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  Partner: UNT College of Visual Arts + Design
 Collection: UNT Scholarly Works
[artwork made of handmade paper and screen printed silk]
The artwork depicts a horizontally situated composition and is reinforced on the left and top sides by a wide gray gradated border. Emerging from the bottom edge is a wide, green curve that recedes into the distance. At the right is an open grid shape and behind that a large pink textured circle. Two small cloud like shapes float in the background. digital.library.unt.edu/ark:/67531/metadc27060/
[artwork made of handmade paper on silk]
The horizontally arranged work consists of perspective lines receding into the distance. Halfway into the distance the receding lines are covered in blue soft textured handmade paper fibers. The floor of the space is checkerboard pattern and also recedes into distance. A brown ribbon type images also slither into the distance. digital.library.unt.edu/ark:/67531/metadc27054/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
[artwork of handmade paper on silk satin]
The long horizontal artwork depicts geometric shaped borders floating through the structured space. Loose ribbon shapes float among and between the geometric shapes. The colors are muted in blue, brown, green and pink tones. digital.library.unt.edu/ark:/67531/metadc27063/
[artwork of screen printed silk and handmade paper]
The horizontally arranged artwork depicts various grids floating and moving in space to create depth. In the background is a large semi-circular shape in a textured blue green color. There is also a wide strip of brown that begins in the far lower right corner and moves at four different angles until it reaches the left side of the picture. digital.library.unt.edu/ark:/67531/metadc27057/
[an artwork from the from Bridges Into Space series]
The strongly geometrically designed artwork consists of vertical strips that create circles and angled stripes. The bold colors range from dark browns and deep yellows to both light and dark purples and blues. digital.library.unt.edu/ark:/67531/metadc27102/
[artwork made of handmade paper and screen printed cotton velveteen]
The horizontally arranged artwork consists of textured paper in a blue-green that gradates to a pink color and moves from the foreground to the background in a curving motion. Angular brown lines are in the background and the middle ground consists of pink colors. Some white cloud like forms float through the picture plane and a gray stacked shape fills the left side of the picture. digital.library.unt.edu/ark:/67531/metadc27058/
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
AU 01-9
This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
BM 03-1
This predominately black painting also contains curved and wavy parallel vertical orange lines and lined texture perpendicular to orange lines. digital.library.unt.edu/ark:/67531/metadc27175/
[blue and green waves layered amongst gray and brown frames]
Waves depicted in greens and blues within and without several framing devices of shades of gray and edged in brown. digital.library.unt.edu/ark:/67531/metadc27031/
BH 02-7
The bright orange painting also contains many vertical parallel wavy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27172/
BI 02-8
This predominately yellow painting includes vertical curved and wavy orange lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27173/
BE 02-4
Predominately orange painting includes many parallel vertical wavy black lines with horizontal texture. digital.library.unt.edu/ark:/67531/metadc27171/
BJ 02-9
This predominately orange/red painting contains lined texture at various horizontal angles and contains curved vertical yellow parallel lines. digital.library.unt.edu/ark:/67531/metadc27174/
Blessing of the Sea
The vertical strip of printed cloth depicts at forty-five degree angle wave like forms resembling water. At the left edge are orange square checkerboard shapes. digital.library.unt.edu/ark:/67531/metadc27093/
Blue Tide
This queen sized bedspread, screen printed on cotton velvet, was created while Spear studied at Cranbrook Art Academy in Bloomfield Hills, Michigan. The bedspread gradates from purples to blues with long wave shapes in a pale yellow gold color. digital.library.unt.edu/ark:/67531/metadc27115/
CF 04-7
This predominately blue painting includes vertical black wavy lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27190/
CG 04-8
This predominately white painting also includes vertical multi-colored parallel wavy lines with linear texture. In this photograph of the painting, the studio floor of the artist is visible. digital.library.unt.edu/ark:/67531/metadc27191/
CH 04-9
This predominately red/orange painting has darker vertical wavy parallel lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27192/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
Z 99-5
The abstract painting consists of shades of tan, white, black and gray with two bars of gradations floating on the surface, one lower edge and one center right. digital.library.unt.edu/ark:/67531/metadc27158/
V 99-1
Painting consists of black, white, and beige brushstrokes scraped and blended in equal quantities. On the far right edge of the canvas, a gradation from white to black is painted in long horizontal bands. digital.library.unt.edu/ark:/67531/metadc27154/
With Globe
This acrylic painting consists of a highly patterned background across which is scattered small geometric shapes and silhouettes. digital.library.unt.edu/ark:/67531/metadc27211/
St. Matthew
This acrylic painting on paper consists of small geometric shapes spread across the surface of ninety-degree turned and columnar patterns. St. Matthew is depicted at the lower right edge in an outline. An upside down silhouette shape of a dog is included in the upper left portion of the painting. digital.library.unt.edu/ark:/67531/metadc27210/
X 99-3
Black, white and beige brushstrokes create a patterned background upon which several white to black gradation motifs float. digital.library.unt.edu/ark:/67531/metadc27156/
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27153/
Numbers 143, 144 and 145
Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/
Number 142
Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
Number 133
This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
Numbers 136, 142, 126, and 127
Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
Number 149
This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
Number 132
This orange and black painting consists of vertical curved, wavy, and parallel lines. digital.library.unt.edu/ark:/67531/metadc27179/
Texas Series
Acrylic paint on paper depicting two large squares, one turned forty-five degrees and both filled with small lines, dots, and dashes creating many more small grids. Light blues and purples dominate. digital.library.unt.edu/ark:/67531/metadc27117/
[room divider]
The room divider is of various muted ranges of reds, purples with some blues and greens. On the left side is a red wave form reaching into the distance or top edge of the room divider. digital.library.unt.edu/ark:/67531/metadc27110/
Storm, NYC Rooftop
Long multi-colored pieces are arranged on a rooftop in an urban setting. The pieces are arranged both in organic lines as well as straight lines filling the rooftop area. Some pieces partially move above the base and some appear suspended in space. digital.library.unt.edu/ark:/67531/metadc27118/
Study of Forms and Color
The strong colors and vertical orientation with definite geometric shapes and stripes contribute to the graphic design. Blue and white stripes on the right hand side with a gradated purple sphere on the left and orange sphere at the top right are linked with some angled green lines. digital.library.unt.edu/ark:/67531/metadc27114/
Sound Wave Series No. 37
Square piece of paper divided into five vertical columns with horizontal lines and dots and dashes in light beige on toned paper. digital.library.unt.edu/ark:/67531/metadc27116/
My Dream
The vertical orientation with the muted and pale purples and blues of this piece create in ribbon like forms a simultaneous recession and progression of space. digital.library.unt.edu/ark:/67531/metadc27113/
93-4/94-1
Black background with linear patterns created by many small dots of paint. Many small, multi-hued circles float across the surface and dotted lines follow the background linear zigzag pattern. digital.library.unt.edu/ark:/67531/metadc27125/
88-4
Black background with linear patterns and small multi-hued geometric shapes float on the surface. digital.library.unt.edu/ark:/67531/metadc27121/
94-203
Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface. digital.library.unt.edu/ark:/67531/metadc27127/
87-205 with Mickey Mouse
Linear patterns in background mostly in whites and grays layered with small geometric shapes in multi-hues with Mickey Mouse cartoon character emerging from the lower edge. digital.library.unt.edu/ark:/67531/metadc27120/
94-204
Vertical black painting with linear pattern and many gray circles floating across the surface. digital.library.unt.edu/ark:/67531/metadc27128/
92-204
The background of this painting consists of gradations of red, orange, pink and gray hues layered with lines created by many dots of paint. Overlayed are images of running dogs and small geometric shapes. digital.library.unt.edu/ark:/67531/metadc27124/
94-207
Vertical painting in gray shades with white linear pattern and circles of various shades of gray float across the surface. digital.library.unt.edu/ark:/67531/metadc27129/
94-2
Black painting with zigzag linear pattern created with many small dots of paint and layered with many gray circles of various patterns and sizes. digital.library.unt.edu/ark:/67531/metadc27126/
90-208, Voyager
Light shades of pinkish grays create the background juxtaposed with linear pattern and layered with small multi-hued geometric shapes and a linear drawing of a ship and silhouettes of two figures. digital.library.unt.edu/ark:/67531/metadc27123/
P 98-4
No Description digital.library.unt.edu/ark:/67531/metadc27145/
K 97-11
Vertical painting consists of long gray, blue, and black brushstrokes that create a plaid pattern. digital.library.unt.edu/ark:/67531/metadc27142/