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  Partner: UNT College of Visual Arts + Design
 Language: No Language
 Collection: ARTsource
[35 East Wacker Drive, Chicago, Illinois, United States]
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A building at 35 East Wacker Drive in Chicago, Illinois. The building was also formerly called the North American Life Building, the Pure Oil Building, and the Jewelers' Building. digital.library.unt.edu/ark:/67531/metadc9001/
[333 West Wacker Drive, Chicago, Illinois]
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View of the glass facade of the building at 333 West Wacker Drive in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8999/
[333 West Wacker Drive, Chicago, Illinois]
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Detail view of the marble columns surrounding an entrance to the building at 333 West Wacker Drive in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8997/
[333 West Wacker Drive, Chicago, Illinois]
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View of one corner of the skyscraper at 333 West Wacker Drive, in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8998/
[333 West Wacker Drive, Chicago, Illinois]
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Southeast entrance to the building at 333 W. Wacker Drive in Chicago, Illinois. There are steps leading up to the entrance and two marble columns flank the doorway. The lower part of the building is made of stone with windows above. digital.library.unt.edu/ark:/67531/metadc8996/
190 South La Salle
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View of the top of a skyscraper at 190 South La Salle Street in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8994/
Woman Holding a Dog
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Pastel drawing depicts woman in light pinkish coat and black hat holding a small white dog. digital.library.unt.edu/ark:/67531/metadc8993/
[333 West Wacker Drive, Chicago, Illinois]
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View of the glass facade of the skyscraper at 333 West Wacker Drive in Chicago, Illinois. digital.library.unt.edu/ark:/67531/metadc8995/
President Theodore Roosevelt of the United States of America and the German Kaiser Wilhelm II, in the dispute over the German Blockade of Venezuela
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No Description digital.library.unt.edu/ark:/67531/metadc8992/
Bac de Roda/Felip II Bridge
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View of the Bac de Roda bridge in Barcelona, Spain. digital.library.unt.edu/ark:/67531/metadc8990/
Bac de Roda/Felip II Bridge
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No Description digital.library.unt.edu/ark:/67531/metadc8989/
Bac de Roda/Felip II Bridge
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View of a portion of the walkway on the Bac de Roda Bridge in Barcelona, Spain. digital.library.unt.edu/ark:/67531/metadc8988/
Untitled
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No Description digital.library.unt.edu/ark:/67531/metadc8987/
Lady Elizabeth Delmé and Her Children
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Portrait of Lady Elizabeth Delmé, seated under a tree with her left arm around a young boy and girl. A dog is seated in front of the children. Other trees are visible in teh background. digital.library.unt.edu/ark:/67531/metadc8986/
Dive Bomber and Tank
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No Description digital.library.unt.edu/ark:/67531/metadc8984/
Crown of Thorns
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No Description digital.library.unt.edu/ark:/67531/metadc8985/
Architectonic Painting
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Painting of red, orange,pink,green and black varied opaque layered geometric shapes. digital.library.unt.edu/ark:/67531/metadc8982/
Five Feet of Colorful Tools
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No Description digital.library.unt.edu/ark:/67531/metadc8981/
Trojan Gates
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Abstract oil painting. digital.library.unt.edu/ark:/67531/metadc8983/
Tournament
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No Description digital.library.unt.edu/ark:/67531/metadc8980/
The Feast of Pure Reason
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Oil painting depicting three seated men smoking cigars. digital.library.unt.edu/ark:/67531/metadc8978/
The Vases
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Oil painting depicting red vases on a light-colored background. digital.library.unt.edu/ark:/67531/metadc8979/
Untitled
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Sculpture made of welded steel wire and canvas. digital.library.unt.edu/ark:/67531/metadc8977/
Current
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Painting of black and white contrasted lines that appear to vibrate and form three-dimensional depressions in a "S" shaped pattern. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast. digital.library.unt.edu/ark:/67531/metadc8975/
Rhythm of a Russian Dance
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Oil painting depicting colored lines on a light background. digital.library.unt.edu/ark:/67531/metadc8976/
Number 04: The Negro was the largest source of labor to be found after all others had been exhausted.
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No Description digital.library.unt.edu/ark:/67531/metadc8974/
Number 60: The trains were packed continually with migrants.
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No Description digital.library.unt.edu/ark:/67531/metadc8972/
Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.
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No Description digital.library.unt.edu/ark:/67531/metadc8973/
Fission
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Painting of black and white contrasted polka-dots that appear to vibrate and form three-dimensional depression at the center of the piece. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast. digital.library.unt.edu/ark:/67531/metadc8970/
Pullet
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No Description digital.library.unt.edu/ark:/67531/metadc8971/
Inner Core 2
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This painting is a series of narrow, closely spaced, horizontal and vertical stripes. digital.library.unt.edu/ark:/67531/metadc8969/
Compact Object
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No Description digital.library.unt.edu/ark:/67531/metadc8968/
Mother and Child
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Painting of blue, green, peach and black oil paint which depicts a female figure who appears to be holding a small child above her. digital.library.unt.edu/ark:/67531/metadc8966/
Christus
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Mixed Media Painting of charcoal, watercolor, gouache, ink and oil slick on paper. Black erratic mark making throughout the plane. digital.library.unt.edu/ark:/67531/metadc8967/
Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...
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No Description digital.library.unt.edu/ark:/67531/metadc8964/
Kitty Hawk
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No Description digital.library.unt.edu/ark:/67531/metadc8965/
Number 28: The labor agent who had been sent south by northern industry was a very familiar person in the Negro counties.
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No Description digital.library.unt.edu/ark:/67531/metadc8963/
Number 30: In every home people who had not gone North met and tried to decide if they should go North or not.
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No Description digital.library.unt.edu/ark:/67531/metadc8962/
Number 32: The railroad stations in the South were crowded with people leaving for the North.
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No Description digital.library.unt.edu/ark:/67531/metadc8961/
Number 36: In Chicago and other cities they labored in the steel mills
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No Description digital.library.unt.edu/ark:/67531/metadc8960/
Number 44: Living conditions in the North were better.
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No Description digital.library.unt.edu/ark:/67531/metadc8959/
Number 50: Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers.
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No Description digital.library.unt.edu/ark:/67531/metadc8958/
Number 54: One of the main forms of social and recreational activities in which migrants indulged occured in the church.
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No Description digital.library.unt.edu/ark:/67531/metadc8957/
Number 56: Among the last groups to leave the South ws the Negro professional who was forced to follow his clientele to make a living.
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No Description digital.library.unt.edu/ark:/67531/metadc8956/
Joan Miró and His Daughter Dolores
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No Description digital.library.unt.edu/ark:/67531/metadc8955/
The Seine
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No Description digital.library.unt.edu/ark:/67531/metadc8953/
The Riot
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No Description digital.library.unt.edu/ark:/67531/metadc8954/
Over Vitebsk
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No Description digital.library.unt.edu/ark:/67531/metadc8951/
The Seer
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No Description digital.library.unt.edu/ark:/67531/metadc8950/
Viaduct
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No Description digital.library.unt.edu/ark:/67531/metadc8948/
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