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  Partner: UNT College of Visual Arts + Design
 Country: United States
 State: Texas
[Interview with Paula Sibilia]

[Interview with Paula Sibilia]

Date: April 23, 2008
Creator: Kidd, Allison
Description: This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Contributing Partner: UNT College of Visual Arts + Design
[Interview with Elda Harrington]

[Interview with Elda Harrington]

Date: April 2, 2008
Creator: Kidd, Allison
Description: This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Contributing Partner: UNT College of Visual Arts + Design
[Interview with Adelma Benavente Garcia]

[Interview with Adelma Benavente Garcia]

Date: March 25, 2008
Creator: Kidd, Allison
Description: This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Jacket, Skirt, Blouse and Scarf

Ensemble - Jacket, Skirt, Blouse and Scarf

Date: 1991-1994
Creator: Brooks, Richard
Description: Ensemble of teal silk Ottoman. The suit consists of a jacket and skirt, blouse, and scarf. The jacket is of horizontally ribbed teal silk, banded on the bias, has a rounded neckline, is long sleeved, and has princess seaming for a tailored fit. The sleeves have soft pleating at the shoulders, and there are 3 circular gold buttons set with rhinestones at each cuff. There is a center front closure with 4 large buttons matching the style of sleeve buttons and one hidden snap at top. The buttonholes are hidden in the seam of the opening. The jacket is lined in black silk. The jacket has designer's label sewn inside at back of neck: "Richard Brooks". The matching skirt is of the same silk Ottoman, below-knee length, with soft pleats at front and darts at back from waistband down 5 1/2". Small slit at center back from hem upwards. The sides are cut on straight vertical stripe. The waistband has hook and two eyes, and there is a center back zipper closure. The skirt is lined in teal silk. There are no labels in the skirt. The blouse is of a thin teal green and metallic gold jacquard, woven with ...
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Jacket, Skirts and Blouse

Ensemble - Jacket, Skirts and Blouse

Date: 1991/1992
Creator: Brooks, Richard
Description: Ensemble of rose silk. The suit consists of a jacket, two skirts and a blouse. The jacket is made from a 1930's sari of pale pink silk embroidered with gold and silver threads, beads, and pink sequins in designs of vines, flowers and abstract line patterns. Jacket has a floating yoke and full leg-o-mutton sleeves with long narrow cuffs that have zipper closures. The jacket itself has a center front opening with no closure. The neckline, edges of closure, hem, and cuffs are edged in heavily beaded bands added by the designer. Designer's label sewn inside back at neck: "Richard Brooks". The blouse is of heavy pink silk, collarless, with round neckline. It is short-sleeved, with pleating at the shoulder. Vertical seaming on front and back for structure. There is a concealed center-back closure with snap at top and 5 clear plastic circular buttons down the length. The blouse is lined in a dark, dusty pink silk and has sewn-in shoulder pads. Designer's label is sewn inside back to the left of the opening: "Richard Brooks". The two skirts are are both of identical pink silk, matching the blouse, of identical construction. One is knee-length, and the other is full-length. ...
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1972
Creator: Amey, Ronald
Description: Dress of multi-colored velvets. The floor-length dress has an empire waist and bell-shaped long sleeves. The upper, bodice, section is made of a sheer, multi-colored fabric woven with bands of gold thread. Over the bodice is applied sections of burnout velvet in various colors, forming bands running up the bodice, over the shoulders, and down the back, another band forming a 1" high collar, and as 2" bands around each wrist. The sections are bordered in gold cording. The lower, skirt, section is of green velvet printed in browns, greens, and gold in an abstract geometric/organic design. Fully lined in green silk(?). Center back zipper from neckline to just above waist. Three hook-and-loop closures on collar. Designer label sewn alongside zipper at shoulder-blade height at right: "Ronald Amey / New York". Evidence of removed label at inside, center front of dress below neckline.
Contributing Partner: UNT College of Visual Arts + Design
Jumpsuit

Jumpsuit

Date: 1966/1967
Creator: unknown
Description: Jumpsuit of pink, yellow, green and blue horizontal striped paper. The full-length rayon fiber remay paper pantsuit has olive green, pink, blue and tan stripes. Bodice is sleeveless, empire style, with with high rounded neckline and narrow spread collar, with stripes going horizontally. There is a center back zipper closure from the neck to hip-level. Pants are full-length, wide legged palazzo pants with vertical stripes. The pant legs are slit from the hem to mid-calf, and are unhemmed. The piece is lined in a white rayon fiber paper cloth. Retailer's label at inside left beneath the collar: "Change-In-Time / Boutique / Dallas, Texas".
Contributing Partner: UNT College of Visual Arts + Design
Ensemble - Coat and Dress

Ensemble - Coat and Dress

Date: 1960/1970
Creator: unknown
Description: Ensemble consisting of a coat and dress. The mid-length coat is of knit with a printed pattern of blue geometric shapes on a bright red ground, and has long sleeves and moderate collar with rounded points. Center-front opening with 4 square dark blue plastic buttons. Across back of coat is an attached belt of the same fabric, with buttons at each side, but does not extend around to the front. Fully lined in dark blue fabric. The mid-length dress is of the same fabric, and has short sleeves, a rounded neckline, and flares slightly to hem. The dress has a center-back zipper closure and is lined in the same fabric as the coat. Coat has a single retailer's label: "Lou Lattimore / Dallas" inside back at collar. Dress has slightly smaller version of same label, sewn inside at left of zipper near neckline.
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1970/1979
Creator: Wilhite, Clifton
Description: Dress of printed cotton. The floor-length dress is of cotton with a printed geometric design of a lattice of black rectangles on white background. It is sleeveless, with black spaghetti straps. There is a wide black "belt" of "quilted" cotton just below the bust, with a bow in front. The dress has a center back zipper closure with two hook-and-eye closures at top. It is fully lined in thin white fabric. The designer's label is sewn inside bodice: "Clifton / Wilhite / Dallas"; a second label is sewn just below designer's label: "Lot 6464 Size 14"
Contributing Partner: UNT College of Visual Arts + Design
Purse

Purse

Date: 1910/1915
Creator: unknown
Description: Purse / Handbag for afternoon use. Rectangular plain polished gunmetal / steel frame with ball/snap closure and matching chain of elongated links. Body of purse formed of gunmetal / steel mesh, with linked chain latticework along bottom edge, terminating in small spheres. Purse of gunmetal mesh, suitable for afternoon use. Inside of frame is engraved "Bessie H. Brown" and "Dallas Texas 4205 Swiss Avenue"
Contributing Partner: UNT College of Visual Arts + Design
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