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Partner:
UNT College of Visual Arts + Design
Decade:
2000-2009
Collection:
College of Visual Arts + Design Archival Project
Collection:
UNT Scholarly Works
- AL 00-3
- This abstract painting is mostly black with some white vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27160/
- AZ 01-14
- This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line. digital.library.unt.edu/ark:/67531/metadc27167/
- AJ 00-1
- This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center. digital.library.unt.edu/ark:/67531/metadc27159/
- The Alchemist's Wedding Band
- The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead. digital.library.unt.edu/ark:/67531/metadc129771/
- AQ 01-5
- This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
- Asteroids and Asterisks Warped and Trapped by Red Yellow and Gray Gestures
- The horizontal painting consists of two red backgrounds that have been decorated with a scratched into the surface grid pattern. Dancing across the surface are seven vertical gray swaths and two thick yellow paint drips running from the top edge of the painting. digital.library.unt.edu/ark:/67531/metadc102404/
- AT 01-8
- This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
- AU 01-9
- This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
- AV 01-10
- This oil painting is predominately pink with vertical scrapes of black and white. digital.library.unt.edu/ark:/67531/metadc27164/
- AW 01-11
- This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
- AX 01-12
- This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27166/
- BA 01-15
- This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
- Backward N Come Together Edges
- The square blue painting's surface is covered with a scratched into the surface grid pattern and across the uppermost surface is a backward N shape in a bright orange color. digital.library.unt.edu/ark:/67531/metadc102406/
- BE 02-4
- Predominately orange painting includes many parallel vertical wavy black lines with horizontal texture. digital.library.unt.edu/ark:/67531/metadc27171/
- BH 02-7
- The bright orange painting also contains many vertical parallel wavy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27172/
- BI 02-8
- This predominately yellow painting includes vertical curved and wavy orange lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27173/
- BJ 02-9
- This predominately orange/red painting contains lined texture at various horizontal angles and contains curved vertical yellow parallel lines. digital.library.unt.edu/ark:/67531/metadc27174/
- BM 03-1
- This predominately black painting also contains curved and wavy parallel vertical orange lines and lined texture perpendicular to orange lines. digital.library.unt.edu/ark:/67531/metadc27175/
- BS 03-7
- Light green painting contains many vertical wavy parallel black lines contrasted with perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27176/
- BV 03-10
- Predominately white painting contains vertical curvy and wavy parallel black and gray lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27177/
- CA 04-2
- This mostly white painting includes vertical wavy parallel black and gray lines and lined horizontal texture. digital.library.unt.edu/ark:/67531/metadc27187/
- CD 04-5
- This predominately yellow oil painting also has many vertical wavy black lines and linear horizontal texture. digital.library.unt.edu/ark:/67531/metadc27188/
- CE 04-6
- This predominately blue oil painting contains many parallel wavy vertical black lines, a few red and yellow vertical lines as well with horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27189/
- CF 04-7
- This predominately blue painting includes vertical black wavy lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27190/
- CG 04-8
- This predominately white painting also includes vertical multi-colored parallel wavy lines with linear texture. In this photograph of the painting, the studio floor of the artist is visible. digital.library.unt.edu/ark:/67531/metadc27191/
- CH 04-9
- This predominately red/orange painting has darker vertical wavy parallel lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27192/
- CI 04-10
- This yellow painting includes curved and wavy lines with perpendicular linear texture. digital.library.unt.edu/ark:/67531/metadc27193/
- CJ 05-1
- This painting has a white background and many vertical curved and parallel multi-colored lines with a horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27194/
- CK 05-2
- This painting's background is predominately white and has many vertical wavy parallel multi-colored lines. digital.library.unt.edu/ark:/67531/metadc27195/
- CL 05-3
- Painting has white background and many multi-colored horizontal wavy lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27196/
- CO 06-1
- This painting consists of a white background with many curved multi-colored lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27199/
- CP 06-2
- This oil painting has a predominately white background and many circular multi-colored lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27200/
- CU 08-2
- This square painting has a predominately light peach background and includes many gray curved lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27209/
- Curved Edges and Grid
- This square painting consists of two yellow sections with grid patterns and texture. Across the surface is a rough swath of purple which reveals the scratched and grid pattern texture of the underlying layer. digital.library.unt.edu/ark:/67531/metadc102408/
- Cycling Round the Geometric Sky
- The horizontal painting is divided into colorful geometric shapes. Across the bottom edge are five large and dark comma shapes and across the top edge are small similar marks. digital.library.unt.edu/ark:/67531/metadc102409/
- Dialectics
- The sculpture consists of a yellow head shape with a secondary face appearing in an oval shape on the surface. Protruding vertically out of the top of the head are three leaf like covered elongated shapes. digital.library.unt.edu/ark:/67531/metadc102329/
- Different Orders, Number 4
- The horizontal painting is divided into two large and one narrow sections. Each are decorated with grid patterns and connecting the two larger vertical sections is a large white X. digital.library.unt.edu/ark:/67531/metadc102410/
- Different Orders, Number 6
- The horizontal painting is divided into three basic geometric shapes. Each is decorated with a grid pattern and across the yellow section is a large black swath of paint in a vertical comma shape. digital.library.unt.edu/ark:/67531/metadc102411/
- Different Orders, Number 8
- The horizontal painting consists of several geometric shapes in blues and oranges. Across the surface is a large yellow green swath arcing across the canvas. digital.library.unt.edu/ark:/67531/metadc102412/
- Faux Blue and Pink Diamond Squares Speed West Eastward
- The horizontal painting is divided into several divisions. Grid patterns in various incarnations cover the surface and foiling this are two horizontal dark drips of thick paint. digital.library.unt.edu/ark:/67531/metadc102413/
- Five Orange Strokes Two Down with Eggs and Grid
- The square painting consists of a blue background upon which the scratched grid reveals an underlying pattern of egg shapes. Across the center of the painting are four bright orange streaks, horizontal and vertical. digital.library.unt.edu/ark:/67531/metadc102414/
- Five Purples Running to the West
- The horizontal painting is divided vertically into two sections across which run horizontally running amounts of thick paint. Drawn onto the surface of the canvas is a grid. digital.library.unt.edu/ark:/67531/metadc102415/
- Flock
- The orange platter contains a yellow face in low relief in the center and surrounding the face are highly textured blue bird silhouettes. digital.library.unt.edu/ark:/67531/metadc102331/
- Grid Junctions or Roller Coaster Ride
- The horizontal painting consists of two grid patterns angled toward each other. Across the surface of the canvas is a large lime green area of thick paint that runs toward the bottom edge of the canvas. A pink wedge runs across the lower right. digital.library.unt.edu/ark:/67531/metadc102417/
- Identi-Tea
- The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint. digital.library.unt.edu/ark:/67531/metadc129778/
- Identi-Tea
- The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. digital.library.unt.edu/ark:/67531/metadc129777/
- The Jumping Frog is Dead and Buried or Gray Grid Triple Purple
- The horizontal painting is divided vertically into two portions, both of which share a grid pattern texture. Sweeping across both dark and light areas is a large black swath revealing the various textures and grids. A light pinkish color of thick paint appears splattered and squirted in the lower portion on the right hand side of the painting. digital.library.unt.edu/ark:/67531/metadc102422/
- The Jumping Frog is Dead and Buried or Gray Grid Triple Purple, No. 2
- The horizontal painting is vertically divided into two portions. Across the bottom edge are several pink splashes. digital.library.unt.edu/ark:/67531/metadc102421/
- Number 68
- This abstract painting is predominately black with some wavy vertical strokes of green, pink, and white. digital.library.unt.edu/ark:/67531/metadc27169/
- Number 69
- The mostly pink painting also includes black, white and green parallel wavy lines. digital.library.unt.edu/ark:/67531/metadc27170/