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  Partner: UNT College of Visual Arts + Design
Pumps

Pumps

Date: 1955/1983
Creator: unknown
Description: Pair of pumps. The open-toed shoes have vamps formed of black leather covered in a rhinestone-covered black fabric "bunched" at center with a circular rhinestone-set black metal button. Silver leather and elastic "spring-o-lators" linings. 3 1/4" black plastic spike heels set with rhinestones. Written inside vamp of each shoe: "6 1/2 [illeg.] / 1616ind / 6486" Stamped on each lining: "Neiman-Marcus" and "Spring-o-lators / Pat Pend" The spring-o-lator was invented by Beth Levine in the 1950's. The elastic created tension which kept backless heeled shoes on the feet.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1970/1975
Creator: Halley, George
Description: Dress of navy blue silk chiffon. The full-length dress is sleeveless, with narrow straps extending across shoulders and meeting at center of the 2 1/2" wide A-line band at neckline. The straps and neckline band are covered with faux jewels. From the band drops the long A-line skirt of finely-pleated silk chiffon, which conceals a narrow sheath dress underneath. This dress is similar in style to one produced for Halley's 1967 collection.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1970/1979
Creator: unknown
Description: Dress of off-white / ivory wool knit. The form-fitting full-length sheath has a round neckline and short cap sleeves. The entire dress is covered with iridescent sequins, and is decorated at lower part with five bands of gold/copper sequins, 3 bands of rosettes composted of gold beads and pearls, and two bands of "garlands" with suspended pine-cone forms and diamond shapes of copper/gold sequins, gold bugle beads, and gold beads. Dress has zipper closure along center back. Label reads: "Gene Shelly's / Boutique Internationale / California / Hand Decorated in Hong Kong / 100% Wool"
Contributing Partner: UNT College of Visual Arts + Design
Pumps

Pumps

Date: 1970/1983
Creator: M. Wolf
Description: Pair of white leather pumps. Shoes have rounded open toes and sections of clear vinyl or plastic at vamp on either side. Accented with rectangular buckles at vamps painted white and set with large and small rhinestones. Back straps fasten with rectangular white-painted metal buckles. 3" spike heel covered in white leather. Written in each shoe: "6 1/2 B" on vamp; "6 1/2 B 6333 / 7214-6RF" on back strap. Stamped on lining of left shoe: "M. Wolf / New York". Stamped on lining of right shoe: "Neiman-Marcus".
Contributing Partner: UNT College of Visual Arts + Design
Coat

Coat

Date: 1970/1978
Creator: Givenchy, Hubert de, 1927-
Description: Sleeveless coat of navy on white zebra printed wool. The street-length coat is of slight A-line, widening to hem. It has wide straps, no collar, and center front opening with 5 circular dark blue plastic buttons. At each hip is a patch pocket with simulated flap, the fabric of the pockets chosen to match the placement on the print. The coat is fully lined in navy fabric. Inside neckline at back is designer's label "Givenchy", folded so that "Made In / France" is not visible. This coat is part of an ensemble that includes a blue wool jersey knit top and slacks. Donor noted that it was "Made for Monte Carlo for day wear". There is also a hat that was worn with the ensemble (1978.013.062)
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Coat and Dress

Ensemble - Coat and Dress

Date: 1972
Creator: Givenchy, Hubert de, 1927-
Description: Ensemble of printed silk. The full-length dress is of silk with a printed design of abstract flower forms in red, blue, purple, white, yellow and green on a black ground. It has a rounded neckline and long sleeves which have fabric covered snaps at the wrists. The bodice is seamed and fitted, and the skirt is slightly A-line, flaring to hem. Center back closure, top third is hook-and-eyes, the lower two-thirds is a zipper. The dress is fully lined in black silk. Designer's label sewn inside bodice near waist: "Givenchy". Underneath label is a second label with handwritten notation "48245". The matching coat is of the same print on a heavier weight silk. It is full-length, with a standing collar which has internal wiring for support. The sleeves are full-length, and it has a center front opening which secures with a single fabric-covered snap just below collar. The coat is unlined. Designer's label sewn inside coat at right near waist: "Givenchy". Underneath label is a second label with handwritten notation "48246" This ensemble was made for the donor to wear to the wedding of Maria del Carmen Martinez-Bordiu y Franco, (1951- ) granddaughter of General Franco, to Don Alfonso, Duke ...
Contributing Partner: UNT College of Visual Arts + Design
Pillbox Hat

Pillbox Hat

Date: 1960/1965
Creator: Balenciaga, Cristóbal
Description: Brown velvet pillbox cocktail hat. The low, circular crown of the hat is slightly domed. At front of hat is pinned a large 3-dimensional pear-shaped openwork jeweled ornament of gold wire set with various colors and shapes of stones. Inside of hat lined in black cloth. Around inside lower edge of crown is brown grosgrain ribbon band. Sewn to inner band is a plastic comb to help secure hat to wearer's head. Maker's label sewn to inner ribbon band: "Eisa". The jeweled ornament is attributed to Robert Goossens of Paris, who is known to have supplied Balenciaga. Donor notes of this hat: "...to wear with short black cocktail dresses."
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Jacket and Dress

Ensemble - Jacket and Dress

Date: 1935
Creator: unknown
Description: Evening ensemble of a dress, jacket and belt. The full-length sleeveless evening dress is of black silk, with a slim silhouette. It has a wide, shallow V-neck at front, and has decorative twist in the fabric at back, which creates a deeper V. The wide straps are ruched at front with non-functional rhinestone-encrusted clasps sewn to them. The bodice has decorative seaming under bust and around the hips. The dress has a black silk belt with a rhinestone-encrusted "buckle", which functions as a large hook-and-eye rather than a buckle. The jacket is of matching black silk, lined with a cream-colored taffeta. The short, bell-shaped sleeves have a second "layer" creating the effect of a wide ruffle. Padded tubes of silk curve along each shoulder, tapering under the arm at front and back. There is a center front opening with no closure, which is "cut away" in a curve at front, giving the overall effect of a miniature 'cropped' opera cape. No labels in either garment. Possibly acquired by Ms. Hewett in France in the 1930's while studying medieval music manuscripts.
Contributing Partner: UNT College of Visual Arts + Design
Pumps

Pumps

Date: 1950/1959
Creator: Levine, Beth
Description: Pair of metallic leather pumps. Shoes of textured pink or rose metallic hue with silver undertones, edged in black velvet on vamp and around peep-toe. Slingback, fastened by black rhinestone-accented buckles. 3 1/4" spike/stiletto heels covered in the same leather. Each shoe marked inside vamp: "4 1/2 M 4311-SLW / 26080". Stamped on left shoe: "Herbert Levine / Fine Shoes"; Stamped on right shoe: "Neiman-Marcus". Stamped on both "Hand / Lasted".
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1973
Creator: Mori, Hanae
Description: Dress of bright green chiffon printed with multi-color shapes and with all-over scattered sequins and beading. The full-length A-line sheath has a round neckline with beaded band trim at neckline. The long sleeves have five non-functioning beaded buttons at wrist, and five hidden snap closures from wrist. The dress has an attached underdress of matte silk printed with same design as the overdress. The garment is fully lined with cream silk which has woven into it a repeated pattern of Hanae Mori's name. The underdress has a zipper closure at center back from neckline to above waist. The overdress has a series of hidden snaps to conceal the zipper, and a line of eight beaded buttons matching those on the sleeves, also non-functional. A single hook-and-loop closure at neck secures the top of the garment. The printed design includes circles, flowers, and fluid lines and triangles in shades of pink, yellow, blue, orange, and violet. The sequins are clear, and are secured with tiny colored beads, the colors of which match the color of the dress they are sewn over. Sewn inside dress at back at left of zipper is designer label: "[Japanese characters] / Hanae Mori"
Contributing Partner: UNT College of Visual Arts + Design