You limited your search to:

  Partner: UNT College of Visual Arts + Design
 Decade: 1910-1919
 Collection: Texas Fashion Collection
Hat

Hat

Date: 1910/1914
Creator: unknown
Description: Hat of black velvet. Designed as a modified sailor's hat, with a shallow cylindrical black velvet crown with slightly domed top. The wide, flat, black velvet-covered brim has an inner wire form, visible where velvet has been damaged. At side of crown is a spray of black/green cock feathers with a black velvet ribbon bow. The underside of the brim is covered in black velvet, while the crown is lined in black satin. There are no labels in the hat.
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1910/1915
Creator: unknown
Description: Hat of black velvet. The domed crown is of shirred black velvet with spiraling lines of quilting. Around the base of the crown is a band of black grosgrain ribbon, with bow and trailing ribbons at side. The wide brim is slightly undulating, with wired edge. The hat is lined in black satin. There are no labels or tags in the hat.
Contributing Partner: UNT College of Visual Arts + Design
Toque

Toque

Date: 1915/1918
Creator: unknown
Description: Toque of black velvet. The circular crown is of black velvet, gathered at top and crafted to create wrinkles. Brim at sides and front folds up to form "visor" at front of crown, on which are artificial berries, flowers, and leaves. Hat is lined with black satin. Maker's mark stamped inside crown, partly faded/worn: Perry Hat Shoppe / Perry, NY."
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1910
Creator: Egner
Description: Hat of gray and cream brocade and black velvet. The high, domed crown is formed of cream and gray brocade, in a stylized pattern of geometric lines and floral forms, recalling Chinese patterns. The oval brim is set off-center, turning up high at front and only slightly at back. Set on the brim are three black velvet bows. The upper side of the brim is of the brocade, while the underside is lined in black velvet. The inside of the crown is lined with a black satin. Retailer's label is sewn inside crown: "Egner / 501 Gordon & Koppel Bldg / Kansas City".
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1912
Creator: unknown
Description: Hat of ivory/ecru panne velvet, black fur, ivory lace, and a black plume. The crown is of low, crushed ivory or ecrue panne velvet, with a lower border of black fur. The wide brim had an inner wire framework covered with ivory lace, edged with the same black fur. Extending from lower edge of crown at side to off of the edge of the brim is a large black plume. Crown is lined with ivory/ecru satin, with gathered section at center. There are no labels in the hat. Gift of Margaret Baker. From the trousseau of Mrs. Thomas Elmer Braniff.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1918
Creator: unknown
Description: Pair of woman's shoes of black leather and black suede. The black leather toe sections of the shoes are designed with gently rounded points. The back part of the shoes, and the single strap across the instep, are of black suede. Each of the straps secure with two circular iridescent black buttons. Shoes are lined in tan cloth inside toes, black leather insoles, and black fabric inside heels. Soles of black and tan leather. Medium heel of modified French style, with rounded sides and back, and slightly curving inner side. Stamped in gilt on insole: "Bench / Volk's / Made". Hand-written notation inside shoes: "6C / 18638 / 29"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1914
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of black leather. The shoes, designed with pointed toes, close along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Stamped on lining: "350 760 / 3027 [monogram]"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1914
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of black suede. The shoes, designed with pointed toes, are embellished with subtle rows of perforations and stitching. Each boot closes along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Hand-written notation inside on lining: "270 85434"
Contributing Partner: UNT College of Visual Arts + Design
Walking Shoes

Walking Shoes

Date: 1918
Creator: Foot-Schulze & Co. (St. Paul, Minnesota, USA)
Description: Walking shoes of tan and black leather. The rounded toe and vamp are of black polished leather, the heel and sides of tan kid leather. A single strap across the instep fastens with two circular buttons out outer side of shoe. Decorative black stitching around edges and across strap on tan leather. Insole of light brown leather, and the insides of the sides are lined in tan leather. heavy low stacked heel. Sole of black leather with heavy applied rubber heel. Maker's label stamped in silver on insole: "Foot Schulze & Co / St., Paul" Stamped notation on lining: "455 29100" Molded into bottom of heel: "WAUK LITE" and "8"
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1910
Creator: unknown
Description: Sunbonnet of blue cotton with white lace trim. The brim is slightly square-shaped and heavily starched. The top of the crown is stitched to the brim in a flat seam, with fullness created in the lower crown through a set of 3 snaps on each side which fasten the crown to the brim, giving the lower crown a crenelated shape. The bonnet has no tail, and has self-fabric chin ties of blue ribbon. The left tie is formed from two pieces of fabric pieced together, while the right tie is of a single length of fabric. The ties are narrow hemmed, except for one side of a lower section of left tie, which is cut along the selvage and left unfinished. There are no labels or marks in the piece. The fact that this bonnet does not have a tail probably indicates that this was a visiting bonnet rather than a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design