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  Partner: UNT College of Visual Arts + Design
 Department: Studio Arts
Tares and Wheat
The vertically oriented painting depicts pieces of several contemporary images, a small portion of Life magazine logo, woman's face, cigarette package, tire, rocket, photograph, woman in a swimsuit and a car. The way in which the images are painted they appear to be torn from a magazine and are arranged in a collage fashion. digital.library.unt.edu/ark:/67531/metadc274985/
Paul Newman is Hombre
The nearly square painting is composed of several standing figures, some of whom hold weapons. The colors of the painting are primarily reds, blues and yellows. Two figures on the right side of the canvas appear to be holding microphone and a guitar. Green and red silhouettes of horses are in the background. The picture plane is filled with figures with almost no negative space. digital.library.unt.edu/ark:/67531/metadc274982/
Painted Sports Magazine
This painting depicts a 1976 Sports Illustrated magazine cover featuring Steve Spurrier, a San Francisco 49ers football player. The painting depicts the cover as though the corner has been torn away and some extraneous expressionistic paint marks overlay the realistic portrayal of the football player. digital.library.unt.edu/ark:/67531/metadc274986/
Orson
The painting, mostly monochromatic, depicts a portrait of Orson Welles in the top two-thirds of the canvas. Along the bottom edge, also in monochromatic tones, are men depicted in combat with automatic weapons. At the right edge, the face of a superhero is depicted in pink, blue, red and yellow. Running vertically in the left hand portion of the canvas is a depiction of lined notebook paper with a small pencil sketch of a landing craft or space ship. digital.library.unt.edu/ark:/67531/metadc274984/
Painted Magazine Triptych
The triptych depicts events and people from the early to mid 1970s such as a battlefield in the Vietnam War, Black Panthers and Patty Hearst being escorted to trial by a federal marshall. digital.library.unt.edu/ark:/67531/metadc274987/
Elvis / Blue Boy Still Life
This large, mostly black and white painting, depicts a scene of a bar fight from one of Elvis Presley's movies and a reproduction of the famous painting, Blue Boy, by Thomas Gainsborough is superimposed. In front of the painting is a wooden table holding an apple, a pear and a pitcher, not unlike a Paul Cezanne still life. digital.library.unt.edu/ark:/67531/metadc274990/
Painted Magazine Triptych
This is the center panel from a triptych. digital.library.unt.edu/ark:/67531/metadc274988/
Santa Fe
In this black and white painting are depicted three men. The two main figures wear cowboy hats and the figure on the right side of the painting also sports a sheriff's badge in the shape of a star. The brushstrokes are loose and expressive. The men appear to be having a dialogue. digital.library.unt.edu/ark:/67531/metadc274991/
Richardson Endorses Obama
Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles. digital.library.unt.edu/ark:/67531/metadc275006/
The Big Heat
The black and white painting depicts a version of a famous scene in the movie The Big Heat from 1953 directed by Fritz Lang and starring Glenn Ford. The brushstrokes are loose. One man holds a gun on a second wounded man. The man in the right foreground reaches out to the man in the center who leans against the wall. digital.library.unt.edu/ark:/67531/metadc274992/
The Color of Money
In this horizontally oriented painting, two men, in the foreground, are recognizable depictions of Paul Newman and Tom Cruise from the movie titled The Color of Money. In the background, a car and a woman are seen on the right side of the picture. The older man has his arm around the shoulder of the younger man and is holding a roll of money in front of the face of the younger man. The background is a light bright green color. The young man wears a pink and purple plaid shirt and blue jacket. The older man wears a green coat and has gray hair. digital.library.unt.edu/ark:/67531/metadc274993/
Jesus and Disciples in a Storm
The oil painting represents the Bible story in which Jesus is sleeping in a boat when a storm arises and his disciples wake him and he calms the storm. This colorful oil painting depicts the moment Jesus is awakened. The colors are bright and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc274994/
Cain and Abel
This large colorful painting depicts the brothers, Cain and Abel, from the Book of Genesis in the Bible. The story of these brothers is also found in the Quran. The painting consists of many bright colors in flat fields with black lines and outlines. The shepherd brother is in the background herding sheep and in the foreground is the second brother holding a large club and peering over his left shoulder. digital.library.unt.edu/ark:/67531/metadc274995/
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat. digital.library.unt.edu/ark:/67531/metadc274996/
Excuse Me
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone. digital.library.unt.edu/ark:/67531/metadc274998/
Video Conference and Eddie
This predominately black and white work consists of three main images, some text and several colorful marks moving across the face of the artwork. The larger text states, "Bush and Iraq's leader have video conference." digital.library.unt.edu/ark:/67531/metadc275005/
Cezanne Painting
This monochromatic painting depicts the artist Paul Cezanne in the countryside with some of his plain-air paintings and on the left hand edge text and dialogue unrelated to Cezanne. digital.library.unt.edu/ark:/67531/metadc275009/
Gotta Gun
This artwork consists of two portions, the top a grid, eight by seven, of colored squares and the lower dialogue between Caroline and Steve. digital.library.unt.edu/ark:/67531/metadc275007/
Bush Meets Pope
The painting depicts George W. Bush meeting the Pope, Pope Benedict XVI. The colors are solid and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc275000/
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece. digital.library.unt.edu/ark:/67531/metadc275001/
Senate Testimony
The left hand section of the painting depicts three men seated at a table with microphones while the right side consists of text, dialogue between two people, Steve and a woman. digital.library.unt.edu/ark:/67531/metadc275011/
[handmade paper and silkscreen on cotton velveteen artwork]
This detail view of the artwork shows the geometric shapes that float through the atmospheric landscape. The colors are in the dull pink, muted blues and beige ranges. Deep space is depicted with mountainous shapes reaching into water. digital.library.unt.edu/ark:/67531/metadc27055/
[full moon in front of grids]
The majority of the artwork consists of a large moon shape in a gradation from white to blue. This moon is situated in front of a brown horizontal grid pattern and from the moon shape hang cotton tapes. digital.library.unt.edu/ark:/67531/metadc27052/
[handmade paper on silk artwork]
This detail view of the artwork shows the texture of the handmade paper in strips and geometric shapes. The background silk consists of images of cloud forms and geometric structural type lines that echo the handmade paper shapes. digital.library.unt.edu/ark:/67531/metadc27053/
Number 69
The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
Number 126
Black and orange painting consists of vertical wavy parallel lines and perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27178/
[ribbon through the grid circles]
A red ribbon floats through and connects a series of circles within which are grid patterns. Also floating through the space are several pale rectangular shapes. the work is horizontally situated as is the movement of the ribbon. The colors are muted blues, purples, pinks and red. digital.library.unt.edu/ark:/67531/metadc27065/
Daybreak
The horizontally placed artwork depicts a rectangular frame shape floating in the upper portion of the image. Receding into the distance are parallel horizontal lines created from textured paper in blues and browns. A vertical ladder shape is in the middle ground next to some silhouette gray geometric shapes reminiscent of buildings. digital.library.unt.edu/ark:/67531/metadc27062/
The Light from a Shoji Window
The horizontally arranged artwork depicts a circle in the foreground left corner and window grid type images in the middle and background. A pale gray stair image dominates the central portion of the composition. digital.library.unt.edu/ark:/67531/metadc27061/
[handmade paper bowl]
The bowl shape constructed of handmade paper is decorated by floating geometric shapes and muted pinks, oranges, blues, grays and browns. digital.library.unt.edu/ark:/67531/metadc27067/
[handmade paper art]
The detail view of the handmade paper piece consists of several floating oval shapes and some colored string moving in a loose horizontally direction. The colors are light and muted from pale pinks to grays and purples. digital.library.unt.edu/ark:/67531/metadc27068/
[handmade paper on silk artwork]
This horizontally arranged artwork consists of both geometric and ribbon shapes floating through the space from side to side. Frame shapes move at different angles and are connected by stripes in the background and two reddish ribbons weaving through the geometric shapes. digital.library.unt.edu/ark:/67531/metadc27064/
[handmade paper art]
The detail view of the artwork includes some grid shapes floating horizontally on a pale pink background. digital.library.unt.edu/ark:/67531/metadc27069/
[ribbon through the squares and circles]
This artwork has a light background and is horizontally oriented. Several rectangular frame shapes float in the space with a large circular form in the center. A long blue ribbon floats through the space connecting the geometric shapes. The colors are muted rose pinks and purples with various shades of muted browns. The ribbon is a strong teal color. digital.library.unt.edu/ark:/67531/metadc27066/
[pink ribbon and pink ball with angles and squares]
This fabric artwork contains a large multi-color V shape with a pink ribbon floating across and behind. A shiny pink round shape floats behind the V shape and three square frames, two in the foreground and one in the background, create depth. digital.library.unt.edu/ark:/67531/metadc27045/
[dyed silk with horizontal washes of color in blues, greens, and pinks]
Silk yardage dyed in horizontal wash patterns in blues, pinks, and greens. digital.library.unt.edu/ark:/67531/metadc27042/
[dark blue silk yardage]
The yardage of dyed silk includes vertical blue and brown stripes with circular shapes that resemble eyes or wood knots covering the yardage. digital.library.unt.edu/ark:/67531/metadc27041/
[frames, clouds, ladder, and wavy canyons]
The blue sky is filled with wispy clouds, a ladder reaches from the lower edge of the work to the top edge. Two frame shapes reach from the outer edges of the work to the center creating depth. Behind the frames shapes are green wavy canyons. digital.library.unt.edu/ark:/67531/metadc27047/
[dyed silk yardage]
Silk yardage dyed in vertical linear patterns of oranges, greens, reds, and browns spotted with circular shapes resembling eyes or knots in wood. digital.library.unt.edu/ark:/67531/metadc27040/
[detail view of frames, clouds, ladder, and wavy canyons]
No Description digital.library.unt.edu/ark:/67531/metadc27048/
[circles, squares, and horizontal lines floating]
The horizontal predominately blue and muted gray fabric artwork includes shiny circles, squares with horizons, and groups of parallel lines that float through the space of the artwork. digital.library.unt.edu/ark:/67531/metadc27044/
[ribbons floating from window across the river to land]
A light colored window frame shape, dark inside, on the left side of the work has a pink ribbon shape floating out of it and into the mountainous landscape and water. digital.library.unt.edu/ark:/67531/metadc27049/
[parallel bars, shiny circle, and ribbon]
The red horizontal fabric artwork includes several vertical parallel lines with a ribbon floating behind to create depth. Lines and textures reminiscent of moss hanging from tree branches fill the left and lower portions of the work. digital.library.unt.edu/ark:/67531/metadc27046/
[silk yardage dyed pinks and oranges]
Silk yardage dyed in pinks and oranges with large circular lines and small spots resembling eyes or knots of wood. digital.library.unt.edu/ark:/67531/metadc27043/
Untitled
This painting consists of curved vertical lines. digital.library.unt.edu/ark:/67531/metadc27205/
Number 154
This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/
Number 168
This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
CP 06-2
This oil painting has a predominately white background and many circular multi-colored lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27200/
Number 169
This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
Untitled
This watercolor and ink painting consists of wavy and jagged multi-colored lines. digital.library.unt.edu/ark:/67531/metadc27204/
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