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  Partner: UNT College of Visual Arts + Design
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Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece. digital.library.unt.edu/ark:/67531/metadc275001/
CU 08-2
This square painting has a predominately light peach background and includes many gray curved lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27209/
[Interview with Adelma Benavente Garcia]
This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9523/
[Interview with Elda Harrington]
This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9522/
[Interview with Paula Sibilia]
This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9521/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint. digital.library.unt.edu/ark:/67531/metadc129778/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. digital.library.unt.edu/ark:/67531/metadc129777/
Platform Pumps
Platform pumps of tan Napa leather. The shoes are created so that seven spaced bands of leather rise from the 1" platform and wrap around a single main strap that runs from throat and around heel. The spacing of the bands create an open toe and open sections along the sides of the feet. The 4" modified continental stacked heel is rounded at back and sides and straight across front, and tapers sharply to base. Designer's label inset in sole: "dusica / kotur / sacks hand made in it italy" digital.library.unt.edu/ark:/67531/metadc87115/
Pumps
Pair of woman's pumps of iridescent gold leather. Designed with rounded, open toes, inner sides cut-away. The leather has lightly scored parallel lines over the surface, creating a striped effect. Elongated wedge-style heel 4" high. Designer's label stamped in silver on insole: "Fanziska Hübener" Stamped into sole: "Hübener, Fanziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 38"; "EUR / 40" and "USA / 9" digital.library.unt.edu/ark:/67531/metadc87111/
Pumps
Pair of velour, canvas, and leather pumps. Designed with pointed toes, the pumps have uppers of bright green, red, and navy velour, and black canvas in lengthwise stripes. Along bottom edge of upper is a pebbled leather band which is textured to resemble alligator and which is accented with brown stitching. Stiletto heel 3" in height covered with same textured leather. Suspended from top edge of heel is a gold charmed shaped as an "R". Maker's mark stamped in gold inside shoe: "[R logo] Roberta di Camerina" Stamped on sole: "Vero / Cuoio" and "37". Applied sticker on sole with pictograms indicating which parts are leather. digital.library.unt.edu/ark:/67531/metadc87117/
Pumps
Pair of woman's pumps of bright tan / golden / honey colored leather. Designed with pointed toes, the shoes have horizontal black stitching following the shape of the shoes over all of the surfaces, creating a striped effect. 4 1/2" spike heel covered with the same leather. Designer's label of tooled copper leather inset in insole: "Rupert Sanderson / London" Impressed in sole: "38"; "Rupert Sanderson"; "Vero Cuoio" and "Made in Italy" digital.library.unt.edu/ark:/67531/metadc87104/
Pumps
Pumps of ombre violet leather fading from light purple on the heel toward darker purple on the pointed toe. Pyramid 4" heel of shaded purple/violet striped felt with braided black cord between sections. digital.library.unt.edu/ark:/67531/metadc87109/
Sandals
Pair of woman's sandals of pink and silver metallic leather, white leather, and black patent leather. Insole/sole of silver leather with pink leather inner section. Across instep is narrow band of pink, white, and black leather segments set with a single square black faceted gem mounted in silver colored metal. A second matching strap extends from insole, curves across instep, threads through a similar band, then continues around back of heel and back down to reattach to insole on same side it began. This band also set with two square faceted black gems. 3" high spike heel is thick, covered with black patent leather on sides and back and brown leather as sole on front. Designer/Maker's label stamped on insole at heel: "RODO / Since / 1956" within wreath. Impressed in sole: "RODO / [outline of hide] Vero / Cuoio / Made in Italy / 36" With applied sticker on sole showing pictograms indicating what materials make up the parts of the shoe. digital.library.unt.edu/ark:/67531/metadc87112/
Sandals
Pair of sandals made of deep pink leather. Two thick straps extend from sides and meet to form vamp/throat with surmounting bow. A thinner, single strap extends up and across near base of toes. Spike heel is 3" high, and covered with same pink leather. Inset black label on sole with maker's mark embroidered in silver: "Mario Valentino / Made in Italy" Molded into sole: "Mario / Valentino" Stamped into sole: Outline of a hide containing words: "Vero Cuoio / Cuir / Veritable / Leather / Leder Echt"; "Made in Italy"; "39" digital.library.unt.edu/ark:/67531/metadc87114/
Sandals
Pair of sandals made of metallic cobalt blue leather. Two thick straps extend from sides and meet to form vamp/throat with surmounting bow. A single strap extends up from sole at heel and is topped by strap to encircle ankle. Strap secures with single silver tear-shaped buckle. Spike heel is 4" high, and covered with same blue leather. Inset black label on sole with maker's mark embroidered in silver: "Mario Valentino / Made in Italy" Molded into sole: "Mario / Valentino" Stamped into sole: Outline of a hide containing words: "Vero Cuoio / Cuir / Veritable / Leather / Leder Echt"; "Made in Italy"; "39" digital.library.unt.edu/ark:/67531/metadc87116/
Sandals
Pair of women's sandals of silver metallic leather. Designed as "gladiator style" sandals, with six narrow silver leather criss-crossed or interwoven straps at front over vamp, and six more similar straps extending around ankle and originating from vertical band at heel. 5" zipper along heel band. Designer's label on both sides of sole: "Barbara Bui" Impressed on underside of sole: "Made in Spain" and "40". Attached sticker under sole showing pictograms indicating which parts of shoe are leather. digital.library.unt.edu/ark:/67531/metadc87113/
Sandals
Pair of woman's sandals of black suede. Designed with pointed toe, the slip-on sandals have two wavy-edged black suede bands crossing at instep, and a second pair of similar straps extending from heel and mid-foot to cross at slightly below ankle. At each crossing is mounted a faceted clear crystal set in a silver filigree rosette of four petals. 3 1/2" spike heel is covered in black satin. Tan leather sole. Maker's logo/label stamped in gold on cream leather inset in insole: "[logo of T bracketed by facing L's within oval] / Couture / Les Tropeziennes" Stamped in gold on sole: "Made in Italy / Vero Cuoio"; logo repeated; "Les Tropeziennes" and "35". digital.library.unt.edu/ark:/67531/metadc87107/
Sandals
Pair of woman's high-heeled sandals of multi-colored metallic leathers. Designed with rounded, open toes, the shoes have a vamp of an open-work figure 8 created by dark and light blue and violet braided leather bands. Bands of same leather extend from sides of vamp along sides of sandal to heel. Openwork heel formed of same braided leathers in inverted teardrop or petal shapes radiating from heel, and with upper band arching over the heel. Insole of metallic blue leather with inlaid teardrop shape of violet leather. 4" high heel rounded at sides and back tapers to ground and is covered with iridescent blue/great material. Designer's label stamped in silver on insole: "Fanziska Hübener" Stamped into sole: "Hübener, Fanziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 35"; "EUR / 37" and "USA / 6" Size sticker on sole: "36" digital.library.unt.edu/ark:/67531/metadc87106/
Shoes
Pair of women's shoes of black patent leather. Designed with square toes, the vamp has an applied large square of black patent leather crossed vertically by a narrow band of red leather set off-center to right side of wearer. "Kitten" heel 1 1/2" high formed as a silver rectangle with horizontal black band and vertical red band. Designer's label inset int sole: "Davis by Ruthie Davis" Designer's monogram impressed in sole, two facing "D"s Impressed in sole: Outline of hide inscribed "Vero Cuoio"; "Designed in / New York / Made in Italy / 6" digital.library.unt.edu/ark:/67531/metadc87105/
Shoes
Pair of woman's shoes of gold leather and colored snakeskin. Designed as platform heels with slightly pointed open toes, they have a wide band of gold leather extending across the vamp. Extending along the side of the shoe from the vamp, behind heel, and to other vamp is band of snakeskin dyed vari-colored, from dark burgundy to gold. Another band of gold leather attaches to snakeskin at ankle on each side and wraps around wearer's leg. Back of band is elasticized. 4 1/2" stiletto heel covered in gold leather. Designer's label stamped in black on insole: "[monogram] / Gil Carvalho / London" digital.library.unt.edu/ark:/67531/metadc87108/
Shoes
Platform heels of lilac, red, and purple leather, and burgundy patent leather. 2 joining straps at front of red and lilac; angular zigzag cut-out around ankle with Mary Jane straps from sides of lilac leather (silver buckle on outside) and a single joining piece of burgundy patent leather across top; 1" platform of purple leather and 4" elongated heel of burgundy patent leather. Designer label: "Franziska Hübener" digital.library.unt.edu/ark:/67531/metadc87110/
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne. digital.library.unt.edu/ark:/67531/metadc275009/
[Poster for The Politics of Taste Symposium]
Poster advertising a symposium titled "The Politics of Taste in Eighteenth and Nineteenth-Century Latin America" held at Meadows Museum, Southern Methodist University in Dallas Texas, September 17, 2010. The poster includes an illustration of a colonial-era gentleman and a map of Central and South America. Text on the right side of the poster describes the topic of the symposium, lists the speakers, and gives details about the time and location. digital.library.unt.edu/ark:/67531/metadc130049/
Richardson Endorses Obama
Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles. digital.library.unt.edu/ark:/67531/metadc275006/
Round Soffit Vent
The brooch is in the shape of a round soffit vent. digital.library.unt.edu/ark:/67531/metadc129782/
Untitled
This digital photograph depicts standing figures in black and white superimposed with secondary figures in bright colors. The composition in horizontal. digital.library.unt.edu/ark:/67531/metadc129805/
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference." digital.library.unt.edu/ark:/67531/metadc275005/
Vortex
The brooch front has granulation while the back side has keum boo overlay. The texture is created by chasing and repousse. digital.library.unt.edu/ark:/67531/metadc129788/
Vortex
The brooch front has granulation while the back side has keum boo overlay. The texture is created by chasing and repousse. digital.library.unt.edu/ark:/67531/metadc129787/
2,490 Feet
The work is a coiled piece of paper that measures 2,490 feet when unwound. Pieces of white string tie sections to hold it in place. digital.library.unt.edu/ark:/67531/metadc129809/
Activities A-G
The work consists of a series of six books. They were included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012. digital.library.unt.edu/ark:/67531/metadc102376/
Black Growth
This head piece was created using mylar removed from floppy disks that were individually machine stitched into form, then hand sewn to create the overall look. digital.library.unt.edu/ark:/67531/metadc139521/
Gotta Gun
This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve. digital.library.unt.edu/ark:/67531/metadc275007/
[Poster for a Lecture by Dr. David Darts]
Poster for a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" which was the 4th annual D. Jack Davis Endowed Lecture in Arts Education. The poster includes a photograph of Darts with children at a playground as well as details about the lecture, held at UNT on the Square on Wednesday March 9, 2011, and logos for UNT and the College of Visual Arts + Design. digital.library.unt.edu/ark:/67531/metadc130048/
Senate Testimony
The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman. digital.library.unt.edu/ark:/67531/metadc275011/
Untitled
The digital photograph with its pale blue background depicts on the left side of the frame white overlapping planes that create the sense of movement. Some yellow color enters the frame of the work in the lower right hand corner. digital.library.unt.edu/ark:/67531/metadc129806/
Untitled and Sew Bits
Two sleeveless white dresses are shown in this view of the exhibition entitled From Here to There: Practice, Form, and Meaning that was hosted in the UNT Art Gallery from May 22 to August 4, 2012. digital.library.unt.edu/ark:/67531/metadc102377/
[Recording of Lecture by Dr. David Darts]
Recording of a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" at UNT on the Square in Denton, Texas as the 4th annual D. Jack Davis Endowed Lecture in Arts Education. digital.library.unt.edu/ark:/67531/metadc130050/
UNT Speaks Out on No Child Left Behind: The Impact of NCLB on Arts Education
This presentation is part of the faculty lecture series UNT Speaks Out on No Child Left Behind. This presentation discusses the No Child Left Behind (NCLB) Act and its impact on arts education. digital.library.unt.edu/ark:/67531/metadc67601/
Attic Turbine Vent
The brooch is to be worn on the shoulder and is in the form of an attic vent. The piece spins. digital.library.unt.edu/ark:/67531/metadc129772/
Auto Fellatio
The artwork consists of collage images and small scale constructions that create a tableaux that is then photographed. The black and white photograph depicts a person having sexual relations with himself. Three teddy bears are in the foreground. The room depicted has one window in the background and a small alcove with an octagonal window in the upper right hand portion of the picture. There is a small foot stool underneath and to the side of the window. This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus. digital.library.unt.edu/ark:/67531/metadc129767/
Battlefield
The two paper pieces consists of many layers, hang on the wall and protrude into the space. These pieces were included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012. digital.library.unt.edu/ark:/67531/metadc102375/
Blindly Follow
Image of painting that depicts two hooded men chained together. The view is from below showing the ceiling which resembles a cathedral. digital.library.unt.edu/ark:/67531/metadc129789/
Cart
This low-chroma ink wash painting depicts an abandoned cart. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129755/
Climbing
Detail image of the brooch front. digital.library.unt.edu/ark:/67531/metadc129864/
Climbing
Detail image of the side of the brooch. digital.library.unt.edu/ark:/67531/metadc129865/
Climbing
Image of the entire brooch from above. digital.library.unt.edu/ark:/67531/metadc129863/
Column
This monochromatic painting shows the front of the main building from the view of the southwestern porch, with a column prominently in the foreground.The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129753/
Dad's Stash of Porn
This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus. The black and white photograph depicts three young boys finding a stash or pornography. There is a collage element of a nude man with no head, hands or feet. However, through a television set one of the man's hand becomes visible. The man's head appears to be partially removed. The tableaux created from collage and sculpture was then photographed to create this work of art. digital.library.unt.edu/ark:/67531/metadc129768/
Dining Hall
This low-chroma ink wash painting shows the dining hall of the estate, particularly focusing on the windows. The sunshine lights the floor highlighting the debris and ruin. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129757/