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  Partner: UNT College of Visual Arts + Design
 Language: English
 Collection: UNT Scholarly Works
Richardson Endorses Obama

Richardson Endorses Obama

Date: 2010
Creator: Blackburn, Ed, 1940-
Description: Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles.
Contributing Partner: UNT College of Visual Arts + Design
The Europeans

The Europeans

Date: 1995
Creator: Blackburn, Ed, 1940-
Description: Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat.
Contributing Partner: UNT College of Visual Arts + Design
Excuse Me

Excuse Me

Date: 1998
Creator: Blackburn, Ed, 1940-
Description: A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone.
Contributing Partner: UNT College of Visual Arts + Design
Museum Dilemma: Nazi-era Art Restitution

Museum Dilemma: Nazi-era Art Restitution

Date: February 2013
Creator: Wiskera, Emily
Description: This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face.
Contributing Partner: UNT College of Visual Arts + Design
A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment

A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment

Date: November 15, 2012
Creator: Hasio, Cindy
Description: This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view is of the strapped down punching bag on the gurney.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows a small trampoline suspended from the ceiling. Strapped to the trampoline is a pillow. A tall structure holds a see-saw with a chair on each end. Behind this grouping is a chain link fence drawing on the wall.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a figure pierced with arrows and knives. The artist refers to him as the "wound" man. In the foreground, are two leg splints with suspended latex tubing.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames.
Contributing Partner: UNT College of Visual Arts + Design
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