroidery of flowers in pinks, greens, reds, and blues. The lower part of the skirt has a wide band of lace in floral patterns, with an under layer of pleated plain net with embroidered dots. The dress has a center back zipper closure and is lined in ivory fabric, and has an attached petticoat. Matching the dress is a fitted jacket of ivory silk, long sleeves, and stand-up collar. The collar and cuffs are trimmed in the same net as the hem of the dress. The fitted jacket has a peplum and center front closure with four silk cord frog closures which snap on left side and disguise a series of snaps and hook-and-eyes. The collar, cuffs, and panels at front and back are bordered by striped bands of yellow, blue, green, and coral/pink ribbon. The panels formed on front and back have crewel embroidered flowers as the dress. Jacket is fully lined in ivory fabric. Not shown in photo is the accompanying hat of ivory silk. The low ivory silk brim is tear-drop in shape, the point at the front edge of the hat. The rolled brim encircles the lace crown and anchors the ivory net slight veil which extends around brim. At back of hat is short "tail" of net. Hat has an off-white grosgrain inner hat-band and a black cord to secure hat to wearer's head. digital.library.unt.edu/ark:/67531/metadc30283/
- Ensemble - Jacket, Skirt, Blouse and Scarf
- Ensemble of teal silk Ottoman. The suit consists of a jacket and skirt, blouse, and scarf. The jacket is of horizontally ribbed teal silk, banded on the bias, has a rounded neckline, is long sleeved, and has princess seaming for a tailored fit. The sleeves have soft pleating at the shoulders, and there are 3 circular gold buttons set with rhinestones at each cuff. There is a center front closure with 4 large buttons matching the style of sleeve buttons and one hidden snap at top. The buttonholes are hidden in the seam of the opening. The jacket is lined in black silk. The jacket has designer's label sewn inside at back of neck: "Richard Brooks". The matching skirt is of the same silk Ottoman, below-knee length, with soft pleats at front and darts at back from waistband down 5 1/2". Small slit at center back from hem upwards. The sides are cut on straight vertical stripe. The waistband has hook and two eyes, and there is a center back zipper closure. The skirt is lined in teal silk. There are no labels in the skirt. The blouse is of a thin teal green and metallic gold jacquard, woven with an ornate all-over paisley pattern. There is a banded collar and slight pleating/gathering on front at yoke, and at top of the long sleeves. Center back zipper closure extends from collar almost to hem, and has two hook-and-eyes at collar. The blouse has attached shoulder pads. There is no label in the blouse. An accompanying scarf is of iridescent teal silk chiffon, edged with the same jacquard materials the blouse is made from. There is no label on the scarf. Designed for Texas Governor Ann Richards. The silk is from Abraham Fabric. digital.library.unt.edu/ark:/67531/metadc30305/