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  Partner: UNT College of Visual Arts + Design
 Collection: UNT Scholarly Works
[ribbons floating from window across the river to land]
A light colored window frame shape, dark inside, on the left side of the work has a pink ribbon shape floating out of it and into the mountainous landscape and water. digital.library.unt.edu/ark:/67531/metadc27049/
[parallel bars, shiny circle, and ribbon]
The red horizontal fabric artwork includes several vertical parallel lines with a ribbon floating behind to create depth. Lines and textures reminiscent of moss hanging from tree branches fill the left and lower portions of the work. digital.library.unt.edu/ark:/67531/metadc27046/
[silk yardage dyed pinks and oranges]
Silk yardage dyed in pinks and oranges with large circular lines and small spots resembling eyes or knots of wood. digital.library.unt.edu/ark:/67531/metadc27043/
Untitled
This painting consists of curved vertical lines. digital.library.unt.edu/ark:/67531/metadc27205/
Number 154
This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/
Number 168
This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
CP 06-2
This oil painting has a predominately white background and many circular multi-colored lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27200/
Number 169
This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
Untitled
This watercolor and ink painting consists of wavy and jagged multi-colored lines. digital.library.unt.edu/ark:/67531/metadc27204/
CU 08-2
This square painting has a predominately light peach background and includes many gray curved lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27209/
Number 165
This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27206/
Number 155
This painting has a predominately white background and includes many multi-colored jagged lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27203/
CJ 05-1
This painting has a white background and many vertical curved and parallel multi-colored lines with a horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27194/
CO 06-1
This painting consists of a white background with many curved multi-colored lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27199/
CL 05-3
Painting has white background and many multi-colored horizontal wavy lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27196/
CI 04-10
This yellow painting includes curved and wavy lines with perpendicular linear texture. digital.library.unt.edu/ark:/67531/metadc27193/
Study
Vertical dark gray painting with shade gradations from white to black on surface. Some numbers and some text in upper right portion along with red, blue, and yellow green spots. digital.library.unt.edu/ark:/67531/metadc27135/
95-6
Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles. digital.library.unt.edu/ark:/67531/metadc27132/
A 97-1
Large black brushstrokes fill background with small, multi-colored circles floating on surface. digital.library.unt.edu/ark:/67531/metadc27137/
94-3
Light gray painting with linear pattern with many small gray circles spread across the surface. digital.library.unt.edu/ark:/67531/metadc27130/
C 97-3
Red, blue, and brown brushstrokes covered by a black mesh consisting of forty-nine openings arranged seven by seven through which the reds, blues and browns appear. digital.library.unt.edu/ark:/67531/metadc27138/
Study for 95-3 and E 95-7
A vertical work with horizontal stripes in light blue and light tan and includes gray to black numbered brushstrokes. digital.library.unt.edu/ark:/67531/metadc27134/
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27139/
AJ 00-1
This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center. digital.library.unt.edu/ark:/67531/metadc27159/
AQ 01-5
This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
[artwork made of handmade paper and screen printed cotton velveteen]
The horizontally arranged artwork consists of silhouettes of mountains in the distance in various pale shades of gray. In the foreground are two curved shapes consisting of parallel lines of textured pink paper. Three lines geometric in shape move through the picture plane flattening while also creating more space. digital.library.unt.edu/ark:/67531/metadc27059/
[artwork made of handmade paper and screen printed cotton velveteen]
The horizontally arranged artwork depicts a silhouette of a city skyline. In the foreground appears soft pink texture in arch design and a grid ladder pattern appears at the left edge. digital.library.unt.edu/ark:/67531/metadc27056/
AV 01-10
This oil painting is predominately pink with vertical scrapes of black and white. digital.library.unt.edu/ark:/67531/metadc27164/
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
AX 01-12
This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27166/
[artwork made of handmade paper and screen printed silk]
The artwork depicts a horizontally situated composition and is reinforced on the left and top sides by a wide gray gradated border. Emerging from the bottom edge is a wide, green curve that recedes into the distance. At the right is an open grid shape and behind that a large pink textured circle. Two small cloud like shapes float in the background. digital.library.unt.edu/ark:/67531/metadc27060/
[artwork made of handmade paper on silk]
The horizontally arranged work consists of perspective lines receding into the distance. Halfway into the distance the receding lines are covered in blue soft textured handmade paper fibers. The floor of the space is checkerboard pattern and also recedes into distance. A brown ribbon type images also slither into the distance. digital.library.unt.edu/ark:/67531/metadc27054/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
[artwork of handmade paper on silk satin]
The long horizontal artwork depicts geometric shaped borders floating through the structured space. Loose ribbon shapes float among and between the geometric shapes. The colors are muted in blue, brown, green and pink tones. digital.library.unt.edu/ark:/67531/metadc27063/
[artwork of screen printed silk and handmade paper]
The horizontally arranged artwork depicts various grids floating and moving in space to create depth. In the background is a large semi-circular shape in a textured blue green color. There is also a wide strip of brown that begins in the far lower right corner and moves at four different angles until it reaches the left side of the picture. digital.library.unt.edu/ark:/67531/metadc27057/
[an artwork from the from Bridges Into Space series]
The strongly geometrically designed artwork consists of vertical strips that create circles and angled stripes. The bold colors range from dark browns and deep yellows to both light and dark purples and blues. digital.library.unt.edu/ark:/67531/metadc27102/
[artwork made of handmade paper and screen printed cotton velveteen]
The horizontally arranged artwork consists of textured paper in a blue-green that gradates to a pink color and moves from the foreground to the background in a curving motion. Angular brown lines are in the background and the middle ground consists of pink colors. Some white cloud like forms float through the picture plane and a gray stacked shape fills the left side of the picture. digital.library.unt.edu/ark:/67531/metadc27058/
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
AU 01-9
This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
BM 03-1
This predominately black painting also contains curved and wavy parallel vertical orange lines and lined texture perpendicular to orange lines. digital.library.unt.edu/ark:/67531/metadc27175/
[blue and green waves layered amongst gray and brown frames]
Waves depicted in greens and blues within and without several framing devices of shades of gray and edged in brown. digital.library.unt.edu/ark:/67531/metadc27031/
BH 02-7
The bright orange painting also contains many vertical parallel wavy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27172/
BI 02-8
This predominately yellow painting includes vertical curved and wavy orange lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27173/
BE 02-4
Predominately orange painting includes many parallel vertical wavy black lines with horizontal texture. digital.library.unt.edu/ark:/67531/metadc27171/
BJ 02-9
This predominately orange/red painting contains lined texture at various horizontal angles and contains curved vertical yellow parallel lines. digital.library.unt.edu/ark:/67531/metadc27174/
Blessing of the Sea
The vertical strip of printed cloth depicts at forty-five degree angle wave like forms resembling water. At the left edge are orange square checkerboard shapes. digital.library.unt.edu/ark:/67531/metadc27093/
Blue Tide
This queen sized bedspread, screen printed on cotton velvet, was created while Spear studied at Cranbrook Art Academy in Bloomfield Hills, Michigan. The bedspread gradates from purples to blues with long wave shapes in a pale yellow gold color. digital.library.unt.edu/ark:/67531/metadc27115/
CF 04-7
This predominately blue painting includes vertical black wavy lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27190/
CG 04-8
This predominately white painting also includes vertical multi-colored parallel wavy lines with linear texture. In this photograph of the painting, the studio floor of the artist is visible. digital.library.unt.edu/ark:/67531/metadc27191/
CH 04-9
This predominately red/orange painting has darker vertical wavy parallel lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27192/