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UNT College of Visual Arts + Design
- Lacquered Bronze Mirror
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No Description digital.library.unt.edu/ark:/67531/metadc8991/ - Bac de Roda/Felip II Bridge
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No Description digital.library.unt.edu/ark:/67531/metadc8990/ - Bac de Roda/Felip II Bridge
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No Description digital.library.unt.edu/ark:/67531/metadc8989/ - Bac de Roda/Felip II Bridge
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No Description digital.library.unt.edu/ark:/67531/metadc8988/ - Untitled
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No Description digital.library.unt.edu/ark:/67531/metadc8987/ - Lady Elizabeth Delmé and Her Children
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No Description digital.library.unt.edu/ark:/67531/metadc8986/ - Dive Bomber and Tank
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No Description digital.library.unt.edu/ark:/67531/metadc8984/ - Crown of Thorns
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No Description digital.library.unt.edu/ark:/67531/metadc8985/ - Five Feet of Colorful Tools
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No Description digital.library.unt.edu/ark:/67531/metadc8981/ - Trojan Gates
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No Description digital.library.unt.edu/ark:/67531/metadc8983/ - Architectonic Painting
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Painting of red, orange,pink,green and black varied opaque layered geometric shapes. digital.library.unt.edu/ark:/67531/metadc8982/ - The Feast of Pure Reason
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No Description digital.library.unt.edu/ark:/67531/metadc8978/ - Tournament
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No Description digital.library.unt.edu/ark:/67531/metadc8980/ - The Vases
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No Description digital.library.unt.edu/ark:/67531/metadc8979/ - Untitled
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No Description digital.library.unt.edu/ark:/67531/metadc8977/ - Current
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Painting of black and white contrasted lines that appear to vibrate and form three-dimensional depressions in a "S" shaped pattern. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast. digital.library.unt.edu/ark:/67531/metadc8975/ - Rhythm of a Russian Dance
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No Description digital.library.unt.edu/ark:/67531/metadc8976/ - Number 04: The Negro was the largest source of labor to be found after all others had been exhausted.
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No Description digital.library.unt.edu/ark:/67531/metadc8974/ - Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.
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No Description digital.library.unt.edu/ark:/67531/metadc8973/ - Number 60: The trains were packed continually with migrants.
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No Description digital.library.unt.edu/ark:/67531/metadc8972/ - Pullet
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No Description digital.library.unt.edu/ark:/67531/metadc8971/ - Fission
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Painting of black and white contrasted polka-dots that appear to vibrate and form three-dimensional depression at the center of the piece. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast. digital.library.unt.edu/ark:/67531/metadc8970/ - Inner Core 2
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This painting is a series of narrow, closely spaced, horizontal and vertical stripes. digital.library.unt.edu/ark:/67531/metadc8969/ - Compact Object
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No Description digital.library.unt.edu/ark:/67531/metadc8968/ - Mother and Child
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Painting of blue, green, peach and black oil paint which depicts a female figure who appears to be holding a small child above her. digital.library.unt.edu/ark:/67531/metadc8966/ - Christus
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Mixed Media Painting of charcoal, watercolor, gouache, ink and oil slick on paper. Black erratic mark making throughout the plane. digital.library.unt.edu/ark:/67531/metadc8967/ - Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...
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No Description digital.library.unt.edu/ark:/67531/metadc8964/ - Kitty Hawk
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No Description digital.library.unt.edu/ark:/67531/metadc8965/ - Number 28: The labor agent who had been sent south by northern industry was a very familiar person in the Negro counties.
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No Description digital.library.unt.edu/ark:/67531/metadc8963/ - Number 30: In every home people who had not gone North met and tried to decide if they should go North or not.
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No Description digital.library.unt.edu/ark:/67531/metadc8962/ - Number 32: The railroad stations in the South were crowded with people leaving for the North.
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No Description digital.library.unt.edu/ark:/67531/metadc8961/ - Number 36: In Chicago and other cities they labored in the steel mills
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No Description digital.library.unt.edu/ark:/67531/metadc8960/ - Number 44: Living conditions in the North were better.
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No Description digital.library.unt.edu/ark:/67531/metadc8959/ - Number 50: Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers.
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No Description digital.library.unt.edu/ark:/67531/metadc8958/ - Number 54: One of the main forms of social and recreational activities in which migrants indulged occured in the church.
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No Description digital.library.unt.edu/ark:/67531/metadc8957/ - Number 56: Among the last groups to leave the South ws the Negro professional who was forced to follow his clientele to make a living.
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No Description digital.library.unt.edu/ark:/67531/metadc8956/ - Joan Miró and His Daughter Dolores
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No Description digital.library.unt.edu/ark:/67531/metadc8955/ - The Riot
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No Description digital.library.unt.edu/ark:/67531/metadc8954/ - The Seine
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No Description digital.library.unt.edu/ark:/67531/metadc8953/ - Over Vitebsk
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No Description digital.library.unt.edu/ark:/67531/metadc8951/ - Chartres Cathedral, Plan
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No Description digital.library.unt.edu/ark:/67531/metadc8952/ - The Seer
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No Description digital.library.unt.edu/ark:/67531/metadc8950/ - Viaduct
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No Description digital.library.unt.edu/ark:/67531/metadc8948/ - Portrait of a Merchant
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No Description digital.library.unt.edu/ark:/67531/metadc8947/ - Joë Bosquet in Bed
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No Description digital.library.unt.edu/ark:/67531/metadc8949/ - Woman with Water Pails: Dynamic Arrangement
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This painting is composed of abstract and geometric shapes in hues of orange, yellow, red, blue, green and gray. digital.library.unt.edu/ark:/67531/metadc8944/ - The False Mirror
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This surrealistic painting is a close-up view of an eye with the iris composed of a blue sky and clouds. digital.library.unt.edu/ark:/67531/metadc8945/ - Exit the Ballets Russes
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No Description digital.library.unt.edu/ark:/67531/metadc8946/ - The Red Studio
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This painting has a main background of red with numerous paintings of various sizes both hanging on the wall and sitting on the floor, leaning against the wall of the studio. On the right side of the painting, two sculptures sit on stools. In the left foreground of the painting is a table with a ceramic plate, a glass, a glass container with a vine, and a set of drawing tools. digital.library.unt.edu/ark:/67531/metadc8943/ - Dying Slave
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No Description digital.library.unt.edu/ark:/67531/metadc8942/