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  Partner: UNT College of Visual Arts + Design
 Decade: 2000-2009
Light in a Far Field
Access: Use of this item is restricted to the UNT Community.
Painting of green, gray, red and peach featuring a grassy landscape with multiple trees and red flowers; light smudge rendering. digital.library.unt.edu/ark:/67531/metadc8439/
Model of a chariot
Access: Use of this item is restricted to the UNT Community.
No Description digital.library.unt.edu/ark:/67531/metadc7811/
[Interview with Paula Sibilia]
This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9521/
[Interview with Elda Harrington]
This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9522/
[Interview with Adelma Benavente Garcia]
This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript. digital.library.unt.edu/ark:/67531/metadc9523/
Number 69
The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/
Number 126
Black and orange painting consists of vertical wavy parallel lines and perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27178/
Untitled
This painting consists of curved vertical lines. digital.library.unt.edu/ark:/67531/metadc27205/
Number 154
This painting with a predominately white background contains many multi-colored curved and jagged vertical lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27202/
Number 168
This square painting consists of a light green background and many curved multi-colored lines and heavy texture. digital.library.unt.edu/ark:/67531/metadc27207/
CP 06-2
This oil painting has a predominately white background and many circular multi-colored lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27200/
Number 169
This vertical painting is predominately purple and has many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27208/
Untitled
This watercolor and ink painting consists of wavy and jagged multi-colored lines. digital.library.unt.edu/ark:/67531/metadc27204/
CU 08-2
This square painting has a predominately light peach background and includes many gray curved lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27209/
Number 165
This horizontal panel has a predominately white background with many multi-colored curved and jagged lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27206/
Number 155
This painting has a predominately white background and includes many multi-colored jagged lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27203/
CJ 05-1
This painting has a white background and many vertical curved and parallel multi-colored lines with a horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27194/
CO 06-1
This painting consists of a white background with many curved multi-colored lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27199/
CL 05-3
Painting has white background and many multi-colored horizontal wavy lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27196/
CI 04-10
This yellow painting includes curved and wavy lines with perpendicular linear texture. digital.library.unt.edu/ark:/67531/metadc27193/
AJ 00-1
This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center. digital.library.unt.edu/ark:/67531/metadc27159/
AQ 01-5
This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
AV 01-10
This oil painting is predominately pink with vertical scrapes of black and white. digital.library.unt.edu/ark:/67531/metadc27164/
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
AX 01-12
This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27166/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
AU 01-9
This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
BM 03-1
This predominately black painting also contains curved and wavy parallel vertical orange lines and lined texture perpendicular to orange lines. digital.library.unt.edu/ark:/67531/metadc27175/
BH 02-7
The bright orange painting also contains many vertical parallel wavy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27172/
BI 02-8
This predominately yellow painting includes vertical curved and wavy orange lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27173/
BE 02-4
Predominately orange painting includes many parallel vertical wavy black lines with horizontal texture. digital.library.unt.edu/ark:/67531/metadc27171/
BJ 02-9
This predominately orange/red painting contains lined texture at various horizontal angles and contains curved vertical yellow parallel lines. digital.library.unt.edu/ark:/67531/metadc27174/
CF 04-7
This predominately blue painting includes vertical black wavy lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27190/
CG 04-8
This predominately white painting also includes vertical multi-colored parallel wavy lines with linear texture. In this photograph of the painting, the studio floor of the artist is visible. digital.library.unt.edu/ark:/67531/metadc27191/
CH 04-9
This predominately red/orange painting has darker vertical wavy parallel lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27192/
Numbers 143, 144 and 145
Three green panels with vertical black wavy lines are hung in a horizontal linear fashion. digital.library.unt.edu/ark:/67531/metadc27185/
Number 142
Mostly green painting also consists of black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27181/
Number 133
This predominately black and orange painting consists of curved and wavy parallel lines with heavy texture. digital.library.unt.edu/ark:/67531/metadc27180/
Numbers 136, 142, 126, and 127
Four paintings are hung in a square grouping. Three of the panels are predominately orange and black while the upper right hand panel is a light green with black wavy vertical lines. digital.library.unt.edu/ark:/67531/metadc27184/
Number 149
This mostly orange painting also includes vertical, parallel wavy and curvy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27183/
Number 132
This orange and black painting consists of vertical curved, wavy, and parallel lines. digital.library.unt.edu/ark:/67531/metadc27179/
CK 05-2
This painting's background is predominately white and has many vertical wavy parallel multi-colored lines. digital.library.unt.edu/ark:/67531/metadc27195/
Number 68
This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
AZ 01-14
This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line. digital.library.unt.edu/ark:/67531/metadc27167/
BS 03-7
Light green painting contains many vertical wavy parallel black lines contrasted with perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27176/
CD 04-5
This predominately yellow oil painting also has many vertical wavy black lines and linear horizontal texture. digital.library.unt.edu/ark:/67531/metadc27188/
CE 04-6
This predominately blue oil painting contains many parallel wavy vertical black lines, a few red and yellow vertical lines as well with horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27189/
BV 03-10
Predominately white painting contains vertical curvy and wavy parallel black and gray lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27177/
CA 04-2
This mostly white painting includes vertical wavy parallel black and gray lines and lined horizontal texture. digital.library.unt.edu/ark:/67531/metadc27187/
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