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  Access Rights: Public
  Partner: UNT College of Visual Arts + Design
 Country: United States
[Interview with Elda Harrington]

[Interview with Elda Harrington]

Date: April 2, 2008
Creator: Kidd, Allison & Westrup, Sarah
Description: This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Contributing Partner: UNT College of Visual Arts + Design
[Interview with Adelma Benavente Garcia]

[Interview with Adelma Benavente Garcia]

Date: March 25, 2008
Creator: Kidd, Allison & Westrup, Sarah
Description: This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Contributing Partner: UNT College of Visual Arts + Design
[Interview with Paula Sibilia]

[Interview with Paula Sibilia]

Date: April 23, 2008
Creator: Kidd, Allison & Westrup, Sarah
Description: This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Contributing Partner: UNT College of Visual Arts + Design
[Metropolitan Museum of Art]

[Metropolitan Museum of Art]

Date: unknown
Creator: Gough, Ray
Description: Photograph of a sculpture exhibit in the Metropolitan Museum of Art in New York, New York. In the foreground, a two-story exhibition hall is visible filled with brown pedestals displaying small sculptures. Two stories of colonnaded archways are visible in the background.
Contributing Partner: UNT College of Visual Arts + Design
Bonnet.

Bonnet.

Date: 1810
Creator: unknown
Description: Bonnet of blue silk. Brim is hand-quilted in square corners and curving lines that follow the shape of the brim in even lines. The brim is composed of 3 pieces of silk fabric, which are pieced together and then quilted. Cotton used as batting material throughout. The crown is entirely quilted in rows of horizontal stitching and radiating circles. The tail has L-shaped quilting, which echoes the front edge of the tail. The chin ties are striped silk ribbons. Some areas of fabric loss and shattering on bonnet and ties.
Contributing Partner: UNT College of Visual Arts + Design
Pantsuit

Pantsuit

Date: 2000?
Creator: de la Renta, Oscar
Description: Evening pantsuit of ivory, blue, and black striped silk consisting of three pieces: a) Mid-length jacket of vertically striped silk with very wide, straight sleeves. Center front opening with no closure. Attached shoulder pads. (b) Pants of matching silk. Full-length, with center back snaps and hook-and-eye closure. Designed to fit loosely, with drawstring waist. (c) Short sleeved tank-style top of matching silk. Sleeveless, with round neckline. The hem, armholes, and neckline are trimmed in black. Each piece has designer's label "Oscar de la Renta".
Contributing Partner: UNT College of Visual Arts + Design
Hat

Hat

Date: 1935/1939
Creator: Carnegie, Hattie
Description: Hat of green felt. Designed as a modified cloche, the had is formed of a deep, domed crown of green felt with a rolled edge at back that extends to become a high, curved brim in front. The front extension is crowned by a feathered ornament formed as a stylized bird looking downwards. The "bird" has tan and dark feathers for the tail, green feathers for neck and breast, and a black plastic(?) beak. Around the base of the crown is a band of dark gray/bronze colored net, which extends at front and sides to become a veil. Around inside of crown is dark brown/black grosgrain ribbon band. Sewn to inner ribbon band is maker's label: "Hattie Carnegie / Inc / Custom Made"
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 1920
Creator: unknown
Description: Dress of navy wool gabardine in two parts. The main body of the tubular-shaped dress is full-length, sleeveless, with a round neckline. It has decorative bead-work at upper bust, on back at shoulders and down spine, in a line from right hip down to hem, and around hem. The bead-work includes lines of red and clear beads, spirals and "bursts" of clear and red beads, circular ornaments of red beads, and a roundel at front to bottom right at hem of a scene of a wine jug against a blue, clear and green background. The dress has an opening from left shoulder to waist which is secured with a line of hidden snaps, and is decorated with nine cloth and plastic circular non-functioning buttons arranged in groups of three. The dress is unlined. The dress has with it a detachable cropped camisole of white cotton with center front hook-and-eyes closure and white elastic waistband. The sleeves of the camisole are of navy wool gabardine, bell-shaped, and match the dress. They are decorated with the same style bead-work as the dress, including lines of red and clear beads running from shoulders to wrist, clear and red beaded spirals and "bursts", and ...
Contributing Partner: UNT College of Visual Arts + Design
Dress

Dress

Date: 2000?
Creator: de la Renta, Oscar
Description: Evening dress of bright green hammered silk. The tunic-style dress is full-length, tapering to lower hem in a V-line and with a slit up the side. Rounded collar/neckline and long, bat-wing style sleeves. Inner attached shoulder pads. Hand-written note on the designer label: "8624 #2"
Contributing Partner: UNT College of Visual Arts + Design
Handbag

Handbag

Date: 1910/1925
Creator: unknown
Description: Handbag of multi-colored glass beads of boldly colored, somewhat stylized floral design. Bronze frame cast with floral forms and openwork, and set with navy blue and green rhinestones. Roses on frame have remains of applied coloration. Suspension chain in rope form with spaced clusters of green and blue beads. Bag has fringe at bottom composed of loops of green and black faceted beads. Off-white satin lining, mostly deteriorated.
Contributing Partner: UNT College of Visual Arts + Design
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