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  Partner: UNT College of Visual Arts + Design
 Resource Type: Physical Object
Drum
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The clay rotund effigy drum is decorated with whale and snake motifs in browns and blacks. digital.library.unt.edu/ark:/67531/metadc47568/
Standing Bodhisattva Maitraya, the Benevolent from the Shahbaz-Garhi Monastery, Mardān, Northwest Frontier, Pakistan
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The male standing figure is adorned with a draped robe, headdress, bracelets and one hand reaches outward. The statue is carved from stone and is highly detailed. He stands on a small pedestal adorned with figures. The sculpture is not polychromatic. digital.library.unt.edu/ark:/67531/metadc43596/
Standing Bodhisattva Maitraya, the Benevolent from the Shahbaz-Garhi Monastery, Mardān, Northwest Frontier, Pakistan
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The bust of the sculpture shows a man with a mustache and an elaborate headdress. His chest is adorned with necklaces and he wears a draped robe. digital.library.unt.edu/ark:/67531/metadc43597/
The Colosseum
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No Description digital.library.unt.edu/ark:/67531/metadc43061/
The Colosseum
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From the Roman Imperial Period. Wide-angle view of interior. digital.library.unt.edu/ark:/67531/metadc43057/
Arena of Nîmes
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The arched tiers and deep entries are visible. digital.library.unt.edu/ark:/67531/metadc40937/
Arena of Nîmes
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The upper portion of pilaster and base of an engaged Doric column is visible in this view of the amphitheater. digital.library.unt.edu/ark:/67531/metadc40938/
Arena of Nîmes
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Exterior detail of the upper story is visible along with some view into the arcade. digital.library.unt.edu/ark:/67531/metadc40941/
Arena of Nîmes
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The detail of the upper story of the arena is visible and shows the sockets which held posts for the awnings. digital.library.unt.edu/ark:/67531/metadc40942/
Arena of Nîmes
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The upper portion of a pilaster and the base of an engaged column shows part of the exterior of the amphitheater. digital.library.unt.edu/ark:/67531/metadc40939/
Arena of Nîmes
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An engaged column is visible in this detail view of the exterior of the amphitheater. Some deterioration is obvious. digital.library.unt.edu/ark:/67531/metadc40940/
Arena of Nîmes
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The exterior of the arena consists of two arched tiers. The stone is a light color and the theater is open-air. digital.library.unt.edu/ark:/67531/metadc40936/
Aspendos Aqueduct with Pressure Tower
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Close detail of the surface of the brick is shown at a raking angle. digital.library.unt.edu/ark:/67531/metadc51782/
Aspendos Aqueduct with Pressure Tower
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The full height of the aqueduct is visible with its abutting arches. digital.library.unt.edu/ark:/67531/metadc51783/
Aspendos Aqueduct with Pressure Tower
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The tower constructed of stone is visible and bears the weight of the arched aqueduct structure. digital.library.unt.edu/ark:/67531/metadc51781/
Aspendos Aqueduct with Pressure Tower
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The upper portion of the aqueduct and the abutting arches are visible. digital.library.unt.edu/ark:/67531/metadc51784/
Aspendos Aqueduct with Pressure Tower
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The water flow regulator consists of a stone with a hole in the center. It is part of the pressure tower. digital.library.unt.edu/ark:/67531/metadc51785/
Christ Blessing
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It is a round disc with painting of christ. Upper half of the body is visible with one hand holding a book and the other hand in gestural position. There is a circular disc behing the figure with painted motifs in green, blue and white colors. There is visible clothing worn by christ and textures are visible on the dark blue cloth worn over inside layer of clothing. Book has geen, yellow, red and white color motifs. Other than this there are two small circular discs on the plate with written text in latin. They are blue, white and red in color. Other than that metal is visible with plain golden surface. digital.library.unt.edu/ark:/67531/metadc52126/
Dish with the bust of a man inside
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This is a round silver metalwork dish. There is face of a man displayed in the center of the dish. Torso of the man is also visible. This sculpture like figure is surrounded by a ring that gives the bust of the man a confined vicinity. Other than the textures on the male figure the entire dish as been given a clean , smooth and glazed finish. digital.library.unt.edu/ark:/67531/metadc41280/
Markets of Trajan
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View NE from Basilica Ulpia (1998). Medieval Torre della Milizie (tower) in background, 1227-41. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43163/
Markets of Trajan
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Trajan's markets, view SE toward Forum of Augustus (1998). From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43165/
Markets of Trajan
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General view NE of Trajan's Markets (1998). From Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43164/
Farnese Hercules from the Baths of Carcalla
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The rear view of the statue shows that Hercules is holding fruit in his right hand. digital.library.unt.edu/ark:/67531/metadc32368/
Farnese Hercules from the Baths of Carcalla
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The view of the statue is from the right front and shows the figure from the knees up. The figure's head is seen in profile and his right arm held behind his back. His head is bent downward and the lion pelt is visible underneath the statue's left arm. digital.library.unt.edu/ark:/67531/metadc32369/
Farnese Hercules from the Baths of Carcalla
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The frontal view of this nude muscular figure leans on a wooden post which is draped with the pelt of a lion. The man has curly hair and his head is bent slightly forward. He has a full beard. digital.library.unt.edu/ark:/67531/metadc32367/
Ludovisi Battle Sarcophagus: Battle of Romans and Barbarians
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Total from front of the sculpture depicting the battle of Romans and Barbarians. Found near Tiburtine gate. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43404/
Arch of Constantine
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Central portion of S front of the Arch of Constantine. Originated in the Roman Forum. From the Late Roman Imperial/Early Christian Period. digital.library.unt.edu/ark:/67531/metadc44146/
Arch of Constantine
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Total view of the Arch of Constantine from S. Originated in the Roman Forum. From the Late Roman Imperial/Early Christian Period. digital.library.unt.edu/ark:/67531/metadc44151/
Head of a King
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Total view from front of a sculpture depicting the head of a king, perhaps Shapur II. From the Ancient Near Eastern Period. digital.library.unt.edu/ark:/67531/metadc43382/
Roman Basilica
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Interior view of nave looking toward apse end. From the Late Roman Imperial/Early Christian Period. digital.library.unt.edu/ark:/67531/metadc44091/
Roman Basilica
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General view of Roman Basilica from N. From the Late Roman Imperial/Early Christian Period. digital.library.unt.edu/ark:/67531/metadc44089/
Head of a King
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A sculpture of the head of a king, perhaps Shapur II, gilded in silver. digital.library.unt.edu/ark:/67531/metadc43383/
Portraits of the Four Tetrarchs
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1 sculpture : porphyry ; 135 cm high. digital.library.unt.edu/ark:/67531/metadc45874/
Mausoleum of Constantia
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General view of the interior of the Mausoleum of Constantia. From the Early Christian Period. digital.library.unt.edu/ark:/67531/metadc44219/
Christ Enthroned
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Total view from front of Christ enthroned. From the Early Christian Period. digital.library.unt.edu/ark:/67531/metadc44326/
Crown
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No Description digital.library.unt.edu/ark:/67531/metadc7927/
Crown
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The gilt bronze crown includes two long pendants and gems on the top portion. digital.library.unt.edu/ark:/67531/metadc7926/
Basilica of Santa Sabina
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General View of Nave toward the Apse of the Basilica of Santa Sabina. From the Early Christian Period. digital.library.unt.edu/ark:/67531/metadc44215/
Mausoleum of Galla Placidia
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Sister of Emperor Honorius. From the Byzantine Era. Total of complex from NE. digital.library.unt.edu/ark:/67531/metadc44196/
Basilica of San Apollinare in Classe
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General view from W of the Basilica of San Apollinare in Classe. From the Early Christian Period. digital.library.unt.edu/ark:/67531/metadc44213/
Badami: Cave 2
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This view shows a dado panel of six dwarves carved in low relief into the wall. digital.library.unt.edu/ark:/67531/metadc44240/
Badami: Cave 3
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Entrance to Cave 3 is shown in this view with its six pillars. One figure is also in this view. digital.library.unt.edu/ark:/67531/metadc44241/
Badami: Cave 3
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Entrance to cave 3 is shown in this view with its pillars. The massive amount of natural rock is also visible in this view. In the far lower right hand corner of this view can be seen a bit of an underground staircase. digital.library.unt.edu/ark:/67531/metadc44242/
Badami: Cave 4
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In this view a relief carving of Suparshvanatha with his symbol, the cobra, is shown. digital.library.unt.edu/ark:/67531/metadc44243/
Badami: Cave 4
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This close detail view shows two pillars and the carved figural element depicting Bahubali. digital.library.unt.edu/ark:/67531/metadc44244/
Badami: Cave 4
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This close detail view of a pillar shows Bahubali, a Jain saint. digital.library.unt.edu/ark:/67531/metadc44245/
Badami: Cave 4
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This close detail view shows a relief carving of Mahavira. digital.library.unt.edu/ark:/67531/metadc44246/
Badami Caves and Surroundings
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Outer view of Hindu cave temple. The raised layered platform leads to the temple entrance with its four pillars. Some tourists are visible in this scene. digital.library.unt.edu/ark:/67531/metadc44237/
Badami Caves and Surroundings
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This view of the temple shows the raised layered platform of stairs leading to the entrance. digital.library.unt.edu/ark:/67531/metadc44238/
Fipple Flute
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The polychrome clay flute is decorated with a sculpted head at the end. digital.library.unt.edu/ark:/67531/metadc47559/
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