UNT College of Visual Arts and Design - 17,240 Matching Results

Search Results

prev Results: 4491 - 4540 next
Necktie
Necktie of off-white silk with grey diagonal embroidered stands with vertical off-white ribs in between; four in hand style; 1 1/2" at widest point. Lined in off-white silk with blue D'ore print. Labels: Dreyfuss & Son pure silk; Woven in Switzerland D'ore imported silk
Negligee
Negligee and bed jacket ensemble of light beige crepe de chine with blue crepe de chine belt. Bias cut; handmade. a) Jacket: bolero length jacket with short gathered sleeves. The sleeve openings are bound in pale blue/gray silk ribbon. Curved front opening without closure devices. The opening is edged with a wide band of appliqued pale blue/gray silk in an abstracted motif extending from the sideseams and around the neckline. The opening and hem of the jacket are bound in pale blue/gray silk ribbon. Shoulder pads. b) Negligee: Full-length. bias-cut negligee with sleeveless empire bodice. Plunging V-neckline front and back forming wide shoulder straps. The front neckline of the negligee is decorated with ivory on ivory appliques to match the jacket. Rolled hem. c) Belt: pale blue/gray silk belt to match. Self tie.
Negligee
Negligee of pink silk crepe with ivory lace trim at bodice and hem. Full-length, sleeveless, deep V-necklines. Wide bands of lace at straps and neckline and down front of bodice. Flaring skirt, bias-cut. Narrower bands of lace at lower edge. Unlined. No labels in garment.
Nightgown
Nightgown of sheer light pink silk chiffon, round neckline with smocking across chest, long set in sleeves, full length.
Nightgown
Negligee/nightgown of white lace over pink synthetic chiffon with a two-tiered ruffled hem. Full length; pink ribbon drawstring on low rounded neckline. Lace ruffle cap shoulders. Pink ribbon tie at inserted waist band. Center front hook & eye closure.
Nightgown
Nightgown of off white or beige silk charmeuse and chiffon. Full length, empire bodice of gathered silk chiffon creating round neckline and sleeveless profile trimmed in silk charmeuse, full skirt of bias silk charmeuse, unlined.
Nightgown
Nightgown ensemble of pink cotton plissé. A) Nightgown. Bodice trimmed in white lace lattice pattern with white work embroidered flowers and French knots. Waltz-length; sleeveless. Rounded lace neckline with inserted white satin ribbon. White satin ribbon drawstring at waist. B) Bed jacket in matching white lace lattice pattern with white work embroidered flowers and French knots. Short, bell-shaped sleeves. Edges of white lace with inserted white satin ribbon. Sleeveless. pink cotton. waltz-length nightgown with lace trim and matching short pink robe with criss crossed trim.
Nightgown
Nightgown of pale pink silk charmeuse and off-white lace, bodice of two wide panels of machine made bobbin lace that overlap at the center front creating a v-neckline and surplice bodice, sleeveless, skirt of silk gathered at natural waist, full length
Nightgown
Nightgown of pale green sheer silk chiffon, full length, lace inserts at yoke and bottom half of long sleeves, collar trimmed with ruffled self, set of self ties at neckline, gathered sleeve cuffs.
Nightgown
Nightgown of cream or off-white georgette, bias-cut with silk charmeuse and ecru colored alencon lace inserts following the bust line and applique flowers of self on bodice, straps of bias self looped through top of bust cups, bias insert at natural waist, full length. Bed jacket of matching alencon lace, waist length, short full set-in sleeves, center front opening with no closures.
Nightgown
A) Nightgown of pink satin, bias-cut, with wide white floral lace edging at upper bodice, and band of floral embroidery in pink along base of lace band. Full-length, flaring to hem. Narrow straps, braided at shoulder. Attached self tie at waist. B) Matching pink satin underpants. No labels
Nightgown
Pink satin/silk nightgown with lace bodice. Long full skirt trimmed in lace, draw string at waistline. Pink silk shoulder straps.
Novelty hat
Calotte style hat of light purple felt in teardrop shape. Decorated in bunches of purple and magenta felt grapes with leaves of green felt. Rose colored rolled felt tie bow at back. Hat covered in purple net with chenille balls. Black grosgrain headband; lined in purple. Elastic band for securing hat to head. Designer's label: "Northridge Inc. / 1 W. 57th St. / New York"
Number 02: The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home.
No Description Available.
Number 04: The Negro was the largest source of labor to be found after all others had been exhausted.
No Description Available.
Number 06: And the migrants kept coming.
No Description Available.
Number 08: They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops.
No Description Available.
Number 10: They were very poor.
No Description Available.
Number 12: The railroad stations were at times so overpacked with people leaving that special guards had to be called to keep order.
No Description Available.
Number 14: Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.
No Description Available.
Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.
No Description Available.
Number 18: The migration gained in momentum.
No Description Available.
Number 20: In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement.
No Description Available.
Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...
No Description Available.
Number 24: Child labor and a lack of education was one of the other reasons for people wishing to leave their homes.
No Description Available.
Number 26: And people all over the South began to discuss this great movement.
No Description Available.
Number 28: The labor agent who had been sent south by northern industry was a very familiar person in the Negro counties.
No Description Available.
Number 30: In every home people who had not gone North met and tried to decide if they should go North or not.
No Description Available.
Number 32: The railroad stations in the South were crowded with people leaving for the North.
No Description Available.
Number 34: The Negro press was also influential in urging the people to leave the South.
No Description Available.
Number 36: In Chicago and other cities they labored in the steel mills
No Description Available.
Number 38: They also worked in large numbers on the railroad.
No Description Available.
Number 40: The migrants arrived in great numbers.
No Description Available.
Number 42: Sometimes the [labor] agents disguised themselves to avoid arrest, but the migrants were often taken from railroad stations and jailed until the trains departed
No Description Available.
Number 44: Living conditions in the North were better.
No Description Available.
Number 46: Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous.
No Description Available.
Number 48: Housing for the Negroes was a very difficult problem.
No Description Available.
Number 50: Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers.
No Description Available.
Number 52: One of the largest race riots occured in East Saint Louis.
No Description Available.
Number 54: One of the main forms of social and recreational activities in which migrants indulged occured in the church.
No Description Available.
Number 56: Among the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living.
No Description Available.
Number 58: In the North the Negro had better education facilities.
No Description Available.
Number 60: The trains were packed continually with migrants.
No Description Available.
Nylon camisole
Camisole slip of off-white nylon, v-neckline with shaped camisole cups with adjustable ivory ribbon shoulder straps. Darted bust cups. Inverted V-shaped insert of soft nylon below the bust that joins with the triangular back panel to form a zig zag waist seam. The knee-length skirt is cut in one piece and seamed center back. Nylon lace bound hem. The bust and skirt portions of the slip are made of a heavier weight. ribbed nylon. The V-shaped insert is a more pliable weight. Label stitched inside. at left back zig zag seam.
D'Orsay Pumps
D'Orsay pumps of silver leather. Designed with rounded toe and cut-away sides, the pumps have vamp formed of two wide curving bands joined at top of vamp and open at sides and toe. The silver leather of the vamp and the closed heel and ankle strap are embellished with top-stitching; the straps secured with a square rhinestone-set buckle. The modified French heel is covered with silvered leather, without top-stitching. No markings in right shoe. Left shoe with sewn-in label: "Neiman Marcus Co. Dallas / Fenwyn / Trade Mark Reg'd." Both shoes with handwritten notation: "8a / S 12293 / 8315Bb"
Painted Panel
Painting. Tempera(?) painted on panel, depicting scene from Thai/Siamese literature.
Pale pink slip
Slip of pale pink silk-like synthetic with Madeira embroidery on front-bodice and net lace trim at hem; V-neckline with scalloped trim; spaghetti straps; Madeira embroidery of embroidered vines, cutwork, and eyelets; fabric is gathered under crescent seams below bust; chevron seam at empire waistline; below knee-length. Label at back neckline: L'Elegance/ Imported/ Puerto Rican/ Hand Made
Panties
Panties (step-in slip) of off-white silk satin with insets of fine stitched, floral lace along sides of hemline; button closure at both sides.
Pants
Man's Pantalones (pants) of red, blue, green, orange, and white striped woven cotton. Textile created on back strap loom. All hand seamed. One selvedge and three hemmed ends.
Peach silk slip
Slip of peach silk satin with off-white lace trim and tiny pique stitch and floral embroidery at neckline. Empire waistline with gathers below bust; adjustable spaghetti straps; below knee-length.
Back to Top of Screen