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  Partner: UNT College of Visual Arts + Design
 Decade: 2000-2009
AL 00-3
This abstract painting is mostly black with some white vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27160/
AJ 00-1
This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center. digital.library.unt.edu/ark:/67531/metadc27159/
Dialectics
The sculpture consists of a yellow head shape with a secondary face appearing in an oval shape on the surface. Protruding vertically out of the top of the head are three leaf like covered elongated shapes. digital.library.unt.edu/ark:/67531/metadc102329/
Dress
Dress of dark red silk. Full length; empire waist; v-neck with detail stitching; darker red rough silk weave inserts at shoulders and extending from sides to back; sleeveless; low back has partially attached fabric drape; back has curved seams with triangular openings that reveal red iridescent silk taffeta lining; center back zipper. Designer's label inside: "Chado / Ralph Rucci" Content label inside: "100% / Silk" digital.library.unt.edu/ark:/67531/metadc87101/
Dress
Dress of black lace and black silk chiffon laser cut floral fringe. Ankle length; bodice of black lace; round neck; sleeveless. Skirt of black lace with twelve tiers of laser cut floral fringe. Center back zipper and 6 hook and eye closures. Sixteen decorative lace covered button down back. Skirt lined in light brown; bodice partially lined in sheer black chiffon. With a sash of black satin. Designer's label at inside back zipper at top of brown lining: "Pierre Balmain" Style number tag on back of designer's label: "174 303" digital.library.unt.edu/ark:/67531/metadc87100/
Dress
Dress of black net with all over applique of strips of gold holographic foil and braided black netting. Calf length. Bodice top has a series of points. Three-quarter length sleeves of sheer black net. Skirt has five layers: appliqued over-skirt, three layers of black net and lining of light brown silk covered in black net. Center back zipper. Designer's label at side seam: "Pierre Balmain / Paris" Handwritten style number tag under designer's label: "172257" digital.library.unt.edu/ark:/67531/metadc283671/
Dress
Tunic-style evening dress of royal blue hammered silk. Full-length, narrowing to hem and with a slit up the side. Dress has a round neckline with hook-and-eye closure at back and has wide, straight, bracelet-length sleeves. Hand-written notation on the designer label: "8634 #2" digital.library.unt.edu/ark:/67531/metadc30337/
Evening Gown
Ballgown of olive/brown iridescent silk taffeta with all over Lesage embroidery of metallic thread, beads, small sequins, and green chenille yarn. Full length; round neck; long sleeves; center back zipper. Lined in copper colored organza. Designer's label: "Pierre Balmain / Paris" Style label under designer's label: "173666" Accompanying gown, but not shown: Stole of olive green silk; fringed ends. Petticoat for dress. Under layers of very stiff olive netting. Inner support bodice of copper brown silk; extends below waist to knee to form underskirt. Back zipper. digital.library.unt.edu/ark:/67531/metadc286947/
Flock
The orange platter contains a yellow face in low relief in the center and surrounding the face are highly textured blue bird silhouettes. digital.library.unt.edu/ark:/67531/metadc102331/
Great Glass House, National Botanic Garden of Wales
Access: Use of this item is restricted to the UNT Community.
Interior of the greenhouse shows both the ceiling construction and the tubular supports surrounding. digital.library.unt.edu/ark:/67531/metadc31195/
Great Glass House, National Botanic Garden of Wales
Access: Use of this item is restricted to the UNT Community.
The elliptical shaped greenhouse echoes the gentle shape of the hill on which it sits. digital.library.unt.edu/ark:/67531/metadc31192/
Great Glass House, National Botanic Garden of Wales
Access: Use of this item is restricted to the UNT Community.
Interior view of the greenhouse shows the arch supports of the ceiling. digital.library.unt.edu/ark:/67531/metadc31194/
Great Glass House, National Botanic Garden of Wales
Access: Use of this item is restricted to the UNT Community.
The interior of the greenhouse exhibits many different plants and a waterfall. digital.library.unt.edu/ark:/67531/metadc31196/
Great Glass House, National Botanic Garden of Wales
Access: Use of this item is restricted to the UNT Community.
The main view of the west elevation of the glass house shows its setting on a slight hill. digital.library.unt.edu/ark:/67531/metadc31193/
Hat
Hat with "Pineapple" crown. The domed crown of green felted rabbit fur is worked by gathering, "pinching" and seaming to create a surface resembling a pineapple. Around the hat "orbit" two bands of taupe felted rabbit fur edged in green grosgrain ribbon. They are connected on opposite sides of the hat and extend out into the space around the crown. Crossing the ribbons at one attachment point is a green felted rabbit fur "sheath" from which extend three long pheasant feathers. Inner hatband of green grosgrain ribbon, and with taupe felt lining the inside of the crown. Sewn to the inner hatband is designer's label: "Ian / D" digital.library.unt.edu/ark:/67531/metadc30308/
Hat
Hat of brown and coral pink felted rabbit fur. The high cylindrical crown has alternating horizontal stripes of brown and coral pink rabbit fur, with thin bands of gold lamé cording between the bands. The low, sloping, narrow brim is of brown fur with a visible lining of pink fur. Tied around the base of the crown is a double-strand of the gold lamé cording, knotted at side with hanging ends. The hat has an inner white grosgrain ribbon hatband, and is lined in grey felt. Sewn to the inner ribbon band is designer's label: "Ian / D" digital.library.unt.edu/ark:/67531/metadc30310/
MAMAC, Bird Head/Eagle Totem Series
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The totem shaped sculpture includes a large bird, a bright yellow mask and a pale pink human figure on a bright blue pole and is situated by a body of water. The surface is treated in a mosaic fashion with brightly colored glasses and mirrors, shells, and pebbles. digital.library.unt.edu/ark:/67531/metadc51694/
Pantsuit
Evening pantsuit of ivory, blue, and black striped silk consisting of three pieces: a) Mid-length jacket of vertically striped silk with very wide, straight sleeves. Center front opening with no closure. Attached shoulder pads. (b) Pants of matching silk. Full-length, with center back snaps and hook-and-eye closure. Designed to fit loosely, with drawstring waist. (c) Short sleeved tank-style top of matching silk. Sleeveless, with round neckline. The hem, armholes, and neckline are trimmed in black. Each piece has designer's label "Oscar de la Renta". digital.library.unt.edu/ark:/67531/metadc30336/
So, Number 2
The drawing consists of a grid drawn with graphite with a splash and run of India ink. digital.library.unt.edu/ark:/67531/metadc102419/
System
The slug shape forms the base and emerging from the top of it are two pipes terminating in funnel like shapes one of which is covered. In the surface of the lower portion are two circular screen covered openings. digital.library.unt.edu/ark:/67531/metadc129784/
That
The drawing consists of a grid drawn in graphite with angled marks at each corner. India ink foils the grid pattern with its loose pattern. digital.library.unt.edu/ark:/67531/metadc102420/
AZ 01-14
This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line. digital.library.unt.edu/ark:/67531/metadc27167/
AQ 01-5
This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
AU 01-9
This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
AV 01-10
This oil painting is predominately pink with vertical scrapes of black and white. digital.library.unt.edu/ark:/67531/metadc27164/
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
AX 01-12
This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27166/
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
Cycling Round the Geometric Sky
The horizontal painting is divided into colorful geometric shapes. Across the bottom edge are five large and dark comma shapes and across the top edge are small similar marks. digital.library.unt.edu/ark:/67531/metadc102409/
Different Orders, Number 4
The horizontal painting is divided into two large and one narrow sections. Each are decorated with grid patterns and connecting the two larger vertical sections is a large white X. digital.library.unt.edu/ark:/67531/metadc102410/
Different Orders, Number 6
The horizontal painting is divided into three basic geometric shapes. Each is decorated with a grid pattern and across the yellow section is a large black swath of paint in a vertical comma shape. digital.library.unt.edu/ark:/67531/metadc102411/
Different Orders, Number 8
The horizontal painting consists of several geometric shapes in blues and oranges. Across the surface is a large yellow green swath arcing across the canvas. digital.library.unt.edu/ark:/67531/metadc102412/
Five Purples Running to the West
The horizontal painting is divided vertically into two sections across which run horizontally running amounts of thick paint. Drawn onto the surface of the canvas is a grid. digital.library.unt.edu/ark:/67531/metadc102415/
Grid Junctions or Roller Coaster Ride
The horizontal painting consists of two grid patterns angled toward each other. Across the surface of the canvas is a large lime green area of thick paint that runs toward the bottom edge of the canvas. A pink wedge runs across the lower right. digital.library.unt.edu/ark:/67531/metadc102417/
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple
The horizontal painting is divided vertically into two portions, both of which share a grid pattern texture. Sweeping across both dark and light areas is a large black swath revealing the various textures and grids. A light pinkish color of thick paint appears splattered and squirted in the lower portion on the right hand side of the painting. digital.library.unt.edu/ark:/67531/metadc102422/
Light in a Far Field
Access: Use of this item is restricted to the UNT Community.
Painting of green, gray, red and peach featuring a grassy landscape with multiple trees and red flowers; light smudge rendering. digital.library.unt.edu/ark:/67531/metadc8439/
Number 68
This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
Number 69
The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
Stata Center
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The view is of the stainless covered lab in the upper court. digital.library.unt.edu/ark:/67531/metadc31175/
Stata Center
Access: Use of this item is restricted to the UNT Community.
No Description digital.library.unt.edu/ark:/67531/metadc31172/
Stata Center
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The facade of the building is shown in its setting on the campus and the view is looking southwest. digital.library.unt.edu/ark:/67531/metadc31170/
Stata Center
Access: Use of this item is restricted to the UNT Community.
The upper southeast elevation facade, north end, of the building is shown. digital.library.unt.edu/ark:/67531/metadc31174/
Stata Center
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The interior of hallways, seating and ceiling detail are shown in this view. digital.library.unt.edu/ark:/67531/metadc31176/
Stata Center
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This exterior view includes the amphitheater. digital.library.unt.edu/ark:/67531/metadc31173/
Stata Center
Access: Use of this item is restricted to the UNT Community.
Two different surface treatments are shown in this exterior view of the facade on the Vassar Street main entry. digital.library.unt.edu/ark:/67531/metadc31171/
Woman Brushing Her Hair III
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This painting depicts a woman brushing her long hair and looking into a silver hand-held mirror. digital.library.unt.edu/ark:/67531/metadc31236/
The World is Geometric, Number 1
The rectangular painting consists of two portions divided diagonally and across both divisions marches a series of orange vertical strokes. The dark green and pinkish portions are further delineated with grid patterns. digital.library.unt.edu/ark:/67531/metadc102423/
Yellow Runs on Grid and Blue or Last One In
The rectangular painting is divided into three vertical portions which are further demarcated with grid patterns. Running vertically are three long drips of thick yellow paint. digital.library.unt.edu/ark:/67531/metadc102425/
Asteroids and Asterisks Warped and Trapped by Red Yellow and Gray Gestures
The horizontal painting consists of two red backgrounds that have been decorated with a scratched into the surface grid pattern. Dancing across the surface are seven vertical gray swaths and two thick yellow paint drips running from the top edge of the painting. digital.library.unt.edu/ark:/67531/metadc102404/
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