Search Results

2490 Rubbing #1
Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper.
2490 Rubbing #2
Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper with lines also radiating from the center.
2490 Rubbing #3
Image of artwork consisting of loosely drawn concentric circles centered on the cream color rectangular piece of paper.
[Recording of Lecture by Dr. David Darts]
Recording of a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" at UNT on the Square in Denton, Texas as the 4th annual D. Jack Davis Endowed Lecture in Arts Education.
2,490 Feet
The work is a coiled piece of paper that measures 2,490 feet when unwound. Pieces of white string tie sections to hold it in place.
Gotta Gun
This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve.
[Poster for a Lecture by Dr. David Darts]
Poster for a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" which was the 4th annual D. Jack Davis Endowed Lecture in Arts Education. The poster includes a photograph of Darts with children at a playground as well as details about the lecture, held at UNT on the Square on Wednesday March 9, 2011, and logos for UNT and the College of Visual Arts + Design.
Senate Testimony
The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman.
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne.
[Poster for The Politics of Taste Symposium]
Poster advertising a symposium titled "The Politics of Taste in Eighteenth and Nineteenth-Century Latin America" held at Meadows Museum, Southern Methodist University in Dallas Texas, September 17, 2010. The poster includes an illustration of a colonial-era gentleman and a map of Central and South America. Text on the right side of the poster describes the topic of the symposium, lists the speakers, and gives details about the time and location.
Richardson Endorses Obama
Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles.
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference."
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.
Bear
Image of part of an art installation at Trinity College in Hartford, Connecticut...
Bear
Image of part of an art installation at Trinity College in Hartford, Connecticut.
Coyote
Image of part of an art installation at Trinity College in Hartford, Connecticut.
Deer
Image of part of an art installation at Conduit Gallery in Dallas, Texas.
AS 01-7
No Description Available.
AZ 01-14
This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line.
AT 01-8, AV 01-10, AU 01-9, BI 02-8, BJ 02-9, BS 03-7
No Description Available.
AL 00-3
This abstract painting is mostly black with some white vertical scrapes.
S 98-7
Loose brown, white and black brushstrokes scraped and smeared with a gradation from white to black motif floating in the center of the canvas.
Excuse Me
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone.
A 97-1
Large black brushstrokes fill background with small, multi-colored circles floating on surface.
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting.
L 97-12
Vertical painting with vertical yellow and brown brushstrokes. Floating in the center of the painting a black to white gradation motif consists of horizontal brushstrokes.
95-3
This vertical painting consists of a highly detailed patterned background across which are scattered various sized circles.
95-6
Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles.
95-7
Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag.
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat.
94-2
Black painting with zigzag linear pattern created with many small dots of paint and layered with many gray circles of various patterns and sizes.
94-3
Light gray painting with linear pattern with many small gray circles spread across the surface.
94-203
Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface.
94-204
Vertical black painting with linear pattern and many gray circles floating across the surface.
94-207
Vertical painting in gray shades with white linear pattern and circles of various shades of gray float across the surface.
93-4/94-1
Black background with linear patterns created by many small dots of paint. Many small, multi-hued circles float across the surface and dotted lines follow the background linear zigzag pattern.
92-204
The background of this painting consists of gradations of red, orange, pink and gray hues layered with lines created by many dots of paint. Overlayed are images of running dogs and small geometric shapes.
Dancing Between the Hunt and the Hearth
The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view can be seen the video projection on the rear wall of the swimmer Esther Williams. In the foreground, suspended from the ceiling is a tube raft and netting.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image shows the wall mural that depicts sperm, hand saw, bowling pin, float and netting.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This room of the installation has a video projection on the rear wall and in the foreground a setting that includes netting hanging from ceiling with an inflated tube hanging above an iron, a striped marker, two coffee pots and various other items.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The word replicate in rubber letters, lab cages are seen beneath one of the murals depicting a man's face stretched out and distorted.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows one of the murals with the "Stretchman" with rubber letters beneath spelling replicate. Above the letters are many lab cages. On the table in front of the mural is a microscope.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows two murals of the "Stretchman" as well as the complexity of the building in which the exhibition took place. In the background, stairs, a second level and pillars of the building are visible.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation shows murals of the "Stretchman" as well as the rubber letters spelling, assimilate. In the foreground is a blue table with two bottles on it.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Ears of corn and test tubes are seen in the detail view of the installation.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view shows ears of corn and a microscope on a black rubber topped table. The glass slides contain miniaturized bio-ethical questions that can be read under the microscope.
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In the foreground is a microscope and many glass slides containing miniaturized bio-ethical questions on a black rubber topped table. On the wall can be seen murals of the "Stretchman."
Back to Top of Screen