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  Partner: UNT College of Visual Arts + Design
 Country: United States
 Collection: Texas Fashion Collection
Shoes

Shoes

Date: 1914
Creator: unknown
Description: Pair of woman's white canvas shoes. Designed with slightly pointed toes and a rounded edge at the vamp, the shoes have a single strap across the instep secured with a circular glass button with steel(?) shank. Thick canvas-covered heel shaped as a modified Cuban heel, rounded at sides and back, curved at front, and tapering slightly to base. Sole of leather, originally white/pale, worn to brown. No designer's or retailer's labels. Stamped inside of each: "455 .199 59 [star] / D8083 82566"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1915
Creator: unknown
Description: Pair of black peau de soie heeled shoes. Slightly pointed rounded toe, with an oval openwork area at the throat of the vamp which simulates a buckle. These "buckles" are set with simulated black jet and cut steel beads. The 2 3/8" modified French heel is covered in black peau de soie. Marked on leather sole: "VOLK"; Stamped inside right shoe: "VOLK / DALLAS"; Notation inside each shoe: "172 / 5931 / 2355"
Contributing Partner: UNT College of Visual Arts + Design
Sling-Back Pumps

Sling-Back Pumps

Date: 1947/1949
Creator: unknown
Description: Pair of sling-back pumps of black calf leather. Shoes have a narrow platform and are open toe. Rounded throat on vamp, which is decorated with applied oval detailing in 3 layers. Center layer of black grosgrain, upper and lower layers of black leather. Oval cut-out in center of detail. Ankle-strap fastens with small rectangular black metal buckles. 3" black-lacquered French set-under heel similar to a spike form. Handwritten in side of each shoe: "6 1/2 B / r28514 / 1510-6BF" Stamped inside both shoes: "Palter DeLiso / Capri / Last" Stamped in left shoe: "Palter DeLiso inc / New York City" Right shoe with inlaid woven cloth label: "Neiman Marcus Co. Dallas / Fenwyn / Trade Mark Reg'd"
Contributing Partner: UNT College of Visual Arts + Design
Slippers

Slippers

Date: 1890/1900
Creator: unknown
Description: Pair of lady's slippers of brown kid leather with jet beading. Designed with pointed toes, the uppers are of brown kid leather, heavily decorated with radiating patterns of jet beads, over toe, around sides and throughout openwork that decorates throat and sides of shoes. Originally had sewn-in ties across the instep. Lined in black leather. Soles of black leather. High heels are of modified French style, sometimes called "spool" style, with rounded sides and back, flaring to base, and with curved front. There are no marks or labels in the shoes. The brown ribbons in photographs are not original, are to hold the shoe closed in place of original ribbons, now missing.
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1900/1909
Creator: unknown
Description: Sunbonnet of off-white calico cotton with a tiny repeated print of three stylized leaves in brown. The brim of the hat is quilted in L-shaped rows of stitching and is very stiff from starch and stiffening material within it. The crown is gathered along the entire length of the seam where it attaches to the brim. The crown and tail are formed from a single piece of fabric, and the tail is stitched flat to the lower sides of brim. The neck is adjustable, having outer neck ties stitched to the lower corners of the brim on both sides. The chin ties are of the same fabric, with unfinished edges. The long tail on the bonnet indicates that it was used as a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1910
Creator: unknown
Description: Sunbonnet of blue cotton with white lace trim. The brim is slightly square-shaped and heavily starched. The top of the crown is stitched to the brim in a flat seam, with fullness created in the lower crown through a set of 3 snaps on each side which fasten the crown to the brim, giving the lower crown a crenelated shape. The bonnet has no tail, and has self-fabric chin ties of blue ribbon. The left tie is formed from two pieces of fabric pieced together, while the right tie is of a single length of fabric. The ties are narrow hemmed, except for one side of a lower section of left tie, which is cut along the selvage and left unfinished. There are no labels or marks in the piece. The fact that this bonnet does not have a tail probably indicates that this was a visiting bonnet rather than a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1890/1899
Creator: unknown
Description: Sunbonnet of brown linen. Made of a plain weave with both white and brown threads, the hat has pasteboard staves within the brim, a crenelated buttoning crown and long tail. The crown and tail are separate pieces, sewn together at neck seam, with the tail fastening to the sides of the brim by 3 off-white buttons on each side. The tail is semi-circular in shape, and the narrow chin ties are hemmed by hand. Poke-style bonnets are generally those that have brims stiffened either through quilting or plain starched fabric. Sunbonnets that rely on staves for brim support are not considered poke-style sunbonnets. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1890/1899
Creator: unknown
Description: Sunbonnet of white cotton broadcloth. The hat has a square-shaped brim with an outer layer of off-white weave material with a plain-weave backing, and crocheted trim. The brim is thin and does not appear to contain much stiffening material or starch. The crenelated crown fastens to brim by a series of 9 buttons on top and 2 buttons on each side. The crown is trimmed with the same crocheted trim as is the brim. The crown and tail are of a made of a single length of fabric. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design
Toque

Toque

Date: 1940/1945
Creator: unknown
Description: Toque hat of gray felt. The high, cylindrical crown of gray felt flares very slightly to the flat top, which is cut on a slant, and is higher at front than back. The top panel is inset, forming a "ridge" of the top edge. The lower edge is also on a slant, with inner band of same felt extending slightly below the crown. The inner band is cut to form a pointed arch at front. No brim. The hat is unlined, but has an inner hatband of black grosgrain ribbon. Sewn to inner hatband is retailer's label: "Titche-Goettinger Co. / Dallas"
Contributing Partner: UNT College of Visual Arts + Design
Toque

Toque

Date: 1915/1918
Creator: unknown
Description: Toque of black velvet. The circular crown is of black velvet, gathered at top and crafted to create wrinkles. Brim at sides and front folds up to form "visor" at front of crown, on which are artificial berries, flowers, and leaves. Hat is lined with black satin. Maker's mark stamped inside crown, partly faded/worn: Perry Hat Shoppe / Perry, NY."
Contributing Partner: UNT College of Visual Arts + Design