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  Partner: UNT College of Visual Arts + Design
 Language: English
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The boxing ring contains a gurney on which is a strapped down punching bag. A television monitor playing found footage of alligator gardens and Esther Williams hangs high from the ceiling.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view is of the gurney with the strapped down punching bag and in the background can be seen two murals of the "Stretchman."
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image shows the wall mural that depicts sperm, hand saw, bowling pin, float and netting.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a frame in the shape of a satellite dish from which hangs many paper tags. The satellite dish shape is attached to a three tier stool. Behind the dish shape is chain-link fence type material.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view is of the entrance signage to the exhibition.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image of the "Stretchman" was repeated several times within the exhibition.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation shows murals of the "Stretchman" as well as the rubber letters spelling, assimilate. In the foreground is a blue table with two bottles on it.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Ears of corn and test tubes are seen in the detail view of the installation.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows one of the murals with the "Stretchman" with rubber letters beneath spelling replicate. Above the letters are many lab cages. On the table in front of the mural is a microscope.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This room of the installation has a video projection on the rear wall and in the foreground a setting that includes netting hanging from ceiling with an inflated tube hanging above an iron, a striped marker, two coffee pots and various other items.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view shows ears of corn and a microscope on a black rubber topped table. The glass slides contain miniaturized bio-ethical questions that can be read under the microscope.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows two murals of the "Stretchman" as well as the complexity of the building in which the exhibition took place. In the background, stairs, a second level and pillars of the building are visible.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The word replicate in rubber letters, lab cages are seen beneath one of the murals depicting a man's face stretched out and distorted.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The entrance signage is visible and a portion of the first part of the exhibit with a found Dinosaur National Park entry sign, a piece of rooftop, and metallic highway tape. The installation included the entry, seen here, a Highway Room, Campground, Hallways that included the myths of Theseus, Ariadne, and the Minotaur written on the walls. Also included were the Communication Room, Boxing Room, Float Room, Dressing Room, Telephone Room, Waiting Room, Braille Book Room, and the Nest Room.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view can be seen the video projection on the rear wall of the swimmer Esther Williams. In the foreground, suspended from the ceiling is a tube raft and netting.
Contributing Partner: UNT College of Visual Arts + Design
Pages from a Quiet Book: A Societal Labyrinth

Pages from a Quiet Book: A Societal Labyrinth

Date: 1992/1994
Creator: Cheal, Susan
Description: Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In the foreground is a microscope and many glass slides containing miniaturized bio-ethical questions on a black rubber topped table. On the wall can be seen murals of the "Stretchman."
Contributing Partner: UNT College of Visual Arts + Design
Dancing Between the Hunt and the Hearth

Dancing Between the Hunt and the Hearth

Date: 1992
Creator: Cheal, Susan
Description: The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture.
Contributing Partner: UNT College of Visual Arts + Design
Personal Response to Digital Frontiers Roundtable: Justin Strickland Hoff

Personal Response to Digital Frontiers Roundtable: Justin Strickland Hoff

Date: September 21, 2012
Creator: Hoff, Justin Strickland
Description: This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Justin Strickland Hoff.
Contributing Partner: UNT College of Visual Arts + Design
Personal Response to Digital Frontiers Roundtable: Marseille Moon

Personal Response to Digital Frontiers Roundtable: Marseille Moon

Date: September 21, 2012
Creator: Moon, Marseille
Description: This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Marseille Moon.
Contributing Partner: UNT College of Visual Arts + Design
Personal Response to Digital Frontiers Roundtable: Ann Howington

Personal Response to Digital Frontiers Roundtable: Ann Howington

Date: September 21, 2012
Creator: Howington, Ann
Description: This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Ann Howington.
Contributing Partner: UNT College of Visual Arts + Design
Personal Response to Digital Frontiers Roundtable: XuHao Yang

Personal Response to Digital Frontiers Roundtable: XuHao Yang

Date: September 21, 2012
Creator: Yang, XuHao
Description: This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, XuHao Yang.
Contributing Partner: UNT College of Visual Arts + Design
Personal Response to Digital Frontiers Roundtable: Madeleine Fitzgerald

Personal Response to Digital Frontiers Roundtable: Madeleine Fitzgerald

Date: September 21, 2012
Creator: Fitzgerald, Madeleine
Description: This response paper is for Dr. Jennifer Way's graduate art history seminar on 20th-21st century art. Students in Way's seminar attended 'Social Media and Digital Communities: A Roundtable Discussion,' a session featured at the Digital Frontiers 2012 conference. Way charged her students with writing a short paper to explore connections between the roundtable and their seminar studies. What follows is a short paper by graduate student, Madeleine Fitzgerald.
Contributing Partner: UNT College of Visual Arts + Design