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  Partner: UNT College of Visual Arts + Design
 Country: United States
 Collection: Texas Fashion Collection
Pumps

Pumps

Date: 1900?
Creator: unknown
Description: Pumps of gray suede. Shoes have a slightly rounded toe, and a wide strap across vamp to which is applied a large gray ribbon bow with central silver-colored metal rectangular buckle shape. Medium 1 3/4' high modified Louis or cuban heel.
Contributing Partner: UNT College of Visual Arts + Design
Riding Boots

Riding Boots

Date: 1900/1920
Creator: unknown
Description: Pair of lady's riding boots of black/dark brown leather. The "high button shoes" are designed with pointed toes gently rounded at tips, the boots lace up along the back with 12 holes/hooks. Lined in white fabric. High heels are rounded at sides and back, flaring slightly to base, and curved at front. Black leather soles. Hand-written note: "3-13 / 38405 / 413" Retailer's label stamped in gilt, mostly illegible: "Portland Ore" Brand stamped in gilt: "STEPINSHU / Trade Mark / Pat. Applied" Stamped in sole: "WICHERT"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1900/1909
Creator: Wichert Shoe (New York, New York)
Description: Pair of lady's shoes of black kid leather and broadcloth. The "high button shoes" have black leather toe boxes with pointed toes and black leather sections at heels which extend from heel up the back of the shoe. The uppers are of black wool broadcloth. Shoes secure at outside edges with 12 circular, slightly domed black buttons. Upper edges lined with black leather, the rest lined with white cloth. The medium-height heel is rounded at sides and back, and squared-off at front. Although not technically a "stacked" heel, the layers can be seen. Maker's label sewn into lining at top: "Wichert / Shoe / Trade Mark / New York U.S.A." Retailer's gilt stamp on inside edge: "Norton's / Gainesville, Tex." Handwritten notation inside boot, just below upper edge: "36-1 36752 / 330".
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1900
Creator: unknown
Description: Pair of lady's shoes of black leather. The shoes, designed as oxford style shoes with pointed toes, are of black leather which close along center front with laces, 6 holes high. High heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Heels covered with matching leather. Sole of black leather. There are no marks or labels on the shoes.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1900/1910
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of tan calf leather and tan cloth (canvas?). The shoes, designed with pointed toes, close along center front with laces, 19 holes high. Lower section of shoes are of tan leather, embellished with tiny holes along stitching lines and in scrolling motifs at toe-boxes. Upper parts of shoes are of heavy tan fabric, likely canvas. High heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of tan leather. Stamped on lining: "16 0 21632X"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1900/1905
Creator: unknown
Description: Pair of white satin ladies' shoes. Styled with pointed-toes, the white satin upper has tabs which extend across the instep to form closure. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Back and sides of heel covered in matching leather. Lined in white leather. Natural brown leather sole. Retailer's stamp inside: "Sanger Bros. / Dallas & Waco." Maker's code stamped inside: "35 - 2 36463" Stamped on sole: "35 - / 2"
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1900/1909
Creator: unknown
Description: Sunbonnet of off-white calico cotton with a tiny repeated print of three stylized leaves in brown. The brim of the hat is quilted in L-shaped rows of stitching and is very stiff from starch and stiffening material within it. The crown is gathered along the entire length of the seam where it attaches to the brim. The crown and tail are formed from a single piece of fabric, and the tail is stitched flat to the lower sides of brim. The neck is adjustable, having outer neck ties stitched to the lower corners of the brim on both sides. The chin ties are of the same fabric, with unfinished edges. The long tail on the bonnet indicates that it was used as a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1901/1909
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of dark brown kid leather. The shoes, designed with pointed toes, lace closed along center front with laces 18 holes high. Medium height heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering to base, and with curved front section. Sole of black leather. Partially illegible notation stamped inside on lining: "050 8186K 6"(?)
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1901
Creator: C.A. Verner Co. (Pittsburgh, PA)
Description: Pair of ladies' white heavy satin wedding shoes. Designed with pointed toes, the shoes have a fastening strap across instep with a single domed opalescent/milky white glass button. Across vamp is applied white satin bow with decorative gilt metal rectangular buckle with lobed ends. One buckle missing. Lined in white fabric. Sole of natural brown leather, heel covered in white satin. Medium-height heel with rounded sides and back, curving inwards and then flaring out to base, similar to a Louis heel. Stamped inside shoe in gilt: "C.A. Verner / Pittsburgh" Worn by Bess McChord (1874-1903) at her wedding to Clifford Dunnells, January 1, 1901.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1902
Creator: Harbison, Samuel
Description: Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)
Contributing Partner: UNT College of Visual Arts + Design