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  Partner: UNT College of Visual Arts + Design
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Hatlet
Hatlet of navy straw. Low domed woven navy blue straw crown has triangular "wings" of the same material at sides which arc upwards and then down, giving a resemblance to a manta ray. The whole is edged with 1/4" spherical white glass(?) beads. Overlaid on the hatlet is a veil of navy mesh with 9 pairs of the white beads affixed at various parts of the veil. The undersides of the wings are lined in white material. The crown of the hat is lined with blue mesh, and there is an inner hatband of dark blue grosgrain ribbon along the inner bottom edge of the crown. Designer's label affixed to inner hatband: "Bes-Ben / Made In Chicago". Accompanied by two short hatpins, the heads of each are covered with small piece of matching navy blue woven straw. digital.library.unt.edu/ark:/67531/metadc38092/
Hatlet
Hatlet of red beads. Crown of the hatlet is composed of an irregular skullcap of stiffened red mesh covered with red beads. Set atop the the hatlet are three large e-dimentional "bow" shapes composed of the red beads. The hatlet has a red net veil. Under the skullcap are attached two small plastic combs to secure the hatlet to wearer's head. Designer's Label: "Bes-Ben / Made in Chicago" Gift of Mrs. John M. (Patricia) Wyle. Worn by Mrs. Joseph M. Finn of Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc38097/
Hatlet
Hatlet of black velvet. Hatlet is formed of a shallow circular black velvet crown edged with simulated pearls. The lobed edge is encircled by a black velvet band trimmed with matching simulate pearls, forming a band of elliptical openings spaced around the rim. Where each lobe meets the band is attached a larger simulated pearl in gilt mounting. The whole is overlaid with fine black net veiling. The crown is lined in black cloth with a fine woven pattern, and is edged with black grosgrain ribbon. Maker's Label: "Bes-Ben / Made in Chicago". Model Label(?): "42" With two short hatpins, one topped with a simulated spherical white pearl, the other topped with a simulated oval/teardrop black pearl. digital.library.unt.edu/ark:/67531/metadc38114/
Hatlet
Hatlet of stiffened white mesh covered with artificial flowers. The low, domed crown is based on a form of stiffened white mesh which is completely covered by small artificial flowers in shades of very pale mauve/purple, almost taupe, and green leaves and stems. The hat is unlined, and has a light brown grosgrain ribbon inner hatband. Designer's Label: "Bonnette / Highland Park Village" digital.library.unt.edu/ark:/67531/metadc286788/
[Hatshepsut Pillars]
Photograph of two stone pillars of the Mortuary Temple of Hatshepsut in Deir el-Bahri, Egypt. The tops of the pillars are visible in the foreground. Female faces are carved into the stone sides of the pillars. digital.library.unt.edu/ark:/67531/metadc10166/
Havana Port Waterfront Monastery
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The close detail view shows the structural decoration on the facade of the waterfront monastery. The main portal is decorated in the Baroque style. digital.library.unt.edu/ark:/67531/metadc40982/
Havana Port Waterfront Monastery
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The view of the facade is at a raking angle. This facade faces the harbor. digital.library.unt.edu/ark:/67531/metadc40981/
Head
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No Description digital.library.unt.edu/ark:/67531/metadc8590/
Head of a Bearded God
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The bearded and mustached head of a man also has curly hair. The head sits on a pedestal. digital.library.unt.edu/ark:/67531/metadc42409/
Head of a Bearded God
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This three-quarters view of the bronze head shows the mass of curly hair as well as the attachment of the head to the pedestal. digital.library.unt.edu/ark:/67531/metadc42410/
Head of a Child
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No Description digital.library.unt.edu/ark:/67531/metadc7813/
Head of a Horse
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No Description digital.library.unt.edu/ark:/67531/metadc7802/
Head of a Sphinx
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Total from front center view of sculpture entitled Head of a Sphinx. From the Greek Hellenistic Period. digital.library.unt.edu/ark:/67531/metadc43007/
Head of a Sphinx
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Total from right front of sculpture depicting head of a sphinx. From the Greek Hellenistic Period. digital.library.unt.edu/ark:/67531/metadc43008/
Head of a Woman
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No Description digital.library.unt.edu/ark:/67531/metadc8603/
Head of a Woman
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The drawing depicts the frontal view of a woman. The face is more complete and embellished with color while the rest of the drawing consists of only a few expressive lines. digital.library.unt.edu/ark:/67531/metadc41163/
Head of a Young Woman
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No Description digital.library.unt.edu/ark:/67531/metadc7889/
Head of a Young Woman
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No Description digital.library.unt.edu/ark:/67531/metadc7890/
Head of an Athlete
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The carved marble sculpture depicts a young man with curly hair. The view is in profile. Some damage marks are visible on the nose and the neck. digital.library.unt.edu/ark:/67531/metadc7961/
Head of Anubis, with a hinged jaw, used as an oracle mask
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No Description digital.library.unt.edu/ark:/67531/metadc7805/
Head of Aphrodite
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The female head is slightly turned and this view is straight into the face. The hair is wavy and held in place with a band. The color of the marble is a warm yellow. A tendril of hair curves around the neck and shoulder. digital.library.unt.edu/ark:/67531/metadc32346/
Head of Athena
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In this sculpture, the head of Athena looks slightly downward. She's wearing a draping garment and the bust is cut off at the shoulders. Her hair curls down each side of her face and she wears her traditional cap. digital.library.unt.edu/ark:/67531/metadc32341/
Head of Eros
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The young male head has curly hair. The marble is marked with brown spots. The view is frontal. digital.library.unt.edu/ark:/67531/metadc32303/
Headless Standing Buddha
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No Description digital.library.unt.edu/ark:/67531/metadc7934/
Headless Standing Buddha
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No Description digital.library.unt.edu/ark:/67531/metadc7933/
Heads of Horses
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No Description digital.library.unt.edu/ark:/67531/metadc7793/
A Hen
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The nautilus shell is enhanced with the addition of sculpted gold turning the shell into the shape of a hen. digital.library.unt.edu/ark:/67531/metadc48163/
Hera from the Farnese Collection
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The head of the statue is shown in close detail. The damaged condition of some of the edges of the heavily draped garment are shown. The head is in three-quarters profile with the wavy hair and the statue's brimmed hat. digital.library.unt.edu/ark:/67531/metadc32377/
Hera from the Farnese Collection
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The female statue holds her right arm up with an object in her hand. Her left arm hangs loosely at her side and her left hand holds her garment. She wears a heavily draped garment and her wavy hair is topped with a brimmed head covering. digital.library.unt.edu/ark:/67531/metadc32375/
Hera from the Farnese Collection
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The view shows the feet and the bottom edge of the heavily draped garment of the statue. The feet are visible in their sandals. digital.library.unt.edu/ark:/67531/metadc32378/
Hera from the Farnese Collection
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The view is from the thighs up and straight into the face of the statue. The details of the heavily draped garment are shown. In the statue's left hand, she holds her garment. In her raised right hand, she holds a cylindrical object. digital.library.unt.edu/ark:/67531/metadc32376/
Hera of Samos
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Total from front left of sculpture depicting Hera of Samos. From the Greek Archaic Period. digital.library.unt.edu/ark:/67531/metadc42386/
Herakles and a Centaur
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The angle of this view shows the centaur frontally. digital.library.unt.edu/ark:/67531/metadc42414/
Herakles and a Centaur
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The sculptural group consists of a man fighting a centaur. There is a tree stump between them and the sculptural set rests on a black and white marble base. digital.library.unt.edu/ark:/67531/metadc42413/
Herakles Carrying His Son Telephos
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No Description digital.library.unt.edu/ark:/67531/metadc7953/
Herakles Carrying His Son Telephos
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No Description digital.library.unt.edu/ark:/67531/metadc7952/
[Hercules and Cacus Sculpture]
Photograph of sculptures outside of the Palazzo Vecchio in Florence, Italy. To the right of the door, stands the sculpture of Hercules and Cacus by Baccio Bandinelli. To the left of the door, stands a copy of Michelangelo's sculpture of David. Buildings behind the palazzo are visible in the background. digital.library.unt.edu/ark:/67531/metadc10765/
Hercules Carrying his Son Telphorus
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No Description digital.library.unt.edu/ark:/67531/metadc7965/
Hercules Lying on a Lion Skin
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The view of the sculpture is from the front. The figure is missing his head, hands and his legs from the knees. digital.library.unt.edu/ark:/67531/metadc32380/
Herm of Hercules with Lionskin
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A statue of a man emerges from the herm, a tapered pilaster. The figure holds a lion skin over his left shoulder. In his right hand he holds a tool or weapon at his side. The figure of the nude man is heavily bearded with curly hair. digital.library.unt.edu/ark:/67531/metadc32381/
[Hieroglyphics]
Photograph of hieroglyphics carved into a stone wall in the Temple of Amun-Re in Karnak, Egypt. Part of a column with hieroglyphic carvings is visible on the right side of the frame. The wall fills the rest of the frame. digital.library.unt.edu/ark:/67531/metadc10155/
[Hills of Guilin]
Photograph of the hills along the Li River in Guilin, China. A number of houses are visible on the river bank. Tall hills loom above the houses in the background. digital.library.unt.edu/ark:/67531/metadc10071/
The Holy Face
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No Description digital.library.unt.edu/ark:/67531/metadc7825/
The Holy Family
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No Description digital.library.unt.edu/ark:/67531/metadc8426/
The Holy Family with Saint Anne and the Infant John the Baptist
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No Description digital.library.unt.edu/ark:/67531/metadc8855/
Home, Sweet Home
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No Description digital.library.unt.edu/ark:/67531/metadc8120/
Hopsacking Pants
Men's pants of embroidered "hopsacking". The tailored trousers are made in the style of jeans, but of an ochre/golden brown cotton hopsacking material. Full-length, the legs flare slightly to hems. Jeans-style pockets, two welt pockets on front and two patch pockets on back. Waistband has beltloops spaced throughout. Zipper fly at front with three buttons to secure waistband. The pants have an all-over embroidery in vertical and horizontal bands of stylized leaves, triangles, and other shapes in gold, white, green, yellow, and magenta. There are no labels in the garment. The Valerian Stux-Rybar collection of materials was donated by Jean-Francois Daigre to the Metropolitan Museum of Art in memory of Daigre's companion V.Stux-Rybar. Part of collection was subsequently transferred from the Metropolitan Museum of Art to the Texas Fashion Collection. digital.library.unt.edu/ark:/67531/metadc30239/
Horologium of Andronikos Kyrrhestes
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The top edge of the sundial is decorated with relief carvings that symbolize the wind. digital.library.unt.edu/ark:/67531/metadc32296/
Horologium of Andronikos Kyrrhestes
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The sundial is seen at right amid a general view from the east. The Library of Hadrian can be seen in the background. digital.library.unt.edu/ark:/67531/metadc32295/
Horologium of Andronikos Kyrrhestes
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The entire clock tower is visible in this view with Mount Lycabettus in the distance. digital.library.unt.edu/ark:/67531/metadc32297/