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  Partner: UNT College of Visual Arts + Design
Burj al Arab Hotel
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The view is of an underground seafood restaurant with a simulated submarine access tunnel. The far wall is a sea water aquarium. digital.library.unt.edu/ark:/67531/metadc51888/
Burj al Arab Hotel
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A design of interlocked circles decorated in gold grace the entrance lintel of the boutiques. digital.library.unt.edu/ark:/67531/metadc51882/
Burj al Arab Hotel
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The entrance bay is decorated with a series of marble balls, gold metallic posts and a glass facade. digital.library.unt.edu/ark:/67531/metadc51869/
Burj al Arab Hotel
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The distant view if of the southwest fa├žade from the Arabian Gulf. The hotel was built on triangular man-made island 280 meters off shore. digital.library.unt.edu/ark:/67531/metadc51860/
Burj al Arab Hotel
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A close view of the upright trusses are shown of the southeast facade. digital.library.unt.edu/ark:/67531/metadc51865/
Burj al Arab Hotel
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The interior of the restaurant is viewed along the length. The scalloped design in the ceiling is visible. digital.library.unt.edu/ark:/67531/metadc51886/
Burj al Arab Hotel
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The entrance bay and fountain with the glass facade are shown in this view. digital.library.unt.edu/ark:/67531/metadc51867/
Burj al Arab Hotel
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View of the southeast facade is shown. digital.library.unt.edu/ark:/67531/metadc51861/
Burj al Arab Hotel
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The interior of the lobby with its patterned flooring and vivid colors is viewed from the top of the escalator. digital.library.unt.edu/ark:/67531/metadc51870/
Burj al Arab Hotel
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The view is across and down the cascading water feature in the lobby of the hotel. The fountain is lit with optic lights on the water jets. digital.library.unt.edu/ark:/67531/metadc51878/
Burj al Arab Hotel
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The view is of the massive three-dimensional cut out in the lobby's ceiling. digital.library.unt.edu/ark:/67531/metadc51874/
Burj al Arab Hotel
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Panels of screen wall in their horizontal positions are visible in this raking view skyward. digital.library.unt.edu/ark:/67531/metadc51862/
Burj al Arab Hotel
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Elevators doors outside the Asian restaurant are shown with their decorative detail. digital.library.unt.edu/ark:/67531/metadc51891/
Burj al Arab Hotel
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The main view of the facade from the vehicle entrance is shown. The helipad is visible at the top of the structure. digital.library.unt.edu/ark:/67531/metadc51897/
Burj al Arab Hotel
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The cocktail lounge area is shown with a view towards the restaurant. digital.library.unt.edu/ark:/67531/metadc51890/
World Trade Center
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The view shows the rooftop and a portion of the communications antennae along with a few stories below. digital.library.unt.edu/ark:/67531/metadc40624/
World Trade Center
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The view of the World Trade Center is from Battery Park with many other Manhattan buildings in view. digital.library.unt.edu/ark:/67531/metadc40626/
World Trade Center
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The view is of the mezzanine floor inside one of the twin towers. digital.library.unt.edu/ark:/67531/metadc40623/
World Trade Center
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The view shows a close structural detail of the Gothic styled windows. digital.library.unt.edu/ark:/67531/metadc40625/
World Trade Center
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The so-called twin towers in this view are shown from the south. The narrow windows with their narrow pointed arch design in the aluminum alloy sheathing create a patterned texture. The north tower, 1 World Trade Center, includes an antennae spire on its roof. digital.library.unt.edu/ark:/67531/metadc40621/
World Trade Center
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The view is a close detail of the aluminum-alloy sheathing on the lowest levels of 2 World Trade Center. digital.library.unt.edu/ark:/67531/metadc40622/
Personal Response to Digital Frontiers Roundtable: XuHao Yang
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, XuHao Yang. digital.library.unt.edu/ark:/67531/metadc109720/
Another Chance
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The oil painting includes a depiction of a green plant on a stand that sits in a wooden chair. Peering through the vines a woman can be seen in the background and a large overturned wicker basket and a large bowl of fruit sit on the table. digital.library.unt.edu/ark:/67531/metadc31263/
Bell 47D1 Helicopter, manufactured by Bell Helicopter Inc., USA
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The 47D1 Bell helicopter hangs in the exhibition space in the Museum of Modern Art. The acrylic plastic bubble resembles an insect's head. digital.library.unt.edu/ark:/67531/metadc8461/
Piruli
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Painting of green, red, brown and gray featuring a male and female figure inside a wood barrel. The letters "Piruli" in the background. digital.library.unt.edu/ark:/67531/metadc8759/
Lidded Vase
Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas. digital.library.unt.edu/ark:/67531/metadc129745/
Oil and Vinegar Set
Image of oil and vinegar set as seen in exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012. digital.library.unt.edu/ark:/67531/metadc129747/
Personal Response to Digital Frontiers Roundtable: Caleb Zouhary
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Caleb Zouhary. digital.library.unt.edu/ark:/67531/metadc109721/
Small Casseroles
Image of two small casserole containers as seen in the exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at the University of North Texas. digital.library.unt.edu/ark:/67531/metadc129746/
Totonac Boy
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No Description digital.library.unt.edu/ark:/67531/metadc8376/
Yucateca Con Fruta (Yucatan Woman with Fruit)
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No Description digital.library.unt.edu/ark:/67531/metadc8480/
Evening Gown
Evening gown of heavy-weight bronze silk with metallic gold, red, green and brown silk embroidery. Strapless sheath silhouette trimmed with brown velvet above bust, and embellished with heavy beading at the bodice. Train cascades from inside back of bodice; multiple hook and eye closures with zipper; lined with orange acetate. Designer's label: "Marta de Diego" digital.library.unt.edu/ark:/67531/metadc87102/
Assault
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A large group of soldiers with swords drawn charge into battle. The drawing is done in black on red with some pink highlights. digital.library.unt.edu/ark:/67531/metadc52158/
A Couple with a Canary
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A close view of the couple next to the bird cage is seen in this painting detail. The woman is seated and wears a white dress with pink ribbons and the man leans over her to look into the bird cage. digital.library.unt.edu/ark:/67531/metadc48272/
A Couple with a Canary
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Through a doorway, past a mop and broom, a couple can be seen next to a bird cage. digital.library.unt.edu/ark:/67531/metadc48270/
Dress
Tunic-style evening dress of royal blue hammered silk. Full-length, narrowing to hem and with a slit up the side. Dress has a round neckline with hook-and-eye closure at back and has wide, straight, bracelet-length sleeves. Hand-written notation on the designer label: "8634 #2" digital.library.unt.edu/ark:/67531/metadc30337/
Dress
Evening dress of bright green hammered silk. The tunic-style dress is full-length, tapering to lower hem in a V-line and with a slit up the side. Rounded collar/neckline and long, bat-wing style sleeves. Inner attached shoulder pads. Hand-written note on the designer label: "8624 #2" digital.library.unt.edu/ark:/67531/metadc30334/
Dress
No Description digital.library.unt.edu/ark:/67531/metadc30332/
Dress
a) Dress of purple, gold and silver metallic threaded lace over purple polyester gauze lining. Round neckline with keyhole opening. Front closure with snaps and hook & eyes. Knee-length. Short sleeved and gathered waist. Lined in purple silk. Designer's label at back neckline: "Oscar de La Renta" Union label at base of front opening with size "10" label attached. Retailer's label at hem: "Neiman-Marcus" b) Belt of purple suede with leaf and pinwheel design painted in gold and silver. Double-tongued buckle. Backing of black leather. Stamp on back of buckle: "10 237" digital.library.unt.edu/ark:/67531/metadc283702/
Dress
Dress of black silk taffeta and black and white cotton; strapless; full-length; bodice of black silk taffeta has uneven horizontal tucks creating a ruching effect across the ribs; bow at CF neckline; full white cotton lawn skirt gathers into waistline; black cotton lawn floral applique covers skirt; CB zipper; 6" wide crinoline around inside of hem; first layer under skirt is sheer white nylon with 6" wide crinoline around inside of hem; bottom layer of skirt is heavy white silk with 6" wide crinoline encased around hem. Designer's label: Oscar de la Renta Size: "8" Origin: "Made / in USA" digital.library.unt.edu/ark:/67531/metadc115026/
Dress
Dress of black lace and black silk chiffon laser cut floral fringe. Ankle length; bodice of black lace; round neck; sleeveless. Skirt of black lace with twelve tiers of laser cut floral fringe. Center back zipper and 6 hook and eye closures. Sixteen decorative lace covered button down back. Skirt lined in light brown; bodice partially lined in sheer black chiffon. With a sash of black satin. Designer's label at inside back zipper at top of brown lining: "Pierre Balmain" Style number tag on back of designer's label: "174 303" digital.library.unt.edu/ark:/67531/metadc87100/
Dress
Dress of black net with all over applique of strips of gold holographic foil and braided black netting. Calf length. Bodice top has a series of points. Three-quarter length sleeves of sheer black net. Skirt has five layers: appliqued over-skirt, three layers of black net and lining of light brown silk covered in black net. Center back zipper. Designer's label at side seam: "Pierre Balmain / Paris" Handwritten style number tag under designer's label: "172257" digital.library.unt.edu/ark:/67531/metadc283671/
Evening Gown
Ballgown of olive/brown iridescent silk taffeta with all over Lesage embroidery of metallic thread, beads, small sequins, and green chenille yarn. Full length; round neck; long sleeves; center back zipper. Lined in copper colored organza. Designer's label: "Pierre Balmain / Paris" Style label under designer's label: "173666" Accompanying gown, but not shown: Stole of olive green silk; fringed ends. Petticoat for dress. Under layers of very stiff olive netting. Inner support bodice of copper brown silk; extends below waist to knee to form underskirt. Back zipper. digital.library.unt.edu/ark:/67531/metadc286947/
Evening Gown
Evening gown of champagne chiffon with swirl gold details of metallic thread and sequins; metallic trim at strapless neckline and a silk ribbon bow center-front at empire waistline; bust is heavily embellished with gold beads and sequins; bust has boning and is lined in silk; skirt has attached slip of silk crepe; full-length; side-zip closure. Designer's label: "Oscar de la Renta" digital.library.unt.edu/ark:/67531/metadc330408/
Pantsuit
Evening pantsuit of ivory, blue, and black striped silk consisting of three pieces: a) Mid-length jacket of vertically striped silk with very wide, straight sleeves. Center front opening with no closure. Attached shoulder pads. (b) Pants of matching silk. Full-length, with center back snaps and hook-and-eye closure. Designed to fit loosely, with drawstring waist. (c) Short sleeved tank-style top of matching silk. Sleeveless, with round neckline. The hem, armholes, and neckline are trimmed in black. Each piece has designer's label "Oscar de la Renta". digital.library.unt.edu/ark:/67531/metadc30336/
Hat
Hat of ecru lace and black horsehair. The high, slightly domed crown is formed of ecru lace, with a black satin ribbon bow to side, and a black satin band around the base of the crown, partly obscured by the lace. The wide, undulating black horsehair brim is oval, wider to sides than front to back. Inside of crown originally lined with fine, transparent black tulle, remains of which form an inner hatband at inside base of crown. Maker's label sewn to inner hatband: "Paris / della Donna / New York". Intended for afternoon wear. digital.library.unt.edu/ark:/67531/metadc39150/
A Lute Player Singing
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In this painting detail, a close view of the lute player's face is shown. digital.library.unt.edu/ark:/67531/metadc48187/
A Lute Player Singing
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A man wearing pleated sleeves and an elaborate hat with a feather plays a stringed instrument and sings. digital.library.unt.edu/ark:/67531/metadc48186/
Alice Antoinette de la Mar
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A young girl wearing a pink dress with pink stockings and a large white feather hat is flanked by two large white and tan dogs. digital.library.unt.edu/ark:/67531/metadc41267/
Achilles Discovered Among the Women
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In the painting detail, a close view of the figure wearing red is shown. digital.library.unt.edu/ark:/67531/metadc48045/