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UNT College of Visual Arts + Design
- Square Air Return Vent
- The brooch is modeled after a ceiling air return vent. digital.library.unt.edu/ark:/67531/metadc129783/
- Plumb Bob: Tradition
- The necklace is in the form of a plumb bob. digital.library.unt.edu/ark:/67531/metadc129785/
- Plumb Bob: Tradition
- The necklace is in the form of a plumb bob. This view of the necklace shows the entire length. digital.library.unt.edu/ark:/67531/metadc129786/
- The Alchemist's Wedding Band
- The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead. digital.library.unt.edu/ark:/67531/metadc129771/
- Column
- A column emerges from a halved seed pod shape. Near the top of the column several buds emerge and begin to open. digital.library.unt.edu/ark:/67531/metadc129774/
- Column
- This is the back side view of the piece. The texture on the lower portion can be seen in this view. digital.library.unt.edu/ark:/67531/metadc129775/
- Plumb Bob: Shelter
- The necklace is in the form of a plumb bob. The finial is shaped like a house. digital.library.unt.edu/ark:/67531/metadc129773/
- Identi-Tea
- The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint. digital.library.unt.edu/ark:/67531/metadc129778/
- Identi-Tea
- The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. digital.library.unt.edu/ark:/67531/metadc129777/
- Form with Clamps
- The sculptural piece consists of a large seed pod shape that appears to burst from the shell but is held closed with five metal ties terminating in flower bud shapes. digital.library.unt.edu/ark:/67531/metadc129776/
- Limb
- The sculptural piece is vertical and begins with a large bulbous, teardrop shape as its base. Emerging vertically is a column from which spring nine flower bud shapes that are attached mechanically with pins and cotter pins to the column or stem. digital.library.unt.edu/ark:/67531/metadc129779/
- Attic Turbine Vent
- The brooch is to be worn on the shoulder and is in the form of an attic vent. The piece spins. digital.library.unt.edu/ark:/67531/metadc129772/
- Dancing Between the Hunt and the Hearth
- The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture. digital.library.unt.edu/ark:/67531/metadc129819/
- Mechanical Music
- The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible. digital.library.unt.edu/ark:/67531/metadc129820/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view is of the strapped down punching bag on the gurney. digital.library.unt.edu/ark:/67531/metadc129698/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. digital.library.unt.edu/ark:/67531/metadc129699/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows a small trampoline suspended from the ceiling. Strapped to the trampoline is a pillow. A tall structure holds a see-saw with a chair on each end. Behind this grouping is a chain link fence drawing on the wall. digital.library.unt.edu/ark:/67531/metadc129690/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a frame in the shape of a satellite dish from which hangs many paper tags. The satellite dish shape is attached to a three tier stool. Behind the dish shape is chain-link fence type material. digital.library.unt.edu/ark:/67531/metadc129687/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a figure pierced with arrows and knives. The artist refers to him as the "wound" man. In the foreground, are two leg splints with suspended latex tubing. digital.library.unt.edu/ark:/67531/metadc129686/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows one of the murals with the "Stretchman" with rubber letters beneath spelling replicate. Above the letters are many lab cages. On the table in front of the mural is a microscope. digital.library.unt.edu/ark:/67531/metadc129709/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag. digital.library.unt.edu/ark:/67531/metadc129710/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The word replicate in rubber letters, lab cages are seen beneath one of the murals depicting a man's face stretched out and distorted. digital.library.unt.edu/ark:/67531/metadc129711/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation shows murals of the "Stretchman" as well as the rubber letters spelling, assimilate. In the foreground is a blue table with two bottles on it. digital.library.unt.edu/ark:/67531/metadc129707/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames. digital.library.unt.edu/ark:/67531/metadc129706/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view is of the entrance signage to the exhibition. digital.library.unt.edu/ark:/67531/metadc129704/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The entrance signage is visible and a portion of the first part of the exhibit with a found Dinosaur National Park entry sign, a piece of rooftop, and metallic highway tape. The installation included the entry, seen here, a Highway Room, Campground, Hallways that included the myths of Theseus, Ariadne, and the Minotaur written on the walls. Also included were the Communication Room, Boxing Room, Float Room, Dressing Room, Telephone Room, Waiting Room, Braille Book Room, and the Nest Room. digital.library.unt.edu/ark:/67531/metadc129705/
- Pages from a Quiet Book: A Societal Labyrinth
- Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows two murals of the "Stretchman" as well as the complexity of the building in which the exhibition took place. In the background, stairs, a second level and pillars of the building are visible. digital.library.unt.edu/ark:/67531/metadc129708/
- Tail Shoes
- This pair of hand-made shoes includes a tail like feature. They are natural in color with a closed toe. digital.library.unt.edu/ark:/67531/metadc129857/
- Jumping from the Hoop
- Image of the brooch from the side. digital.library.unt.edu/ark:/67531/metadc129862/
- Lidded Vase
- Image of the artwork as seen in the exhibition, From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at University of North Texas. digital.library.unt.edu/ark:/67531/metadc129745/
- Oil and Vinegar Set
- Image of oil and vinegar set as seen in exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012. digital.library.unt.edu/ark:/67531/metadc129747/
- Untitled
- The untitled set of photographs depict, in one, a man dressed in a suit and tie seated next to computer equipment and, in the second photograph, a man wearing a western style hat stands in front of a counter piled with many papers and objects as well as on the shelving behind him. digital.library.unt.edu/ark:/67531/metadc129766/
- 2,490 Feet
- The work is a coiled piece of paper that measures 2,490 feet when unwound. Pieces of white string tie sections to hold it in place. digital.library.unt.edu/ark:/67531/metadc129809/
- Small Casseroles
- Image of two small casserole containers as seen in the exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at the University of North Texas. digital.library.unt.edu/ark:/67531/metadc129746/
- Hallway
- This low-chroma painting shows the length of the upper western wing of the property. It features the ink wash, which adds to the effect of decay in the subject matter. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129754/
- Pennsylvania House
- This painting depicts one of the annexes that remain on the property. A fire long ago destroyed the building's interior, but the brick remains. The low-chroma painting features ink washes. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129763/
- Cart
- This low-chroma ink wash painting depicts an abandoned cart. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129755/
- Column
- This monochromatic painting shows the front of the main building from the view of the southwestern porch, with a column prominently in the foreground.The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129753/
- Dining Hall
- This low-chroma ink wash painting shows the dining hall of the estate, particularly focusing on the windows. The sunshine lights the floor highlighting the debris and ruin. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129757/
- Fountain Study
- This painting features trials in color, paint application, brush strokes, and pencil work in an attempt to blend drawing and painting. This painting depicts the fountain at the front of the property, which has long fallen into a state of extreme disrepair and has been subject to rampant vandalism. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129760/
- Dumbwaiter
- This low-chroma painting depicts the dumbwaiter that resides at the back of the dining hall. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129762/
- Fountain
- This low-chroma painting created with an ink wash depicts the fountain in the bottom left portion of the canvas. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129759/
- Untitled
- The painting consists of an orange ground upon which are many colors moving across the canvas. This painting was included in the Senior Level Painting exhibition held in the Lightwell Gallery in the Art Building during October of 2012. digital.library.unt.edu/ark:/67531/metadc129795/
- Untitled
- The image of the painting displays its many colors in horizontal bands with texture in many other colors. The effect is much like marbling. This painting was included in the Senior Level Painting exhibition held in the Lightwell Gallery in the Art Building during October of 2012. digital.library.unt.edu/ark:/67531/metadc129794/
- Blindly Follow
- Image of painting that depicts two hooded men chained together. The view is from below showing the ceiling which resembles a cathedral. digital.library.unt.edu/ark:/67531/metadc129789/
- Empty
- Image of still life painting that consists of an empty beer bottle and glass on a table with a couch in the background. Remote controls on the coffee table are in the bottom left of the painting. The style is realistic and the colors subdued. The painting was included in an exhibition in the Lightwell Gallery, Art Building in October, 2012. digital.library.unt.edu/ark:/67531/metadc129793/
- Staircase
- This relatively monochromatic painting uses mostly browns and tans to depict an upper level view of a decaying staircase. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129761/
- Stairwell
- This low-chroma ink wash painting depicts an aerial view of the center of a stairwell. The angles of the broken banister and other elements create a somewhat dizzying perspective. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129751/
- Porch
- This low-chroma ink wash painting shows the banister and railing of a staircase leading down from the western porch that fades into the distance. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129750/
- Power Outlet
- This low-chroma ink wash painting depicts a power outlet on the floor, almost buried in the ruin surrounding it. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129758/