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  Partner: UNT College of Visual Arts + Design
 Decade: 2000-2009
 Collection: College of Visual Arts + Design Archival Project
 Collection: UNT Scholarly Works
AL 00-3
This abstract painting is mostly black with some white vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27160/
AZ 01-14
This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line. digital.library.unt.edu/ark:/67531/metadc27167/
AJ 00-1
This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center. digital.library.unt.edu/ark:/67531/metadc27159/
The Alchemist's Wedding Band
The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead. digital.library.unt.edu/ark:/67531/metadc129771/
AQ 01-5
This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
Asteroids and Asterisks Warped and Trapped by Red Yellow and Gray Gestures
The horizontal painting consists of two red backgrounds that have been decorated with a scratched into the surface grid pattern. Dancing across the surface are seven vertical gray swaths and two thick yellow paint drips running from the top edge of the painting. digital.library.unt.edu/ark:/67531/metadc102404/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
AU 01-9
This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
AV 01-10
This oil painting is predominately pink with vertical scrapes of black and white. digital.library.unt.edu/ark:/67531/metadc27164/
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
AX 01-12
This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27166/
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
Backward N Come Together Edges
The square blue painting's surface is covered with a scratched into the surface grid pattern and across the uppermost surface is a backward N shape in a bright orange color. digital.library.unt.edu/ark:/67531/metadc102406/
BE 02-4
Predominately orange painting includes many parallel vertical wavy black lines with horizontal texture. digital.library.unt.edu/ark:/67531/metadc27171/
BH 02-7
The bright orange painting also contains many vertical parallel wavy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27172/
BI 02-8
This predominately yellow painting includes vertical curved and wavy orange lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27173/
BJ 02-9
This predominately orange/red painting contains lined texture at various horizontal angles and contains curved vertical yellow parallel lines. digital.library.unt.edu/ark:/67531/metadc27174/
BM 03-1
This predominately black painting also contains curved and wavy parallel vertical orange lines and lined texture perpendicular to orange lines. digital.library.unt.edu/ark:/67531/metadc27175/
BS 03-7
Light green painting contains many vertical wavy parallel black lines contrasted with perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27176/
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece. digital.library.unt.edu/ark:/67531/metadc275001/
Bush Meets Pope
The painting depicts George W. Bush meeting the Pope, Pope Benedict XVI. The colors are solid and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc275000/
BV 03-10
Predominately white painting contains vertical curvy and wavy parallel black and gray lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27177/
CA 04-2
This mostly white painting includes vertical wavy parallel black and gray lines and lined horizontal texture. digital.library.unt.edu/ark:/67531/metadc27187/
CD 04-5
This predominately yellow oil painting also has many vertical wavy black lines and linear horizontal texture. digital.library.unt.edu/ark:/67531/metadc27188/
CE 04-6
This predominately blue oil painting contains many parallel wavy vertical black lines, a few red and yellow vertical lines as well with horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27189/
CF 04-7
This predominately blue painting includes vertical black wavy lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27190/
CG 04-8
This predominately white painting also includes vertical multi-colored parallel wavy lines with linear texture. In this photograph of the painting, the studio floor of the artist is visible. digital.library.unt.edu/ark:/67531/metadc27191/
CH 04-9
This predominately red/orange painting has darker vertical wavy parallel lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27192/
CI 04-10
This yellow painting includes curved and wavy lines with perpendicular linear texture. digital.library.unt.edu/ark:/67531/metadc27193/
CJ 05-1
This painting has a white background and many vertical curved and parallel multi-colored lines with a horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27194/
CK 05-2
This painting's background is predominately white and has many vertical wavy parallel multi-colored lines. digital.library.unt.edu/ark:/67531/metadc27195/
CL 05-3
Painting has white background and many multi-colored horizontal wavy lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27196/
CO 06-1
This painting consists of a white background with many curved multi-colored lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27199/
CP 06-2
This oil painting has a predominately white background and many circular multi-colored lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27200/
CU 08-2
This square painting has a predominately light peach background and includes many gray curved lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27209/
Curved Edges and Grid
This square painting consists of two yellow sections with grid patterns and texture. Across the surface is a rough swath of purple which reveals the scratched and grid pattern texture of the underlying layer. digital.library.unt.edu/ark:/67531/metadc102408/
Cycling Round the Geometric Sky
The horizontal painting is divided into colorful geometric shapes. Across the bottom edge are five large and dark comma shapes and across the top edge are small similar marks. digital.library.unt.edu/ark:/67531/metadc102409/
Dialectics
The sculpture consists of a yellow head shape with a secondary face appearing in an oval shape on the surface. Protruding vertically out of the top of the head are three leaf like covered elongated shapes. digital.library.unt.edu/ark:/67531/metadc102329/
Different Orders, Number 4
The horizontal painting is divided into two large and one narrow sections. Each are decorated with grid patterns and connecting the two larger vertical sections is a large white X. digital.library.unt.edu/ark:/67531/metadc102410/
Different Orders, Number 6
The horizontal painting is divided into three basic geometric shapes. Each is decorated with a grid pattern and across the yellow section is a large black swath of paint in a vertical comma shape. digital.library.unt.edu/ark:/67531/metadc102411/
Different Orders, Number 8
The horizontal painting consists of several geometric shapes in blues and oranges. Across the surface is a large yellow green swath arcing across the canvas. digital.library.unt.edu/ark:/67531/metadc102412/
Faux Blue and Pink Diamond Squares Speed West Eastward
The horizontal painting is divided into several divisions. Grid patterns in various incarnations cover the surface and foiling this are two horizontal dark drips of thick paint. digital.library.unt.edu/ark:/67531/metadc102413/
Five Orange Strokes Two Down with Eggs and Grid
The square painting consists of a blue background upon which the scratched grid reveals an underlying pattern of egg shapes. Across the center of the painting are four bright orange streaks, horizontal and vertical. digital.library.unt.edu/ark:/67531/metadc102414/
Five Purples Running to the West
The horizontal painting is divided vertically into two sections across which run horizontally running amounts of thick paint. Drawn onto the surface of the canvas is a grid. digital.library.unt.edu/ark:/67531/metadc102415/
Flock
The orange platter contains a yellow face in low relief in the center and surrounding the face are highly textured blue bird silhouettes. digital.library.unt.edu/ark:/67531/metadc102331/
Grid Junctions or Roller Coaster Ride
The horizontal painting consists of two grid patterns angled toward each other. Across the surface of the canvas is a large lime green area of thick paint that runs toward the bottom edge of the canvas. A pink wedge runs across the lower right. digital.library.unt.edu/ark:/67531/metadc102417/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. This view shows the detail of the artist's right thumbprint. digital.library.unt.edu/ark:/67531/metadc129778/
Identi-Tea
The piece includes sewn copper foil with torch-fired vitreous enamel in pattern of artist's right thumb print and is in the shape of a teapot. digital.library.unt.edu/ark:/67531/metadc129777/
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple
The horizontal painting is divided vertically into two portions, both of which share a grid pattern texture. Sweeping across both dark and light areas is a large black swath revealing the various textures and grids. A light pinkish color of thick paint appears splattered and squirted in the lower portion on the right hand side of the painting. digital.library.unt.edu/ark:/67531/metadc102422/
The Jumping Frog is Dead and Buried or Gray Grid Triple Purple, No. 2
The horizontal painting is vertically divided into two portions. Across the bottom edge are several pink splashes. digital.library.unt.edu/ark:/67531/metadc102421/
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