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  Partner: UNT College of Visual Arts + Design
 Collection: UNT Scholarly Works
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat. digital.library.unt.edu/ark:/67531/metadc274996/
Excuse Me
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone. digital.library.unt.edu/ark:/67531/metadc274998/
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference." digital.library.unt.edu/ark:/67531/metadc275005/
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne. digital.library.unt.edu/ark:/67531/metadc275009/
Gotta Gun
This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve. digital.library.unt.edu/ark:/67531/metadc275007/
Bush Meets Pope
The painting depicts George W. Bush meeting the Pope, Pope Benedict XVI. The colors are solid and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc275000/
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece. digital.library.unt.edu/ark:/67531/metadc275001/
Senate Testimony
The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman. digital.library.unt.edu/ark:/67531/metadc275011/
Tares and Wheat
The vertically oriented painting depicts pieces of several contemporary images, a small portion of Life magazine logo, woman's face, cigarette package, tire, rocket, photograph, woman in a swimsuit and a car. The way in which the images are painted they appear to be torn from a magazine and are arranged in a collage fashion. digital.library.unt.edu/ark:/67531/metadc274985/
Paul Newman is Hombre
The nearly square painting is composed of several standing figures, some of whom hold weapons. The colors of the painting are primarily reds, blues and yellows. Two figures on the right side of the canvas appear to be holding microphone and a guitar. Green and red silhouettes of horses are in the background. The picture plane is filled with figures with almost no negative space. digital.library.unt.edu/ark:/67531/metadc274982/
Painted Sports Magazine
This painting depicts a 1976 Sports Illustrated magazine cover featuring Steve Spurrier, a San Francisco 49ers football player. The painting depicts the cover as though the corner has been torn away and some extraneous expressionistic paint marks overlay the realistic portrayal of the football player. digital.library.unt.edu/ark:/67531/metadc274986/
Orson
The painting, mostly monochromatic, depicts a portrait of Orson Welles in the top two-thirds of the canvas. Along the bottom edge, also in monochromatic tones, are men depicted in combat with automatic weapons. At the right edge, the face of a superhero is depicted in pink, blue, red and yellow. Running vertically in the left hand portion of the canvas is a depiction of lined notebook paper with a small pencil sketch of a landing craft or space ship. digital.library.unt.edu/ark:/67531/metadc274984/
Painted Magazine Triptych
The triptych depicts events and people from the early to mid 1970s such as a battlefield in the Vietnam War, Black Panthers and Patty Hearst being escorted to trial by a federal marshall. digital.library.unt.edu/ark:/67531/metadc274987/
Elvis / Blue Boy Still Life
This large, mostly black and white painting, depicts a scene of a bar fight from one of Elvis Presley's movies and a reproduction of the famous painting, Blue Boy, by Thomas Gainsborough is superimposed. In front of the painting is a wooden table holding an apple, a pear and a pitcher, not unlike a Paul Cezanne still life. digital.library.unt.edu/ark:/67531/metadc274990/
Painted Magazine Triptych
This is the center panel from a triptych. digital.library.unt.edu/ark:/67531/metadc274988/
Santa Fe
In this black and white painting are depicted three men. The two main figures wear cowboy hats and the figure on the right side of the painting also sports a sheriff's badge in the shape of a star. The brushstrokes are loose and expressive. The men appear to be having a dialogue. digital.library.unt.edu/ark:/67531/metadc274991/
Richardson Endorses Obama
Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles. digital.library.unt.edu/ark:/67531/metadc275006/
The Big Heat
The black and white painting depicts a version of a famous scene in the movie The Big Heat from 1953 directed by Fritz Lang and starring Glenn Ford. The brushstrokes are loose. One man holds a gun on a second wounded man. The man in the right foreground reaches out to the man in the center who leans against the wall. digital.library.unt.edu/ark:/67531/metadc274992/
The Color of Money
In this horizontally oriented painting, two men, in the foreground, are recognizable depictions of Paul Newman and Tom Cruise from the movie titled The Color of Money. In the background, a car and a woman are seen on the right side of the picture. The older man has his arm around the shoulder of the younger man and is holding a roll of money in front of the face of the younger man. The background is a light bright green color. The young man wears a pink and purple plaid shirt and blue jacket. The older man wears a green coat and has gray hair. digital.library.unt.edu/ark:/67531/metadc274993/
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc274994/
Cain and Abel
This large colorful painting depicts the brothers, Cain and Abel, from the Book of Genesis in the Bible. The story of these brothers is also found in the Quran. The painting consists of many bright colors in flat fields with black lines and outlines. The shepherd brother is in the background herding sheep and in the foreground is the second brother holding a large club and peering over his left shoulder. digital.library.unt.edu/ark:/67531/metadc274995/
Museum Dilemma: Nazi-era Art Restitution
This paper was awarded a Nicholas and Anna Ricco Award for 2013. This paper discusses Nazi-era art restitution. The author examines the unique history of the World War II art plunder and the dilemma and issues that heirs and museums face. digital.library.unt.edu/ark:/67531/metadc172336/
Black Growth
This head piece was created using mylar removed from floppy disks that were individually machine stitched into form, then hand sewn to create the overall look. digital.library.unt.edu/ark:/67531/metadc139521/
A Collective Case Study of Veterans Inside an Arts and Crafts Room and their Perceptions Regarding Empowerment
This presentation is part of the faculty lecture series UNT Speaks Out on Coming Home. The author discusses methods and findings from a project she participated in related to how veterans narrated their experiences through art. Her component of the study evaluated participants and described what they gained through creating arts and crafts. digital.library.unt.edu/ark:/67531/metadc139459/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view is of the strapped down punching bag on the gurney. digital.library.unt.edu/ark:/67531/metadc129698/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows a small trampoline suspended from the ceiling. Strapped to the trampoline is a pillow. A tall structure holds a see-saw with a chair on each end. Behind this grouping is a chain link fence drawing on the wall. digital.library.unt.edu/ark:/67531/metadc129690/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a figure pierced with arrows and knives. The artist refers to him as the "wound" man. In the foreground, are two leg splints with suspended latex tubing. digital.library.unt.edu/ark:/67531/metadc129686/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag. digital.library.unt.edu/ark:/67531/metadc129710/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames. digital.library.unt.edu/ark:/67531/metadc129706/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view is of the entrance signage to the exhibition. digital.library.unt.edu/ark:/67531/metadc129704/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows two murals of the "Stretchman" as well as the complexity of the building in which the exhibition took place. In the background, stairs, a second level and pillars of the building are visible. digital.library.unt.edu/ark:/67531/metadc129708/
Jumping from the Hoop
Image of the brooch from the side. digital.library.unt.edu/ark:/67531/metadc129862/
Untitled
The untitled set of photographs depict, in one, a man dressed in a suit and tie seated next to computer equipment and, in the second photograph, a man wearing a western style hat stands in front of a counter piled with many papers and objects as well as on the shelving behind him. digital.library.unt.edu/ark:/67531/metadc129766/
Small Casseroles
Image of two small casserole containers as seen in the exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012 in the Art Gallery at the University of North Texas. digital.library.unt.edu/ark:/67531/metadc129746/
Hallway
This low-chroma painting shows the length of the upper western wing of the property. It features the ink wash, which adds to the effect of decay in the subject matter. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129754/
Fountain Study
This painting features trials in color, paint application, brush strokes, and pencil work in an attempt to blend drawing and painting. This painting depicts the fountain at the front of the property, which has long fallen into a state of extreme disrepair and has been subject to rampant vandalism. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129760/
Dumbwaiter
This low-chroma painting depicts the dumbwaiter that resides at the back of the dining hall. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129762/
Untitled
The image of the painting displays its many colors in horizontal bands with texture in many other colors. The effect is much like marbling. This painting was included in the Senior Level Painting exhibition held in the Lightwell Gallery in the Art Building during October of 2012. digital.library.unt.edu/ark:/67531/metadc129794/
Porch
This low-chroma ink wash painting shows the banister and railing of a staircase leading down from the western porch that fades into the distance. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129750/
Power Outlet
This low-chroma ink wash painting depicts a power outlet on the floor, almost buried in the ruin surrounding it. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129758/
Dumb Blonde + Superstar
Image of two color inkjet prints mounted on a wall as part of an art exhibition. These two photographs depict the popular Barbie toy doll. In one photograph, she is in front of a pink background and in the second photograph, Barbie is seen amid sparkling lights. These photographs were included in the exhibition, Parallax Presents: Self-Conceptions, University of North Texas Fine Art Photography Club which was held in the Lightwell Gallery, Art Building, September 2012. digital.library.unt.edu/ark:/67531/metadc129764/
The Mask
Image of painting that consists of a portrait of a masked man, seated with his arm resting on a table. The horned mask is red with some black expressive marks. Behind the man is the back side of a stretched canvas. This painting was shown in the senior level painting exhibit in the Lightwell Gallery at University of North Texas in October of 2012. digital.library.unt.edu/ark:/67531/metadc129792/
Roof
This low-chroma ink wash painting shows the upper portion of a back entrance that primarily focuses on the roof, particularly the fallen decorative windows that were once perched on top of it. There are dead vines growing rampantly through the windows, roof, and doorway. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129752/
Room
This low-chroma ink wash painting depicts a room containing a large machine and switch mounted on the wall. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012. digital.library.unt.edu/ark:/67531/metadc129756/
Abstract Emotions 10
The born digital photograph consists of a textured red color in the bottom two-thirds of the image and the upper portion is mostly purple with many spots of various colors. digital.library.unt.edu/ark:/67531/metadc129796/
Houses on Oak Street
Image of the digital photograph that depicts, in black and white, houses and trees. It appears that many houses are superimposed. digital.library.unt.edu/ark:/67531/metadc129800/
Watercolor Abstract Emotions No. 1
The painting consists of a rainbow of colors with a rusty red in the center. The colors flow from top to bottom; the artist states that the painting was created with the idea that it may be hung in any direction. Although the colors meet and begin to interact with each other, they remain mostly independent. There are spots and blotches as well that creates texture. digital.library.unt.edu/ark:/67531/metadc129748/
Untitled
The digital photograph with its pale blue background depicts on the left side of the frame white overlapping planes that create the sense of movement. Some yellow color enters the frame of the work in the lower right hand corner. digital.library.unt.edu/ark:/67531/metadc129806/
Light vs. Shadow 14
Depicted in this digital photograph are several planes of varying levels of value with highlights and shadows. digital.library.unt.edu/ark:/67531/metadc129802/
Portrait of Old Shoes 01
This black and white digital image depicts worn work boots superimposed and displayed on a white ground. digital.library.unt.edu/ark:/67531/metadc129808/
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