- Pregnant
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Pieces of what resembles a pregnant body are strewn on the floor. digital.library.unt.edu/ark:/67531/metadc8732/ - Mnemosyne
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No Description digital.library.unt.edu/ark:/67531/metadc8340/ - Double Sitting
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Painting of brown and black with white hatch brush strokes over dark pigment. digital.library.unt.edu/ark:/67531/metadc8661/ - 590 Madison Avenue
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The view is of the sidewalk adjoining the building. digital.library.unt.edu/ark:/67531/metadc40654/ - 590 Madison Avenue
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The view is of the street level facade and includes the glassed atrium public space. digital.library.unt.edu/ark:/67531/metadc40653/ - Autumn of the Rooster
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An couple shows concern for each other in a kitchen setting. To the couple's left is a table with a white tablecloth and a rooster. A large window in the background looks out onto other buildings. digital.library.unt.edu/ark:/67531/metadc36453/ - Repetitious Vision
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Painting of red, black and while vertical lines containing three rows of repeated objects. digital.library.unt.edu/ark:/67531/metadc8706/ - The Storehouse
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Sculpture of seven photographs with seven electric lamps and one hundred ninety-two tin biscuit boxes containing cloth fragments. digital.library.unt.edu/ark:/67531/metadc8860/ - The Cat
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The side of the large sculpture depicting a cat is seen. The sculpture is situated on a city sidewalk. digital.library.unt.edu/ark:/67531/metadc41978/ - The Cat
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The cat's head in profile and the bell around its neck is seen in this view. digital.library.unt.edu/ark:/67531/metadc41979/ - The Cat
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The view of the immense cat is from behind. The body of the cat is huge and rounded. The sculpture is situated on a city sidewalk. digital.library.unt.edu/ark:/67531/metadc41981/ - The Cat
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The extremely large sculpture depicts a cat in an exaggerated rounded style and size. digital.library.unt.edu/ark:/67531/metadc41977/ - The Cat
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The bronze sculpture depicting a cat's head is seen from a frontal view. digital.library.unt.edu/ark:/67531/metadc41980/ - Medusa's Head
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Large sculptural sphere made of plywood, steel, cement, rocks, and model railroad tracks suspended from ceiling. digital.library.unt.edu/ark:/67531/metadc8465/ - Pair of Stone Chairs
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No Description digital.library.unt.edu/ark:/67531/metadc8923/ - Bac de Roda/Felip II Bridge
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No Description digital.library.unt.edu/ark:/67531/metadc8988/ - Bac de Roda/Felip II Bridge
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No Description digital.library.unt.edu/ark:/67531/metadc8989/ - Bac de Roda/Felip II Bridge
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No Description digital.library.unt.edu/ark:/67531/metadc8990/ - Pumps
- Pair of tan and black leather sling-back pumps. Uppers of tan/brown leather with black leather toe cap. Sling-back strap with gilt metal buckle. 2 3/4" continental heel covered in tan/brown leather. Shoe lined in putty colored leather. Sole of natural brown leather. Stamped in each shoe: "Made in France"; Chanel / [logo]". Stamped inside upper: "105002 37". Stamped on sole: "37 / DE / [logo] / Coupe monte fini main". digital.library.unt.edu/ark:/67531/metadc39036/
- Pumps
- Pair of speckled taupe leather pumps. Uppers of light taupe leather embellished with tiny grayish flat pebbled textural design. Toe cap of black patent leather. 3 3/4" spike heel covered in black patent leather. Lined in olive leather except inner heel, which is lined in natural light brown leather. Soles of black leather. Stamped in each shoe: "Charles Jourdan / Paris / Made in France". Stamped inside each heel: "37 X 7 2A 586855 NF". Stamped on sole: "Leather / Leder / Cuir / Made in / France" digital.library.unt.edu/ark:/67531/metadc39038/
- Conversion to Her
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No Description digital.library.unt.edu/ark:/67531/metadc8704/ - Two pages from the English translation of ''The Departure of the Argonaut'' by Alberto Savinio
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Francesco Clemente embellished with lithography Alberto Savinio's war time diary, The Departure of the Argonaut. digital.library.unt.edu/ark:/67531/metadc8371/ - Elizabeth
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No Description digital.library.unt.edu/ark:/67531/metadc8920/ - Fanny/Fingerpainting
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Painting of a black and white portraiture of a elderly female figure. digital.library.unt.edu/ark:/67531/metadc8409/ - Emergency Room
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No Description digital.library.unt.edu/ark:/67531/metadc8685/ - Blues
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No Description digital.library.unt.edu/ark:/67531/metadc8368/ - Bricks and Bottles
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No Description digital.library.unt.edu/ark:/67531/metadc8721/ - Oersted Sapphire
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The cast aluminum pieces are displayed on the floor. digital.library.unt.edu/ark:/67531/metadc8462/ - Brooch
- The silver and copper brooch is a triangular shape with a triangular shaped opening inside which is a coiled piece of metal with a second coil on one of the corners of the brooch. The surface is shiny and smooth. digital.library.unt.edu/ark:/67531/metadc102391/
- Chitter Chatter, It's Girls' Night Out: Seven Years Series
- The collage consists of purples, yellows, reds, and blue-green. A large black and yellow checkerboard pattern predominates the right half of the piece. The background is purple with some vertical poles in a blue turquoise color. Some long pink shapes encircle the checkerboard area and divide the composition. digital.library.unt.edu/ark:/67531/metadc102397/
- Do Ya Wanna Dance?
- The foreground is pink and the sky a darker pinkish red. In the foreground is a green table like form and leading to it is a pink and purple striped pathway leading from a blue platform. A yellow and orange cordial glass appears to be dancing with a purple cordial glass. These forms can be seen in this artist's three-dimensional works. Here the glasses appear particularly active. Three green cordial glass shapes are placed on the blue platform and one on the striped walkway. Several small geometric shapes float in the upper right portion of the artwork. digital.library.unt.edu/ark:/67531/metadc102400/
- Earrings
- The earrings consist of domed circular shapes with a circular opening through which is a coiled piece of copper. digital.library.unt.edu/ark:/67531/metadc102393/
- It's Not Always Black and White
- A two-part shape that resembles this artist's three-dimensional cordial glasses stands in an interior into the floor of which is a rectangular cut out. Into this recess in the floor falls two small triangular shapes. Two windows are on the walls of the interior while a square shape is cut out of the ceiling. The artwork is made up of white, purplish grays and black. digital.library.unt.edu/ark:/67531/metadc102403/
- It's Not Always Black and White
- The geometric black, white and gray collage appears to depict a person afloat in the middle of a body of water. However, a shape like this artist has used before for a cordial glass sits atop a set of three steps in the foreground and receding into the distance are planks ranging from white to black. There are some cutouts in the platform that appear to be traps for the seated figure. digital.library.unt.edu/ark:/67531/metadc102402/
- Let's Spend Some Time Together, Number 2
- This collage features extreme perspective with the piers in yellow and orange moving from the center foreground straight to the horizon line depicted by the blue background meeting the black sky. In the left background area are several green geometric shapes that resemble buildings. A pink orb with a hole in the center floats in the left sky area while a purple one floats in the right hand portion of the sky area. Piercing each of these is a long hollow spear that spills tiny black, blue, white, gray and green circles into the foreground. digital.library.unt.edu/ark:/67531/metadc102399/
- Life's Cycle
- The artwork depicts a partial circle of geometric shapes through which float some small oval shapes which float out of two vertical white containers. The ground of the piece is a gradation of pale blue to a darker blue at the top edge. digital.library.unt.edu/ark:/67531/metadc102378/
- Life's Cycle
- The textured artwork consists of pinks and blues predominately. Geometric shapes float on a blue woven background. Making a circular arc, partially seen, are some wedge shapes with pink tops and turquoise sides. At the far left are two cylindrical pink and purple shapes. Floating among the larger shapes are many small open ovals and open chevron shapes. digital.library.unt.edu/ark:/67531/metadc102382/
- Liqueur
- The cordial glass consists of two pieces which are similar in form. The ebony base holds the sterling silver vessel portion. At the top and bottom of the piece are similar thin silver bands. digital.library.unt.edu/ark:/67531/metadc102395/
- Liqueurs
- These two cordial glasses are designed in the shape of an angular animal's horn or cornucopia, one piece in wood acts as the stand and the smaller one in metal acts as the drinking vessel portion. digital.library.unt.edu/ark:/67531/metadc102396/
- Only Time Will Tell
- The blue and black horizontally woven background supports geometric structural type shapes that move through the space. A long purple shape pierces a pink triangular shape in the upper right portion of the work. The piece has the illusion of much depth and metal surfaces. digital.library.unt.edu/ark:/67531/metadc102383/
- Only Time Will Tell, Number 5
- This collage appears to depict a pier upon which sit several geometric shapes in reds, blues, pinks and oranges. Also depicted is an orange and yellow spear piercing a triangular orange shape. digital.library.unt.edu/ark:/67531/metadc102401/
- Roll
- The brooch consists of a triangular shape with a triangular shaped opening through which a coiled piece of copper twists and emerges and wraps the triangulalr piece. digital.library.unt.edu/ark:/67531/metadc102392/
- The Separation
- The screen print on fabric depicts in a range of blues and some pinks, stairs, blocks, bridges moving through space. Some small triangular shapes float in the upper half of the work. digital.library.unt.edu/ark:/67531/metadc102379/
- Square Earrings
- The silver earrings consist of mangled square shapes pierced with open rectangular shapes. Moving through the rectangular openings as well as the silver squares are copper wires. digital.library.unt.edu/ark:/67531/metadc102394/
- Sun: Studio 321
- This two-panel woven artwork depicts several gold angular spear shapes that jut downward vertically and break apart in two pieces. Weaving through and around the gold and orange vertical spears are two long two-toned ribbons. The background is purple with a few light blue streaks. digital.library.unt.edu/ark:/67531/metadc102380/
- Pirate (Untitled II)
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No Description digital.library.unt.edu/ark:/67531/metadc8497/ - Ballgown
- Ensemble of red/coral/dark rose satin. The strapless dress has an empire bodice which curves up in front at bust and is lower in back. The full-length A-line skirt is pleated into the waistband with inverted box pleats. The gown has a center back zipper closure with two hook-and-eye closures and two snaps on the placket. The inner construction is complex, with red grosgrain ribbon bust and waist stays with hook-and-eye closures and a boned white horsehair inner bodice which is lined with red chiffon. Inner structure has its own center back zipper closure which is behind outer zipper. There is an attached full-length red satin petticoat with horsehair hem and nylon net inner structure to support front skirt pleats. The skirt is piece lined in red chiffon. The accompanying bolero jacket is of matching red satin with all-over quilting in a patterns of waves and arcs in a red thread. The cropped jacket is semi-fitted, and has an open curved neckline and center-front opening with no closure, all trimmed in a band of red satin. Each of the set-in long sleeves has a (non-functioning) large, red satin-covered button near the cuff; the cuffs are trimmed in a band of red satin. The jacket is lined in olive green satin, which shows the quilting, and has built-in shoulder pads. There are no labels in the garment. digital.library.unt.edu/ark:/67531/metadc30259/
- Evening Gown
- Evening gown of ivory satin and black lace. Garment is a full-length, A-line ivory satin dress with 3 wide horizontal bands of applied black lace on skirt and an attached black lace empire-style over-bodice. The bodice, consisting of overlapping lace scallops, has a deep square neckline and full-length sleeves. There are two covered snap closures on each wrist and a series of paired covered snap closures down center back. The dress has a center-back zipper with a single hook-and-eye fastener at the neckline. The ivory silk inner bodice has internal steel(?) boning for shaping, and fastens with a center-back zipper and internal grosgrain band waist stay. Inside the gown is a full-length, attached ivory satin slip with horsehair hem. The dress is piece-lined in ivory organza with a horsehair hem. Designer label stitched into garment at right center-back, beside the zipper "Oscar de la Renta" with second label "Made in U.S.A." sewn below. Hand written on the designer label is notation "4677S". digital.library.unt.edu/ark:/67531/metadc30258/
- Age of Rectangles
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No Description digital.library.unt.edu/ark:/67531/metadc8712/ - 86-3
- Dark background with many small geometric shapes, lines and dots in bright colors evenly spaced around the canvas over a structured linear pattern. digital.library.unt.edu/ark:/67531/metadc27119/