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  Partner: UNT College of Visual Arts + Design
 Collection: Texas Fashion Collection
Pillbox Hat
Brown velvet pillbox cocktail hat. The low, circular crown of the hat is slightly domed. At front of hat is pinned a large 3-dimensional pear-shaped openwork jeweled ornament of gold wire set with various colors and shapes of stones. Inside of hat lined in black cloth. Around inside lower edge of crown is brown grosgrain ribbon band. Sewn to inner band is a plastic comb to help secure hat to wearer's head. Maker's label sewn to inner ribbon band: "Eisa". The jeweled ornament is attributed to Robert Goossens of Paris, who is known to have supplied Balenciaga. Donor notes of this hat: "...to wear with short black cocktail dresses." digital.library.unt.edu/ark:/67531/metadc30150/
Ensemble - Jacket and Dress
Evening ensemble of a dress, jacket and belt. The full-length sleeveless evening dress is of black silk, with a slim silhouette. It has a wide, shallow V-neck at front, and has decorative twist in the fabric at back, which creates a deeper V. The wide straps are ruched at front with non-functional rhinestone-encrusted clasps sewn to them. The bodice has decorative seaming under bust and around the hips. The dress has a black silk belt with a rhinestone-encrusted "buckle", which functions as a large hook-and-eye rather than a buckle. The jacket is of matching black silk, lined with a cream-colored taffeta. The short, bell-shaped sleeves have a second "layer" creating the effect of a wide ruffle. Padded tubes of silk curve along each shoulder, tapering under the arm at front and back. There is a center front opening with no closure, which is "cut away" in a curve at front, giving the overall effect of a miniature 'cropped' opera cape. No labels in either garment. Possibly acquired by Ms. Hewett in France in the 1930's while studying medieval music manuscripts. digital.library.unt.edu/ark:/67531/metadc30154/
Dress
Dress of bright green chiffon printed with multi-color shapes and with all-over scattered sequins and beading. The full-length A-line sheath has a round neckline with beaded band trim at neckline. The long sleeves have five non-functioning beaded buttons at wrist, and five hidden snap closures from wrist. The dress has an attached underdress of matte silk printed with same design as the overdress. The garment is fully lined with cream silk which has woven into it a repeated pattern of Hanae Mori's name. The underdress has a zipper closure at center back from neckline to above waist. The overdress has a series of hidden snaps to conceal the zipper, and a line of eight beaded buttons matching those on the sleeves, also non-functional. A single hook-and-loop closure at neck secures the top of the garment. The printed design includes circles, flowers, and fluid lines and triangles in shades of pink, yellow, blue, orange, and violet. The sequins are clear, and are secured with tiny colored beads, the colors of which match the color of the dress they are sewn over. Sewn inside dress at back at left of zipper is designer label: "[Japanese characters] / Hanae Mori" digital.library.unt.edu/ark:/67531/metadc30156/
Pajamas
Men's pajamas of silk crepe. The two-piece set consists of a top and pants, both made of silk crepe printed with a design of large eyes decorated with teardrop-shaped colored "gems". The top has a rounded notched collar, long sleeves, and a patch pocket at left breast. The center front opening has four circular black buttons. The collar, center-front opening, and pocket are edged in black trim. Unlined. The top has a designer's label inside at back collar: "Todd / Oldham" The full-length pants are wide-legged, and have a drawstring in the waistband. The pants have four labels sewn in: Designer's Label: "Todd / Oldham" Size: "S" Content: "100% / Silk" Care: "Dry Clean / Only / Made / In U.S.A." digital.library.unt.edu/ark:/67531/metadc30297/
Dress
Dress of striped cotton broadcloth. The "house dress" style garment is street-length, in various patterns of woven striped cotton broadcloth. It has a center front opening that extends the length of the dress and secures with 7 gold-colored metal buttons set with colored rhinestones and on hidden hook-and-eye closure at waist. The wide collar is primarily in yellow with very narrow stripes of orange and blue. The bodice is of vertical stripes of reds, purples, pinks, etc. The skirt, which gathers into the natural waist, is in vertical stripes of blues with thin maroon and green accent stripes. The short sleeves are in stripes of blues, red, yellow and white, and have french cuffs secured with metal rhinestone-set cuff-links. The dress is unlined. The accompanying belt/sash is of the same fabric as the sleeves, and is finished at the ends as cuffs with sewn-on cuff-links matching the sleeves. Designer's label sewn inside at back collar: "Todd / Oldham". Four labels sewn inside skirt at side seam: Content: "100% / Cotton" Care: "Dry Clean / Only" Size: "S" Origin: "Made / In U.S.A." From Oldham's Spring 1994 collection. digital.library.unt.edu/ark:/67531/metadc30298/
Coat
Coat of printed satin. The floor-length coat has a rounded neckline and a center-front opening that extends the entire length of the garment and is secured with a single cloth-covered circular button at the throat. It has long sleeves and is fully lined in a salmon damask silk woven with a floral-foliate design. The entire garment is photo-printed with scenes of room interiors in various styles. Designer's label sewn inside at back collar: "Todd Oldham". From Oldham's Spring 1997 collection. digital.library.unt.edu/ark:/67531/metadc30294/
Dress
Dress of photo-printed knit. The sheath-style dress is of a polyester/lycra blend sueded knit. Full-length, the dress has a "crew neck" rounded neckline with slight standing collar and short cap sleeves. The dress widens at the hips and tapers to the hem, and has a back vent slit at center back from hem up 47.5cm. The entire garment is photo-printed with images of "travel scenes" of the west - roads, lakes, cacti, cows on farms, rock formations, etc. Designer's label inside at back collar: "Todd / Oldham" Three tags inside near hem: Size: "M" Care: "Dry Clean / Only / Made / In U.S.A." Content: "85% Polyester / 15% Lycra". From Oldham's Spring 1996 collection. digital.library.unt.edu/ark:/67531/metadc30299/
Coat
Coat of black wool. The hip-length coat is constructed of black felted wool with yellow, red, green, brown, blue, and orange bands of grosgrain ribbon woven in and out of the wool, forming a grid or trellis pattern over the entire garment. The coat has a notched collar and long sleeves, and has a center-front closure with three circular silver colored metal buttons. It is fully lined with black silk. Designer's label sewn inside at back collar: "Todd Oldham". From Oldham's Fall 1996 collection. digital.library.unt.edu/ark:/67531/metadc30296/
Ensemble - Dress and Coat
Dress and coat of peacock feathers. The short, sleeveless dress is entirely covered with peacock breast feathers, accented with a 1" band of blue cording and chenille trim at neckline and with blue cord spaghetti straps. It is fully lined with navy polyester. The long, sleeveless coat is covered with peacock herl / flue feathers. It has a round neckline, and no closure. These pieces are part of a larger ensemble, consisting of a total of 9 pieces decorated with peacock and/or golden pheasant feathers. Worn to the Emmy Awards ceremony in Los Angeles, California, April 1976. digital.library.unt.edu/ark:/67531/metadc30293/
Dress
Dress of red satin and black velvet. The above-the-knee length dress has a fitted princess-line bodice with dropped waist and V-neckline. The long sleeves have moderate puff at shoulders, and wrist closure with four red satin covered buttons on each wrist. The turned-back cuffs are of black velvet, as is the wired, rolled collar. The full skirt gathers at the waistline. There is a center-back zipper closure with hook-and-eye at neckline, and the collar detaches to accommodate the opening. The dress is fully lined in red chiffon, with bust pads and hip stay band which fastens at center back with hook-and-eye. Designer's label is sewn inside at right side near armhole: "Givenchy" "Made in France". Underneath the designer's label is sewn a second label with hand-written notation "80535". digital.library.unt.edu/ark:/67531/metadc30247/
Dress
Dress of navy blue wool knit. The mid-length dress has a contrasting red wool knit mandarin collar and long sleeves with red wool knit cuffs. There are two large patch pockets at front, and a center front closure with twelve circular mother-of-pearl buttons mounted with gold-colored metal rims and shanks. The buttonholes are bound with the contrasting red wool knit. The dress has an attached wide red wool knit belt/sash which ties at waist in front. The dress is fully lined in dark navy blue silk. Designer's label inside lining of skirt at side seam: "Norman Norell / New York" digital.library.unt.edu/ark:/67531/metadc30240/
Dress
Dinner dress of printed silk organza. The dress is composed of two parts. The caftan-like outer layer of the dress consists of a square silk organza cocoon printed in psychedelic motifs in purples, blues, pinks and chartreuse. It has a high rounded neckline with center back opening secured with six loops and covered buttons. There are applied flat cuffs at the wrist openings and waist-level slits at center front to accommodate the sash. There is a center front slit from hem to knee-level. The inner dress is a matching, full-length, sleeveless sheath in printed silk of the same design. It has a high rounded neckline with center back zipper closure from neck to hip with a single hook-and-eye closure at the neckline. The outer caftan and inner sheath are joined at the neckline. There is a printed silk organza sash of the same fabric that meets at center front and secures with two hook-and-eye closures and has self ties to disguise closure. The sash is swing tacked at the back. There is a center front slit from the hem to knee-level. Lime green silk panels are inset at sideseams, running from the underarm to the hem, and may be later additions to the garment. The dress is fully lined in green silk crepe. Designer's label located inside left center back, beside the zipper: Pierre Cardin / Paris New York". Retailer's label located inside right center back, beside the zipper: "Maisonette / Neiman-Marcus" digital.library.unt.edu/ark:/67531/metadc30265/
Evening Suit
Evening suit of black velvet. The ensemble consists of a jacket of black velvet with machine embroidered vine and floral motifs in black threads and black beads. The coat has a notched collar, long sleeves with wide cuffs and two non-functional buttons on each sleeve, and two non-functional pockets at front. Center-front opening with two circular black satin-covered buttons. The lapels, cuffs, and pocket flaps are all of black satin. The knee-length skirt of of the same fabric, with satin waistband. Short zipper closure at side with two hook-and-eyes in waistband. Designer's label inside jacket at collar: "Givenchy", with model number written on cloth tape sewn underneath label: "74075" digital.library.unt.edu/ark:/67531/metadc30268/
Mourning Ensemble - Bodice and Skirt
Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, front and back, is constructed of vertically tucked black silk that finishes in a wide black silk waistband which is appliqued with black lace medallions and edged in narrow black velvet ribbon. The waistband laps slightly left of center and secures with three hook-and-eyes. The bodice is fully lined with heavily boned glazed black cotton and has figure enhancing pads sewn over the bust and underarm areas and has a black cotton petersham that hooks at center front. There are two hooks at back waist-level to connect the bodice to the skirt. The matching seven-panel gored skirt is of black silk and has a narrow waistband with center back placket opening secured with three hook-and-eyes. The rear fullness pleats into the waistband and disguises the opening. Two rear hooks at the waistline connect the skirt to the bodice. The full hem is embellished with seven horizontal rows of narrow black velvet ribbon. The hem is faced with black velvet, and there is a built-in bustle pad. There are no labels in the garment. The mourning dress originally belonged to Margaret Louise Walker (b.1840-d.1903), who lived on the Walker Plantation outside of Aberdeen. Mississippi. digital.library.unt.edu/ark:/67531/metadc30264/
Ensemble - Jacket, Skirt and Blouse
Suit in hot pink nubbly wool knit. The ensemble consists of three pieces: a jacket, matching skirt, and black silk shell. The jacket is hip-length, with a shawl collar which has an attached black silk tie. The center front closure has 6 circular brass buttons with central embossed lion's heads and black outer edges. There are four faux flap pockets at front, two on each side of opening, each with button matching those of the closure. The long sleeves have simulated closure, with a line of three buttons matching others on each sleeve. The pocket flaps, cuffs, collar, center front, and hem are all edged in black. Designer's label sewn inside jacket at collar: "Adolfo / New York", with retailer's label sewn in just below: "Neiman-Marcus". The matching skirt is below-knee length, of the same pink wool knit, with pleating beginning 7" below waistband and extending to hem. Skirt has designer's label sewn inside at waistband as jacket. The accompanying black silk blouse is sleeveless, with rounded neckline. Single black silk -covered button closure at back of neck. Shell has designer's label sewn inside at left of closure as jacket. digital.library.unt.edu/ark:/67531/metadc30285/
Sunbonnet
Sunbonnet of tan and blue braided straw. The hat has a wired brim and a grayish-white silk lining. It is trimmed in tan silk ribbon, and the bavolet, or back panel which shades the neck, is composed of brown, brick red, tan and blue striped cotton fabric. The ties are of brown silk taffeta and are attached to lower edge of brim with a herringbone stitch. The TFC thanks Rebecca Jumper Matheson for her research on this object. digital.library.unt.edu/ark:/67531/metadc30282/
Patchwork Dress
Dress made of multiple fabrics including velvet, cotton, and silk in red, green, brown, blue, and orange multi-colored floral and Indian prints, in a patchwork of vertical strips with metallic thread trim. Applied throughout are decorative metallic ovals. The dress is full length, with a flared skirt, long bell sleeves, and a low square neckline. Unlined. Zipper at center back extending from neckline to just below waist, with a single hook-and-loop at neckline. Label sewn to inside back to left of zipper: "Sant'Angelo". Worn by singer Lena Horne (1917-2010). digital.library.unt.edu/ark:/67531/metadc30289/
Wedding Ensemble
Wedding ensemble of ivory silk embroidered with green and yellow crewel flowers. The bodice of the dress is sleeveless, with scoop neck and fitted seaming. The skirt is floor-length at front, with train at back. The surface of the skirt is decorated with crewel embroidery of flowers in pinks, greens, reds, and blues. The lower part of the skirt has a wide band of lace in floral patterns, with an under layer of pleated plain net with embroidered dots. The dress has a center back zipper closure and is lined in ivory fabric, and has an attached petticoat. Matching the dress is a fitted jacket of ivory silk, long sleeves, and stand-up collar. The collar and cuffs are trimmed in the same net as the hem of the dress. The fitted jacket has a peplum and center front closure with four silk cord frog closures which snap on left side and disguise a series of snaps and hook-and-eyes. The collar, cuffs, and panels at front and back are bordered by striped bands of yellow, blue, green, and coral/pink ribbon. The panels formed on front and back have crewel embroidered flowers as the dress. Jacket is fully lined in ivory fabric. Not shown in photo is the accompanying hat of ivory silk. The low ivory silk brim is tear-drop in shape, the point at the front edge of the hat. The rolled brim encircles the lace crown and anchors the ivory net slight veil which extends around brim. At back of hat is short "tail" of net. Hat has an off-white grosgrain inner hat-band and a black cord to secure hat to wearer's head. digital.library.unt.edu/ark:/67531/metadc30283/
Hat
Hat of green felt. Designed as a modified cloche, the had is formed of a deep, domed crown of green felt with a rolled edge at back that extends to become a high, curved brim in front. The front extension is crowned by a feathered ornament formed as a stylized bird looking downwards. The "bird" has tan and dark feathers for the tail, green feathers for neck and breast, and a black plastic(?) beak. Around the base of the crown is a band of dark gray/bronze colored net, which extends at front and sides to become a veil. Around inside of crown is dark brown/black grosgrain ribbon band. Sewn to inner ribbon band is maker's label: "Hattie Carnegie / Inc / Custom Made" digital.library.unt.edu/ark:/67531/metadc30118/
Dress
Dress of navy wool gabardine in two parts. The main body of the tubular-shaped dress is full-length, sleeveless, with a round neckline. It has decorative bead-work at upper bust, on back at shoulders and down spine, in a line from right hip down to hem, and around hem. The bead-work includes lines of red and clear beads, spirals and "bursts" of clear and red beads, circular ornaments of red beads, and a roundel at front to bottom right at hem of a scene of a wine jug against a blue, clear and green background. The dress has an opening from left shoulder to waist which is secured with a line of hidden snaps, and is decorated with nine cloth and plastic circular non-functioning buttons arranged in groups of three. The dress is unlined. The dress has with it a detachable cropped camisole of white cotton with center front hook-and-eyes closure and white elastic waistband. The sleeves of the camisole are of navy wool gabardine, bell-shaped, and match the dress. They are decorated with the same style bead-work as the dress, including lines of red and clear beads running from shoulders to wrist, clear and red beaded spirals and "bursts", and roundels with designs in blue, red, and green. When worn, the camisole sleeves blend in with the dress and look like one garment. digital.library.unt.edu/ark:/67531/metadc30119/
Ensemble - Bodystocking, Mini-Skirt and Belt
Ensemble consisting of three pieces. Full-length bodystocking is of heavy ivory wool knit, in a ribbed pattern running vertically throughout body and legs, and horizontally around arms. The garment has a turtle-neck and wide flaring cuffs at legs. Center back zipper opening from top of turtle-neck to mid-back. The black double knit wool micro-mini-skirt has four over-sized belt loops with pointed ends, and center back zipper closure. The ensemble includes a wide black patent-leather belt which secures with concealed snaps. Bodystocking has two labels. Designer's label inside at back near zipper: "Pierre Cardin / Paris New York"; Material/size label on opposite side: "100% / Wool / L" The skirt has no labels. The belt is stamped on reverse: "12 1851" From the Fall 1969/1970 season. Records indicate that the ensemble was originally offered in the Maisonette Room of Neiman-Marcus. digital.library.unt.edu/ark:/67531/metadc30084/
Purse
Purse. Ornate bell-shaped silver (plated?) frame with openwork latticework set with red and blue cabochons and with silver (plated?) chain. Body of purse is of crocheted gray with vertical stripes of horizontal rows of faceted blue beads. Bottom of bag with fringe formed of loops of matching beading. Lined in gray satin with roses and vine trim. digital.library.unt.edu/ark:/67531/metadc30089/
Raincoat
( At left) Raincoat of black vinyl. The modified A-line coat is of short length, extending to just at or below the knee, and has long sleeves. Center-front opening is secured with 3 silver/chrome clip closures, one at the rounded neckline and two at waist. There is one patch pocket at the right hip. The coat is fully lined in synthetic with vertical stripes of pink, green, blue, violet, and red on a black ground. Manufacturer's label inside at center back just below neckline: "La Flaque / de Paris". At right inside side-seam is a Union Label. digital.library.unt.edu/ark:/67531/metadc30086/
Ensemble - Jacket, Skirt, Blouse and Scarf
Ensemble of teal silk Ottoman. The suit consists of a jacket and skirt, blouse, and scarf. The jacket is of horizontally ribbed teal silk, banded on the bias, has a rounded neckline, is long sleeved, and has princess seaming for a tailored fit. The sleeves have soft pleating at the shoulders, and there are 3 circular gold buttons set with rhinestones at each cuff. There is a center front closure with 4 large buttons matching the style of sleeve buttons and one hidden snap at top. The buttonholes are hidden in the seam of the opening. The jacket is lined in black silk. The jacket has designer's label sewn inside at back of neck: "Richard Brooks". The matching skirt is of the same silk Ottoman, below-knee length, with soft pleats at front and darts at back from waistband down 5 1/2". Small slit at center back from hem upwards. The sides are cut on straight vertical stripe. The waistband has hook and two eyes, and there is a center back zipper closure. The skirt is lined in teal silk. There are no labels in the skirt. The blouse is of a thin teal green and metallic gold jacquard, woven with an ornate all-over paisley pattern. There is a banded collar and slight pleating/gathering on front at yoke, and at top of the long sleeves. Center back zipper closure extends from collar almost to hem, and has two hook-and-eyes at collar. The blouse has attached shoulder pads. There is no label in the blouse. An accompanying scarf is of iridescent teal silk chiffon, edged with the same jacquard materials the blouse is made from. There is no label on the scarf. Designed for Texas Governor Ann Richards. The silk is from Abraham Fabric. digital.library.unt.edu/ark:/67531/metadc30305/
Ensemble - Vest and Pants
Ensemble consisting of a vest and pants. The vest is of wool,with a scoop-neck and with 5 hook-and-eye closures down center front. It is covered in sewn-on black sequins, and has a 1" border of orange, white and gold beads with gold trim at neckline, front opening, hem, and armholes. On the front and back of the vest are 3" diamond shapes formed of the same beads. The white and orange beads are plastic. The vest is fully lined in black fabric. Labels in vest: "Valentina LTD / RN 34435 / Made in Hong Kong"; "100% Wool / Made in Hong Kong"; and "Medium". The pants are formed as a divided skirt of black wool in a satin weave simulating crepe-back satin. They are floor length, with full-length accordion pleats. There is a wide 3" waistband that is completely beaded to match the vest. The pants have a center back zipper closure with hook-and-eye at waistband, and are unlined. Inside the pants is a single tag at waistband: "Lot Number 11/12". digital.library.unt.edu/ark:/67531/metadc30302/
Hat
Hat of yellow straw. The woven straw hat has a boxy, cylindrical crown, flat on top. The brim is also of yellow woven straw, and turns up to to vertical very close to the crown forming a high "wall" around the crown. Crown is unlined, with a pink grosgrain ribbon inside around the base of the crown. Sewn to inner ribbon band is designer's label: "Frank Olive". digital.library.unt.edu/ark:/67531/metadc30307/
Hat
Hat with "Pineapple" crown. The domed crown of green felted rabbit fur is worked by gathering, "pinching" and seaming to create a surface resembling a pineapple. Around the hat "orbit" two bands of taupe felted rabbit fur edged in green grosgrain ribbon. They are connected on opposite sides of the hat and extend out into the space around the crown. Crossing the ribbons at one attachment point is a green felted rabbit fur "sheath" from which extend three long pheasant feathers. Inner hatband of green grosgrain ribbon, and with taupe felt lining the inside of the crown. Sewn to the inner hatband is designer's label: "Ian / D" digital.library.unt.edu/ark:/67531/metadc30308/
Ensemble - Jacket, Skirts and Blouse
Ensemble of rose silk. The suit consists of a jacket, two skirts and a blouse. The jacket is made from a 1930's sari of pale pink silk embroidered with gold and silver threads, beads, and pink sequins in designs of vines, flowers and abstract line patterns. Jacket has a floating yoke and full leg-o-mutton sleeves with long narrow cuffs that have zipper closures. The jacket itself has a center front opening with no closure. The neckline, edges of closure, hem, and cuffs are edged in heavily beaded bands added by the designer. Designer's label sewn inside back at neck: "Richard Brooks". The blouse is of heavy pink silk, collarless, with round neckline. It is short-sleeved, with pleating at the shoulder. Vertical seaming on front and back for structure. There is a concealed center-back closure with snap at top and 5 clear plastic circular buttons down the length. The blouse is lined in a dark, dusty pink silk and has sewn-in shoulder pads. Designer's label is sewn inside back to the left of the opening: "Richard Brooks". The two skirts are are both of identical pink silk, matching the blouse, of identical construction. One is knee-length, and the other is full-length. Both are lined in the same pink silk as the jacket. The short skirt has designer's label sewn in at waistband: "Richard Brooks". Worn by Governor Ann Richards when she spoke at the Gridiron Club in Washington, 1992. digital.library.unt.edu/ark:/67531/metadc30304/
Dress
Dress. Floor-length dress of ivory knit, overlaid with a gold netting. Sleeveless and with a boat-neckline, the sheath-style dress has ornate heavy gold cording around neckline, armholes, along side-seams, and hem. The skirt has small side slits, and a center lapped zipper closure located along center-back of garment with hook-and-eye closure at top of zipper. Lined with a light polyester. digital.library.unt.edu/ark:/67531/metadc30309/
Dress
Dress of multi-colored velvets. The floor-length dress has an empire waist and bell-shaped long sleeves. The upper, bodice, section is made of a sheer, multi-colored fabric woven with bands of gold thread. Over the bodice is applied sections of burnout velvet in various colors, forming bands running up the bodice, over the shoulders, and down the back, another band forming a 1" high collar, and as 2" bands around each wrist. The sections are bordered in gold cording. The lower, skirt, section is of green velvet printed in browns, greens, and gold in an abstract geometric/organic design. Fully lined in green silk(?). Center back zipper from neckline to just above waist. Three hook-and-loop closures on collar. Designer label sewn alongside zipper at shoulder-blade height at right: "Ronald Amey / New York". Evidence of removed label at inside, center front of dress below neckline. digital.library.unt.edu/ark:/67531/metadc30306/
Dress
Full-length evening dress of copper and olive polyester. Bodice has two sections of material which form a v-neckline in front and which are joined in back of neck by 3 cloth covered buttons, separating and falling almost all of the way down the back of the dress. Empire waistband,3 ½” wide, is gathered and pleated and wraps around to the back. Full-length wrap-style skirt. Center back zipper closure. The bodice is lined in orange polyester. digital.library.unt.edu/ark:/67531/metadc30335/
Dress
Dress of blue chiffon. The floor-length dress is formed of two layers, an inner sheath, and an outer layer which is fully ruched, covering the inner sheath completely with layers of draping, and affixed to the inner layer at the neckline, zipper, and at cuffs. The dress has a V-neck at both front and back. The ruching forms "swags" which join at the neckline and center seams on front and back. The three-quarter length sleeves are similarly ruched, anchored along seams running from shoulder to wrist. Center back zipper and hook-and-eye closure. Inner grosgrain ribbon band just below bust which secures with hook-and-eye closure. Designer's label sewn inside at ribbon band: "Halston". digital.library.unt.edu/ark:/67531/metadc30331/
Dress
Tunic-style evening dress of royal blue hammered silk. Full-length, narrowing to hem and with a slit up the side. Dress has a round neckline with hook-and-eye closure at back and has wide, straight, bracelet-length sleeves. Hand-written notation on the designer label: "8634 #2" digital.library.unt.edu/ark:/67531/metadc30337/
Dress
Maxi paper bridesmaid dress of Reemay spun polyester "paper". The long dress is printed with a pattern of impressionistic flowers in greens, pink, blues and purples on a yellow ground. It has a high, rounded neckline with no collar, and opens with a zipper at center back from collar to just above waist. The long, fitted sleeves have a thin band at cuff which extends to be tied into a bow. Empire waistline, from which extend box pleats. The dress appears to have a full, floor-length skirt, but the skirt is actually divided, forming pant legs. No designer labels in garment, but original tag is preserved with it: Obverse: "'Wear-a-while'* / Fashions / with / Reemay [trademark symbol] / Du Pont's Fabulous / New 100% Spun Bonded Polyester / DuPont Reemay brings an entirely new quality to 'conven- / ience fashions'. It has an unusual surface appearance, it / is strong and it is colorfast. Garments of Reemay may be / washed a few times and need no ironing if you use / normal wash-and-wear procedures / DHJ Industries Inc. / [trademark symbol] Registered Du Pont Trademark / * Trademark of / DHJ Industries, Inc." Reverse: "Du Pont / Reemay [trademark symbol] / 100% Spunbonded polyester / flame-retandant finish / comfortable -- because it 'breathes' / retains its body and shape -- long wearing / dries quickly -- stays smooth - needs no ironing / it's strong - won't fray, unravel, split, tear / swirl pattern construction gives it a unique / appearance / to shorten: just cut with scissors ... garment won't unravel! / Reemay [trademark symbol] / is processed, furnished and dis- / tributed by DHJ Industries Inc. / 16 E. 34th St., N.Y., N.Y." The Texas Fashion Collection holds two identical examples of this dress, from the same donor. digital.library.unt.edu/ark:/67531/metadc30330/
Dress
Evening dress of bright green hammered silk. The tunic-style dress is full-length, tapering to lower hem in a V-line and with a slit up the side. Rounded collar/neckline and long, bat-wing style sleeves. Inner attached shoulder pads. Hand-written note on the designer label: "8624 #2" digital.library.unt.edu/ark:/67531/metadc30334/
Pillbox Hat
Hat of black silk tulle and satin in the form of a low pillbox of black silk tulle, tapering slightly to the shallow-domed crown. On the right side is a cascade of dyed green ostrich feathers. No designer's label. digital.library.unt.edu/ark:/67531/metadc30179/
Hat
Cocktail hat of violet silk satin. The hat is formed of a low, cylindrical, flat-topped pillbox-style crown covered in drapes of violet/purple silk satin fabric. At center front/top of the crown are two large sculptural stiffened loops of the fabric. Crown is lined in cream fabric. Along inside lower edge of crown is a cream grosgrain ribbon band. No labels. Donor stated: "...worn on back of head with upstanding loops in front, made for a grey lace three-quarter cocktail dress..." digital.library.unt.edu/ark:/67531/metadc30176/
Jumpsuit
Jumpsuit of pink, yellow, green and blue horizontal striped paper. The full-length rayon fiber remay paper pantsuit has olive green, pink, blue and tan stripes. Bodice is sleeveless, empire style, with with high rounded neckline and narrow spread collar, with stripes going horizontally. There is a center back zipper closure from the neck to hip-level. Pants are full-length, wide legged palazzo pants with vertical stripes. The pant legs are slit from the hem to mid-calf, and are unhemmed. The piece is lined in a white rayon fiber paper cloth. Retailer's label at inside left beneath the collar: "Change-In-Time / Boutique / Dallas, Texas". digital.library.unt.edu/ark:/67531/metadc30035/
Hat
Woman's black velour top hat. Designed after a man's top hat, this version has a cylindrical, slightly domed crown and narrow velour-covered brim which gently curves up. The brim has a second section below, also covered in black velour, that curves downwards, giving the brim an appearance of thickness. Around the lower part of the crown is a folded black silk taffeta grosgrain ribbon, with a large simulated silver metal buckle placed near the front on the right side of the hat. The buckle is of stamped metal simulating cut steel. The hat is lined in black silk. Embroidered label sewn to lining inside crown includes an oval frame containing a monogram, possibly RSCM, and "Gold Medal / Pattern" digital.library.unt.edu/ark:/67531/metadc30037/
Pillbox Hat
Pillbox hat of black velvet. The low, cylindrical, slightly domed hat is completely covered in black velvet. Affixed to the center front of the hat is a roughly fan-shaped aigrette of simulated gems and metallic braid with a surmounting spray of white feathers. The crown is lined in black fabric, and has a black grosgrain ribbon running along the inside bottom edge. Sewn to the inner ribbon is a plastic comb to secure the hat to the wearer's head. No labels. The aigrette is attributed to Robert Goossens, of Paris, who is known to have supplied to Balenciaga. digital.library.unt.edu/ark:/67531/metadc30205/
Handbag
Handbag. Rectangular frame of cast openwork brass floral designs with traces of gilding. Ball and snap closure and gilt brass suspension chain. Bag is of dark purple crocheted silk, with three different types of beading. Area at frame is plain all-over beading of purple/bronze iridescent cut beads. Below this, and at bottom of bag is fringe of looped beading. The main body of the bag has vertical stripes of beads arranged in horizontal rows. Lined with bright purple silk, trimmed in gold cording. Contains a small gold kid leather purse embossed with a stylized thorn pattern. digital.library.unt.edu/ark:/67531/metadc30207/
Dress
Dress of bright multi-color patterned chiffon. The full-length dress has a straight, loose shape, with a round neckline and long handkerchief-style sleeves which extend past hem. Zipper at center back, extending from neckline to just below waist, with a single hook-and-eye closure at neckline. The printed pattern of the material includes concentric shapes with geometric and floral influences. Designer label sewn inside back to left of zipper: "Pierre Cardin / Paris New York" digital.library.unt.edu/ark:/67531/metadc30208/
Ensemble - Coat and Dress
Ensemble consisting of a coat and dress. The mid-length coat is of knit with a printed pattern of blue geometric shapes on a bright red ground, and has long sleeves and moderate collar with rounded points. Center-front opening with 4 square dark blue plastic buttons. Across back of coat is an attached belt of the same fabric, with buttons at each side, but does not extend around to the front. Fully lined in dark blue fabric. The mid-length dress is of the same fabric, and has short sleeves, a rounded neckline, and flares slightly to hem. The dress has a center-back zipper closure and is lined in the same fabric as the coat. Coat has a single retailer's label: "Lou Lattimore / Dallas" inside back at collar. Dress has slightly smaller version of same label, sewn inside at left of zipper near neckline. digital.library.unt.edu/ark:/67531/metadc30209/
Pumps
Pair of black suede pumps. Shoes have peep-toe design and are embellished across the vamp with an asymmetrical design in black ribbon and side 1/2 bow on outer side. 2 1/2" high continental set-in heels covered in black suede. Leather soles, grey leather lining. Printed grey cloth lining with logo "Lastep". Stamped inside heel of both shoes: "D13258 7 1/2A AAA / 6/A". Stamped on sole of each shoe: "The United States Shoe Co. / Reg U.S. Pat. Off. / Red Cross / Shoe" Stamped inside right shoe: "Red Cross Shoes" and "This product has no connection whatever / with the American National Red Cross". Use of the "Red Cross Shoe" brand was suspended during World War II when the American Red Cross objected. It was re-instated in 1948 on the condition they company publicly disclaimed all connection with the ARC. These shoes have the disclaimer stamped in the right shoe. digital.library.unt.edu/ark:/67531/metadc30206/
Coat
Coat of floral brocade and blue velvet. The mid-length wrap coat is made of Jacquard woven silk(?)in a pattern of flowers in blues, taupe, and browns on a dark brown ground, with metallic gold stitching throughout. The raglan sleeves and the collar are edged in wide bands of gathered ruched aqua blue/green velvet. Center front opening with no closures. The coat is lined in aqua blue/green velvet. No labels in garment. Owned by Mrs. Carlton L. Yager of California, aunt of the donor, who called it her "Opera Coat". digital.library.unt.edu/ark:/67531/metadc30232/
Hat
Hat of reddish-pink wool. The derby style hat has a domed crown made of four sections of cloth that meet at center. Each section has chevrons of stitching, which point towards the center of the crown, giving a subtle quilted effect. Narrow brim rolls upwards at sides and back. A black suede(?) bow is applied to base of crown at center left. Inside base of crown is a band of pink grosgrain ribbon. Sewn to inner ribbon band is maker's label: "Balenciaga / 10 Avenue George V Paris" and label "Made in France" digital.library.unt.edu/ark:/67531/metadc30237/
Jacket
Waist-length black simulated alligator jacket. The cropped shell is constructed of panels of leather blind-stamped to simulate alligator. Panels are edged with silver-colored circular metal grommeted eyelets, and are joined with knitted black cording. The high, rounded spread collar is of ribbed black knit. Zipper closure from throat to hem at center front. The jacket is unlined, and has two interior, black canvas, envelope pockets with snap closures. Label is located inside at center back, below the collar. "Paco Rabanne / Paris Made in France". Jacket was donated as part of an ensemble which also included black wool and cashmere knit sweater by Dior, and black hip-hugger trousers by Remy. The Valerian Stux-Rybar collection of materials was donated by Jean-Francois Daigre to the Metropolitan Museum of Art in memory of Daigre's companion V.Stux-Rybar. Part of collection was subsequently transferred from the Metropolitan Museum of Art to the Texas Fashion Collection. digital.library.unt.edu/ark:/67531/metadc30238/
Cloche
Cloche-style hat of off-white wool felt. The hat has a deep, cylindrical, domed crown of off-white or cream felt which extends downwards on one side. Around the crown is black zig-zag stitching, and on the side where the crown extends downwards is an applied strip of felt, looped, secured through a stiffened loop of red grosgrain ribbon. The hat is unlined, with a black grosgrain ribbon inner hatband. Sewn to inner ribbon band is maker's label: "Schiaparelli / Paris". digital.library.unt.edu/ark:/67531/metadc30234/
Hopsacking Pants
Men's pants of embroidered "hopsacking". The tailored trousers are made in the style of jeans, but of an ochre/golden brown cotton hopsacking material. Full-length, the legs flare slightly to hems. Jeans-style pockets, two welt pockets on front and two patch pockets on back. Waistband has beltloops spaced throughout. Zipper fly at front with three buttons to secure waistband. The pants have an all-over embroidery in vertical and horizontal bands of stylized leaves, triangles, and other shapes in gold, white, green, yellow, and magenta. There are no labels in the garment. The Valerian Stux-Rybar collection of materials was donated by Jean-Francois Daigre to the Metropolitan Museum of Art in memory of Daigre's companion V.Stux-Rybar. Part of collection was subsequently transferred from the Metropolitan Museum of Art to the Texas Fashion Collection. digital.library.unt.edu/ark:/67531/metadc30239/
Dress
Dress of printed cotton. The floor-length dress is of cotton with a printed geometric design of a lattice of black rectangles on white background. It is sleeveless, with black spaghetti straps. There is a wide black "belt" of "quilted" cotton just below the bust, with a bow in front. The dress has a center back zipper closure with two hook-and-eye closures at top. It is fully lined in thin white fabric. The designer's label is sewn inside bodice: "Clifton / Wilhite / Dallas"; a second label is sewn just below designer's label: "Lot 6464 Size 14" digital.library.unt.edu/ark:/67531/metadc30236/