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  Partner: UNT College of Visual Arts + Design
 Decade: 1890-1899
Rouen Cathedral
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No Description digital.library.unt.edu/ark:/67531/metadc8934/
Man Reading
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Bronze statue depicting a man reading. digital.library.unt.edu/ark:/67531/metadc8778/
Channel at Gravelines, Evening
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Oil painting of several sailboats on the water; buildings are visible in the background digital.library.unt.edu/ark:/67531/metadc8755/
Roses
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Oil painting of white roses in a vase, against a green background. digital.library.unt.edu/ark:/67531/metadc8735/
The Storm
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No Description digital.library.unt.edu/ark:/67531/metadc8654/
Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Colors, Portrait of Félix Fénéon in 1890
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Oil painting of Félix Fénéon, wearing a suit and holding a top hat and cane in his left hand and holding out a flower in his right. There are multicolored designs in the background. digital.library.unt.edu/ark:/67531/metadc8598/
Rouen Cathedral, West Facade, Sunlight
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No Description digital.library.unt.edu/ark:/67531/metadc8551/
Fatata te Miti (By the Sea)
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Oil painting depicting several people in the water. digital.library.unt.edu/ark:/67531/metadc8548/
Parau nate Narua ino (Word of the Devil)
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Oil painting depicting a naked woman standing in a jungle and a clothed person kneeling in the background. digital.library.unt.edu/ark:/67531/metadc8547/
Girl in White
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Oil painting depicting a woman wearing a white dress and yellow hat, standing in a field of flowers. digital.library.unt.edu/ark:/67531/metadc8545/
Gold and Brown: Self-Portrait
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A three-quarter view portrait of the artist. digital.library.unt.edu/ark:/67531/metadc8390/
Anxiety
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A woodcut print depicting a crowd of men and women. digital.library.unt.edu/ark:/67531/metadc8339/
Untitled (Sprinter)
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No Description digital.library.unt.edu/ark:/67531/metadc8328/
The Scream
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No Description digital.library.unt.edu/ark:/67531/metadc8313/
Did You Speak to Me?
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A young girl in white is seated on a stool turns to look away from the incomplete painting of her. digital.library.unt.edu/ark:/67531/metadc8306/
Marcelle Lender Dancing the Bolero in the ''Chilpéric''
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Oil painting depicting a woman dancing on a wooden floor. Other people are visible behind her. digital.library.unt.edu/ark:/67531/metadc8236/
Breakfast
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No Description digital.library.unt.edu/ark:/67531/metadc8204/
Coast Near Antibes
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Rocky shoreline and house are depicted in the painting with a distant horizon and boats in the foreground and middle ground. digital.library.unt.edu/ark:/67531/metadc8203/
The Bathers
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No Description digital.library.unt.edu/ark:/67531/metadc8202/
Thistle
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No Description digital.library.unt.edu/ark:/67531/metadc8193/
Evening Memory I
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A painting of three people in a small boat. digital.library.unt.edu/ark:/67531/metadc8142/
Haystacks in Brittany
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No Description digital.library.unt.edu/ark:/67531/metadc8132/
Arearea (Joyfullness) II
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No Description digital.library.unt.edu/ark:/67531/metadc8130/
Poppies, Isles of Shoals
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No Description digital.library.unt.edu/ark:/67531/metadc8124/
Rainy Midnight
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No Description digital.library.unt.edu/ark:/67531/metadc8123/
Giant Magnolias on a Blue Velvet Cloth
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No Description digital.library.unt.edu/ark:/67531/metadc8122/
Portrait of a Woman
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Portrait of a woman, visible from the shoulders up. Her hair is pinned up and she is facing toward her right. digital.library.unt.edu/ark:/67531/metadc8104/
The Seine at Giverny
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No Description digital.library.unt.edu/ark:/67531/metadc8096/
The Library in Venice
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No Description digital.library.unt.edu/ark:/67531/metadc8079/
Bridge and Campanile, Venice
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No Description digital.library.unt.edu/ark:/67531/metadc8080/
At the Table of Monsieur and Madame Natanson
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Oil painting depicting several people seated around a table. digital.library.unt.edu/ark:/67531/metadc8066/
Crouching Woman
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No Description digital.library.unt.edu/ark:/67531/metadc8058/
[Prostitute known as La Clownesse in a Crowd]
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Color lithograph on paper depicts La Clownesse, well-known prostitute, in front center amidst group of people. Self-portrait (?) profile of artist is included in right-side background. digital.library.unt.edu/ark:/67531/metadc8056/
Grape Harvest (Var)
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Grape pickers and harvesters with buckets and barrels are depicted in this landscape painting with a mountainous horizon. digital.library.unt.edu/ark:/67531/metadc8049/
Revere Beach
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No Description digital.library.unt.edu/ark:/67531/metadc8041/
The Island of Raguenez Brittany
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No Description digital.library.unt.edu/ark:/67531/metadc8004/
The Artist's Daughter with a Parakeet
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No Description digital.library.unt.edu/ark:/67531/metadc7993/
After the Bath
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A woman leaving her bath seen from behind is depicted in this pastel drawing. digital.library.unt.edu/ark:/67531/metadc7989/
Simplicissimus
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The color lithograph used for the April-September 1907 cover of the serial Simplicissimus. digital.library.unt.edu/ark:/67531/metadc7986/
Mont Ste. Victoire
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No Description digital.library.unt.edu/ark:/67531/metadc7853/
By the Sea
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A painting of women bathing in the sea. digital.library.unt.edu/ark:/67531/metadc7833/
Be Mysterious
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No Description digital.library.unt.edu/ark:/67531/metadc7795/
Sunbonnet
Sunbonnet of brown linen. Made of a plain weave with both white and brown threads, the hat has pasteboard staves within the brim, a crenelated buttoning crown and long tail. The crown and tail are separate pieces, sewn together at neck seam, with the tail fastening to the sides of the brim by 3 off-white buttons on each side. The tail is semi-circular in shape, and the narrow chin ties are hemmed by hand. Poke-style bonnets are generally those that have brims stiffened either through quilting or plain starched fabric. Sunbonnets that rely on staves for brim support are not considered poke-style sunbonnets. The TFC thanks Rebecca Jumper Matheson for her research on this object. digital.library.unt.edu/ark:/67531/metadc30075/
Sunbonnet
Sunbonnet of white cotton broadcloth. The hat has a square-shaped brim with an outer layer of off-white weave material with a plain-weave backing, and crocheted trim. The brim is thin and does not appear to contain much stiffening material or starch. The crenelated crown fastens to brim by a series of 9 buttons on top and 2 buttons on each side. The crown is trimmed with the same crocheted trim as is the brim. The crown and tail are of a made of a single length of fabric. The TFC thanks Rebecca Jumper Matheson for her research on this object. digital.library.unt.edu/ark:/67531/metadc30065/
Saxoleine (print used as base for advertisement for lamp oil)
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A woman wearing a yellow Victorian dress is turning on a pink-shaded lamp situated in the foreground. digital.library.unt.edu/ark:/67531/metadc36419/
Hayricks at Dusk
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The painting depicts a number of green haystacks with a blue and yellow sky, green grass in the foreground, and the sun in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc36438/
Fan
Folding fan with tortoise-shell frame. Sticks and loop of tortoise shell; possibly for brise style fan; missing leaf or ribbon. Measurements: 39 cm extended; guard 21 cm long x 3 cm wide digital.library.unt.edu/ark:/67531/metadc38047/
Fan
No Description digital.library.unt.edu/ark:/67531/metadc38040/
Slippers
Pair of lady's slippers of brown kid leather with jet beading. Designed with pointed toes, the uppers are of brown kid leather, heavily decorated with radiating patterns of jet beads, over toe, around sides and throughout openwork that decorates throat and sides of shoes. Originally had sewn-in ties across the instep. Lined in black leather. Soles of black leather. High heels are of modified French style, sometimes called "spool" style, with rounded sides and back, flaring to base, and with curved front. There are no marks or labels in the shoes. The brown ribbons in photographs are not original, are to hold the shoe closed in place of original ribbons, now missing. digital.library.unt.edu/ark:/67531/metadc39007/
Boots
Pair of lady's boots or "High Button Shoes" of black leather. The shoes, designed with pointed toes, lace closed along center front with laces 13 holes high. At top of toe box is decorative seaming creating a "V" shape. The low, stacked heels styled as a modified Louis heel, with rounded sides and back, tapering at center then flaring very slightly at base, and with curved front section. Sole of black leather. Lined in cream cloth and black leather. Partly illegible retailer's(?) mark stamped inside uppers: "Linkhau... / Memphis Tenn" Handwritten notation inside uppers: "236 6788" digital.library.unt.edu/ark:/67531/metadc39028/
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