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  Partner: UNT College of Visual Arts + Design
 Decade: 1940-1949
Untitled
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No Description digital.library.unt.edu/ark:/67531/metadc8987/
Dive Bomber and Tank
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No Description digital.library.unt.edu/ark:/67531/metadc8984/
Number 04: The Negro was the largest source of labor to be found after all others had been exhausted.
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No Description digital.library.unt.edu/ark:/67531/metadc8974/
Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.
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No Description digital.library.unt.edu/ark:/67531/metadc8973/
Number 60: The trains were packed continually with migrants.
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No Description digital.library.unt.edu/ark:/67531/metadc8972/
Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...
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No Description digital.library.unt.edu/ark:/67531/metadc8964/
Number 28: The labor agent who had been sent south by northern industry was a very familiar person in the Negro counties.
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No Description digital.library.unt.edu/ark:/67531/metadc8963/
Number 30: In every home people who had not gone North met and tried to decide if they should go North or not.
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No Description digital.library.unt.edu/ark:/67531/metadc8962/
Number 32: The railroad stations in the South were crowded with people leaving for the North.
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No Description digital.library.unt.edu/ark:/67531/metadc8961/
Number 36: In Chicago and other cities they labored in the steel mills
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No Description digital.library.unt.edu/ark:/67531/metadc8960/
Number 44: Living conditions in the North were better.
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No Description digital.library.unt.edu/ark:/67531/metadc8959/
Number 50: Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers.
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No Description digital.library.unt.edu/ark:/67531/metadc8958/
Number 54: One of the main forms of social and recreational activities in which migrants indulged occured in the church.
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No Description digital.library.unt.edu/ark:/67531/metadc8957/
Number 56: Among the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living.
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No Description digital.library.unt.edu/ark:/67531/metadc8956/
Joƫ Bosquet in Bed
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No Description digital.library.unt.edu/ark:/67531/metadc8949/
First Theme,
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No Description digital.library.unt.edu/ark:/67531/metadc8921/
Nelikon
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No Description digital.library.unt.edu/ark:/67531/metadc8917/
The New Rich
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Painting of red, yellow, blue, green, white and gray featuring ten figures performing various tasks such as cooking. digital.library.unt.edu/ark:/67531/metadc8897/
Self-Portrait with Cropped Hair
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No Description digital.library.unt.edu/ark:/67531/metadc8898/
Number 12: The railroad stations were at times so overpacked with people leaving that special guards had to be called to keep order.
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No Description digital.library.unt.edu/ark:/67531/metadc8894/
Number 10: They were very poor.
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No Description digital.library.unt.edu/ark:/67531/metadc8891/
Number 58: In the North the Negro had better education facilities.
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No Description digital.library.unt.edu/ark:/67531/metadc8892/
Number 18: The migration gained in momentum.
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No Description digital.library.unt.edu/ark:/67531/metadc8886/
Number 46: Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous.
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No Description digital.library.unt.edu/ark:/67531/metadc8882/
Crucifix
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No Description digital.library.unt.edu/ark:/67531/metadc8802/
Two Sisters
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No Description digital.library.unt.edu/ark:/67531/metadc8792/
Portrait of a Woman
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No Description digital.library.unt.edu/ark:/67531/metadc8794/
Head of the Monserrat II
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No Description digital.library.unt.edu/ark:/67531/metadc8791/
Little Spanish Prison
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This oil painting has twelve vertical stripes in alternating hues of yellow and grey with one red horizontal stripe crossing three horizontal stripes on the upper left area of the painting. digital.library.unt.edu/ark:/67531/metadc8767/
Sand Mines of Tetelpa
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No Description digital.library.unt.edu/ark:/67531/metadc8761/
Tree
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This painting portrays a tree with a fence in the foreground in hues of brown and green. digital.library.unt.edu/ark:/67531/metadc8757/
Poem-Object
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No Description digital.library.unt.edu/ark:/67531/metadc8748/
Painting
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Painting of black irregular layered strokes on off-white background. digital.library.unt.edu/ark:/67531/metadc8745/
Girl with Leaves
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No Description digital.library.unt.edu/ark:/67531/metadc8740/
Number 40
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No Description digital.library.unt.edu/ark:/67531/metadc8726/
Phantasy II
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Painting of yellow, red, blue and dark green with thin black illustrations of triangles, squares and circle. digital.library.unt.edu/ark:/67531/metadc8708/
White Anxiety
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No Description digital.library.unt.edu/ark:/67531/metadc8702/
Red Votive Lights
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This abstract painting on wood includes various hues of red with touches of purple and green. digital.library.unt.edu/ark:/67531/metadc8688/
Figure in Rain
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No Description digital.library.unt.edu/ark:/67531/metadc8683/
The Divers II
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No Description digital.library.unt.edu/ark:/67531/metadc8680/
The Vertigo of Eros
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This painting contains unidentifiable objects that appear to float in space among swirling and straight lines. The overall color palette is dark with highlights of red and yellow. digital.library.unt.edu/ark:/67531/metadc8666/
Onement III
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No Description digital.library.unt.edu/ark:/67531/metadc8651/
Abe Lincoln the Great Emancipator
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Painting of five male subjects in warm and cool hues of burnt-orange, dark blue, gray and black. Abraham Lincoln is depicted wearing his signature black top hat and black knee-length overcoat. The subject to the left of Abraham Lincoln appears to be in decorated military attire. The two subjects on the far right are also in military attire. digital.library.unt.edu/ark:/67531/metadc8643/
Quarantania I
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No Description digital.library.unt.edu/ark:/67531/metadc8624/
City Square
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No Description digital.library.unt.edu/ark:/67531/metadc8618/
Man Pointing
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No Description digital.library.unt.edu/ark:/67531/metadc8602/
Garden at Sochi,
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No Description digital.library.unt.edu/ark:/67531/metadc8595/
The Leaf of the Artichoke is an Owl
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No Description digital.library.unt.edu/ark:/67531/metadc8580/
Family Group
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No Description digital.library.unt.edu/ark:/67531/metadc8571/
Number 02: The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home.
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No Description digital.library.unt.edu/ark:/67531/metadc8525/
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