The facade of the railway station building is mostly visible behind a few trees. The building's style is a compilation of styles from Britain and India.
This detail view shows a sculpture in the form of a lion with a man much smaller in proportion on the grounds of the Lakshmana Temple dedicated to lord Vishnu. Some portion of the facade of the temple is visible as well as another temple in the upper right corner of this view.
This view of the subsidiary shrine is shown in very close detail. This wall section consists of many friezes and molded plinths. Many figures carved in high relief and low relief patterns decorate the surface.
Lavish and rich carved detail of the south facade interior corner is shown in this view. Both humans and animals, particularly elephants are depicted in high relief.
This view shows the south side of the temple and its carved figures including celestial beauties applying vermilion to the part in the hair. Vishnu, singing nymphs and an erotic couple are portrayed.
Dancing nymph & snake goddess are depicted in this view. This view is of the south facade and depicts a nymph and a snake goddess. Smaller groups of figures are placed above these.
This close detail of the temple shows a seated male figure on the far right reaching out in gesture of teaching or guidance to a line of figures in front of him.
This detail view of this Shiva temple includes ascending clusters of towers. The surfaces are covered with intricate patterns carved into the sandstone with each tower topped with a finial.
A stone carved wall depicting various aspects of Shiva. There are many human figures that can be seen resting in carved windows. Several mythological animals can be seen resting on top of the windows. Human figures have various stance and movements.
The engaged columns of Rajarajeshvara temple depict various aspects of Shiva. Many human figures rest in carved windows. Several mythological animals decorate the pillars.
The painting on the cave wall depicts several seated half-clothed figures inside an architectural setting. In the lower right corner is another couple can be seen through a gold embellished window. In the upper right corner are more people. On the left side is an animal that resembles a horse or dog. There are many missing chips. Vidhurapandita teaches the sacred doctrine to the Naga King Varuna on the left and Queen Vimala is on the balcony discussing her marriage. Vidhurapandita and the court lady are below the balcony.
An elephant dominates the scene with some figures in the foreground and background. Some foliage and rocky formations are also part of this painted imagery on the wall of the cave.
This view contains a platform and an intact temple in the background. People walking around perimeter in foreground show the massive scale of the height of the elevation. Some archaeologists can be seen digging at the base.
This view shows a close detail of the gate of the Great Stupa. This north gateway's central section and bottom architrave is seen from the inside. The carving depicts a scene with many figures, animals and other items.
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