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  Partner: UNT College of Visual Arts + Design
 Country: United States
[Interview with Paula Sibilia]

[Interview with Paula Sibilia]

Date: April 23, 2008
Creator: Kidd, Allison & Westrup, Sarah
Description: This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Contributing Partner: UNT College of Visual Arts + Design
[Metropolitan Museum of Art]

[Metropolitan Museum of Art]

Date: unknown
Creator: Gough, Ray
Description: Photograph of a sculpture exhibit in the Metropolitan Museum of Art in New York, New York. In the foreground, a two-story exhibition hall is visible filled with brown pedestals displaying small sculptures. Two stories of colonnaded archways are visible in the background.
Contributing Partner: UNT College of Visual Arts + Design
Evening Coat

Evening Coat

Date: 1926
Creator: Moss, Hattie
Description: Evening coat of gold metallic brocade in a floral motif with multicolored rectangles. Cocoon-style, with white fox collar, the full-length barrel sleeves with matching fur trimmed cuffs. The coat has a single button closure, and pink silk satin lining. Label: "Hattie Moss, Philadelphia, Pennsylvania"
Contributing Partner: UNT College of Visual Arts + Design
Bonnet.

Bonnet.

Date: 1810
Creator: unknown
Description: Bonnet of blue silk. Brim is hand-quilted in square corners and curving lines that follow the shape of the brim in even lines. The brim is composed of 3 pieces of silk fabric, which are pieced together and then quilted. Cotton used as batting material throughout. The crown is entirely quilted in rows of horizontal stitching and radiating circles. The tail has L-shaped quilting, which echoes the front edge of the tail. The chin ties are striped silk ribbons. Some areas of fabric loss and shattering on bonnet and ties.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: c.1914
Creator: unknown
Description: Dress. Bodice of vertically striped blue and black satin with short sleeves in black. Shallow v-neck trimmed with band of gold net ribbon which continues down center of back to waist. Bodice has black band just below bust line as "hem". Below this hem is pleated sash of blue and black striped materials at raised waistline, and a second band of the striped material running vertically from below "hem" to under top tier of skirt. Mid-calf-length black skirt with two vertical tiers of long box pleats from waistline. Bodice is lined in cream silk(?) with wide ribbon inner waistband, with cream-trimmed pads added at underarms. Skirt is lined in black. Garment fastens down back from neck to mid-thigh with a series of hook-and-eye and hook-and-loop closures. Sash around waist fastens at center front and has hook-and-loop closures running around left side to back. Garment has no labels.
Contributing Partner: UNT College of Visual Arts + Design
Afternoon Dress

Afternoon Dress

Date: 1919/1925
Creator: unknown
Description: Afternoon dress of dark green silk satin, crepe and chiffon. The tunic-style dress of dark green silk satin is street-length, with a drop waist. It has a slight standing collar at back which extends out in front to become long ties with a backing of dark maroon. Below the bow formed by the ties is V-shaped neckline. The full-length sleeves are dark green silk satin from shoulders to elbows and are translucent green crepe from elbows to cuffs. The main part of the gauze sections are embroidered with floral motifs in red, pink, and green/gold. The sleeves have two snaps at each cuff, which are trimmed with bands of pink crepe, maroon crepe, and dark green satin. On the front of the skirt are three wide, slightly overlapping tiers of fabric, split at center front, which start below the hips and end slightly above the hem. The dress is unlined, and there are no tags or labels.
Contributing Partner: UNT College of Visual Arts + Design
Pantsuit

Pantsuit

Date: 2000?
Creator: de la Renta, Oscar
Description: Evening pantsuit of ivory, blue, and black striped silk consisting of three pieces: a) Mid-length jacket of vertically striped silk with very wide, straight sleeves. Center front opening with no closure. Attached shoulder pads. (b) Pants of matching silk. Full-length, with center back snaps and hook-and-eye closure. Designed to fit loosely, with drawstring waist. (c) Short sleeved tank-style top of matching silk. Sleeveless, with round neckline. The hem, armholes, and neckline are trimmed in black. Each piece has designer's label "Oscar de la Renta".
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1935/1939
Creator: Carnegie, Hattie
Description: Hat of green felt. Designed as a modified cloche, the had is formed of a deep, domed crown of green felt with a rolled edge at back that extends to become a high, curved brim in front. The front extension is crowned by a feathered ornament formed as a stylized bird looking downwards. The "bird" has tan and dark feathers for the tail, green feathers for neck and breast, and a black plastic(?) beak. Around the base of the crown is a band of dark gray/bronze colored net, which extends at front and sides to become a veil. Around inside of crown is dark brown/black grosgrain ribbon band. Sewn to inner ribbon band is maker's label: "Hattie Carnegie / Inc / Custom Made"
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1920
Creator: unknown
Description: Dress of navy wool gabardine in two parts. The main body of the tubular-shaped dress is full-length, sleeveless, with a round neckline. It has decorative bead-work at upper bust, on back at shoulders and down spine, in a line from right hip down to hem, and around hem. The bead-work includes lines of red and clear beads, spirals and "bursts" of clear and red beads, circular ornaments of red beads, and a roundel at front to bottom right at hem of a scene of a wine jug against a blue, clear and green background. The dress has an opening from left shoulder to waist which is secured with a line of hidden snaps, and is decorated with nine cloth and plastic circular non-functioning buttons arranged in groups of three. The dress is unlined. The dress has with it a detachable cropped camisole of white cotton with center front hook-and-eyes closure and white elastic waistband. The sleeves of the camisole are of navy wool gabardine, bell-shaped, and match the dress. They are decorated with the same style bead-work as the dress, including lines of red and clear beads running from shoulders to wrist, clear and red beaded spirals and "bursts", and ...
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 2000?
Creator: de la Renta, Oscar
Description: Evening dress of bright green hammered silk. The tunic-style dress is full-length, tapering to lower hem in a V-line and with a slit up the side. Rounded collar/neckline and long, bat-wing style sleeves. Inner attached shoulder pads. Hand-written note on the designer label: "8624 #2"
Contributing Partner: UNT College of Visual Arts + Design