- Wall Hanging
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No Description digital.library.unt.edu/ark:/67531/metadc8335/ - Bird on a Tree
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No Description digital.library.unt.edu/ark:/67531/metadc8338/ - Portrait of a Young Man
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No Description digital.library.unt.edu/ark:/67531/metadc8460/ - [Graffiti, Venice Beach, California]
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The side of a building is painted with graffiti. The colors are predominately blues and there is some English text. digital.library.unt.edu/ark:/67531/metadc40895/ - [Graffiti, Venice Beach, California]
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This detail of the painted wall shows the face from the lower right section. digital.library.unt.edu/ark:/67531/metadc40897/ - [Graffiti, Venice Beach, California]
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The main portion of the north wall is shown. There is some text and two faces. digital.library.unt.edu/ark:/67531/metadc40898/ - [Graffiti, Venice Beach, California]
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A close view of a person's face is depicted in this image. digital.library.unt.edu/ark:/67531/metadc40899/ - [Graffiti, Venice Beach, California]
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The detail shows a portion of the wall that has been covered with a graffiti mural. digital.library.unt.edu/ark:/67531/metadc40896/ - [Graffiti, Venice Beach, California]
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A close detail view of the artist's signature is included in this image. digital.library.unt.edu/ark:/67531/metadc40903/ - [Graffiti, Venice Beach, California]
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A close view of the wall includes the texture underneath the paint and a detail of some of the text. digital.library.unt.edu/ark:/67531/metadc40902/ - [Graffiti, Venice Beach, California]
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A close view of some of the text is shown. digital.library.unt.edu/ark:/67531/metadc40901/ - [Graffiti, Venice Beach, California]
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A portion of the north wall includes a face and parts of some text. digital.library.unt.edu/ark:/67531/metadc40900/ - Lion Fighting a Serpent
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No Description digital.library.unt.edu/ark:/67531/metadc7859/ - Lion Fighting a Serpent
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No Description digital.library.unt.edu/ark:/67531/metadc7860/ - Geese in Flight
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No Description digital.library.unt.edu/ark:/67531/metadc8019/ - Personal Response to Digital Frontiers Roundtable: Michael Blair
- This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Michael Blair. digital.library.unt.edu/ark:/67531/metadc109699/
- All Human Forms (The End of the Song of Jerusalem)
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A man with a halo emanating from his head and a woman embrace in the center of this composition with the text above. digital.library.unt.edu/ark:/67531/metadc41271/ - To Annihilate the Self-hood of Deceit
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In the foreground, a man is seen from behind as he reaches around the neck of a bearded man. Across the top of the work is a frieze of five figures each playing a musical instrument. Across the bottom of the work is text quoting the poet Milton. digital.library.unt.edu/ark:/67531/metadc41236/ - Dining Room on the Garden
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No Description digital.library.unt.edu/ark:/67531/metadc7810/ - The Adoration of the Magi
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No Description digital.library.unt.edu/ark:/67531/metadc8177/ - Portrait of a Youth
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No Description digital.library.unt.edu/ark:/67531/metadc8541/ - Musician
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No Description digital.library.unt.edu/ark:/67531/metadc7807/ - Alfred, Lord Tennyson
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No Description digital.library.unt.edu/ark:/67531/metadc8345/ - Buffalo Lancing in the Snow Drifts -- Sioux
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No Description digital.library.unt.edu/ark:/67531/metadc8033/ - Christ on the Cross
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No Description digital.library.unt.edu/ark:/67531/metadc7778/ - Soap Bubbles
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No Description digital.library.unt.edu/ark:/67531/metadc8565/ - [Poster for The Politics of Taste Symposium]
- Poster advertising a symposium titled "The Politics of Taste in Eighteenth and Nineteenth-Century Latin America" held at Meadows Museum, Southern Methodist University in Dallas Texas, September 17, 2010. The poster includes an illustration of a colonial-era gentleman and a map of Central and South America. Text on the right side of the poster describes the topic of the symposium, lists the speakers, and gives details about the time and location. digital.library.unt.edu/ark:/67531/metadc130049/
- Dancing Between the Hunt and the Hearth
- The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture. digital.library.unt.edu/ark:/67531/metadc129819/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the exhibition consists of a large vertical painting with a dark ground. digital.library.unt.edu/ark:/67531/metadc129685/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The paper tags that hang from the large dish structure are seen in close detail in this view. digital.library.unt.edu/ark:/67531/metadc129688/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation has many elements. In the foreground is a black table with microscope and glass slides on it. In the background is a boxing ring with a gurney in the center on which is strapped down punching bag. Men's dress shirts and a mural of the "Stretchman" is on the rear wall. digital.library.unt.edu/ark:/67531/metadc129695/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Ears of corn and test tubes are seen in the detail view of the installation. digital.library.unt.edu/ark:/67531/metadc129700/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows the directions and dialogue script written on the wall for the performers. A black dress hangs with a pair of white rubber boots beneath. A portion of the yellow vanity table is visible with one chair. digital.library.unt.edu/ark:/67531/metadc129693/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The boxing ring contains a gurney on which is a strapped down punching bag. A television monitor playing found footage of alligator gardens and Esther Williams hangs high from the ceiling. digital.library.unt.edu/ark:/67531/metadc129696/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In the foreground is a microscope and many glass slides containing miniaturized bio-ethical questions on a black rubber topped table. On the wall can be seen murals of the "Stretchman." digital.library.unt.edu/ark:/67531/metadc129702/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view of the installation includes a small room in which a vanity with two chairs has a crown painted on the wall above. Words, directions, are written on the wall for the performers to the right of the vanity table. digital.library.unt.edu/ark:/67531/metadc129691/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows a detail of the vanity table, its light bulbs, three chairs and the text, scripts for the performers, on the wall. digital.library.unt.edu/ark:/67531/metadc129692/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The detail view shown here is an armature or a trampoline form folded in half and suspended from the ceiling. digital.library.unt.edu/ark:/67531/metadc129689/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view shows ears of corn and a microscope on a black rubber topped table. The glass slides contain miniaturized bio-ethical questions that can be read under the microscope. digital.library.unt.edu/ark:/67531/metadc129701/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view is of the gurney with the strapped down punching bag and in the background can be seen two murals of the "Stretchman." digital.library.unt.edu/ark:/67531/metadc129697/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image of the "Stretchman" was repeated several times within the exhibition. digital.library.unt.edu/ark:/67531/metadc129703/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image shows the wall mural that depicts sperm, hand saw, bowling pin, float and netting. digital.library.unt.edu/ark:/67531/metadc129713/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This room of the installation has a video projection on the rear wall and in the foreground a setting that includes netting hanging from ceiling with an inflated tube hanging above an iron, a striped marker, two coffee pots and various other items. digital.library.unt.edu/ark:/67531/metadc129712/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view can be seen the video projection on the rear wall of the swimmer Esther Williams. In the foreground, suspended from the ceiling is a tube raft and netting. digital.library.unt.edu/ark:/67531/metadc129717/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Text in black covers the two walls shown in this view. Hanging from the ceiling is a two-part black form. Over the short wall, the chain link fence imagery can be seen. The wall text is titled, Queens. digital.library.unt.edu/ark:/67531/metadc129694/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view is of the strapped down punching bag on the gurney. digital.library.unt.edu/ark:/67531/metadc129698/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. digital.library.unt.edu/ark:/67531/metadc129699/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows a small trampoline suspended from the ceiling. Strapped to the trampoline is a pillow. A tall structure holds a see-saw with a chair on each end. Behind this grouping is a chain link fence drawing on the wall. digital.library.unt.edu/ark:/67531/metadc129690/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a frame in the shape of a satellite dish from which hangs many paper tags. The satellite dish shape is attached to a three tier stool. Behind the dish shape is chain-link fence type material. digital.library.unt.edu/ark:/67531/metadc129687/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a figure pierced with arrows and knives. The artist refers to him as the "wound" man. In the foreground, are two leg splints with suspended latex tubing. digital.library.unt.edu/ark:/67531/metadc129686/