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  Partner: UNT College of Visual Arts + Design
 Country: United States
 Decade: 1990-1999
Ensemble - Jacket, Skirt, Blouse and Scarf

Ensemble - Jacket, Skirt, Blouse and Scarf

Date: 1991/1994
Creator: Brooks, Richard
Description: Ensemble of teal silk Ottoman. The suit consists of a jacket and skirt, blouse, and scarf. The jacket is of horizontally ribbed teal silk, banded on the bias, has a rounded neckline, is long sleeved, and has princess seaming for a tailored fit. The sleeves have soft pleating at the shoulders, and there are 3 circular gold buttons set with rhinestones at each cuff. There is a center front closure with 4 large buttons matching the style of sleeve buttons and one hidden snap at top. The buttonholes are hidden in the seam of the opening. The jacket is lined in black silk. The jacket has designer's label sewn inside at back of neck: "Richard Brooks". The matching skirt is of the same silk Ottoman, below-knee length, with soft pleats at front and darts at back from waistband down 5 1/2". Small slit at center back from hem upwards. The sides are cut on straight vertical stripe. The waistband has hook and two eyes, and there is a center back zipper closure. The skirt is lined in teal silk. There are no labels in the skirt. The blouse is of a thin teal green and metallic gold jacquard, woven with ...
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Jacket, Skirts and Blouse

Ensemble - Jacket, Skirts and Blouse

Date: 1991/1992
Creator: Brooks, Richard
Description: Ensemble of rose silk. The suit consists of a jacket, two skirts and a blouse. The jacket is made from a 1930's sari of pale pink silk embroidered with gold and silver threads, beads, and pink sequins in designs of vines, flowers and abstract line patterns. Jacket has a floating yoke and full leg-o-mutton sleeves with long narrow cuffs that have zipper closures. The jacket itself has a center front opening with no closure. The neckline, edges of closure, hem, and cuffs are edged in heavily beaded bands added by the designer. Designer's label sewn inside back at neck: "Richard Brooks". The blouse is of heavy pink silk, collarless, with round neckline. It is short-sleeved, with pleating at the shoulder. Vertical seaming on front and back for structure. There is a concealed center-back closure with snap at top and 5 clear plastic circular buttons down the length. The blouse is lined in a dark, dusty pink silk and has sewn-in shoulder pads. Designer's label is sewn inside back to the left of the opening: "Richard Brooks". The two skirts are are both of identical pink silk, matching the blouse, of identical construction. One is knee-length, and the other is full-length. ...
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a figure pierced with arrows and knives. The artist refers to him as the "wound" man. In the foreground, are two leg splints with suspended latex tubing.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The paper tags that hang from the large dish structure are seen in close detail in this view.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the exhibition consists of a large vertical painting with a dark ground.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation has many elements. In the foreground is a black table with microscope and glass slides on it. In the background is a boxing ring with a gurney in the center on which is strapped down punching bag. Men's dress shirts and a mural of the "Stretchman" is on the rear wall.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows the directions and dialogue script written on the wall for the performers. A black dress hangs with a pair of white rubber boots beneath. A portion of the yellow vanity table is visible with one chair.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows a detail of the vanity table, its light bulbs, three chairs and the text, scripts for the performers, on the wall.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view of the installation includes a small room in which a vanity with two chairs has a crown painted on the wall above. Words, directions, are written on the wall for the performers to the right of the vanity table.
Contributing Partner: UNT College of Visual Arts + Design
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