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  Partner: UNT College of Visual Arts + Design
Ring
This silver ring consists of a flat portion covered in alligator skin. A thin silver band then extends and narrows above the hand before curving back to the skin piercing it. digital.library.unt.edu/ark:/67531/metadc129867/
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae. digital.library.unt.edu/ark:/67531/metadc129858/
Ring
Image of the silver and alligator hide ring shows the double loop with one end of the silver piercing the alligator skin. digital.library.unt.edu/ark:/67531/metadc129866/
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae. digital.library.unt.edu/ark:/67531/metadc129859/
Jumping from the Hoop
Image of the brooch from front view. digital.library.unt.edu/ark:/67531/metadc129861/
Table Object
This sculptural artwork of silver and animal hides resembles a cocoon with antennae. digital.library.unt.edu/ark:/67531/metadc129860/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129879/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129868/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129880/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129874/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129876/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas Campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129872/
Graduate Students' Sculpture Exhibition
Photograph of sculptures on view as part of the Graduate Students' Sculpture Exhibition in the Lightwell Gallery in the Art Building on the University of North Texas campus in December of 2012. digital.library.unt.edu/ark:/67531/metadc129877/
Untitled
This painting on paper was included in the Senior Level Painting Exhibit in October 2012. The show was in the Lightwell Gallery in the Art Building on the University of North Texas campus. digital.library.unt.edu/ark:/67531/metadc129791/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Text in black covers the two walls shown in this view. Hanging from the ceiling is a two-part black form. Over the short wall, the chain link fence imagery can be seen. The wall text is titled, Queens. digital.library.unt.edu/ark:/67531/metadc129694/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation has many elements. In the foreground is a black table with microscope and glass slides on it. In the background is a boxing ring with a gurney in the center on which is strapped down punching bag. Men's dress shirts and a mural of the "Stretchman" is on the rear wall. digital.library.unt.edu/ark:/67531/metadc129695/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Ears of corn and test tubes are seen in the detail view of the installation. digital.library.unt.edu/ark:/67531/metadc129700/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows the directions and dialogue script written on the wall for the performers. A black dress hangs with a pair of white rubber boots beneath. A portion of the yellow vanity table is visible with one chair. digital.library.unt.edu/ark:/67531/metadc129693/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The boxing ring contains a gurney on which is a strapped down punching bag. A television monitor playing found footage of alligator gardens and Esther Williams hangs high from the ceiling. digital.library.unt.edu/ark:/67531/metadc129696/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In the foreground is a microscope and many glass slides containing miniaturized bio-ethical questions on a black rubber topped table. On the wall can be seen murals of the "Stretchman." digital.library.unt.edu/ark:/67531/metadc129702/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view of the installation includes a small room in which a vanity with two chairs has a crown painted on the wall above. Words, directions, are written on the wall for the performers to the right of the vanity table. digital.library.unt.edu/ark:/67531/metadc129691/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows a detail of the vanity table, its light bulbs, three chairs and the text, scripts for the performers, on the wall. digital.library.unt.edu/ark:/67531/metadc129692/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The detail view shown here is an armature or a trampoline form folded in half and suspended from the ceiling. digital.library.unt.edu/ark:/67531/metadc129689/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view shows ears of corn and a microscope on a black rubber topped table. The glass slides contain miniaturized bio-ethical questions that can be read under the microscope. digital.library.unt.edu/ark:/67531/metadc129701/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view is of the gurney with the strapped down punching bag and in the background can be seen two murals of the "Stretchman." digital.library.unt.edu/ark:/67531/metadc129697/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image of the "Stretchman" was repeated several times within the exhibition. digital.library.unt.edu/ark:/67531/metadc129703/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image shows the wall mural that depicts sperm, hand saw, bowling pin, float and netting. digital.library.unt.edu/ark:/67531/metadc129713/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This room of the installation has a video projection on the rear wall and in the foreground a setting that includes netting hanging from ceiling with an inflated tube hanging above an iron, a striped marker, two coffee pots and various other items. digital.library.unt.edu/ark:/67531/metadc129712/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view can be seen the video projection on the rear wall of the swimmer Esther Williams. In the foreground, suspended from the ceiling is a tube raft and netting. digital.library.unt.edu/ark:/67531/metadc129717/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the exhibition consists of a large vertical painting with a dark ground. digital.library.unt.edu/ark:/67531/metadc129685/
I'll Tumble For You
The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars. digital.library.unt.edu/ark:/67531/metadc129821/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The paper tags that hang from the large dish structure are seen in close detail in this view. digital.library.unt.edu/ark:/67531/metadc129688/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view is of the strapped down punching bag on the gurney. digital.library.unt.edu/ark:/67531/metadc129698/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. digital.library.unt.edu/ark:/67531/metadc129699/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows a small trampoline suspended from the ceiling. Strapped to the trampoline is a pillow. A tall structure holds a see-saw with a chair on each end. Behind this grouping is a chain link fence drawing on the wall. digital.library.unt.edu/ark:/67531/metadc129690/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a frame in the shape of a satellite dish from which hangs many paper tags. The satellite dish shape is attached to a three tier stool. Behind the dish shape is chain-link fence type material. digital.library.unt.edu/ark:/67531/metadc129687/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a figure pierced with arrows and knives. The artist refers to him as the "wound" man. In the foreground, are two leg splints with suspended latex tubing. digital.library.unt.edu/ark:/67531/metadc129686/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows one of the murals with the "Stretchman" with rubber letters beneath spelling replicate. Above the letters are many lab cages. On the table in front of the mural is a microscope. digital.library.unt.edu/ark:/67531/metadc129709/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag. digital.library.unt.edu/ark:/67531/metadc129710/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The word replicate in rubber letters, lab cages are seen beneath one of the murals depicting a man's face stretched out and distorted. digital.library.unt.edu/ark:/67531/metadc129711/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation shows murals of the "Stretchman" as well as the rubber letters spelling, assimilate. In the foreground is a blue table with two bottles on it. digital.library.unt.edu/ark:/67531/metadc129707/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames. digital.library.unt.edu/ark:/67531/metadc129706/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view is of the entrance signage to the exhibition. digital.library.unt.edu/ark:/67531/metadc129704/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The entrance signage is visible and a portion of the first part of the exhibit with a found Dinosaur National Park entry sign, a piece of rooftop, and metallic highway tape. The installation included the entry, seen here, a Highway Room, Campground, Hallways that included the myths of Theseus, Ariadne, and the Minotaur written on the walls. Also included were the Communication Room, Boxing Room, Float Room, Dressing Room, Telephone Room, Waiting Room, Braille Book Room, and the Nest Room. digital.library.unt.edu/ark:/67531/metadc129705/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows two murals of the "Stretchman" as well as the complexity of the building in which the exhibition took place. In the background, stairs, a second level and pillars of the building are visible. digital.library.unt.edu/ark:/67531/metadc129708/
Hat
Hat of black felt. "Pancake" style hat with low, domed crown of black felt slightly "puffed out" at top. Around base of crown is tied ribbon made of white Birdseye pique, with self bow at each side. Hat has wide circular black felt brim, set slightly off-center to back around crown. Inner black grosgrain ribbon hatband. Black felt back strap lined with black grosgrain ribbon secure hat to wearer's head. Labels: Retailer's label on inside band: "Carson Pirie Scott & Co. / Chicago" Additional label sewn partly behind retailer's label: "57 31" digital.library.unt.edu/ark:/67531/metadc114885/
Hat
Hat of ultramarine blue felt. Based on a top hat, the cylindrical high crown has an undulating upper edge. Small brim curls up at front and sides, but curls down at back, ending in a point. Around base of crown is wide blue grosgrain ribbon which trails off back of hat. Inside of brim lined with black grosgrain ribbon. A thin black elastic strap goes around the back of the head to secure the hat. Label sewn into inner band: "Walter Florell / 29 East 53rd New York" digital.library.unt.edu/ark:/67531/metadc114797/
Hat
Hat of green felt. Based in part on a "Eugenie-style" hat, the domed crown is of Kelly green felt surrounded by an asymmetrical cut brim which is rolled up at one side. Rolled brim is hand-sewn to crown, and narrows to point in back. Affixed at cut/roll is spray of vari-colored pheasant feathers. Hat is unlined, with Kelly green grosgrain ribbon inner hatband. Sewn to the inner hatband are two small simulated tortoise shell combs to secure hat to wearer's head. Maker's label sewn inside at hatband: "Estelle Peters / 50 E. 56th St. N.Y.". digital.library.unt.edu/ark:/67531/metadc114819/
Personal Response to Digital Frontiers Roundtable: Michael Blair
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Michael Blair. digital.library.unt.edu/ark:/67531/metadc109699/
Personal Response to Digital Frontiers Roundtable: Ann Howington
This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Ann Howington. digital.library.unt.edu/ark:/67531/metadc109706/