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  Partner: UNT College of Visual Arts + Design
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Jumping from the Hoop
Image of the brooch from front view. digital.library.unt.edu/ark:/67531/metadc129861/
Lidded Vase
Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas. digital.library.unt.edu/ark:/67531/metadc129745/
The Mask
Image of painting that consists of a portrait of a masked man, seated with his arm resting on a table. The horned mask is red with some black expressive marks. Behind the man is the back side of a stretched canvas. This painting was shown in the senior level painting exhibit in the Lightwell Gallery at University of North Texas in October of 2012. digital.library.unt.edu/ark:/67531/metadc129792/
Oil and Vinegar Set
Image of oil and vinegar set as seen in exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012. digital.library.unt.edu/ark:/67531/metadc129747/
Orb, Number 3
The sculptural object is created from layers of paper. This piece was included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012. digital.library.unt.edu/ark:/67531/metadc102374/
Pennsylvania House
This painting depicts one of the annexes that remain on the property. A fire long ago destroyed the building's interior, but the brick remains. The low-chroma painting features ink washes. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129763/
Plumb Bob: Shelter
The necklace is in the form of a plumb bob. The finial is shaped like a house. digital.library.unt.edu/ark:/67531/metadc129773/
Plumb Bob: Shelter
The necklace is in the form of a plumb bob. The finial is shaped like a house. This view shows the entire length of the necklace. digital.library.unt.edu/ark:/67531/metadc129781/
Plumb Bob: Tradition
The necklace is in the form of a plumb bob. This view of the necklace shows the entire length. digital.library.unt.edu/ark:/67531/metadc129786/
Plumb Bob: Tradition
The necklace is in the form of a plumb bob. digital.library.unt.edu/ark:/67531/metadc129785/
Porch
This low-chroma ink wash painting shows the banister and railing of a staircase leading down from the western porch that fades into the distance. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129750/
Power Outlet
This low-chroma ink wash painting depicts a power outlet on the floor, almost buried in the ruin surrounding it. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129758/
Ring
Image of the silver and alligator hide ring shows the double loop with one end of the silver piercing the alligator skin. digital.library.unt.edu/ark:/67531/metadc129866/
Ring
This silver ring consists of a flat portion covered in alligator skin. A thin silver band then extends and narrows above the hand before curving back to the skin piercing it. digital.library.unt.edu/ark:/67531/metadc129867/
Roof
This low-chroma ink wash painting shows the upper portion of a back entrance that primarily focuses on the roof, particularly the fallen decorative windows that were once perched on top of it. There are dead vines growing rampantly through the windows, roof, and doorway. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129752/
Room
This low-chroma ink wash painting depicts a room containing a large machine and switch mounted on the wall. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129756/
A Sea of Power Tops, Ad Infinitum
In this photographic montage, a group of men, most missing portions of their limbs, heads or bodies are engaged. In the foreground, a young boy looks on. The work consists of collage and sculpture which creates a tableaux that is then photographed. This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus. digital.library.unt.edu/ark:/67531/metadc129770/
Skeleton
The painting depicts the profile view of a human skeleton made up of parts of a gun, syringes and shapes resembling pills with a brain that is a brown oval textured with white spots. This painting was included in the Lightwell Gallery in the Art Building, September 2012, for the NAEA All-Level Invitational. digital.library.unt.edu/ark:/67531/metadc129790/
Small Casseroles
Image of two small casserole containers as seen in the exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at the University of North Texas. digital.library.unt.edu/ark:/67531/metadc129746/
Staircase
This relatively monochromatic painting uses mostly browns and tans to depict an upper level view of a decaying staircase. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129761/
Stairwell
This low-chroma ink wash painting depicts an aerial view of the center of a stairwell. The angles of the broken banister and other elements create a somewhat dizzying perspective. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129751/
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae. digital.library.unt.edu/ark:/67531/metadc129858/
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae. digital.library.unt.edu/ark:/67531/metadc129860/
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae. digital.library.unt.edu/ark:/67531/metadc129859/
Tail Shoes
This pair of hand-made shoes includes a tail like feature. They are natural in color with a closed toe. digital.library.unt.edu/ark:/67531/metadc129856/
Tail Shoes
This pair of hand-made shoes includes a tail like feature. They are natural in color with a closed toe. digital.library.unt.edu/ark:/67531/metadc129857/
Untitled
The untitled set of photographs depict, in one, a man dressed in a suit and tie seated next to computer equipment and, in the second photograph, a man wearing a western style hat stands in front of a counter piled with many papers and objects as well as on the shelving behind him. digital.library.unt.edu/ark:/67531/metadc129766/
Untitled
The image of the painting displays its many colors in horizontal bands with texture in many other colors. The effect is much like marbling. This painting was included in the Senior Level Painting exhibition held in the Lightwell Gallery in the Art Building during October of 2012. digital.library.unt.edu/ark:/67531/metadc129794/
Untitled
The painting consists of an orange ground upon which are many colors moving across the canvas. This painting was included in the Senior Level Painting exhibition held in the Lightwell Gallery in the Art Building during October of 2012. digital.library.unt.edu/ark:/67531/metadc129795/
Untitled
This painting on paper was included in the Senior Level Painting Exhibit in October 2012. The show was in the Lightwell Gallery in the Art Building on the University of North Texas campus. digital.library.unt.edu/ark:/67531/metadc129791/
Untitled
This black and white digital photograph depicts an umbrella shape circling large from the lower right to smaller in the lower left. The background is dark. digital.library.unt.edu/ark:/67531/metadc129807/
Watercolor Abstract Emotions No. 1
The painting consists of a rainbow of colors with a rusty red in the center. The colors flow from top to bottom; the artist states that the painting was created with the idea that it may be hung in any direction. Although the colors meet and begin to interact with each other, they remain mostly independent. There are spots and blotches as well that creates texture. digital.library.unt.edu/ark:/67531/metadc129748/
Watercolor Abstract Emotions No. 2
The painting includes a large black area on the left hand side. The upper right hand portion includes many reddish colors. Sprinkled among the black ground are many yellow, red, blue and white areas that resemble balls of fire or stars. The artist states that the painting was created with the idea that it may be hung in any direction. digital.library.unt.edu/ark:/67531/metadc129749/
Personal Response to Digital Frontiers Roundtable: Allison Jarek
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Allison Jarek. digital.library.unt.edu/ark:/67531/metadc109707/
Personal Response to Digital Frontiers Roundtable: Ann Howington
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Ann Howington. digital.library.unt.edu/ark:/67531/metadc109706/
Personal Response to Digital Frontiers Roundtable: Caleb Zouhary
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Caleb Zouhary. digital.library.unt.edu/ark:/67531/metadc109721/
Personal Response to Digital Frontiers Roundtable: Cassie Phan
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Cassie Phan. digital.library.unt.edu/ark:/67531/metadc109718/
Personal Response to Digital Frontiers Roundtable: Chance Dunlap
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Chance Dunlap. digital.library.unt.edu/ark:/67531/metadc109702/
Personal Response to Digital Frontiers Roundtable: Justin Strickland Hoff
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Justin Strickland Hoff. digital.library.unt.edu/ark:/67531/metadc109705/
Personal Response to Digital Frontiers Roundtable: Madeleine Fitzgerald
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Madeleine Fitzgerald. digital.library.unt.edu/ark:/67531/metadc109703/
Personal Response to Digital Frontiers Roundtable: Marseille Moon
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Marseille Moon. digital.library.unt.edu/ark:/67531/metadc109709/
Personal Response to Digital Frontiers Roundtable: Michael Blair
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Michael Blair. digital.library.unt.edu/ark:/67531/metadc109699/
Personal Response to Digital Frontiers Roundtable: Rachel Christensen
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Rachel Christensen. digital.library.unt.edu/ark:/67531/metadc109701/
Personal Response to Digital Frontiers Roundtable: Sean Miller
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Sean Miller. digital.library.unt.edu/ark:/67531/metadc109708/
Personal Response to Digital Frontiers Roundtable: XuHao Yang
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, XuHao Yang. digital.library.unt.edu/ark:/67531/metadc109720/
A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment
This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts. digital.library.unt.edu/ark:/67531/metadc139459/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129878/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129882/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129880/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129876/