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Hat with "Pineapple" crown. The domed crown of green felted rabbit fur is worked by gathering, "pinching" and seaming to create a surface resembling a pineapple. Around the hat "orbit" two bands of taupe felted rabbit fur edged in green grosgrain ribbon. They are connected on opposite sides of the hat and extend out into the space around the crown. Crossing the ribbons at one attachment point is a green felted rabbit fur "sheath" from which extend three long pheasant feathers. Inner hatband of green grosgrain ribbon, and with taupe felt lining the inside of the crown. Sewn to the inner hatband is designer's label: "Ian / D"

Hat in the form of a modified turban. The slightly flattened conical crown is flat across the top, with a roll at top and bottom. The lower brim gently undulates, forming lower areas at sides. The whole is covered in gold braid, spirals of black and gold ribbon, various colored rhinestones and blue/green/opalescent beads. The hat is lined in black satin(?), with black grosgrain inner hatband. Designer's label sewn into crown: "Lilly / Daché / Paris New York"

Pair of brown suede boots. Almost knee-high, the boots are constructed as slip-on rounded-toe shoes or moccasins with added segments on the quarter to create the length of the boots. At the top, the suede of the boots is folded over outwards forming a pocket for a drawstring around top and a band of suede fringe around the outside of the boot. Indistinct trademark/logo stamped on sole. Illegible stamped mark inside boots. Referred to as "Squaw Boots", these were worn by the donor who acquired them in 1968 from the Fishing Bridge Store, in Yellowstone National Park.

Pair of green suede pumps. Vamp of shoe with 5 bands of green satin ribbon running across the vamp and throat. The throat has V-cut sections on either side, with crossing bands of suede where the V intersects the ribbon. Lined in cream/grey kid leather. 2 1/2" high modified continental heels, covered in green suede. Stamped inside right shoe: " 'Charmant' / Fashions / A. Harris & Co. Dallas". Noted inside both shoes: "38 - 0 14465"

Pumps of black satin and black kid leather. Vamp with cutwork in leather forming a modified sunray or comet design centered on circular metal button set with rhinestones. The cutwork is embellished with black jet beadwork. Louis XV style heels covered in black satin. Stamped inside one shoe in gold, partly illegible: "Kasson's / Knickerbocker / Cincinnati"

Pair of white leather pumps. Shoes have rounded open toes and sections of clear vinyl or plastic at vamp on either side. Accented with rectangular buckles at vamps painted white and set with large and small rhinestones. Back straps fasten with rectangular white-painted metal buckles. 3" spike heel covered in white leather. Written in each shoe: "6 1/2 B" on vamp; "6 1/2 B 6333 / 7214-6RF" on back strap. Stamped on lining of left shoe: "M. Wolf / New York". Stamped on lining of right shoe: "Neiman-Marcus".

Pair of red satin evening shoes. The deep red shoes have pointed toes and 3 1/2" stiletto heels which are lacquered red with tiny white dots and embellished all-over with rhinestones. Marked on sole: "6 / 1/2 / B / 05" and "Made in Italy". Label inside right shoe: "Vaccari / Italy Bologna". Stamped inside left shoe: "Made in Italy for / Neiman Marcus"

Pair of slip-on evening pumps. Grey/green leather sole with clear vinyl upper, the upper trimmed at vamp with a 4-row band of rhinestones. Spike- or stiletto-style heels formed of clear Lucite embossed with vertical bands of foliate forms and with metal heel-cap. Blind-stamped into sole at ball of feet: "80 M 6641 / 3218-V678". Right shoe stamped: "Joléne / Hollywood Inspired / Made in U.S.A." The Joléne Hollywood Inspired brand/label was manufactured by the Tober-Saifer Shoe Manufacturing Company of St. Louis.

Pair of pumps. The open-toed shoes have vamps formed of black leather covered in a rhinestone-covered black fabric "bunched" at center with a circular rhinestone-set black metal button. Silver leather and elastic "spring-o-lators" linings. 3 1/4" black plastic spike heels set with rhinestones. Written inside vamp of each shoe: "6 1/2 [illeg.] / 1616ind / 6486" Stamped on each lining: "Neiman-Marcus" and "Spring-o-lators / Pat Pend"

Pair of metallic leather pumps.

Pair of black suede pumps. Shoes have peep-toe design and are embellished across the vamp with an asymmetrical design in black ribbon and side 1/2 bow on outer side. 2 1/2" high continental set-in heels covered in black suede. Leather soles, grey leather lining. Printed grey cloth lining with logo "Lastep". Stamped inside heel of both shoes: "D13258 7 1/2A AAA / 6/A". Stamped on sole of each shoe: "The United States Shoe Co. / Reg U.S. Pat. Off. / Red Cross / Shoe" Stamped inside right shoe: "Red Cross Shoes" and "This product has no connection whatever / with the American National Red Cross". Use of the "Red Cross Shoe" brand was suspended during World War II when the American Red Cross objected. It was re-instated in 1948 on the condition they company publicly disclaimed all connection with the ARC. These shoes have the disclaimer stamped in the right shoe.

Dress of multi-colored velvets. The floor-length dress has an empire waist and bell-shaped long sleeves. The upper, bodice, section is made of a sheer, multi-colored fabric woven with bands of gold thread. Over the bodice is applied sections of burnout velvet in various colors, forming bands running up the bodice, over the shoulders, and down the back, another band forming a 1" high collar, and as 2" bands around each wrist. The sections are bordered in gold cording. The lower, skirt, section is of green velvet printed in browns, greens, and gold in an abstract geometric/organic design. Fully lined in green silk(?). Center back zipper from neckline to just above waist. Three hook-and-loop closures on collar. Designer label sewn alongside zipper at shoulder-blade height at right: "Ronald Amey / New York". Evidence of removed label at inside, center front of dress below neckline.

Two-piece suit of beige worsted wool gabardine of tropical weight. The jacket is medium-length and semi-fitted, with a roll collar having wide pointed revers. It has tuck-over wide padded shoulders and long, narrow sleeves. There are slight vertical gathers at waistline, starting at sides and running around back. The center front opening has three large plated metal buttons shaped as trumpet flowers. The jacket is lined in peach crepe. The matching skirt is mid-length, with a narrow waistband that laps over and secures with two hook-and-eye closures. Skirt has four inverted pleats beginning 41.5 cm below waistband and extending down 30 cm. to bottom of skirt, two at front, two at back. Side zipper closure, top of which is where waistband secures. Skirt is unlined, and has no labels. There are three labels in the coat: Designer's label at inside left: "Forstmann / 100% Virgin Wool / © F.W. Co." Retailer's label at inside back collar: "Sanger's / Dallas" Coat and Suit Industry National Recovery Board label inside right side at seam "135776".

Coat of black wool and chinchilla fur. The full-length black wool coat is tailored to fit at waist and flares out at skirt. Long sleeves, and center front opening with 8 circular buttons covered with same black cloth, and 3 hook-and-loops spaced along the opening. The coat has a Peter Pan collar of brown and taupe striped fur identified as chinchilla. From the hips down to the hem is trimmed with matching fur, arranged so the stripes run horizontally around the skirt of the coat. The coat is fully lined in black cloth. Single retailer's label at inside back of collar: "Neiman-Marcus / Dallas".

Hat of white straw and navy blue/black embroidery appliques. The domed crown is of finely woven white straw. The narrow brim turns up at the edges, somewhat irregularly, and is edged in dark navy blue/black embroidery appliques that cover upper and lower parts of the brim. The inside of the crown has a dark navy blue/black grosgrain ribbon inner hatband. Designer's label sewn to inner hatband: "Hazel Eller - Custom Made". Accompanied by two short hat-pins, one with a head covered in matching straw, the other with a simulated pearl head.

Hatlet of straw and velvet.

Pillbox style hat of lacquered black straw.

Folding fan with mother-of-pearl sticks and guards. Leaf of white needlepoint lace backed with cream satin. Silver-colored "U" shaped bail ring at bottom.

No Description Available.

Folding-style fan with molded plastic sticks and guards and printed paper leaf. "U" shaped bail ring at bottom. Leaf is printed on one side: "Neiman Marcus - Fashion Exposition / Sept 1950 / Dallas _ Texas".

Folding mourning fan. Guards and sticks of plain black wood, shaped but not adorned. The leaf is of plain black cloth. No visible labels, marks or signatures.

Turban of printed fabric.

Toque of off-white artificial straw. The toque, formed as a low cap, has a flattened circular crown of artificial(?) off-white woven straw, which is divided into 4 unequal segments by two bands of crossing yellow velvet ribbon. At the front, where the bands of ribbon turn under to the brim are affixed two sprays of artificial flowers. The base of the crown bends under and out and back in to form a tiny brim. The hat is unlined, with an inner hatband of off-white grosgrain ribbon around inside base of crown. Inside the hat, one at either side, are triangular wire pieces covered in matching yellow velvet ribbon to help secure the hat to wearer's head. Affixed to the inner hatband is a black elastic cord to help secure the hat to wearer's head. Sewn inside crown is maker's label: "Marion Vallé / New York". The hat is accompanied by a short hatpin, the head covered in yellow velvet to match the ribbon.

Pair of ladies' gloves. The "hands" are of pale brown with white fabric, possibly a silk/cotton blend. Seamed on inside, they have 3 darts on back of each hand done with dark brown stitching. At wrist on each side is a v-shaped extension which joins to the "cuff", which is of light brown cotton with yellow tones. The scalloped edges of the "cuff" and semi-circular sections on the back of each are piped in dark brown fabric. The "cuffs" are styled as a wrap dress, with an overlap at back of wrist. The overlap has a single cylindrical button of black plastic designed to appear carved with three notches in the side revealing pale green/yellow below and at ends. Manufacturer's tag inside gloves: "Kayser, 52 * Reg / Made in Germany / 6"; Stamped in lining by tag: "Kayser 52". The gloves are accompanied by the original paper care tag: "WASH / GLOVES / ON HANDS / Use almost cool / water and a pure / mild soap. We re- / commend PALM- / OLIVE BEADS. Do / not rub. After wash- / ing take gloves off / rinse thoroughly in / cold water. Pull / lengthwise wrap / and squeeze in / towel. Then stretch / into shape and / leave to dry / KAYSER / The Name on every pair / Made in Germany / Trade Marks / Rege Krussig."

Pillbox hat of black plastic tubing.

Hat of brown velvet.

Pillbox hat of black plastic tubing.

Hat of white straw cloth and navy blue felt. The modified pillbox style hat has a slightly conical crown with rounded top of white straw cloth. The lower section of the crown is edged with a wide dark navy blue velvet band. At one side of crown is an applied ornament resembling a snail, consisting of a tightly coiled spiral of white cording that extends up and out, branching into two parts. Near the branching are two rhinestone set spheres, one on each branch. Inside of crown is lined in white fabric, and edged with an inner dark navy blue grosgrain ribbon hatband. Attached to band are two small plastic combs to secure the hat to the wearer's head. Designer's label sewn to inner hatband: "Jan Leslie / Custom Design".

Pillbox hat of yellow plastic/vinyl tubing.

Hatlet of navy straw.

Hatlet of black velvet with beads and cut-steel butterflies.

Hatlet of black velvet.

Hatlet of white plastic/vinyl tubing.

Hatlet of navy blue appliques.

Hatlet/circlet of gray mink.

Hatlet of black plastic tubing.

Hatlet of black velvet.

Hatlet in calot style of navy straw.

Hatlet of black faille and velvet.

Hatlet of green velvet, artificial flowers and crystals.

Hatlet of brown plastic tubing.

Hatlet of black velvet.

Hatlet of blue gray feathers. The crown is formed as a partly curved bird's wing, enclosed at back and arcing across the head from ear to ear. The back part of the hat is of fine feathers, closely set, while the front of the hat is made of long feathers set parallel, pointing towards the front of the hat. The under-structure is wired to retain its shape, and the crown is edged with a blue gray grosgrain ribbon and lined with blue fabric. At front of hat is a pale blue gray netting veil with scattered crystals. A black elastic cord is attached to the inner sides of the hat to help secure it to the wearer's head. Maker's label sewn inside crown at back edge: "L and B / Karo / New York"

Hatlet of navy blue and white.

Pillbox hat of knit material with embroidery and mirrors.

Hat of natural straw. Circular straw crown, slightly domed, with black grosgrain ribbon around base and surrounded by shaped straw brim. Brim is rounded in front for about 2/3 of circumference, and bound up with red stitching at back to form three corners at back. All edges of brim turned-up and edged in black velvet ribbon. From above, brim shape resembles a baseball field. Inside of crown with black grosgrain inner hatband, to which is attached two black elastic cords to secure combs to help hold hat on wearer's head. At front of hat is stitched a small "F" on the inner hatband to show front of hat. Designer's label inside crown at inner band: "Wm Silverman / New York", with smaller logo-form tag sewn in under larger label: "Wm Silverman" with scissors, needle and thread.

Hatlet of modified calot type with brown, beige, white, blue and green feathers, the whole covered with a very fine veil sprinkled with tiny rhinestones.

Hatlet of navy blue wool with embroidery and mirrors.

Hatlet of red beads.

Hatlet of beaded openwork.

UNT College of Visual Arts and Design - 4,924 Matching Results

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