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  Partner: UNT College of Visual Arts + Design
 Decade: 1990-1999
Crown of Thorns
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No Description digital.library.unt.edu/ark:/67531/metadc8985/
Untitled
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Sculpture of light brown wood, gray cement, steel cloth and leather. The largest part of the piece was once a piece of furniture (most likely a chest) while the other two pieces were parts of another piece of furniture. digital.library.unt.edu/ark:/67531/metadc8814/
Memorial II
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Painting of white, beige and black near abstract circle and oval shapes scattered throughout. digital.library.unt.edu/ark:/67531/metadc8806/
Self-Portrait
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Near abstract painting of a older male figure wearing glasses. digital.library.unt.edu/ark:/67531/metadc8793/
Whisk
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Painting of peach, brown and gray female portrait; 3/4ths view. Raised gray triangle shapes throughout clothing. digital.library.unt.edu/ark:/67531/metadc8737/
Male Model
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No Description digital.library.unt.edu/ark:/67531/metadc8733/
Dresden Yellow I
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No Description digital.library.unt.edu/ark:/67531/metadc8714/
34 With Scars
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The artwork consists of a piece of white fabric with dark stitching around the edges and some stitching in the center and the number 34. digital.library.unt.edu/ark:/67531/metadc8534/
Succulent Eggplants
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Painting of layered multi-color shapes and patterns featuring two small purple flowers and blue berries. digital.library.unt.edu/ark:/67531/metadc8530/
Untitled
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The museum displayed a version of the image of the empty double bed on the gallery wall with a note about the twenty-four locations throughout the city where the same image was depicted on billboards. digital.library.unt.edu/ark:/67531/metadc8528/
APR.24,1990
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No Description digital.library.unt.edu/ark:/67531/metadc8473/
White Number 19
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The painting, White #19, is entirely made out of text. It's a painting made with oil stick, and it was done by stenciling the text of a paragraph from an essay onto the canvas with oil paint, and the more you stencil, the darker and denser the painting becomes. digital.library.unt.edu/ark:/67531/metadc8502/
Chlorosis
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No Description digital.library.unt.edu/ark:/67531/metadc8475/
A Frontal Passage
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The space is filled with a red light creating an environment. digital.library.unt.edu/ark:/67531/metadc7765/
Doctor Giving a Massage to a Patient with AIDS, from the portfolio ''New Provincetown Print Project''
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Artwork depicting a man in a a white doctor's coat massaging the back of a seated shirtless man who is covered in red spots. In the background, sunlight is streaming in through a window. Text at the top of the print says "Doctor giving massage to patient with AIDS." Text underneath the print says "Kaposi's Sarcoma. 'He positioned himself to me, like he wanted to be touched.'" digital.library.unt.edu/ark:/67531/metadc8463/
Talking Herstory
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No Description digital.library.unt.edu/ark:/67531/metadc8447/
Wiggle Manhattan
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No Description digital.library.unt.edu/ark:/67531/metadc8443/
Canoptic Legerdemain
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Mixed media sculpture of layered irregular colored resin, aluminum mesh and stainless steel. A human figure is depicted on the far left side of the piece. digital.library.unt.edu/ark:/67531/metadc8402/
Horno de Carbón
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Drawing on of brown brick-like container or oven with lid and curved handle. digital.library.unt.edu/ark:/67531/metadc8385/
Winter Rose
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Painting of blue, red, and yellow loose brush strokes featuring a large white cat in the center of the composition. digital.library.unt.edu/ark:/67531/metadc8367/
Mondrian Ladies
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No Description digital.library.unt.edu/ark:/67531/metadc8360/
Figs
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No Description digital.library.unt.edu/ark:/67531/metadc8341/
E Side of Potsdamer Platz Complex: Office/Commerce Buildings
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No Description digital.library.unt.edu/ark:/67531/metadc7852/
E Side of Potsdamer Platz Complex: Office/Commerce Buildings
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No Description digital.library.unt.edu/ark:/67531/metadc7851/
E Side of Potsdamer Platz Complex: Office/Commerce Buildings
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No Description digital.library.unt.edu/ark:/67531/metadc7849/
E Side of Potsdamer Platz Complex: Office/Commerce Buildings
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No Description digital.library.unt.edu/ark:/67531/metadc7850/
E Side of Potsdamer Platz Complex: Office/Commerce Buildings
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No Description digital.library.unt.edu/ark:/67531/metadc7848/
E Side of Potsdamer Platz Complex: Office/Commerce Buildings
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No Description digital.library.unt.edu/ark:/67531/metadc7846/
E Side of Potsdamer Platz Complex: Office/Commerce Buildings
Access: Use of this item is restricted to the UNT Community.
No Description digital.library.unt.edu/ark:/67531/metadc7845/
E Side of Potsdamer Platz Complex: Office/Commerce Buildings
Access: Use of this item is restricted to the UNT Community.
No Description digital.library.unt.edu/ark:/67531/metadc7847/
W 99-2
Brushstrokes of black, white, and beige are smeared and scraped together creating a patterned background upon which, in the center, is a white to black gradation of horizontal brushstrokes. digital.library.unt.edu/ark:/67531/metadc27155/
AH 99-13
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes. digital.library.unt.edu/ark:/67531/metadc27152/
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas. digital.library.unt.edu/ark:/67531/metadc27151/
Y 99-4
Black, beige, and white brushstrokes are scattered evenly on the background of the painting creating a patterned surface upon which a large white to black gradation floats in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27157/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
Z 99-5
The abstract painting consists of shades of tan, white, black and gray with two bars of gradations floating on the surface, one lower edge and one center right. digital.library.unt.edu/ark:/67531/metadc27158/
V 99-1
Painting consists of black, white, and beige brushstrokes scraped and blended in equal quantities. On the far right edge of the canvas, a gradation from white to black is painted in long horizontal bands. digital.library.unt.edu/ark:/67531/metadc27154/
X 99-3
Black, white and beige brushstrokes create a patterned background upon which several white to black gradation motifs float. digital.library.unt.edu/ark:/67531/metadc27156/
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27153/
[framed masked face floating above wavy landscape receding into distance]
Depth is achieved by the diminishing scale of purple wavy lines atop green straight verticals. Floating to the right is a multi-shade brown frame, again with the illusion of depth and inside is a masked face. digital.library.unt.edu/ark:/67531/metadc27029/
94-3
Light gray painting with linear pattern with many small gray circles spread across the surface. digital.library.unt.edu/ark:/67531/metadc27130/
95-3
This vertical painting consists of a highly detailed patterned background across which are scattered various sized circles. digital.library.unt.edu/ark:/67531/metadc27131/
95-6
Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles. digital.library.unt.edu/ark:/67531/metadc27132/
A 97-1
Large black brushstrokes fill background with small, multi-colored circles floating on surface. digital.library.unt.edu/ark:/67531/metadc27137/
Study for 95-3 and E 95-7
A vertical work with horizontal stripes in light blue and light tan and includes gray to black numbered brushstrokes. digital.library.unt.edu/ark:/67531/metadc27134/
C 97-3
Red, blue, and brown brushstrokes covered by a black mesh consisting of forty-nine openings arranged seven by seven through which the reds, blues and browns appear. digital.library.unt.edu/ark:/67531/metadc27138/
Study
Vertical dark gray painting with shade gradations from white to black on surface. Some numbers and some text in upper right portion along with red, blue, and yellow green spots. digital.library.unt.edu/ark:/67531/metadc27135/
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27139/
B 97-2
Vertical painting with large gray brushstrokes. Several gradation motifs float on the surface. digital.library.unt.edu/ark:/67531/metadc27136/
95-7
Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag. digital.library.unt.edu/ark:/67531/metadc27133/
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