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T-Shirt - Che Guevara

T-Shirt - Che Guevara

Date: 1970
Creator: unknown
Description: T-shirt of white cotton, having short sleeves and a rounded neckline, which is printed with an artistic rendering of a portrait of Che Guevara, arranged as large main central portrait in black, surrounded by four smaller renditions in pale gray. Acquired by the donor in Mexico City in 1971 from a vendor in the Mexico City Metro. Ernesto "Che" Guevara (b. June 14, 1928 in Rosario, Argentina - d. La Higuera, Bolivia, October 9, 1967) commonly known as El Che or simply Che, was an Argentine Marxist revolutionary, physician, author, intellectual, guerrilla leader, diplomat, military theorist, and major figure of the Cuban Revolution.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1930
Creator: unknown
Description: Dress of blue, green, pink, and black taffeta and satin in horizontal woven bands. The full-length dress has a sweetheart neckline which gathers at bust to simulate a bow. The fitted bodice has short raglan-style sleeves with gathers at the shoulder seams. The long skirt is gathered at the natural waist. The dress is unlined, and has hook-and-eye closures on left side along bodice.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1960/1969
Creator: unknown
Description: Dress of printed silk with beads and sequins. Short dress of black silk is printed with a paisley design in yellow, red, and cream. The background is covered in heavy black beading and black sequins. The dress has a short standing collar and long set-in sleeves. There is a center back zipper from collar to hips. Fully lined in black fabric. Label of Dallas retailer inside back near collar on left side: "Marie Leavell"
Contributing Partner: UNT College of Visual Arts + Design
Boots

Boots

Date: 1968
Creator: unknown
Description: Pair of brown suede boots. Almost knee-high, the boots are constructed as slip-on rounded-toe shoes or moccasins with added segments on the quarter to create the length of the boots. At the top, the suede of the boots is folded over outwards forming a pocket for a drawstring around top and a band of suede fringe around the outside of the boot. Indistinct trademark/logo stamped on sole. Illegible stamped mark inside boots. Referred to as "Squaw Boots", these were worn by the donor who acquired them in 1968 from the Fishing Bridge Store, in Yellowstone National Park.
Contributing Partner: UNT College of Visual Arts + Design
Coat

Coat

Date: 1989
Creator: Mouratidis, Michael, 1920-2002
Description: Evening coat of brocade and fur. The full-length coat is of a pale yellow silk brocade, with a pattern of flowers and scrolls in reds, purples, blues, white, silver, and gold. It has long sleeves and opens along the center front, with no closures. The cuffs and collar are wide bands of dyed purple fox fur. The coat is lined in a pale tan/yellow silk. Sewn in below collar at inside center back is designer's label: "Designed / by Mouratidis / Washington DC" Attached inside right side near hip is original paper label printed on one side "Balenciaga / Paris", and written on the back "Brocade evening mystery / coat w/fox / R". Donated to the Texas Fashion Collection by Helen Noumas, in memory of her partner Michael Mouratidis, designer of the piece.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1970/1975
Creator: Halley, George
Description: Dress of navy blue silk chiffon. The full-length dress is sleeveless, with narrow straps extending across shoulders and meeting at center of the 2 1/2" wide A-line band at neckline. The straps and neckline band are covered with faux jewels. From the band drops the long A-line skirt of finely-pleated silk chiffon, which conceals a narrow sheath dress underneath. This dress is similar in style to one produced for Halley's 1967 collection.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1970/1979
Creator: unknown
Description: Dress of off-white / ivory wool knit. The form-fitting full-length sheath has a round neckline and short cap sleeves. The entire dress is covered with iridescent sequins, and is decorated at lower part with five bands of gold/copper sequins, 3 bands of rosettes composted of gold beads and pearls, and two bands of "garlands" with suspended pine-cone forms and diamond shapes of copper/gold sequins, gold bugle beads, and gold beads. Dress has zipper closure along center back. Label reads: "Gene Shelly's / Boutique Internationale / California / Hand Decorated in Hong Kong / 100% Wool"
Contributing Partner: UNT College of Visual Arts + Design
Coat

Coat

Date: 1970/1978
Creator: Givenchy, Hubert de, 1927-
Description: Sleeveless coat of navy on white zebra printed wool. The street-length coat is of slight A-line, widening to hem. It has wide straps, no collar, and center front opening with 5 circular dark blue plastic buttons. At each hip is a patch pocket with simulated flap, the fabric of the pockets chosen to match the placement on the print. The coat is fully lined in navy fabric. Inside neckline at back is designer's label "Givenchy", folded so that "Made In / France" is not visible. This coat is part of an ensemble that includes a blue wool jersey knit top and slacks. Donor noted that it was "Made for Monte Carlo for day wear". There is also a hat that was worn with the ensemble (1978.013.062)
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Coat and Dress

Ensemble - Coat and Dress

Date: 1972
Creator: Givenchy, Hubert de, 1927-
Description: Ensemble of printed silk. The full-length dress is of silk with a printed design of abstract flower forms in red, blue, purple, white, yellow and green on a black ground. It has a rounded neckline and long sleeves which have fabric covered snaps at the wrists. The bodice is seamed and fitted, and the skirt is slightly A-line, flaring to hem. Center back closure, top third is hook-and-eyes, the lower two-thirds is a zipper. The dress is fully lined in black silk. Designer's label sewn inside bodice near waist: "Givenchy". Underneath label is a second label with handwritten notation "48245". The matching coat is of the same print on a heavier weight silk. It is full-length, with a standing collar which has internal wiring for support. The sleeves are full-length, and it has a center front opening which secures with a single fabric-covered snap just below collar. The coat is unlined. Designer's label sewn inside coat at right near waist: "Givenchy". Underneath label is a second label with handwritten notation "48246" This ensemble was made for the donor to wear to the wedding of Maria del Carmen Martinez-Bordiu y Franco, (1951- ) granddaughter of General Franco, to Don Alfonso, Duke ...
Contributing Partner: UNT College of Visual Arts + Design
Pillbox Hat

Pillbox Hat

Date: 1960/1965
Creator: Balenciaga, Cristóbal
Description: Brown velvet pillbox cocktail hat. The low, circular crown of the hat is slightly domed. At front of hat is pinned a large 3-dimensional pear-shaped openwork jeweled ornament of gold wire set with various colors and shapes of stones. Inside of hat lined in black cloth. Around inside lower edge of crown is brown grosgrain ribbon band. Sewn to inner band is a plastic comb to help secure hat to wearer's head. Maker's label sewn to inner ribbon band: "Eisa". The jeweled ornament is attributed to Robert Goossens of Paris, who is known to have supplied Balenciaga. Donor notes of this hat: "...to wear with short black cocktail dresses."
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Jacket and Dress

Ensemble - Jacket and Dress

Date: 1935
Creator: unknown
Description: Evening ensemble of a dress, jacket and belt. The full-length sleeveless evening dress is of black silk, with a slim silhouette. It has a wide, shallow V-neck at front, and has decorative twist in the fabric at back, which creates a deeper V. The wide straps are ruched at front with non-functional rhinestone-encrusted clasps sewn to them. The bodice has decorative seaming under bust and around the hips. The dress has a black silk belt with a rhinestone-encrusted "buckle", which functions as a large hook-and-eye rather than a buckle. The jacket is of matching black silk, lined with a cream-colored taffeta. The short, bell-shaped sleeves have a second "layer" creating the effect of a wide ruffle. Padded tubes of silk curve along each shoulder, tapering under the arm at front and back. There is a center front opening with no closure, which is "cut away" in a curve at front, giving the overall effect of a miniature 'cropped' opera cape. No labels in either garment. Possibly acquired by Ms. Hewett in France in the 1930's while studying medieval music manuscripts.
Contributing Partner: UNT College of Visual Arts + Design
Pillbox Hat

Pillbox Hat

Date: 1950/1959
Creator: Balenciaga, Cristóbal
Description: Pillbox hat of black velvet. The low, cylindrical, slightly domed hat is completely covered in black velvet. Affixed to the center front of the hat is a roughly fan-shaped aigrette of simulated gems and metallic braid with a surmounting spray of white feathers. The crown is lined in black fabric, and has a black grosgrain ribbon running along the inside bottom edge. Sewn to the inner ribbon is a plastic comb to secure the hat to the wearer's head. No labels. The aigrette is attributed to Robert Goossens, of Paris, who is known to have supplied to Balenciaga.
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1950/1959
Creator: Balenciaga, Cristóbal
Description: Hat of reddish-pink wool. The derby style hat has a domed crown made of four sections of cloth that meet at center. Each section has chevrons of stitching, which point towards the center of the crown, giving a subtle quilted effect. Narrow brim rolls upwards at sides and back. A black suede(?) bow is applied to base of crown at center left. Inside base of crown is a band of pink grosgrain ribbon. Sewn to inner ribbon band is maker's label: "Balenciaga / 10 Avenue George V Paris" and label "Made in France"
Contributing Partner: UNT College of Visual Arts + Design
Calotte

Calotte

Date: 1935/1939
Creator: unknown
Description: Black velvet calotte (also spelled "calot") covered with faux pearls and diamonds. The circular domed hat has a narrow, up-turned brim which is completely covered with a latticework of oval faux pearls, with faux diamonds set at each intersection. At the top of the crown is an upstanding black velvet covered wire surmounted by a "mushroom cap" beaded in the same way as the rest of the hat. Inside of brim lined with black grosgrain ribbon, the hat lined in black netting.
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1915/1918
Creator: unknown
Description: Woman's black velour top hat. Designed after a man's top hat, this version has a cylindrical, slightly domed crown and narrow velour-covered brim which gently curves up. The brim has a second section below, also covered in black velour, that curves downwards, giving the brim an appearance of thickness. Around the lower part of the crown is a folded black silk taffeta grosgrain ribbon, with a large simulated silver metal buckle placed near the front on the right side of the hat. The buckle is of stamped metal simulating cut steel. The hat is lined in black silk. Embroidered label sewn to lining inside crown includes an oval frame containing a monogram, possibly RSCM, and "Gold Medal / Pattern"
Contributing Partner: UNT College of Visual Arts + Design
Coat

Coat

Date: 1923/1926
Creator: unknown
Description: Coat of floral brocade and blue velvet. The mid-length wrap coat is made of Jacquard woven silk(?)in a pattern of flowers in blues, taupe, and browns on a dark brown ground, with metallic gold stitching throughout. The raglan sleeves and the collar are edged in wide bands of gathered ruched aqua blue/green velvet. Center front opening with no closures. The coat is lined in aqua blue/green velvet. No labels in garment. Owned by Mrs. Carlton L. Yager of California, aunt of the donor, who called it her "Opera Coat".
Contributing Partner: UNT College of Visual Arts + Design
Cloche

Cloche

Date: 1955/1959
Creator: Schiaparelli, Elsa
Description: Cloche-style hat of off-white wool felt. The hat has a deep, cylindrical, domed crown of off-white or cream felt which extends downwards on one side. Around the crown is black zig-zag stitching, and on the side where the crown extends downwards is an applied strip of felt, looped, secured through a stiffened loop of red grosgrain ribbon. The hat is unlined, with a black grosgrain ribbon inner hatband. Sewn to inner ribbon band is maker's label: "Schiaparelli / Paris".
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1970/1979
Creator: Wilhite, Clifton
Description: Dress of printed cotton. The floor-length dress is of cotton with a printed geometric design of a lattice of black rectangles on white background. It is sleeveless, with black spaghetti straps. There is a wide black "belt" of "quilted" cotton just below the bust, with a bow in front. The dress has a center back zipper closure with two hook-and-eye closures at top. It is fully lined in thin white fabric. The designer's label is sewn inside bodice: "Clifton / Wilhite / Dallas"; a second label is sewn just below designer's label: "Lot 6464 Size 14"
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1970
Creator: Axel of Denmark
Description: Dress. Full-length sleeveless evening dress of printed silk. The bodice has a rounded neckline, bust darts, and widens slightly at hips. The silk print on the bodice is of horizontal stripes of black, yellow, green, and red. The skirt starts at a dropped waist, and is a slight "A" line in form. The printed on the skirt is of an Op Art pattern of pink, red, black, green, and purple squares and circles within squares, and with two large black squares, one on front and one on back. Black band at hem. The dress has a center back zipper closure and is lined in black silk. It has an accompanying black silk belt, 2" wide, with two domed buttons covered in black silk as closures. The dress has two labels sewn inside at back collar, to right of zipper. Maker's label: "Axel / of Denmark / 42" and second tag "Pure silk / by D'Este" [care instructions pictographs] and on reverse [care instructions pictographs] "Made in / Italy".
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1960
Creator: Millers, Raymond
Description: Dress. Floor-length dress of ivory knit, overlaid with a gold netting. Sleeveless and with a boat-neckline, the sheath-style dress has ornate heavy gold cording around neckline, armholes, along side-seams, and hem. The skirt has small side slits, and a center lapped zipper closure located along center-back of garment with hook-and-eye closure at top of zipper. Lined with a light polyester.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1972
Creator: Amey, Ronald
Description: Dress of multi-colored velvets. The floor-length dress has an empire waist and bell-shaped long sleeves. The upper, bodice, section is made of a sheer, multi-colored fabric woven with bands of gold thread. Over the bodice is applied sections of burnout velvet in various colors, forming bands running up the bodice, over the shoulders, and down the back, another band forming a 1" high collar, and as 2" bands around each wrist. The sections are bordered in gold cording. The lower, skirt, section is of green velvet printed in browns, greens, and gold in an abstract geometric/organic design. Fully lined in green silk(?). Center back zipper from neckline to just above waist. Three hook-and-loop closures on collar. Designer label sewn alongside zipper at shoulder-blade height at right: "Ronald Amey / New York". Evidence of removed label at inside, center front of dress below neckline.
Contributing Partner: UNT College of Visual Arts + Design
Mourning Ensemble - Bodice and Skirt

Mourning Ensemble - Bodice and Skirt

Date: 1900/1903
Creator: unknown
Description: Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, ...
Contributing Partner: UNT College of Visual Arts + Design
Evening Suit

Evening Suit

Date: 1990
Creator: Givenchy, Hubert de, 1927-
Description: Evening suit of black velvet. The ensemble consists of a jacket of black velvet with machine embroidered vine and floral motifs in black threads and black beads. The coat has a notched collar, long sleeves with wide cuffs and two non-functional buttons on each sleeve, and two non-functional pockets at front. Center-front opening with two circular black satin-covered buttons. The lapels, cuffs, and pocket flaps are all of black satin. The knee-length skirt of of the same fabric, with satin waistband. Short zipper closure at side with two hook-and-eyes in waistband. Designer's label inside jacket at collar: "Givenchy", with model number written on cloth tape sewn underneath label: "74075"
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1992
Creator: Givenchy, Hubert de, 1927-
Description: Dress and belt. The dress has an empire-length bodice of white organdy with short sleeves, deep V-neckline in front and shallow boat neckline in back and is densely beaded with large and small white beads. From the lower edge of the beaded bodice a band of blue silk satin with a printed pattern of different sizes of white polka dots extends down to dropped waist length, covering the midriff. The full skirt, of the same polka dot material, is above-the-knee length, and has box pleats which start from the dropped waist level. The dress has a zipper closure along the left side seam of the midriff section, and the closure continues up along the lower part of the empire bust line seam to the base of the V-neckline with a series of alternating covered snaps and hook-and-eyes. The bodice section is lined with white organdy, the midriff section with blue silk, and the skirt is unlined. Designer's label is sewn inside bodice near right armhole: "Givenchy" "Made in France", with a second label sewn underneath with handwritten notation "80932". The dress has an accompanying belt covered with matching blue fabric with printed polka dots and backed with black leather. The ...
Contributing Partner: UNT College of Visual Arts + Design