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  Partner: UNT College of Visual Arts + Design
Evening Gown
Ballgown of olive/brown iridescent silk taffeta with all over Lesage embroidery of metallic thread, beads, small sequins, and green chenille yarn. Full length; round neck; long sleeves; center back zipper. Lined in copper colored organza. Designer's label: "Pierre Balmain / Paris" Style label under designer's label: "173666" Accompanying gown, but not shown: Stole of olive green silk; fringed ends. Petticoat for dress. Under layers of very stiff olive netting. Inner support bodice of copper brown silk; extends below waist to knee to form underskirt. Back zipper. digital.library.unt.edu/ark:/67531/metadc286947/
Pantsuit
Evening pantsuit of ivory, blue, and black striped silk consisting of three pieces: a) Mid-length jacket of vertically striped silk with very wide, straight sleeves. Center front opening with no closure. Attached shoulder pads. (b) Pants of matching silk. Full-length, with center back snaps and hook-and-eye closure. Designed to fit loosely, with drawstring waist. (c) Short sleeved tank-style top of matching silk. Sleeveless, with round neckline. The hem, armholes, and neckline are trimmed in black. Each piece has designer's label "Oscar de la Renta". digital.library.unt.edu/ark:/67531/metadc30336/
Hat
Hat of ecru lace and black horsehair. The high, slightly domed crown is formed of ecru lace, with a black satin ribbon bow to side, and a black satin band around the base of the crown, partly obscured by the lace. The wide, undulating black horsehair brim is oval, wider to sides than front to back. Inside of crown originally lined with fine, transparent black tulle, remains of which form an inner hatband at inside base of crown. Maker's label sewn to inner hatband: "Paris / della Donna / New York". Intended for afternoon wear. digital.library.unt.edu/ark:/67531/metadc39150/
A Lute Player Singing
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In this painting detail, a close view of the lute player's face is shown. digital.library.unt.edu/ark:/67531/metadc48187/
A Lute Player Singing
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A man wearing pleated sleeves and an elaborate hat with a feather plays a stringed instrument and sings. digital.library.unt.edu/ark:/67531/metadc48186/
Alice Antoinette de la Mar
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A young girl wearing a pink dress with pink stockings and a large white feather hat is flanked by two large white and tan dogs. digital.library.unt.edu/ark:/67531/metadc41267/
Achilles Discovered Among the Women
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In the painting detail, a close view of the figure wearing red is shown. digital.library.unt.edu/ark:/67531/metadc48045/
Achilles Discovered Among the Women
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The center portion of the painting and the main focus of the action is shown in this detail. The figure raises the sword and women rummage through the trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48047/
Achilles Discovered Among the Women
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A figure wearing a red dress wields a sword among a group of people some of whom are on the floor rummaging through trinkets and jewels. digital.library.unt.edu/ark:/67531/metadc48044/
Achilles Discovered Among the Women
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A close view of the woman wearing white and two figures behind her is featured in this detail view. digital.library.unt.edu/ark:/67531/metadc48046/
Virgin and Child with Wild Roses
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A woman holds a child on her lap and in her left hand she holds some pale pink flowers. In the background is a farmer and an oxen and in the left hand side of the background a heavy tree trunk. digital.library.unt.edu/ark:/67531/metadc45381/
16.12.1981 Kopalnia "Wujek" 50 zł 1984 R.K.W. Region Slasko-Dabrowski
Postage stamp printed in black on a white ground depicts two crossed hammers with a piece of an olive branch above. Below the tools is the date of the Wujek Coal Miners' Strike. digital.library.unt.edu/ark:/67531/metadc130099/
1987 ZYJ GODNIE! Solidarność nie pije
Poster used in the Polish Solidarity movement during the 1980s depicting five figures in reddish orange silhouette. The figure on the far left is chimpanzee like and the next four figures evolve to man. The man at the front of the line is holding a flower in one hand and his other hand holds up two fingers. digital.library.unt.edu/ark:/67531/metadc130182/
Accessory Bag
Handbag for afternoon or evening use. Frame of simulated tortoiseshell, carved and with openwork, with ball/snap closure and chain. Body of bag is of beige fabric with multi-colored petit-point embroidery of a bouquet of flowers. Floral motif on bag in grey, greens, blues, pinks and rose. Lined in rose ribbed silk, and contains a change purse and mirror. French or English in origin. digital.library.unt.edu/ark:/67531/metadc30025/
Accordion
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The accordion is upright with bellows partially expanded and keys visible. digital.library.unt.edu/ark:/67531/metadc41404/
Accordion
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A nineteenth-century rosewood accordion is visible in upright position with keys showing and bellows partially expanded. digital.library.unt.edu/ark:/67531/metadc41403/
Accounting
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The monochromatic postcard includes a depiction of an airplane in the air. There is some Japanese text along the bottom edge. digital.library.unt.edu/ark:/67531/metadc41347/
Accounting
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An grounded airplane is depicted in the monochromatic postcard. digital.library.unt.edu/ark:/67531/metadc41346/
Achemid Stone Capital with Kneeling Bull Protomes
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Total from front left of the Achemid Stone Capital with Kneeling Bull Protomes, from the Apadana (audience hall), Palace of Susa. from Royal Audience Hall, Palace of Artaxerxes. From the Ancient Near Eastern Period. digital.library.unt.edu/ark:/67531/metadc43271/
Afternoon Dress
Afternoon dress of dark green silk satin, crepe and chiffon. The tunic-style dress of dark green silk satin is street-length, with a drop waist. It has a slight standing collar at back which extends out in front to become long ties with a backing of dark maroon. Below the bow formed by the ties is V-shaped neckline. The full-length sleeves are dark green silk satin from shoulders to elbows and are translucent green crepe from elbows to cuffs. The main part of the gauze sections are embroidered with floral motifs in red, pink, and green/gold. The sleeves have two snaps at each cuff, which are trimmed with bands of pink crepe, maroon crepe, and dark green satin. On the front of the skirt are three wide, slightly overlapping tiers of fabric, split at center front, which start below the hips and end slightly above the hem. The dress is unlined, and there are no tags or labels. digital.library.unt.edu/ark:/67531/metadc29995/
The Agra Diamond
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1 gem : digital.library.unt.edu/ark:/67531/metadc36434/
Ajanta Cave 2
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This view shows the carved figurative decoration on the lintel frieze of figures both seated and standing. digital.library.unt.edu/ark:/67531/metadc44395/
Ajanta Cave 2
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The sculptural relief consists of lotus medallion in a mandala pattern. Two figures flank the sides of the relief. digital.library.unt.edu/ark:/67531/metadc44397/
Ajanta Cave 2
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The painting on the cave wall depicts several seated half-clothed figures inside an architectural setting. In the lower right corner is another couple can be seen through a gold embellished window. In the upper right corner are more people. On the left side is an animal that resembles a horse or dog. There are many missing chips. Vidhurapandita teaches the sacred doctrine to the Naga King Varuna on the left and Queen Vimala is on the balcony discussing her marriage. Vidhurapandita and the court lady are below the balcony. digital.library.unt.edu/ark:/67531/metadc44396/
Ajanta Cave 10, Votive Stupa in Chaitya Hall
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The stupa inside the cave is shown in this view. The stupa is a large religious structure housed under the domed interior of the prayer hall. digital.library.unt.edu/ark:/67531/metadc43518/
Ajanta, Cave 17 Painted Wall
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The scene painted on the wall of the cave consists of many male and female figures. In the foreground, a couple are engaged in an enclosed shrine. digital.library.unt.edu/ark:/67531/metadc44400/
Ajanta, Cave 17 Painted Wall
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An elephant charges then kneels at feet of a Buddha figure as people watch. digital.library.unt.edu/ark:/67531/metadc44398/
Ajanta, Cave 17 Painted Wall
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An elephant dominates the scene with some figures in the foreground and background. Some foliage and rocky formations are also part of this painted imagery on the wall of the cave. digital.library.unt.edu/ark:/67531/metadc44399/
Alcatraz Island
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This is a detail view that shows a great amount of distance, the Golden Gate bridge, the lighthouse and some contemporary visitors. digital.library.unt.edu/ark:/67531/metadc40760/
Alcatraz Island
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This view shows a corridor of cells. Two tourists are also in the view. digital.library.unt.edu/ark:/67531/metadc40763/
Alcatraz Island
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This view is of a sign indicating Alcatraz Island. digital.library.unt.edu/ark:/67531/metadc40765/
Alcatraz Island
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The administration building's crest is shown in this close detail. digital.library.unt.edu/ark:/67531/metadc40762/
Alcatraz Island
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This view is of several cells inside the prison. digital.library.unt.edu/ark:/67531/metadc40764/
Alcatraz Island: Topographical View
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This view depicts a detail of the building on the island. Several tourists are also visible. digital.library.unt.edu/ark:/67531/metadc40761/
Alcatraz Island: Topographical View
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The view includes the island in its entirety and its immediate surroundings and landscape in the background. digital.library.unt.edu/ark:/67531/metadc40758/
Alcatraz Island: Topographical View
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The view shows the main building on the island and the surroundings with the mountainous landscape in the background. digital.library.unt.edu/ark:/67531/metadc40757/
Alcatraz Island: Topographical View
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This view of Alcatraz Island includes the facade of the prison and the surrounding waters. digital.library.unt.edu/ark:/67531/metadc40759/
Alleyway in Historic Bastakiya Neighborhood
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The view is of the facades next to an alleyway and shows the maintenance scaffolding and pipes projecting from the walls. A wind tower is also shown. digital.library.unt.edu/ark:/67531/metadc51922/
American Flag Shoes
"American Flag Shoes". The pair of shoes is of white leather and red and blue suede. Styled in a way reminiscent of bowling shoes, the white leather shoes have rounded toes, and red suede overlays at toe box, upwards in a strip from toebox to vamp, and around lower part of heel. Blue suede overlay stripes at side have star-shaped cut-outs to allow white leather to show through. Blue suede edging at top of upper and top of heel. Shoes lace-up at front, 5 holes per side. White shoe laces. Shoes are "flats", with 3/4" high heels. Brand stamped on inside: "Flings" Illegible stamp inside. digital.library.unt.edu/ark:/67531/metadc86959/
Amphitheater
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Aerial view of Amphitheater, from the Roman Republican Period. digital.library.unt.edu/ark:/67531/metadc43173/
Androgynous Vishnu with aspects of his spouse, Lakshmi
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No Description digital.library.unt.edu/ark:/67531/metadc7925/
Aphrodite, Eros and Pan
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From the Greek Hellenistic Period. Total from front center. digital.library.unt.edu/ark:/67531/metadc43014/
Apollo from the House of Citharist
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The standing nude male has one arm at rest and his left is bent at the elbow. He holds an object in his right hand. His hair is shoulder length and curly. The patina is a rich green and textured. digital.library.unt.edu/ark:/67531/metadc32364/
Apollo from the House of Citharist
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The bronze statue is seen from the knees up and from the right side. The texture on the bronze is visible as is the object the figure is holding in his right hand. The head is seen in profile. digital.library.unt.edu/ark:/67531/metadc32365/
Apollo from the House of Citharist
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The view of the bronze statue is from the front and from the thighs up. The statue's patina is a rich green and textured. The figure has shoulder-length curly hair and the construction of the eyes is visible. digital.library.unt.edu/ark:/67531/metadc32366/
Apollo from the Tiber
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Total from front left of sculpture entitled Apollo from the Tiber. Roman copy of Hadrianic or Antonine era (117-192 AD). Found in the Tiber, from the Greek Classical Period. digital.library.unt.edu/ark:/67531/metadc42995/
Apollo from the Tiber
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Bust-length from front right of sculpture depicting Apollo from the Tiber. Roman copy of Hadrianic or Antonine era (117-192 AD). Found in the Tiber, from the Greek Classical Period. digital.library.unt.edu/ark:/67531/metadc42996/
Apollo Sitting on the Omphalos
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The view is of the entire sculpture from the right front. The young male figure has long wavy hair. His right arm reaches out gently with an object in his palm. The lower half of his body is draped. His toes are visible. The marble varies from light brown to almost white. There is a large rust colored area on the figure's chest. digital.library.unt.edu/ark:/67531/metadc32338/
Aqueduct of Emperor Valens
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General view from South of the Aqueduct of Emperor Valens (r.364-378). 26.5m high at highest point. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43256/
Aqueduct of Emperor Valens
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Closer view of one arch, showing brickword of the Aqueduct of Emperor Valens (r.364-378). 26.5m high at highest point. From the Roman Imperial Period. digital.library.unt.edu/ark:/67531/metadc43257/