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  Partner: UNT College of Visual Arts + Design
Results 4511 - 4560 of 7,296
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[Cortile]
Photograph of the Villa Giulia in Rome, Italy. The cortile is visible in the foreground filled with folding chairs. The villa curves around the cortile in the foreground. Trees are visible above and behind the buildings. digital.library.unt.edu/ark:/67531/metadc10827/
Cote d'Azur
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A landscape painting of the French Riviera. digital.library.unt.edu/ark:/67531/metadc7782/
[Couple]
Photograph of a couple in front of a stone wall in England. Trees and a tower are visible behind the couple. digital.library.unt.edu/ark:/67531/metadc10179/
[Couple at the Beach]
Photograph of a couple at the beach in Mexico. The couple is visible in the foreground on a hammock holding glass bottles. Other hammocks are visible behind the couple. The beach is visible in the background. digital.library.unt.edu/ark:/67531/metadc10845/
[Couple in Bamboo]
Photograph of Ray and Georgia Gough in Japan. The couple is visible in the center of the frame posing on a stone pathway. The pathway runs through the middle of a bamboo grove. digital.library.unt.edu/ark:/67531/metadc10846/
Couple in Cloud Roundel
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A roundel floats in the top half of the vertically oriented postcard and silhouetted in white is a couple. digital.library.unt.edu/ark:/67531/metadc41341/
A Couple with a Canary
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A close view of the couple next to the bird cage is seen in this painting detail. The woman is seated and wears a white dress with pink ribbons and the man leans over her to look into the bird cage. digital.library.unt.edu/ark:/67531/metadc48272/
A Couple with a Canary
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Through a doorway, past a mop and broom, a couple can be seen next to a bird cage. digital.library.unt.edu/ark:/67531/metadc48270/
Court Official Carrying a Flower
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No Description digital.library.unt.edu/ark:/67531/metadc43544/
Court Official Carrying a Flower
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No Description digital.library.unt.edu/ark:/67531/metadc43546/
Court Official Carrying a Flower
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No Description digital.library.unt.edu/ark:/67531/metadc43545/
Courtyard House, Majlis Gallery, Bastakiya Historic Neighborhood
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The exterior facade is shown in this view. Calligraphy on the side of the building indicates its current usage. A wind tower can be seen as well as the extended portal with its pierced panels. digital.library.unt.edu/ark:/67531/metadc51918/
[Covered bridge]
Photograph of a wooden covered bridge in Switzerland. A field is visible in the foreground. The bridge is visible behind a wall next to the field. A mountain is visible in the background. digital.library.unt.edu/ark:/67531/metadc10953/
[Covered Wagons]
Photograph of three covered wagons in Ireland. Tree branches and weeds are visible in the foreground. Three colorful wagons sit in a field in the middle ground. The landscape and a body of water are visible in the background. digital.library.unt.edu/ark:/67531/metadc10479/
Creole Dance
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No Description digital.library.unt.edu/ark:/67531/metadc8136/
The Crucifixion
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No Description digital.library.unt.edu/ark:/67531/metadc8182/
The Crucifixion with the Virgin, Saint John, Saint Jerome and Saint Mary Magdalen
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No Description digital.library.unt.edu/ark:/67531/metadc8827/
[Curvy Trees]
Photograph of three curvy trees in the botanical gardens of Hangzhou, China. The trees are evenly spaced in the foreground. A white wall is visible behind the trees. digital.library.unt.edu/ark:/67531/metadc10062/
Cycladic Goddess
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Half-length detail from right center of sculpture depicting Cycladic Goddess. From the Minoan Pre-Palace Period. digital.library.unt.edu/ark:/67531/metadc42972/
Cycladic Goddess
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From the Minoan Pre-Palace Period. Total from front. digital.library.unt.edu/ark:/67531/metadc42971/
Cylinder Seal with Imprint
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The cylinder seal displayed to the left of a clay impression from seal. To the far right a photograh of the impression is included. digital.library.unt.edu/ark:/67531/metadc7954/
Dakota Frame Drum
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The drum is made of wood and small spikes secure the hide to the round frame. The drumstick has a stuffed leather head. digital.library.unt.edu/ark:/67531/metadc47543/
The Dance Hall at Arles
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Painting depicting the Dance Hall at Arles, Oct/Nov 1888. digital.library.unt.edu/ark:/67531/metadc49855/
Dancer Fixing her Slipper
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A sketch of a ballerina fixing her slipper. digital.library.unt.edu/ark:/67531/metadc7820/
The Dancers
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No Description digital.library.unt.edu/ark:/67531/metadc8539/
Dancing Faun from the House of the Faun, Pompeii
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The frontal view of the nude dancing figure reveals upraised arms, one higher than the other and the weight is on one foot placed in front of the other. The patina on the sculpture is a blackish and dark green. The hair on the male figure consists of loose curls and the figure is fully bearded. digital.library.unt.edu/ark:/67531/metadc32385/
Dancing Faun from the House of the Faun, Pompeii
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This view from the left of the dancing nude male figure shows the head in near profile with its loose curls and full-beard. The figures arms are upraised and one foot is in front of the other. The patina is a blackish dark green. The torso is slightly twisted and the musculature of the body is defined. digital.library.unt.edu/ark:/67531/metadc32387/
Dancing Faun from the House of the Faun, Pompeii
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The left front view of the nude male dancing figure is shown with both arms upraised. The patina of the sculpture is blackish and dark green. digital.library.unt.edu/ark:/67531/metadc32386/
Daniel in the Lions' Den
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No Description digital.library.unt.edu/ark:/67531/metadc8836/
Dashavatara Vishnu Temple
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No Description digital.library.unt.edu/ark:/67531/metadc7937/
Dashavatara Vishnu Temple
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No Description digital.library.unt.edu/ark:/67531/metadc7938/
Dashavatara Vishnu Temple
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No Description digital.library.unt.edu/ark:/67531/metadc7936/
Davy Crockett Cap
Davy Crockett Cap (aka coonskin hat) of fur. The hat has a circular crown of vari-colored brown and cream fur, possibly rabbit, flat on top, with a black fur tail hanging off of the back edge. Lined in heavy brown fabric. digital.library.unt.edu/ark:/67531/metadc114740/
Dawn
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The view of the sculpture is from the reflection made by the sculpture in the reflecting basin of Ludwig Mies van der Rohe's Barcelona Pavilion from 1929. The figure is a nude female with arms gracefully raised above her head. digital.library.unt.edu/ark:/67531/metadc40959/
Dead Fowl
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No Description digital.library.unt.edu/ark:/67531/metadc8575/
The Death of St Clare
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No Description digital.library.unt.edu/ark:/67531/metadc8216/
[Decorative Ironwork]
Photograph of a brick wall in Toulouse, France. In the foreground, decorative ironwork leads up a brick wall. A bike is visible behind the ironwork. A roof is visible in the background. digital.library.unt.edu/ark:/67531/metadc10280/
[Decorative vine]
Photograph of a carved decorative vine in Vienna, Austria. The vine is backed by a white wall. There are numerous carved figures without legs interspersed throughout the vine branches. Some of the figures have gold crowns. digital.library.unt.edu/ark:/67531/metadc9973/
Delight
The horizontally oriented work of art consists of many shapes and sections. Running horizontally is a long piece divided into two stripes, one green and the upper one a pink brown. Oval and ribbon shapes float across the linear banner. Behind the banner are vertical, placed unevenly, pink and purple panels. digital.library.unt.edu/ark:/67531/metadc27079/
Demeter, Persephone and Triptolemos
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A sculpture from the Greek Classical Period. Total from front center. digital.library.unt.edu/ark:/67531/metadc43015/
Devata Seated in Repose
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No Description digital.library.unt.edu/ark:/67531/metadc7921/
Devata Seated in Repose
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No Description digital.library.unt.edu/ark:/67531/metadc7922/
Diadoumenos, Roman marble copy of a Greek bronze sculpture by Polykleitos
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The frontal view of the marble sculpture shows the tree branches used as a support system for this marble sculpture. Both arms are raised and both hands are missing. The figure is in a contrapposto pose and the male nude figure wears a headband around his short curly hair. The marble is a light creamy color with little discoloration in this frontal view. digital.library.unt.edu/ark:/67531/metadc32389/
Diadoumenos, Roman marble copy of a Greek bronze sculpture by Polykleitos
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This left front view of the male figure reveals both missing hands, damage to the nose and the massive discoloration to the buttocks. The statue's head glances downward and the arms are upraised. digital.library.unt.edu/ark:/67531/metadc32391/
Diadoumenos, Roman marble copy of a Greek bronze sculpture by Polykleitos
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This close front left view of the sculpture includes the torso and head. Damage to the nose and underarm is visible. The marble is a light color with little discoloration. The head is seen in profile with the tight band around the male figure's curly hair. digital.library.unt.edu/ark:/67531/metadc32390/
Diadoumenos, Roman marble copy of a Greek bronze sculpture by Polykleitos
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This view shows the marble sculpture from the front left side and from the head to the torso. The face is gazing downward. The marble is a light color with yellowed damage to the nose. digital.library.unt.edu/ark:/67531/metadc32392/
Diadoumenos, Roman marble copy of a Greek bronze sculpture by Polykleitos
Access: Use of this item is restricted to the UNT Community.
The male figure is seen from the right front side. He is in the contrapposto pose. The marble is light in color except the edge of the back side that is visible in this view. The statue is missing both of its hands. digital.library.unt.edu/ark:/67531/metadc32394/
Diadoumenos, Roman marble copy of a Greek bronze sculpture by Polykleitos
Access: Use of this item is restricted to the UNT Community.
The full-length view from the back right shows the brown texture on the surface of the marble. The head is seen in profile and the right arm missing its hand is visible in this view as well. digital.library.unt.edu/ark:/67531/metadc32393/
[Diego Rivera Murals]
Photograph of the "History of Cuernavaca and Morelos, Conquest and Revolution" mural by Diego Rivera in the Palacio de Cort├ęs of Cuernavaca, Mexico. The palace is now a museum. A section of the loggia is visible in the foreground. Murals cover the walls on the left side of the frame. A group of three people is visible in center foreground. A larger group is visible in the background by the doorway. digital.library.unt.edu/ark:/67531/metadc10859/
Dionysiac Mystery Frieze
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No Description digital.library.unt.edu/ark:/67531/metadc43514/