- [View from Cathedral stairs]
- Photograph of the city of Gerona, Spain from the cathedral stairs. Buildings and a bell tower are visible in the foreground. The surrounding countryside is visible in the background. digital.library.unt.edu/ark:/67531/metadc10927/
- [Cathedral facade]
- Photograph of the facade of the cathedral in Gerona, Spain. A large set of stairs leads to the entrance in the foreground. digital.library.unt.edu/ark:/67531/metadc10926/
- [Cathedral of Gerona]
- Photograph of the Gerona Cathedral in Gerona, Spain. The cathedral is partially visible through a stone doorway. digital.library.unt.edu/ark:/67531/metadc10928/
- [Gerona]
- Photograph a stairway in Gerona, Spain. A girl stands midway up the stairway. The stairway leads up into a street above. Buildings above are visible in the background. digital.library.unt.edu/ark:/67531/metadc10925/
- [Gerona]
- Photograph of a street in Gerona, Spain. A wall and iron fence lead towards an archway in the foreground. The street passes under the archway into the background. Buildings rise above the archway. digital.library.unt.edu/ark:/67531/metadc10924/
- [Apartments]
- Photograph of apartment houses along the Onar River in Gerona, Spain. The river is visible in the foreground. The apartments rise directly out of the opposing river bank. digital.library.unt.edu/ark:/67531/metadc10923/
- [Montserrat]
- Photograph of Montserrat mountain in Spain. The photograph was taken from a high vantage point looking down towards the valley below. Trees on a rocky hillside are visible in the foreground. The river and valley are visible bellow. The surrounding region is visible in the background. digital.library.unt.edu/ark:/67531/metadc10922/
- [Montserrat]
- Photograph of the mountain of Montserrat in Spain. Rocky cliffs are visible in the foreground. The river and valley are visible below. The adjacent mountainside is visible in the background. digital.library.unt.edu/ark:/67531/metadc10921/
- [Montserrat Monastery]
- Photograph of the monastery in Montserrat, Spain. The monastery is visible in the foreground with the mountain rising behind in the background. digital.library.unt.edu/ark:/67531/metadc10920/
- [Province of Zaragoza]
- Photograph of the province of Zaragoza, Spain. A green hillside rises from the bottom of the frame into the background. Zaragoza sits atop the hillside. digital.library.unt.edu/ark:/67531/metadc10918/
- [Zaragoza]
- Photograph of Zaragoza, Spain. In the foreground, a field lined with a stone wall is visible. The city of Zaragoza is visible in the background. digital.library.unt.edu/ark:/67531/metadc10917/
- [La Seo Cathedral]
- Photograph of La Seo Cathedral in Zaragoza, Spain. The Plaza de la Seo is visible in the foreground. The cathedral is visible at the back of the plaza. The foreground is intersected by lines of red flags. The buildings next to the cathedral are decorated with Spanish flags. digital.library.unt.edu/ark:/67531/metadc10919/
- [Nuestra Señora del Pilar]
- Photograph of Nuestra Señora del Pilar Cathedral in Zaragoza, Spain. A street is visible in front of the cathedral. On the street, a car and the side of a building are visible. Numerous people walk in front of the cathedral. digital.library.unt.edu/ark:/67531/metadc10916/
- Ensemble - Coat and Dress
- Ensemble of printed silk. The full-length dress is of silk with a printed design of abstract flower forms in red, blue, purple, white, yellow and green on a black ground. It has a rounded neckline and long sleeves which have fabric covered snaps at the wrists. The bodice is seamed and fitted, and the skirt is slightly A-line, flaring to hem. Center back closure, top third is hook-and-eyes, the lower two-thirds is a zipper. The dress is fully lined in black silk. Designer's label sewn inside bodice near waist: "Givenchy". Underneath label is a second label with handwritten notation "48245". The matching coat is of the same print on a heavier weight silk. It is full-length, with a standing collar which has internal wiring for support. The sleeves are full-length, and it has a center front opening which secures with a single fabric-covered snap just below collar. The coat is unlined. Designer's label sewn inside coat at right near waist: "Givenchy". Underneath label is a second label with handwritten notation "48246" This ensemble was made for the donor to wear to the wedding of Maria del Carmen Martinez-Bordiu y Franco, (1951- ) granddaughter of General Franco, to Don Alfonso, Duke of Anjou and Cádiz (1936 - 1989), son of Infante Jaime of Spain, Duke of Segovia and grandson of King Alfonso XIII of Spain. The wedding took place in the chapel of El Pardo Palace, Madrid, on 8th March 1972. The donor noted: "It was designed by Monsieur Givenchy especially for me. Balenciaga was alive, though he had closed his house, and Givenchy consulted with him on this outfit. You can see Balenciaga's line to it. ... Givenchy had the two distinct fabrics printed in the same design -- one for dress and one for coat. He said it must look like the light shining through the stained glass windows of the Chapel." The ensemble has a matching pair of shoes by Roger Viver made of fabric in the same print. digital.library.unt.edu/ark:/67531/metadc30152/
- Pillbox Hat
- Brown velvet pillbox cocktail hat. The low, circular crown of the hat is slightly domed. At front of hat is pinned a large 3-dimensional pear-shaped openwork jeweled ornament of gold wire set with various colors and shapes of stones. Inside of hat lined in black cloth. Around inside lower edge of crown is brown grosgrain ribbon band. Sewn to inner band is a plastic comb to help secure hat to wearer's head. Maker's label sewn to inner ribbon band: "Eisa". The jeweled ornament is attributed to Robert Goossens of Paris, who is known to have supplied Balenciaga. Donor notes of this hat: "...to wear with short black cocktail dresses." digital.library.unt.edu/ark:/67531/metadc30150/
- Pillbox Hat
- Pillbox hat. The short, flat-topped cylindrical crown of tan netting is completely covered with rows of artificial magenta pink silk flowers, which have yellow thread and green plush centers. Inside the lower edge of the crown is a dark green grosgrain ribbon band which has two sections of elastic cord sewn along the sides to form loops to help secure the hat to wearer's head. Label sewn into inner ribbon band: "Eisa" Donor stated that this hat was "...to wear with a black day outfit." digital.library.unt.edu/ark:/67531/metadc30148/
- Fan
- Folding fan. Thin polished wood or bamboo guards lacquered a dark mahogany. The thin sticks are dyed purple. Paper leaf with hand-painted abstract design of flowers and foliage on a reddish ground. Metal bail. Reverse is unadorned. No visible labels or marks. Gift of Mrs. Arthur Kramer, Sr., from the original Dallas Musuem of Fashion collection. digital.library.unt.edu/ark:/67531/metadc38042/
- Fan
- Folding fan. Plain shaped wooden sticks and guards. Leaf of cream paper with thin border of brown. On the leaf are three printed vignettes: 1) view of a street through an archway, titled "Calle de Cuchilleros"; 2) View of the exterior of a church/mission, titled "San Antonio de la Florida"; 3) Scene of a bear shaking a tree, entitled "Madrid". Maker's stamp on back of leaf at guard: "Casa de Diego" Created between 1950 and 1986. digital.library.unt.edu/ark:/67531/metadc38115/
- Pumps
- Pair of pumps of plastic and leather. The pumps are of a plastic printed with a multi-colored hologram surface of stripes with stars, stripes and dots. 3" spike heels covered with blue leather. White leather inner. Sole of brown and black leather. Label inside each shoe: "Stuart Weitzman / for / Mr. Seymour". Stamped inside each shoe: "5W 79087 N 7 1/2" Stamped on sole: "Leather / Sole" in hide outline; Stuart Weitzman & Co / Made in Spain" digital.library.unt.edu/ark:/67531/metadc39032/
- Christ Blessing
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It is a round disc with painting of christ. Upper half of the body is visible with one hand holding a book and the other hand in gestural position. There is a circular disc behing the figure with painted motifs in green, blue and white colors. There is visible clothing worn by christ and textures are visible on the dark blue cloth worn over inside layer of clothing. Book has geen, yellow, red and white color motifs. Other than this there are two small circular discs on the plate with written text in latin. They are blue, white and red in color. Other than that metal is visible with plain golden surface. digital.library.unt.edu/ark:/67531/metadc52126/ - America's Cup Pavilion, Sails and Winds
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A close view of the facade bearing the name of the building, underneath side of a deck and a stairway are shown. digital.library.unt.edu/ark:/67531/metadc41990/ - Casa Vicens
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The facade of the house shows the color and many textural patterns. The windows are dressed with a variety of balconies and grids. digital.library.unt.edu/ark:/67531/metadc41969/ - Casa Vicens
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A small cupid sits atop a window ledge with the alternating pattern of white tiles and flowered tiles behind. digital.library.unt.edu/ark:/67531/metadc41975/ - Casa Vicens
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The view is a close detail of the winged dragon like creature atop the fence and behind can be seen the yellow flowery design on the blue-green ground of the ceramic tiles. digital.library.unt.edu/ark:/67531/metadc41972/ - Casa Vicens
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The close detail view is of the exterior facade and shows the yellow flower decorated ceramic tiles and the wrought iron fence with its flower decorations. digital.library.unt.edu/ark:/67531/metadc41971/ - Casa Vicens
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The view is of the corner of the house with a close view of colored ceramic tiles and textures. digital.library.unt.edu/ark:/67531/metadc41970/ - Casa Vicens
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The close view of the exterior of the building shows the detail of the alternating flowered ceramic tiles with plain white tiles as well as two small cupids that sit on a ledge. A vertical stained glass window is also shown. digital.library.unt.edu/ark:/67531/metadc41974/ - Casa Vicens
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In this view the rough undressed stone is visible juxtaposed next to the rough red brick and the smooth decorative ceramic tiles. digital.library.unt.edu/ark:/67531/metadc41976/ - Casa Vicens
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The view is of one of the turrets and the juxtaposition of colorful ceramic tiles laid on the rough red bricks. digital.library.unt.edu/ark:/67531/metadc41973/ - Forum Building and Plaza
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A close view of the decorative metal cladding of one of the pillars is shown in this view. The texture consists of shiny area punctuated with pierced areas. digital.library.unt.edu/ark:/67531/metadc41435/ - Forum Building and Plaza
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A close detail of the exterior facade looking straight skyward shows how breaks in the surface of the triangular building are created to include windows which allows natural light into the interior space. digital.library.unt.edu/ark:/67531/metadc41432/ - Forum Building and Plaza
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A very close detail of the exterior of the building shows the textured blue concrete and a large vertical angular break in the surface of the facade shows a window inserted in the fissure. digital.library.unt.edu/ark:/67531/metadc41431/ - Forum Building and Plaza
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The close detail view shows the decorative textures of the panels comprising the skylight walls. digital.library.unt.edu/ark:/67531/metadc41437/ - Forum Building and Plaza
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A close view of the exterior shows the textured blue concrete and the glass windows. The raking angle shows one side of the triangular building. digital.library.unt.edu/ark:/67531/metadc41430/ - The City of Arts and Sciences
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The view shows the main portion of the exterior of the top part of the building. digital.library.unt.edu/ark:/67531/metadc41438/ - Forum Building and Plaza
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The interior of the exhibition hall is shown in this view which includes one of the main support pillars. The decorative metal texture of the pillar is shown in this view as well. digital.library.unt.edu/ark:/67531/metadc41434/ - Forum Building and Plaza
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The view upward shows the mirror clad skylight. digital.library.unt.edu/ark:/67531/metadc41436/ - Forum Building and Plaza
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The view is of the stairs leading down to the auditorium. The upper level which consists of the exhibition hall is supported by the pillars. digital.library.unt.edu/ark:/67531/metadc41433/ - Barcelona Pavilion
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The view is through the glass to the sculpture, Dawn, by Georg Kolbe, situated in the reflecting pool. The highly figured marble is visible behind the standing statue. digital.library.unt.edu/ark:/67531/metadc40960/ - Alameda Bridge
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The view shows the pedestrian and automobile bridge at a raking angle with a person emerging from the metro station included in the architect's design. digital.library.unt.edu/ark:/67531/metadc40997/ - Alameda Bridge
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The view is of the underneath side of the bridge and shows the Turia riverbed. digital.library.unt.edu/ark:/67531/metadc40998/ - Alameda Bridge
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The view is of the bridge looking east across the old riverbed of the Turia river. digital.library.unt.edu/ark:/67531/metadc40999/ - Dawn
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The view of the sculpture is from the reflection made by the sculpture in the reflecting basin of Ludwig Mies van der Rohe's Barcelona Pavilion from 1929. The figure is a nude female with arms gracefully raised above her head. digital.library.unt.edu/ark:/67531/metadc40959/ - Barcelona Pavilion
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The view is a close detail of the exterior wall showing the highly figured marble. digital.library.unt.edu/ark:/67531/metadc40955/ - Barcelona Pavilion
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The reflecting pool is in the foreground with the pavilion in the background on an angle. The view shows the glass walls and possibility of looking through the building and beyond. digital.library.unt.edu/ark:/67531/metadc40957/ - Anderton Court Shops
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This detail view of the shopping center shows some Christmas tree decoration and the entrance overhangs and a portion of the steeple like structure rising from the center of the building. digital.library.unt.edu/ark:/67531/metadc51848/ - Umbracle 2004
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The sculptural group consists of several pieces of parallel metal bars inside which are blue, green or purple slats. They appear to undulate in the wind. They are permanently installed near the Forum Building and Plaza by Herzog and de Meuron architectural firm. digital.library.unt.edu/ark:/67531/metadc41441/ - Alameda Bridge
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The view is from underneath the bridge and looks eastward. digital.library.unt.edu/ark:/67531/metadc41001/ - Alameda Bridge
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The view shows both the automobile and the pedestrian paths. The view is looking south. digital.library.unt.edu/ark:/67531/metadc41000/ - The Fish, Olympic Marina Village
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The large fish shape is shown in this view between the two housing towers. The headless fish shape is copper color and seen in profile. digital.library.unt.edu/ark:/67531/metadc41425/