Search Results

Dinner gown of red velvet. The full-length dress is of deep red velvet, embroidered in black to form an all-over pattern of "fish scales". Neckline is rounded, higher in front than back, and has full-length sleeves with a modified leg-of-mutton effect at the shoulders and zipper closures at wrists. The bodice is seamed, and has a natural waistline. The neckline, waistline, and upper part of sleeves/shoulders are edged in black cording/braid. Skirt is slightly gathered into the waistline braid. Center back zipper closure with hook-and-eye closure at neck. Small panel lining front of bodice at bust, the rest of the gown unlined. No label sewn in garment, but retains original paper tag: obverse: "Vera Maxwell / Original"; reverse: "Vera Maxwell / Original / Fibre Content / 100% Wool / Style 121 / Size [blank] / Mat. [blank] / Account No. [blank]". This gown is one of the "Dance Hall Girl" dresses from Ms. Maxwell's Southwest American Collection.

Handbag. Rectangular silver art deco openwork frame set with tiny marcasites and circular cabochon black stones (onyx?). Bag is of black silk velvet. Handle of black silk velvet with two silver rings set with marcasites. Lined with dusty pink ribbed silk, and containing a small rectangular mirror. Marked on frame: "MD" in a square; Diamond shaped mark with an M over a K; and an illegible shield-shaped punch.

Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)

Ensemble of oatmeal colored wool tweed: a) Jacket of beige and black wool tweed with V-neckline with standard notched collar and wide lapels; short, princess seams; 3/4 length, set in, two piece sleeves; double breasted opening with four round, plastic, beige buttons and two bound buttonholes supplemented by single large covered snap inside lap at waist; fully lined in beige silk. Label stitched inside back neck below collar. b) Dress of same; sleeveless; falling just below the knee; deep rounded neckline; empire waist seam; straight skirt has slight gathers in front; left side underarm zipper closure supplemented by single hook&eye closure; folded hem; armhole and neck facings; brassiere strap keepers snap inside shoulders; unlined.

Cocktail dress with black wool bodice and plaid skirt.

Handbag. Rectangular bronze frame chased with scrolling floral forms. Ball/snap closure and bronze chain. Body of purse of off-white woven cloth covered in beaded design of red, pink, green, black, and white in an American Indian or possibly Caucasian motifs. Originally lined in pink silk. Frame is marked "Germany".

Purse. Ornate bell-shaped silver (plated?) frame with openwork latticework set with red and blue cabochons and with silver (plated?) chain. Body of purse is of crocheted gray with vertical stripes of horizontal rows of faceted blue beads. Bottom of bag with fringe formed of loops of matching beading. Lined in gray satin with roses and vine trim.

Handbag. Arched frame of silver (plated?), lightly chased and engraved. Openwork areas on sides of frame allow rings from suspension chain to slide up and down acting as "locks". Mesh bag with enameled design of flowers. Inside bag are makers tag marked: "Mesh / Whiting & Davis Co. / Bags / Reg. U.S. & Can." and brand tag marked "El Sah".

Pair of brown suede D'Orsay Pumps. The shoes have brown suede rounded toe box and heel area, but are open at sides to the sole. Small inverted V cut at front creating "peep-toe" effect. On top of vamp is sewn on brown suede "tie" forming the effect of a bow. Brown suede ankle strap. Thick 3 1/2" high spike heel covered in brown suede. Marked inside heel of both shoes: "17061-1 / 6 S / 11310X"; Stamped on sole of both shoes: "Pandora / Footwear" The D'Orsay Pumps style of shoes is named after Count d'Orsay, a 19th century leader of French Society.

Sunbonnet of white cotton broadcloth. The hat has a square-shaped brim with an outer layer of off-white weave material with a plain-weave backing, and crocheted trim. The brim is thin and does not appear to contain much stiffening material or starch. The crenelated crown fastens to brim by a series of 9 buttons on top and 2 buttons on each side. The crown is trimmed with the same crocheted trim as is the brim. The crown and tail are of a made of a single length of fabric. The TFC thanks Rebecca Jumper Matheson for her research on this object.

Pair of green suede pumps. Vamp of shoe with 5 bands of green satin ribbon running across the vamp and throat. The throat has V-cut sections on either side, with crossing bands of suede where the V intersects the ribbon. Lined in cream/grey kid leather. 2 1/2" high modified continental heels, covered in green suede. Stamped inside right shoe: " 'Charmant' / Fashions / A. Harris & Co. Dallas". Noted inside both shoes: "38 - 0 14465"

Pair of slip-on evening pumps. Grey/green leather sole with clear vinyl upper, the upper trimmed at vamp with a 4-row band of rhinestones. Spike- or stiletto-style heels formed of clear Lucite embossed with vertical bands of foliate forms and with metal heel-cap. Blind-stamped into sole at ball of feet: "80 M 6641 / 3218-V678". Right shoe stamped: "Joléne / Hollywood Inspired / Made in U.S.A." The Joléne Hollywood Inspired brand/label was manufactured by the Tober-Saifer Shoe Manufacturing Company of St. Louis.

Two-piece suit of beige worsted wool gabardine of tropical weight. The jacket is medium-length and semi-fitted, with a roll collar having wide pointed revers. It has tuck-over wide padded shoulders and long, narrow sleeves. There are slight vertical gathers at waistline, starting at sides and running around back. The center front opening has three large plated metal buttons shaped as trumpet flowers. The jacket is lined in peach crepe. The matching skirt is mid-length, with a narrow waistband that laps over and secures with two hook-and-eye closures. Skirt has four inverted pleats beginning 41.5 cm below waistband and extending down 30 cm. to bottom of skirt, two at front, two at back. Side zipper closure, top of which is where waistband secures. Skirt is unlined, and has no labels. There are three labels in the coat: Designer's label at inside left: "Forstmann / 100% Virgin Wool / © F.W. Co." Retailer's label at inside back collar: "Sanger's / Dallas" Coat and Suit Industry National Recovery Board label inside right side at seam "135776".

Folding mourning fan. Guards and sticks of plain black wood, shaped but not adorned. The leaf is of plain black cloth. No visible labels, marks or signatures.

Hat of natural straw. Circular straw crown, slightly domed, with black grosgrain ribbon around base and surrounded by shaped straw brim. Brim is rounded in front for about 2/3 of circumference, and bound up with red stitching at back to form three corners at back. All edges of brim turned-up and edged in black velvet ribbon. From above, brim shape resembles a baseball field. Inside of crown with black grosgrain inner hatband, to which is attached two black elastic cords to secure combs to help hold hat on wearer's head. At front of hat is stitched a small "F" on the inner hatband to show front of hat. Designer's label inside crown at inner band: "Wm Silverman / New York", with smaller logo-form tag sewn in under larger label: "Wm Silverman" with scissors, needle and thread.

Sailor-style hat of tan straw and brown yarn. The "crushable" hat has a tan/brown straw crown, slightly domed, with base of brown crocheted yarn. The circular brim, set off-center to the crown, is of double-thickness. The join between the crochet band and the brim has inner brown grosgrain ribbon hatband. Designer's label sewn to inner hatband: "Hattie Carnegie / Inc / Original" When not worn, or padded, the had "deflates" or "crushes" down, the crocheted section not significantly supporting the crown.

Hat of white straw. Bonnet-style small summer hat of white Milan straw. The crown is formed of segments that arch over the head and enclose at back. Front with turned-back brim framing the face. Accented at right side by three black velvet circles. Lined inside along all edges with white grosgrain ribbon inner hatband. Retailer's label sewn to inner hatband: "Neiman-Marcus". Intended to be worn on the back of the head.

Cloche hat of royal blue velvet and silver lace. The cylindrical crown is of royal blue velvet, slightly domed and slightly "crushed". The top panel of the crown is of silver lace over a dark fabric. Around the sides of the crown, nearer the top than the base, is a horizontal band of the same silver lace. The shallow brim is constructed of the royal blue velvet and overlaid with the silver lace, which extends beyond the edge of the velvet. The crown is lined in a cream/iridescent satin; most of the underside of the brim is lined with blue velvet. Maker's label embroidered to center inner lining panel of crown: [pseudo coat of arms] "The Denver Dry Goods Co. / Paris New York / Denver", with small embroidered "FRONT" indicating the front of the hat. Retailer's label sewn to inner side of crown: "Parisian / Abilene, Tex."

Hat of ivory/ecru panne velvet, black fur, ivory lace, and a black plume. The crown is of low, crushed ivory or ecrue panne velvet, with a lower border of black fur. The wide brim had an inner wire framework covered with ivory lace, edged with the same black fur. Extending from lower edge of crown at side to off of the edge of the brim is a large black plume. Crown is lined with ivory/ecru satin, with gathered section at center. There are no labels in the hat. Gift of Margaret Baker. From the trousseau of Mrs. Thomas Elmer Braniff.

Hat of blue straw. The hat is of finely woven blue straw, having a crown styled somewhat as a cloche, high, rounded, and somewhat irregular, curving inward at base. The crown has several applied blue straw 3-lobed bows scattered over the surface. The brim is of dark blue crepe over a fine white straw mesh base (visible only from inside crown), the crepe also covering the lower part of the crown. The brim is set off-center to crown, with wider section to front and narrower sections at back and sides. Applied to the crepe are several of the 3-lobed straw bows and two bordering bands near edge of brim, consisting of thin woven bands of blue straw. The underside of the brim is covered with the blue crepe, while the inside of the crown is unlined. There are no labels or tags in the hat.

Hat of black felt. The low, domed crown of black felt is ornamented with a double-spray of black feathers at front. The brim, also of black felt, is turned up at front and turned down at back. The underside of the brim, which shows at front, is lined in black lace embellished with tiny black sequins and beads (jet?). The hat is unlined, with an inner hatband of black grosgrain ribbon. Attached to inner hatband is a small black plastic comb to secure hat to wearer's head. Maker's label sewn to inner hatband: "Grace Nugent / Los Angeles, Calif." Supplier's logo mark of Merrimac De Luxe Fur Felt stamped to inside of crown.

Wedding shoes of off-white or champagne satin. The shoes have rounded toes, and no ornamentation. The medium-high heel is set under, is rounded at back and sides and curved at front, tapers to center and then swells to base, and is covered with matching satin; it has the same natural brown colored leather on the heel's cap and on the soles of the shoes. Stamped inside both shoes: "2 D13583"

Pair of lady's slippers of brown kid leather with jet beading. Designed with pointed toes, the uppers are of brown kid leather, heavily decorated with radiating patterns of jet beads, over toe, around sides and throughout openwork that decorates throat and sides of shoes. Originally had sewn-in ties across the instep. Lined in black leather. Soles of black leather. High heels are of modified French style, sometimes called "spool" style, with rounded sides and back, flaring to base, and with curved front. There are no marks or labels in the shoes. The brown ribbons in photographs are not original, are to hold the shoe closed in place of original ribbons, now missing.

Pair of lady's shoes of black kid leather and broadcloth. The "high button shoes" have black leather toe boxes with pointed toes and black leather sections at heels which extend from heel up the back of the shoe. The uppers are of black wool broadcloth. Shoes secure at outside edges with 12 circular, slightly domed black buttons. Upper edges lined with black leather, the rest lined with white cloth. The medium-height heel is rounded at sides and back, and squared-off at front. Although not technically a "stacked" heel, the layers can be seen. Maker's label sewn into lining at top: "Wichert / Shoe / Trade Mark / New York U.S.A." Retailer's gilt stamp on inside edge: "Norton's / Gainesville, Tex." Handwritten notation inside boot, just below upper edge: "36-1 36752 / 330".

Walking shoes of tan and black leather. The rounded toe and vamp are of black polished leather, the heel and sides of tan kid leather. A single strap across the instep fastens with two circular buttons out outer side of shoe. Decorative black stitching around edges and across strap on tan leather. Insole of light brown leather, and the insides of the sides are lined in tan leather. heavy low stacked heel. Sole of black leather with heavy applied rubber heel. Maker's label stamped in silver on insole: "Foot Schulze & Co / St., Paul" Stamped notation on lining: "455 29100" Molded into bottom of heel: "WAUK LITE" and "8"

Pair of lady's wedding boots of ivory silk or satin. Designed with pointed toes, the short boots fasten up the outer sides of each shoe with eleven buttons. The button lining is of ivory leather. The remaining lining is of ivory cloth with the upper portion silk or satin. Natural light brown leather sole; Heels are in the style of a Louis heel, rounded at sides and back, concave and flaring slightly to base. Handwritten notation on inner lining: "59576". Stamped on sole near heel: "6587".

Pair of white kid ladies' shoes. Styled with pointed-toes, the white kid leather upper has a vamp decorated with geometric and stylized foliate designs in crystal beads. The shoes secure across instep with single ribbon tie on each, creating a "peep" just above toes. Lined in white leather. Natural brown leather sole. Heel is of medium height, rounded at back and tapering slightly to base. Similar to what would become a Cuban heel. Maker's code stamped inside: "35-C 3021" Worn by Norma Tiemann at her marriage to Val L. Lehmann in Brenham, Texas in 1907.

Pair of lady's dance pumps in white satin. The shoes are of white satin with large bow at vamp and a second bow on the strap which buttons across instep of each shoe. Low/flat heels. White leather insole, and sides lined with white fabric. Retailer's stamp on sole: "S.G. Maddox / Weatherford, Texas." Stamped inside: "4 D 520"

Sunbonnet of off-white calico cotton with a tiny repeated print of three stylized leaves in brown. The brim of the hat is quilted in L-shaped rows of stitching and is very stiff from starch and stiffening material within it. The crown is gathered along the entire length of the seam where it attaches to the brim. The crown and tail are formed from a single piece of fabric, and the tail is stitched flat to the lower sides of brim. The neck is adjustable, having outer neck ties stitched to the lower corners of the brim on both sides. The chin ties are of the same fabric, with unfinished edges. The long tail on the bonnet indicates that it was used as a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.

Hat of sienna/reddish silk taffeta. Styled somewhat as a cloche, the cylindrical crown is "collapsed", creating the effect that it has been partly flattened, with horizontal creasing. Top of crown is flat. Around the sides is horizontal bands of stitching in gold metallic thread. Appliqued to the front and sides of the hat are velvet blossoms and leaves in greens, rust reds/oranges, etc. At base of crown is a band of rubbed rust red/orange. The narrow brim is lined in same rust red/orange velvet, and is turned up at back allowing it to be seen. The crown is lined in a golden orange satin fabric. No labels in item.

Hat of red velvet and bronze/green gold gauze. Hat is styled as a turban, the crown of red velvet with various folds and puffs. Around the sides of the crown are braided bands of the same velvet and of a bronze/green gold gauze, giving the edge of the hat the appearance of being a turban wound in two different fabrics. Original lining missing(?), revealing the inner lining of loosely woven white fabric stitched to hold the folds and bands of cloth. No designer's, maker's, or retailer's labels in the item. Item may be of either British or American manufacture.

Hat of velvet and golden weave cloth. The domed crown is covered in a woven golden cloth shot through with metallic threads. Around the base of the crown is a wide hatband of a similar fabric in the form of a dense ribbon, forming a large bow at front. Set in behind the bow is a semi-circular fan spray of fine white feathers. The wide, circular, slightly floppy brim is of black velvet. The inside of the crown is lined in a dark blue/black satin material. Maker's label stamped in gold on inner lining of crown: "Mme. J. Dagnet / French Millinery / 206 St. Paul St. / Dallas.

Hat of gray fur felt. The derby style hat is made of a single piece of stiffened gray fur felt. The low, domed crown is encircled near the base by a band of black grosgrain ribbon, with a bow at back. The 2" wide brim curves upwards at edges. Hat is unlined, and has a band of black grosgrain ribbon inside at base of crown. Attached to the inner ribbon is a small plastic comb to secure the hat to wearer's head. Designer's label sewn to inner ribbon: "Lilly / Daché / Paris New York / 78 East 56th Street, N.Y."

Hat of plum colored velvet. Designed as a modified cloche, the low domed crown consists of two layers, "puffed" out and shirred to create gathers and folds. Between the layers is a band of ribbon trim with purple/plum dyed ostrich plumes, which form a "fringe" around the hat. The lower "puff" acts as brim. Lined in black fabric. There are no maker's, designer's, or retailer's labels or marks in the piece.

Hat of black velvet. Designed as a modified sailor's hat, with a shallow cylindrical black velvet crown with slightly domed top. The wide, flat, black velvet-covered brim has an inner wire form, visible where velvet has been damaged. At side of crown is a spray of black/green cock feathers with a black velvet ribbon bow. The underside of the brim is covered in black velvet, while the crown is lined in black satin. There are no labels in the hat.

Hat of navy blue velvet. Cylindrical crown has slightly concave sides and somewhat domed crown that is gathered into sides in large pleats. Wide brim of matching velvet is of approximately oval shape, set somewhat off-center and with large "split" at side allowing for some overlap, and with rounded ends, one of which hangs below other when hat is worn. At split is navy blue dyed ostrich feather plume. Underside of brim is of same velvet, inside of crown lined with navy blue satin with drawstring opening at top of crown, which has inner lining of cream fabric. No designer's, maker's or retailer's labels in item.

Calotte-style hat of light brown velvet. Beige and red feathers as trim on front brim and bow of self on back. Lined in golden yellow satin with grosgrain ribbon inner hatband. Small stitched mark on band showing front of hat. Designer's Label: "Hattie Carnegie" Retailer's Label: "Neiman-Marcus / Salon"

Hat of white felt fur. The domed crown is almost totally covered by ostrich feathers, dyed pale green with violet edges. The brim turns up at ends, and supports lavish embellishments consisting of artificial flowers of various colors of velvet, more dyed ostrich feathers, and a violet silk taffeta bow. The crown and brim, under the added decorations, is covered in a fine black net/veiling, which extends under the brim and into the inside of the crown. The crown is unlined, showing the fur. Maker's paper label partially preserved, attached inside crown: "[Monogram mark RAC(?)] / New York". Label also lists style, "Anita", and price of $4.00.

Cloche hat of gray felt with upturned front brim. Pewter/gray glass beads on wire trim encircle crown with perpendicular lines off left and right down brim. Label in inside hatband: "Regalle"

Little girl's Easter bonnet. Wired base with mushroom type top of black velvet and double ruffled brim of white lace. Small pink roses and green stems encircle hat above lace brim.

Toque of black velvet. The circular crown is of black velvet, gathered at top and crafted to create wrinkles. Brim at sides and front folds up to form "visor" at front of crown, on which are artificial berries, flowers, and leaves. Hat is lined with black satin. Maker's mark stamped inside crown, partly faded/worn: Perry Hat Shoppe / Perry, NY."

Hat of gray and cream brocade and black velvet. The high, domed crown is formed of cream and gray brocade, in a stylized pattern of geometric lines and floral forms, recalling Chinese patterns. The oval brim is set off-center, turning up high at front and only slightly at back. Set on the brim are three black velvet bows. The upper side of the brim is of the brocade, while the underside is lined in black velvet. The inside of the crown is lined with a black satin. Retailer's label is sewn inside crown: "Egner / 501 Gordon & Koppel Bldg / Kansas City".

Pair of plum purple satin pumps. The shoes are designed with a rounded toe, and plain uppers. The low heel is of a modified Louis or Cuban style, set in, and covered with matching fabric. Partly lined in white kidskin leather.

Pair of lady's boots or "High Button Shoes" of black and tan leather. The lower section of the shoes, designed with pointed toes, are of black leather. The upper sections, of tan leather, close along center front with laces, 17 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black and tan leather. Stamped on sole: "TEDCO / Trade Mark" Stamped on lining: "435 72307 4" and "Tedco"

Pair of lady's boots or "High Button Shoes" of black suede. The shoes, designed with pointed toes, are embellished with subtle rows of perforations and stitching. Each boot closes along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Hand-written notation inside on lining: "270 85434"

Pair of lady's boots or "High Button Shoes" of tan leather. The shoes, designed with pointed toes, are of tan leather which close along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Heels covered with matching leather. Sole of tan leather. Stamped on lining: "H.Seligmann / Seguin, Tex." and "356 10146" Stamped on sole is a wreath containing an image of a shoe and label "Duchess".

Pair of lady's boots or "High Button Shoes" of black leather. The shoes, designed with pointed toes, close along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Stamped on lining: "350 760 / 3027 [monogram]"

Hat of ecru lace and black horsehair. The high, slightly domed crown is formed of ecru lace, with a black satin ribbon bow to side, and a black satin band around the base of the crown, partly obscured by the lace. The wide, undulating black horsehair brim is oval, wider to sides than front to back. Inside of crown originally lined with fine, transparent black tulle, remains of which form an inner hatband at inside base of crown. Maker's label sewn to inner hatband: "Paris / della Donna / New York". Intended for afternoon wear.

Hat of sienna / brown velvet.

Cloche hat of straw. The high, domed straw is crown of sienna-red braid, with a band of solid reddish-pink silk around the base. Below the silk band is multi-colored ruched trim extending less than 1/4" from the band. Below the trim is a brim covered by sienna grosgrain ribbon, extending very slightly in front and disappearing in back. The hat is lined in a metallic bronze fabric. No designer's or retailer's labels, but hat does retain original price tag inside crown.

UNT College of Visual Arts and Design - 188 Matching Results

Add Filters

Applied Filters